10 Fun Facts About Broad City

Comedy Central
Comedy Central

What began as a YouTube web series has morphed into a comedic phenomenon. Broad City began its life in 2009 as a short web series on YouTube, starring Upright Citizens Brigade (UCB) alumnae Abbi Jacobson and Ilana Glazer. When the ladies decided to take the show to network, Amy Poehler, who co-founded UCB, agreed to executive produce. In 2011, FX commissioned a pilot—Abbi’s and Ilana’s names were almost Ali and Eliza, or Carly and Evelyn—but ended up passing; Comedy Central picked it up, and the show premiered on January 22, 2014.

Broad City features versions of Abbi and Ilana (last names Abrams and Wexler, respectively), and their crazy adventures navigating New York City, much of which is based on their own real-life experiences—including Deals Deals Deals. In anticipation of the series' fourth season, which premieres on September 13, here are 10 fun facts about the crass female-friendship sitcom.

1. ABBI JACOBSON THOUGHT ILANA GLAZER WAS ALIA SHAWKAT FROM ARRESTED DEVELOPMENT.

Jacobson and Glazer met while working together on an improv practice team at UCB. Jacobson told The New York Times that before they met, Jacobson thought Glazer was Alia Shawkat, the actress who played Maeby Fünke on Arrested Development.

"After the first night of practice, we go to a bar and we’re talking about where we’re from, and it turns out she knew two of my best friends from college,” Jacobson recalled. “And in that moment, I was just like ... this is not Maeby anymore. I would know if my friends were friends with Maeby. We really hit it off immediately; I was just like trying to become friends with Maeby, and then I thought, I’ll just stay friends with this girl.”

2. THEY UPSET WHOLE FOODS.

In the series' third season, Lincoln (Hannibal Buress) extracts Abbi’s wisdom teeth. Ilana gets her hopped up on a weed s’more milkshake called a Firecracker. High as a kite, Abbi wanders off to a Whole Foods in Brooklyn, where she hallucinates that her stuffed animal friend, Bingo Bronson, is life-sized and is egging her to buy expensive items, like manuka honey. During an interview with Jimmy Kimmel, the women said they pestered Whole Foods on Twitter until they let them film there.

“It had to be Whole Foods,” Jacobson said. Whole Foods granted their wish. Turns out, they weren’t offended about the hallucination. “They cared about us truly naming the price of their manuka honey,” Glazer said. “The true price!” Abbi ends up spending a whopping $1487.56 at the store—part of that on manuka honey.

3. THE SHOW IS HAPPY TO USE BARS TO BLUR OUT NUDITY.

Occasionally, the women appear nude on the show. But unlike Lena Dunham on Girls, Jacobson and Glazer use blur bars to cover up their nether regions. “Lena Dunham is awesome,” Glazer told New York Magazine. “I love seeing her body on TV. Lena is like a vessel for the message that normal bodies are so beautiful and sexy and powerful. But I don’t think we would be that brave to be that vessel, even though you still, like, get that and people are like, ‘Wow, they’re not bony!’ Lena’s isn’t for a joke, you know? Ours is always for a joke. We’re very grateful for those blurs. So grateful.”

4. HILLARY CLINTON’S APPEARANCE WAS A POLITICAL STATEMENT.

In a March 2016 interview with Entertainment Weekly, Jacobson said that Hillary Clinton's cameo on the show, in which she played herself, wasn’t supposed to be a political statement—but then she backtracked.

“Of course it’s a political statement!” Jacobson told The New York Times in October 2016. “For us, it felt like we were justifying our show in a different way—it felt historic.” The episode was written a year before it aired, when there weren’t other political candidates.

This season, though, the ladies will make yet another political statement when they’ll bleep out the word “Trump.” “It, like, sounds so gross, like every day saying it so many times, and we just didn't want to share air time,” Glazer explained.

5. SOULSTICE IS BASED ON A REAL GYM.

One of Jacobson’s odd jobs was handing out flyers for an Equinox gym, near Grand Central Terminal. “I didn’t even get paid, it was just a membership,” Jacobson told TIME. “But at the time I was like ‘this is amazing!’” At least Jacobson didn’t have to clean up gym vomit like her fictional character did.

