A New Smithsonian Exhibition Highlights Sylvia Plath's Visual Artwork

Self-Portrait in Semi-Abstract Style by Sylvia Plath, Ink and gouache on paper, c. 1946-1952, Estate of Robert Hittel, ©Estate of Sylvia Plath. 

Studio photograph of Sylvia Plath (with brown hair) by Warren Kay Vantine, Photograph: 1954, Mortimer Rare Book Collection, Smith College, Northampton, Massachusetts. ©Estate of Sylvia Plath
Self-Portrait in Semi-Abstract Style by Sylvia Plath, Ink and gouache on paper, c. 1946-1952, Estate of Robert Hittel, ©Estate of Sylvia Plath. Studio photograph of Sylvia Plath (with brown hair) by Warren Kay Vantine, Photograph: 1954, Mortimer Rare Book Collection, Smith College, Northampton, Massachusetts. ©Estate of Sylvia Plath

More than 50 years after her death, Sylvia Plath—the American writer, poet, and scholar who committed suicide in 1963 at the age of 30—remains as relevant as ever. Scholars discuss the author’s work at academic conferences, celebrities like Lena Dunham spark Twitter dialogues about her seminal 1963 novel The Bell Jar, and a character in 2017’s Spider-Man: Homecoming even dons a T-shirt emblazoned with Plath’s image.

That’s why Dorothy Moss, curator of painting and sculpture at the Smithsonian National Portrait Gallery, became inspired to co-organize an exhibition devoted to Plath’s life and work—but with a twist: “One Life: Sylvia Plath,” which opened in June and runs until May 20, 2018, focuses not on Plath’s writing, but on her visual artwork.

"Triple-Face Portrait" by Sylvia Plath is an artwork on display in the Smithsonian National Portrait Gallery's new exhibition "One Life: Sylvia Plath."
Triple-Face Portrait by Sylvia Plath, Tempera on paper, c. 1950-1951 Courtesy The Lilly Library, Indiana University, Bloomington, Indiana, © Estate of Sylvia Plath

The popular narrative of Plath’s life focuses on her literary genius, her mental illness, and her tumultuous marriage to English poet Ted Hughes. But the author’s life—and talents—were far more complex, Moss tells Mental Floss. In fact, Plath, who attended Smith College in Northampton, Massachusetts, had originally intended to major in studio art.

“I think that once you know that she drew and painted and sketched constantly as a child, and realize that she went to college to major in art, you’ll start seeing how vivid her descriptions are, and how beautifully she put visual images into words,” says Moss, who co-curated “One Life” along with Karen Kukil, associate curator of rare books and manuscripts at Smith College. “I was very curious in her interest in the visual arts, and how that translated into her writing,” Moss says.

"A War to End Wars," an artwork on display in the Smithsonian National Portrait Gallery's new exhibition "One Life: Sylvia Plath.”
"A War to End Wars," Self-Portrait by Sylvia Plath, Paper, February 26, 1946 Mortimer Rare Book Collection, Smith College, Northampton, Massachusetts, © Estate of Sylvia Plath

“One Life” features a selection of Plath’s self-portraits, collages, and drawings, culled from the Plath archives at Smith College, Indiana University's Lilly Library, and private collections. Completed at various stages of her life, collectively, they present a woman “who’s filled with joy as much as she was filled with moments of darkness,” Moss says. “She had a very wonderful, whimsical sense of humor. She also understood how to explore the depths of her fears and anxieties in writing and in images.”

"Twas the Night Before Monday," an artwork on display in the Smithsonian National Portrait Gallery's new exhibition "One Life: Sylvia Plath."
"Twas the Night Before Monday," by Sylvia Plath, Paper, No date, Courtesy The Lilly Library, Indiana University, Bloomington, Indiana. © Estate of Sylvia Plath

An untitled collage by author Sylvia Plath, on display in the Smithsonian National Portrait Gallery's new exhibition "One Life: Sylvia Plath."
Collage by Sylvia Plath, Collage, 1960 Mortimer Rare Book Collection, Smith College, Northampton, Massachusetts, © Estate of Sylvia Plath

An untitled, semi-abstract self-portrait by author Sylvia Plath, on display in the Smithsonian National Portrait Gallery's new exhibition "One Life: Sylvia Plath."
Self-Portrait in Semi-Abstract Style by Sylvia Plath, Ink and gouache on paper c. 1946-1952, Estate of Robert Hittel, © Estate of Sylvia Plath

In addition to Plath’s artwork, the exhibition also includes letters, manuscripts, photos, and personal items like the author's writing desk, which was constructed by Hughes from a rough-cut piece of elm wood; her childhood ponytail, lopped off by Plath’s mother when she was 13 years old; and her typewriter, “as a reminder of the way that writing was a physical process," Moss explains. Together, they provide a nuanced view of an author who's commonly viewed as a dark, brooding intellectual.  

