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20 Facts About Your Favorite Arnold Schwarzenegger Movies

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He’s been a bodybuilder, a governor, a stand-in for Donald Trump, and a Terminator. But Arnold Schwarzenegger’s legacy will always be as one of Hollywood’s most popular action stars. To celebrate his 70th birthday, here are 20 facts about some of your favorite Ahnold movies.

1. SCHWARZENEGGER’S NAME ALMOST KILLED PUMPING IRON BEFORE IT GOT STARTED.


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And not because it was hard to pronounce. According to Pumping Iron co-director George Butler, cash was so tight during the film's production that he once visited a film development lab hoping to get some work done on credit. When the employee asked him what he was doing, Butler told him it was about bodybuilding. Suddenly, the man turned icy and asked if it had anything to do with Arnold Schwarzenegger. When Butler told him he was the star, the lab turned him away. The reason? The actor’s first movie, 1970’s Hercules in New York, had burned his business. “I won't give you any credit,” he said. “I had a movie in here … Hercules in New York and they never paid a bill and they owe me thirty grand."

2. CONAN THE DESTROYER HELPED MAKE SCHWARZENEGGER AN AMERICAN.

Schwarzenegger gained U.S. citizenship during the filming of Conan the Destroyer. He retains dual Austrian and U.S. citizenship to this day.

3. THE IDEA FOR THE TERMINATOR ALL STARTED WITH A FEVER DREAM.

James Cameron had a tumultuous experience making his directorial debut in 1981's Piranha II: The Spawning, but as he once put it, sometimes "nightmares are a business asset." While in Rome for the horror movie's release, Cameron had a fever dream of a "metal death figure coming out of a fire." That idea eventually morphed into The Terminator.

4. DIE HARD WAS SUPPOSED TO BE A SEQUEL TO COMMANDO

We have Schwarzenegger to thank for Bruce Willis's debut as tough NYPD cop John McClane in Die Hard: The former Moonlighting star was only cast in the role after the Governator turned it down. The film—now considered one of the greatest action movies of all time—was originally intended to be a sequel to Schwarzenegger's testosterone-fueled Commando, and a script was commissioned based on Roderick Thorp's 1979 novel Nothing Lasts Forever, about an NYPD detective fighting German terrorists who take over a skyscraper. However, the disappointing box-office performance of Schwarzenegger's first attempt at a sequel, Conan the Destroyer, led him to drop out of Commando 2. The script was then repurposed into a standalone action film, and the rest is Hollywood history.

5. PREDATOR FOILED A CONAN SEQUEL.


Twentieth Century Fox

A third film called Conan the Conqueror was planned for a 1987 release, but Schwarzenegger was unable to appear in it because he was shooting Predator.

Eventually, Schwarzenegger’s three-movie Conan contract expired and the idea was later refashioned into 1997’s Kull the Conqueror starring Kevin Sorbo. Kull happened to be a character based on another pulp fiction series by Conan creator Robert E. Howard.

6. TOTAL RECALL WAS IN DEVELOPMENT FOR OVER A DECADE. 

In 1976, fledgling screenwriters Ronald Shusett and Dan O’Bannon teamed up to adapt Philip K. Dick’s short story “We Can Remember It For You Wholesale.” The pair purchased the rights to the piece that year, but soon hit the first of many delays on the road to the screen.

Difficulties in reimagining the story as a film forced the pair to take a long break from the Dick story to work on a different project. (This distraction would prove rather fortuitous, ultimately becoming the screenplay for Ridley Scott’s Alien.) Over the course of many years, the Total Recall screenplay went through more than 40 revisions. 

7. BILL MURRAY, PATRICK SWAYZE, AND DANNY DEVITO ALL TURNED DOWN THE ROLE OF KIMBLE IN KINDERGARTEN COP.


Universal Pictures

Bill Murray turned down director Ivan Reitman, who he had worked with in Meatballs (1979), Stripes (1981), and in the Ghostbusters movies, without giving a reason. Patrick Swayze and Danny DeVito also said no.

8. THE STUDIO WANTED O.J. SIMPSON TO PLAY THE TERMINATOR.

It's been bouncing around the Internet for so long that you probably think it's an urban legend, but Orion co-founder Mike Medavoy admitted that he had strongly suggested O.J. Simpson for the part of the title role, and Cameron dismissed the thought because Simpson came off as too nice of a guy.