6. JAIMÉ'S ACCENT ISN'T REAL.


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Arturo Castro plays Ilana’s gay, weed-dealing Venezuelan roommate Jaimé on the show, but is none of those things in real life. “Sometimes people are a little bummed that I don’t actually talk like Jaimé,” Castro told People. “When I see their faces drop I try to put it on for like a second. And then my girlfriend is like, ‘What are you doing?’”

Castro told The Daily Beast people are also surprised he doesn’t sell marijuana. “This guy came up to me in Bryant Park and he was like: ‘Dude, you don’t have an accent?’ and then, ‘So you don’t sell weed either?’ He was really disappointed and walked away.”

7. GLAZER DIDN’T WANT HER BROTHER WRITING FOR THE SHOW.

Glazer’s brother, Eliot, wanted to write for the show but his sister thought “it would be too close for comfort,” he told The New Yorker. “It was a source of tension for a while.” Eliot eventually appeared on five episodes of Broad City as Ilana’s brother, and went on to write for New Girl and Younger.

8. LIKE ABBI ABRAMS, ABBI JACOBSON IS AN ARTIST.


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When art-school grad Jacobson first moved to New York City, she sold greeting cards throughout the city. As she told The Huffington Post, she sold them on the streets and tried to get them into the Museum of Modern Art (MoMA). “I was really hustling with that, trying to get a big retail store to want them, but it never panned out,” she said. Some of her artwork is displayed in the show, and last year she released an illustrated book called Carry This Book, which became a New York Times bestseller. She also hosts the podcast “A Piece of Work,” co-produced by MoMA.

9. TREY STARTED OUT IN PORN BECAUSE HE WAS A FAILED ACTOR.

Near the end of season two, Trey—Abbi’s boss at Soulstice/love interest—revealed he starred in soft-core porn under the name Kirk Steele. Paul W. Downs plays Trey and is one of the writers and producers of the show (he also dates and collaborates with Broad City director Lucia Aniello). “In the initial script, he got into porn because he was trying to make it as an actor/model/host,” Downs told Vulture. “Then he hit rock bottom after not getting a Kirkland Signature campaign … But as you saw, it was just soft-core porn, you didn’t get anything hard-core. Yeah, probably the most—I guess entry-level for porn?”

10. GLAZER AND JACOBSON DON'T SMOKE WHILE THEY'RE WORKING.


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On the show, Glazer and Jacobson can frequently be found indulging in marijuana, but fans shouldn’t expect the stars to smoke with them. “Giving us a joint is one thing—I’m like, ‘Thank you soooo much,’” Glazer told New York Magazine. But Jacobson insisted they can’t work while stoned. “But when ­people want to smoke with us? Everyone thinks we smoke in the writers’ room,” she said. “It’s like, we would never be able to do anything high!”

13 Great Rockumentaries Every Music (and Movie) Fan Should See

The Criterion Collection
The Criterion Collection

More people are watching documentaries these days, which likely means that more people are rocking their faces off with nonfiction. Far from Ken Burns’s soothing tones, these music-filled films demand amplification and an unseemly amount of perspiration.

Rock documentaries are tricky beasts. Though they often have the built-in advantage of following around famous people, they aren’t immune to boredom and eye-rolling faux depth. Keeping it simple by showcasing the music can be good, but it’s no way to be great. The best of the best manage to deliver a stellar soundscape, offer a backstage pass to the real humans who make it, and hold our ears even if we aren’t already devoted fans. If a little history gets made in the process, even better.

Grab a seat next to Penny Lane on the bus. Here are 13 of the best documentaries that every music—and film—fan should add to their Must Watch list.

1. WHAT’S HAPPENING! THE BEATLES IN THE U.S.A. (1964)

A singular piece of filmmaking where nonfiction talent met transcendent musical genius on the threshold of gargantuan stardom, this is the best Beatles documentary ever produced. Directed by legendary documentarians Albert and David Maysles, the film captures the band’s first frivolous jaunt through America, where they raised the screaming decibel level in The Ed Sullivan Show theater and goofed off in hotel rooms. It’s an explosion of youth before they changed music forever.