Perhaps best exemplified by The Bell Jar’s famous fig tree passage—in which character Esther Greenwood likens her many prospective futures to the tree’s branches—Plath’s work is often preoccupied with themes of self-identity. Her letters and journals are characterized by her efforts to “synthesize the various parts of herself,” Moss says, as is her artwork.

Contrary to popular belief, these parts aren’t necessarily tragic: “I really wanted her life to be seen as full, and not to be overshadowed either by her tragic death or her marriage to Ted Hughes,” Moss says. "She was much more than that."

Disney's Most Magical Destinations Have Been Reimagined as Vintage Travel Posters

UpgradedPoints.com
UpgradedPoints.com

Many of the iconic settings of animated Disney movies were modeled after real places around the world. Ussé Castle in France’s Loire Valley, for example, is widely rumored to have been the inspiration behind the original Sleeping Beauty story. (Although the castle in the movie more closely resembles Germany's Neuschwanstein Castle.) Likewise, the fictional island in Moana was made to look like Samoa, and the Sultan’s palace in Aladdin shares some similarities with India's Taj Mahal.

If you’ve ever dreamed of exploring Agrabah or Neverland, then you’ll probably enjoy getting lost in these Disney-inspired travel posters from the designers at UpgradedPoints.com, an online resource that helps individuals maximize their credit card travel rewards. Only one of the posters features a real destination ("Beautiful France"), but these illustrations let you get one step closer to scaling Pride Rock or plumbing the depths of Atlantica.

All of the images are rendered in a vintage style with enticing slogans attached—much like the exotic travel posters that were prevalent in the 1930s.

“A few of our designers wanted to capture that longing to experience the true locations of these fantastic films, and the inner child in all of us couldn’t resist seeing how they interpreted the locations of their favorite films,” UpgradedPoints.com writes. “The results are breathtaking and make us wish we could fall into our favorite Disney movies.”

Keep scrolling to see the posters, and for more travel inspiration, read up on eight real-life locations that inspired Disney places (plus one that didn't).

A Disney-inspired poster of France
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An Atlantica travel poster
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A Disney-inspired poster
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A Disney-inspired poster
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A Lion King travel poster
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A Neverland travel poster
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Last Surviving Person of Interest in Isabella Stewart Gardner Museum Heist to Be Released From Prison

Federal Bureau of Investigation, Wikimedia Commons // Public domain
Federal Bureau of Investigation, Wikimedia Commons // Public domain

Almost exactly 29 years ago, two men disguised as police officers weaseled their way into Boston’s Isabella Stewart Gardner Museum and started removing prized artworks from the wall. They made off with 13 famous paintings and sculptures, representing a value of more than $500 million. It remains the largest property theft in U.S. history, but no one has ever been charged in connection with the heist.

Now, as Smithsonian reports, the last living person who may have first-hand knowledge about the heist will be released from prison this Sunday after serving 54 months for an unrelated crime. Robert (Bobby) Gentile, an 82-year-old mobster who was jailed for selling a gun to a known murderer, has been questioned by authorities in the past. In 2010, the wife of the late mobster Robert (Bobby) Guarente told investigators she had seen her husband give several of the artworks in question to Gentile—a good friend of Guarente’s—eight years prior.

A 2012 raid of Gentile’s home also revealed a list of black market prices for the stolen items. Previous testimony from other mob associates—coupled with the fact that Gentile had failed a polygraph test when he was questioned about the art heist—suggest Gentile might know more about the crime than he has let on. For his part, though, Gentile says he is innocent and knows nothing about the art or the heist.

The FBI announced in 2013 that it knew who was responsible for the museum heist, but would not reveal their names because they were dead. Still, the whereabouts of the artworks—including prized paintings by Rembrandt, Manet, Vermeer, and Degas—remain unknown. The museum is offering a $10 million reward to anyone who can provide information leading to “the recovery of all 13 works in good condition," according to the museum's website. A separate $100,000 reward will be provided for the return of an eagle finial that was used by Napoleon’s Imperial Guard.

[h/t Smithsonian]

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