9. SCHWARZENEGGER DIRECTED A MADE-FOR-TV HOLIDAY MOVIE.

It was 1992, and Arnold Schwarzenegger was coasting on a career high, having starred in Terminator 2: Judgment Day just one year before. So naturally he took some time off to direct a made-for-TV remake of a classic 1945 rom-com about a food writer who has to pretend to be the perfect housewife lest she lose her job. It just makes sense. Swap out original star Barbara Stanwyck for Dyan Cannnon, add in Kris Kristofferson as the love interest, and TNT’s Christmas in Connecticut is good to go.

10. THE ACTOR HAD A CLOSE CALL ON THE SET OF TRUE LIES.


Twentieth Century Fox

Schwarzenegger almost died on the set of True Lies, when a horse he was riding during one of the film’s most memorable action sequences got spooked by a camera boom and started rearing up near the edge of a very steep drop (the actor estimates it was about 90 feet to the ground). Arnold managed to slip off the horse in time, and a stuntman pulled him to safety.

11. HE WAS ABLE TO PLAY THE LEAD IN JINGLE ALL THE WAY BECAUSE OF A DELAY ON A PLANET OF THE APES REMAKE.

Schwarzenegger signed up to star in the Apes remake in March of 1994, but 20th Century Fox rejected multiple scripts for the movie, including one co-written by Chris Columbus. Columbus left the project in late 1995, and Schwarzenegger followed him soon after, freeing him to sign up for Jingle All the Way, produced by Columbus, in February 1996. Fox's Planet of the Apes reboot found its way into theaters in 2001, starring Mark Wahlberg and directed by Tim Burton.

12. ARNOLD CAME BACK FOR A THIRD TERMINATOR, BUT AT A PRICE.

Schwarzenegger was paid $29.25 million to reprise his role as The Terminator in T3. His contract stipulated that $1.5 million of the budget should be set aside for private jets, a fully-equipped gym, deluxe hotel suites, limousines, and bodyguards for his personal benefit at all times during production. On top of that, Arnold also received 20 percent of the gross receipts on ticket sales, DVDs, TV rights, game licensing, and in-flight movie licensing on the movie worldwide.

13. PUMPING IRON INSPIRED SATURDAY NIGHT FEVER.

To create a contrast in Pumping Iron, the directors decided to focus on Schwarzenegger’s rival for the 1975 Mr. Olympia title, a soft-spoken Brooklyn native named Lou Ferrigno. Unlike Schwarzenegger’s bombastic confidence, Ferrigno was depicted as being browbeaten by his domineering father. According to Butler, screenwriter Nik Cohn saw the scenes of the Ferrignos arguing over the dinner table and used it as inspiration for a project of his own: His story, "Tribal Rites of the New Saturday Night," was turned into 1977’s Saturday Night Fever.

14. SCHWARZENEGGER WAS INITIALLY TURNED DOWN FOR TOTAL RECALL FOR BEING TOO MANLY.

Despite the gradual growth of main character Douglas Quaid’s imagined virility, there was a limit to how far producer Dino De Laurentiis was willing to stray from the original character in Total Recall. He insisted that someone like Schwarzenegger was out of the question for the part and even turned down the Terminator star when Schwarzenegger expressed interest in the role. 

15. SCHWARZENEGGER SPOKE JUST 58 WORDS IN THE TERMINATOR


Metro-Goldwyn-Mayer Studios Inc.

Technically, The Terminator says more than Arnold's 17 sentences, but one is an overdubbed voice of a cop, and the other is in Sarah Connor's mother's voice, when the Terminator was trying to trick her.

16. PENELOPE ANN MILLER TAUGHT SCHWARZENEGGER HOW TO KISS ON CAMERA.

Penelope Ann Miller, Schwarzenegger’s love interest in Kindergarten Cop, gave her co-star some tips on the art of the onscreen smooch. She instructed him to grab and hold her before going in for the kiss, otherwise it would look like they were “swallowing each other up.” 

17. HE TOOK TANGO LESSONS TO PREPARE FOR TRUE LIES.

Schwarzenegger may have been very comfortable with action sequences, but he needed extra help in a different area when filming True Lies: He had to take tango lessons prior to filming, to give his Harry Tasker all those smooth moves on the dance floor.

18. JACKIE KENNEDY HELPED PUMPING IRON BECOME A HIT. 

A week before Pumping Iron premiered in January of 1977, the film’s press agent was able to stage a press luncheon in New York featuring an impressive list of the city’s notables like Andy Warhol and George Plimpton. But the most significant guest was Jacqueline Kennedy Onassis, who appeared as a favor to a mutual friend of hers and Schwarzenegger’s. Her presence at an event meant to promote a bodybuilding movie was so unique that it received a considerable amount of press attention. “She certainly gave Pumping Iron a big publicity boost,” Schwarzenegger would later write. Onassis even attended the film’s premiere with her son, John F. Kennedy Jr.