2. DON’T LOOK BACK (1967)

Another marriage of style, skill, and subject, Don't Look Back helped shape how the rockumentary genre could provide insights into the people who shape our popular culture. That so many iconic moments emerged from D.A. Pennebaker’s watershed work, which strolled with Bob Dylan through England in 1965, is a testament to the legendary musician's infinite magnetism. The cue cards, singing with Joan Baez in a hotel room on the edge of breaking up, the Mississippi voter registration rally, and on and on. Since it portrayed fame’s effect on the artist, the art, and the audience, most every other rock doc has been chasing its brilliance.

3. GIMME SHELTER (1970)

The rockumentary has evolved to be as diverse as the sonic landscape itself, which is why Popstar: Never Stop Never Stopping can send up the current scene just like This Is Spinal Tap! did in the 1980s. Still, 1970 feels like the year that defined the rockumentary. Another Maysles joint, this profound doc captured The Rolling Stones touring at a time when they were one of the biggest bands in the world and only getting bigger. The music is powerful and immediate, and the film closes with their appearance at the Altamont Free Concert, which turned deadly when—after a day of skirmishes between concertgoers and the Hell’s Angels acting as security—a fan with a gun was stabbed to death when he tried to get on stage during “Under My Thumb.”

4. WOODSTOCK (1970)

The other 1970 film that helped define the genre allowed thousands to claim they’d been to the biggest concert event of the generation without actually going. If rock ‘n’ roll emerged from unruly teenage years into conflicted young adulthood in the 1960s, nothing stamped that image in henna ink better than Woodstock and the documentary that accompanied it. The bands that appear are legendary: Crosby, Stills & Nash; The Who; Joe Cocker singing The Beatles; Janis Joplin; Jimi Hendrix; and many more. It’s a fly-by of the three days of peace and music that you could play on repeat with summery ease.

5. ZIGGY STARDUST AND THE SPIDERS FROM MARS (1973)

Rock doc royalty D.A. Pennebaker captured David Bowie’s final performance in his red-domed sci-fi persona at London's Hammersmith Odeon with a flair that captures the frenetic energy of the room. The crowd is as much a part of the moment as the band is, as the camera places you in the middle of a transitional moment in music history. To see Bowie that close up now is a wonder. And, naturally, the music is out of this world.

6. THE DECLINE OF WESTERN CIVILIZATION (1981)

Instead of following the famous, Penelope Spheeris’s debut dug its nails deep into the Los Angeles punk scene at the turn of the decade. Black Flag, The Circle Jerks, and other bands your parents have never heard of perform mosh pit-sparking anthems and show off their living conditions like a grungy proto-version of MTV Cribs. There’s a purity here missing from most music docs—a chronicle of people whose passion far, far outweighs their paychecks, and a screening that led the LAPD to request that the movie never be shown in LA again.

7. SIGN "☮" THE TIMES (1987)

Having Prince at the center of your concert doc is a shortcut to ensuring it’s one of the best of all time. There’s the music, of course. Hits like “Little Red Corvette” and “U Got the Look,” and Sheila E. beating the hell out of her drum kit. There’s also The Purple One's inexhaustible energy and stage presence. As a bonus, the film jumps between concert footage and (instead of candid hotel conversations) a sci-fi narrative where we get to go to Prince Planet. It’s a rocky, disorienting experience that could have only been held so tightly together by a master showman.

8. MADONNA: TRUTH OR DARE (1991)

It might be hard to explain to a younger audience just how dominant Madonna was as an artist coming out of the 1980s or the kind of landmark event this film represented because of her status. The travelogue of her Blonde Ambition Tour was like peeking into the insane world of the ultra-famous—not least because Madonna was dating Warren Beatty at the time and part of the film involves her hanging out with Al Pacino, Lionel Richie, and more. There are threats that the Canadian police will arrest her for simulating masturbation in her show, the Pope trying to get the tour canceled in Italy, and a slightly awkward return home to see family. All par for the course for someone whose personal life was carved up for public consumption.

9. RHYME & REASON (1997)

An unparalleled look into the lyricism and lifestyle of rap musicians from the genre’s rise through its global domination of the 1990s, the concert and party footage is fantastic, and the number of interviews is staggering. Peter Spirer spoke with more than 80 rap and hip-hop artists to craft a snapshot of what life was like for a group of musicians who discovered their voices could echo across the world as well as those who followed after to even greater success. Instead of going deep on one person behind the music, it’s a historical document of the culture itself as seen through the eyes of those at its very center.