19. JEAN-CLAUDE VAN DAMME WAS THE ORIGINAL GUY IN THE PREDATOR SUIT.

The “Muscles from Brussels” was reportedly fired from the movie because he complained too much about how uncomfortable the suit was.

20. THERE WAS A SEQUEL TO JINGLE ALL THE WAY STARRING LARRY THE CABLE GUY. 

No original cast nor characters returned in the straight-to-DVD Jingle All the Way 2 (2014). It was produced by 20th Century Fox and WWE Studios and featured wrestler Santino Marella. Sinbad expressed incredulity when a Redditer inquired if he was asked to return for it. "What they are doing a new version without me! Ain't gonna work!"

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40 Fascinating Facts About Your Favorite Horror Movies
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Now's the time when we pull out all of the scary movies in our collections and pile them up in preparation for a Halloween horror movie marathon. But before you grab the popcorn and dim the lights, bone up on your horror knowledge with these 40 facts about some of your favorite scary movies.

1. COUNT ORLOCK ONLY BLINKS ONCE IN NOSFERATU.

In the nine minutes of screen time Max Schreck has as Count Orlock in F.W. Murnau’s classic Nosferatu (1922), he blinks only one time (near the end of part one).

2. THE EXORCIST WAS THE FIRST HORROR FILM TO BE NOMINATED FOR A BEST PICTURE OSCAR.

The horror genre has never gotten much love from the Academy. Though there still seems to be a bias against scary movies during awards season, The Exorcist earned 10 Oscar nominations in 1974, including a Best Supporting Actress nod for Linda Blair, who was just 15 years old at the time.

3. ROBERT ENGLUND WAS NOT THE FIRST CHOICE TO PLAY FREDDY KRUEGER.

NEW LINE CINEMA

Wes Craven reportedly planned to have a stuntman play the seemingly immortal youth-hater known as Freddy Krueger, but (wisely) opted to go with an accomplished actor for the role instead. His first choice was the brilliant British character actor David Warner, who you'll no doubt recognize from Time Bandits, Titanic, and various incarnations of Star Trek. Warner had to pass on the project, which opened the door for the truly excellent Robert Englund.

4. PSYCHO IS THE FIRST AMERICAN FILM TO FEATURE A TOILET.

Psycho is the first American film to show a toilet on screen. It's also the first American film in which we hear a toilet being flushed. (That's just how repressed Americans were in the 1950s.)

5. STEPHEN KING WASN’T A FAN OF THE SHINING.

In 1983, Stephen King told Playboy, “I’d admired [Stanley] Kubrick for a long time and had great expectations for the project, but I was deeply disappointed in the end result. Parts of the film are chilling, charged with a relentlessly claustrophobic terror, but others fell flat.”

King didn’t like the casting of Jack Nicholson either, claiming, “Jack Nicholson, though a fine actor, was all wrong for the part. His last big role had been in One Flew Over the Cuckoo’s Nest, and between that and the manic grin, the audience automatically identified him as a loony from the first scene. But the book is about Jack Torrance’s gradual descent into madness through the malign influence of the Overlook—if the guy is nuts to begin with, then the entire tragedy of his downfall is wasted.”

6. JAWS DOESN’T FULLY APPEAR IN A SHOT UNTIL ONE HOUR AND 21 MINUTES INTO THE MOVIE.

While the lack of shark appearances works to heighten the tension in Jaws, the real reason the shark isn’t shown in full is because the mechanical shark that was built rarely worked during filming. Director Steven Spielberg had to create inventive ways (like Quint’s yellow barrels) to shoot around the non-functional movie shark. 

7. FAY WRAY THOUGHT SHE’D BE STARRING OPPOSITE CARY GRANT IN KING KONG.

WARNER HOME VIDEO

In his attempts to entice Fay Wray into starring in King Kong (1933), director Merian C. Cooper promised, “You're going to have the tallest, darkest leading man in Hollywood.” “While my thoughts were flying toward the hope that Cooper might be waiting for Cary's [Grant] arrival just as I was, Cooper went on to point at the giant ape and say, again, ‘The tallest, darkest leading man in Hollywood,’” recalled Wray.

8. IT TOOK SEVEN YEARS TO GET ALIENS MADE.

Why did it take seven years to get a sequel made? Lawyers and money, of course. Talk of a sequel began shortly after the original Alien (1979) was a hit, but it was delayed because of a dispute between the film’s producers and 20th Century Fox over the distribution of the original movie’s profits. Fox, reluctant to make a sequel because it would be expensive, finally agreed to it as a way of settling the beef with the producers—basically, “We won’t give you any more of the first movie’s profits, but we’ll greenlight a sequel, and you can make money from that.” (Amusingly, the same producers plus James Cameron and Gale Anne Hurd sued Fox again after Aliens, claiming the studio had used “creative accounting” techniques to avoid paying them.)

9. BRIAN DE PALMA DIDN’T SEE SISSY SPACEK AS CARRIE.

Though Brian De Palma was a fan of Sissy Spacek’s work, he was convinced that he had already found his Carrie in another actress. His decision to let Spacek audition at all was mostly out of courtesy to her husband, Jack Fisk, the film’s art director. "He told me that if I wanted to, I could try out for the part of Carrie White,” Spacek recounted to Rolling Stone. "There was another girl that he was set on and unless he was really surprised, she was the one. I hung up and decided to go for it."

Spacek showed up at her audition in an old dress she hadn’t worn since grade school and with her hair slicked back with Vaseline. When she was done, she waited in the parking lot while her husband reviewed her audition with the rest of the production team. After Fisk came out to tell her that the part was hers, “We sped off before anybody could change his mind,” Spacek said.

10. ROMAN POLANSKI AND JOHN CASSAVETES HAD DIFFERENT IDEAS FOR ROSEMARY’S BABY.

In her 1997 autobiography, What Falls Away, Mia Farrow recounted the tense relationship between Roman Polanski and her Rosemary’s Baby co-star, writing that in the film’s climactic scene, “John became openly critical of Roman, who yelled, ‘John, shut up!’ and they moved toward each other,” and nearly came to blows. Apparently, it was Ruth Gordon and her “consummate professionalism” that calmed the situation down.

11. IN 2015, GEORGE ROMERO FOUND NINE MINUTES OF LOST FOOTAGE FROM NIGHT OF THE LIVING DEAD.

Still from 'Night of the Living Dead'
Janus Films

While in Maryland for Monster-Mania Con this year, George Romeo shared that he recently unearthed a 16mm work print of Night of the Living Dead, which features approximately nine minutes of previously thought-to-be-lost footage at the jump cut in the basement, including “the largest zombie scene in the film.”

12. SERIAL KILLER ED GEIN INSPIRED THREE MAJOR HORROR MOVIES.

You’ve likely heard of Ed Gein. His house of horrors made headlines for years after he was sent to a mental hospital for his actions. They were so memorable, in fact, that he inspired some of the most iconic thrillers of all time: Psycho, The Silence of the Lambs, and The Texas Chainsaw Massacre. Among the items discovered at his Plainfield, Wisconsin farm were four noses, nine masks made of human skin, numerous decapitated heads, lampshades and bowls made of skin, lips being used as a pull on a window shade, and a belt made from nipples. Gein later admitted to only two murders and said most of the items had come from late-night cemetery raids.

13. THE HALLOWEEN SCRIPT DIDN'T CALL FOR A SPECIFIC KIND OF MASK.

The mask for Michael Myers was only described as having “the pale, neutral features of a man,” and for the movie the design was boiled down to two options—both were cheap latex masks painted white and bought for under $2 apiece at local toy stores by production designer Tommy Lee Wallace. One was a replica mask of a clown character called “Weary Willie” popularized by actor Emmett Kelly, and the other was a stretched out Captain Kirk mask from Star Trek. Carpenter chose the whitewashed Kirk mask because of its eerily blank stare that fit perfectly with the Myers character. 

14. THE BABADOOK SCARED THE HELL OUT OF WILLIAM FRIEDKIN.

IFC Films

On November 30, 2014, Jennifer Kent’s The Babadook got a major publicity boost when The Exorcist director William Friedkin tweeted: “I've never seen a more terrifying film than The Babadook. It will scare the hell out of you as it did me.”

15. A DOUBLE AMPUTEE WAS USED TO CREATE THE THING’S QUINTESSENTIAL SPECIAL EFFECT.

One of the most memorable scenes in John Carpenter's The Thing (often referred to as the “chest chomp”) occurs when Dr. Copper (Richard Dysart) attempts to revive Norris (Charles Hallahan) with a defibrillator. As he presses the paddles to his patient’s skin, Norris’ chest opens up and Copper’s forearms disappear into the cavity, where they are severed below the elbow by a set of jaws inside Norris’ chest.