10. THE DEVIL AND DANIEL JOHNSTON (2005)

For those who don’t know Daniel Johnston’s music, this doc is a crash course not only in its stripped-down, anti-folk vibes but the head it all comes spilling out of. Instead of romanticizing or ignoring his bipolar disorder, Jeff Feuerzeig’s movie engages with it directly, drawing beautiful gems from a troubled mind. An absolute masterpiece, it’s less a vision of a musician giving glimpses into his real life than it is a vision of a human being who makes music.

11. AWESOME; I F*CKIN’ SHOT THAT! (2006)

Rockumentaries follow two major formats: the raw concert doc that’s like a ticket to a show you couldn’t attend, and the profile where artists drop quotables in between performances. They’re safe and familiar, which is probably why the Beastie Boys gave both styles the middle finger in favor of a grand experiment. A year before YouTube launched, the rap trio gave 50 fans in their Madison Square Garden audience camcorders to capture the concert. The result is a genuine, fans’-eye-view of the experience, and a chaotic mashup of perspectives.

12. THE PUNK SINGER (2013)

It’s astonishing how much time and ground Sini Anderson’s portrait of Bikini Kill leader Kathleen Hanna covers. It’s so much that labeling her Bikini Kill’s leader is woefully reductive. Artist, pioneer, feminist, activist, and a dozen other titles swirl around Hanna’s sweat-covered brow as we get to know her both as an artist and as a person. It’s also a punk fever dream of riot grrrl greatness, featuring incendiary archival footage and excellent talks with members of Le Tigre, Bikini Kill, and Julie Ruin, as well as Carrie Brownstein and the Beastie Boys’s Adam Horovitz (who is also Hanna’s husband).

13. JANIS: LITTLE GIRL BLUE (2015)

A fairly recent addition to the pantheon, Amy J. Berg’s doc is a stirring tour of archival footage of the gravel-throated songstress. Narrated by musician Cat Power, instead of losing perspective to the fog of history, a blend of modern conversations and ghosts from the past offer fresh eyes and ears to create a heartsick celebration of one of music history's most beloved artists, whose career was cut woefully short.

20 Memorable Elvis Presley Quotes

Hulton Archive/Getty Images
Hulton Archive/Getty Images

More than 40 years after his death, Elvis Presley remains a rock ‘n' roll icon and has yet to be ousted from his position as “The King.” Yet the Tupelo, Mississippi-born, Memphis, Tennessee-raised superstar never took his fame for granted, nor did he forget his roots. Here are 20 memorable quotes about Elvis’s life and legacy.

ON AMBITION

“Ambition is a dream with a V8 engine.”

ON MAINTAINING YOUR VALUES

“It's not how much you have that makes people look up to you, it's who you are.”

“Values are like fingerprints. Nobody's are the same, but you leave 'em all over everything you do.”

ON THE MUSIC INDUSTRY

“I happened to come along in the music business when there was no trend.”

“I've never written a song in my life. It's all a big hoax.”

“I don't know anything about music. In my line you don't have to.”

ON THE ARMY

“After a hard day of basic training, you could eat a rattlesnake.”

“The army teaches boys to think like men.”

ON TRUTH

“Truth is like the sun. You can shut it out for a time, but it ain't goin' away.”

ON THOSE LEGENDARY DANCE MOVES

“Rock and roll music, if you like it, if you feel it, you can't help but move to it. That's what happens to me. I can't help it.”

“Some people tap their feet, some people snap their fingers, and some people sway back and forth. I just sorta do 'em all together, I guess.”

ON KEEPING POSITIVE

“When things go wrong, don't go with them.”

ON STARDOM

“If you let your head get too big, it'll break your neck.”

“I have no use for bodyguards, but I have very specific use for two highly trained certified public accountants.”

“The image is one thing and the human being is another. It's very hard to live up to an image, put it that way.”

“The Lord can give, and the Lord can take away. I might be herding sheep next year.”

ON LOVE

“Sad thing is, you can still love someone and be wrong for them.”

ON THE PITFALLS OF HOLLYWOOD

“I sure lost my musical direction in Hollywood. My songs were the same conveyer belt mass production, just like most of my movies were.”

ON GETTING OLDER

“Every time I think that I'm getting old, and gradually going to the grave, something else happens.”

ON LEAVING A LEGACY

“Do something worth remembering.”

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