In order to pull this off, special makeup effects designer Rob Bottin (known for his work on RoboCop, Total Recall, Se7en, and Fight Club) found a man who had lost both of his arms below the elbow in an industrial accident. Bottin fit the man with two prosthetic forearms consisting of wax bones, rubber veins, and Jell-O. Then, for the wide-angle shot, he fit the man with a skin-like mask taken from a mold of Dysart’s face (à la Hannibal Lecter) and placed the ersatz arms into the chest cavity, where a set of mechanical jaws clamped down on them. As the actor pulled his arms away, the Jell-O arms severed below the elbows. The rest is practical effects history.

16. THE ORIGINAL ENDING OF FRIGHT NIGHT WAS MUCH DIFFERENT.

The film’s original ending saw Peter Vincent transform into a vampire—while hosting “Fright Night” in front of a live television audience.

17. THE STARS OF THE BLAIR WITCH PROJECT USED GPS TRACKERS TO FIND THEIR INSTRUCTIONS FOR THE DAY.

Artisan Entertainment

Production programmed wait points in the GPS unit for the actors to locate milk crates with three little plastic canisters in them. Each plastic canister contained notes on where the story was going for each actor, who would not show the other two their paper. From that point they were free to improvise the dialogue, provided they followed the general instructions given to them.

18. PARANORMAL ACTIVITY IS THE MOST PROFITABLE FILM OF ALL TIME.

Often compared to The Blair Witch Project because of its low-budget nature and huge grosses, 10 years after The Blair Witch Project’s release, the original Paranormal Activity ousted the earlier horror film as the most profitable movie, based on return on investment (ROI). The Blair Witch Project cost about $60,000 to make whereas Paranormal Activity’s initial budget was just $15,000. Blair Witch grossed $248.6 million worldwide, which comes out to a 414,233 percent return on investment. After grossing $65 million, it was calculated that Paranormal Activity made a 433,900 percent ROI. Of course that doesn’t factor in its final worldwide gross of $193 million (which, if you do the math on that total, works out to a 1,286,566 percent ROI).

19. SCREAM WAS ORIGINALLY TITLED SCARY MOVIE.

The original title of the film was Scary Movie, but it was changed to Scream by the Weinstein brothers in the middle of production. They allegedly decided on the change because Harvey Weinstein was listening to the Michael Jackson song “Scream” in his car with his brother Bob. They both liked the title for a horror movie.

20. THE BLOB IS BASED ON A (SUPPOSEDLY) TRUE STORY.

On September 27, 1950, The Philadelphia Inquirer ran an article with the headline "Flying ‘Saucer’ Just Dissolves." The night before, police officers John Collins and Joe Keenen swore that they’d watched a mysterious object fall from the sky. Rushing towards the landing site, the men stumbled upon a purple, jelly-like mass. Collins and Keenen immediately summoned two of their colleagues, who arrived just in time to watch the material evaporate without a trace. The FBI was contacted, a press conference was held, and the whole mess became a national laughing stock.

Fast forward to 1957: That year, producer Jack H. Harris was looking to make a creature feature, but he couldn’t come up with a decent premise. So he asked his friend, Irvine H. Millgate, to try and devise one. "It’s gotta be a monster movie," explained Harris. "It’s gotta be in color instead of black and white. It can’t be a cheapy creepie, it’s gotta have some substance to it. It’s gotta have characters you can believe in. And there’s gotta be a unique monster—never been done before. And the method of killing the monster would have to be something that grandma could have cooked up on her stove." Millgate remembered the Philly incident and the rest is history.

21. JOEL COEN GOT HIS FIRST BREAK AS AN ASSISTANT EDITOR ON THE EVIL DEAD.

Before becoming the Oscar-winning filmmaking duo he and his brother Ethan are today, Joel Coen got his start as an assistant editor on The Evil Dead. Inspired by Raimi’s DIY filmmaking, Joel and his brother created a pitch trailer (much like Raimi’s Within the Woods) to raise money for their first feature, Blood Simple. While Dan Hedaya stars in the final film, Bruce Campbell plays the lead in the two-minute trailer.

22. TIM BURTON WAS IN CONTENTION TO DIRECT GREMLINS.

There was a lot of buzz surrounding Tim Burton after the success of his short film, Frankenweenie—so much so that Steven Spielberg considered him to direct Gremlins. But the fact that Burton had yet to direct a feature film worked against him, and the gig was given to Joe Dante. A year later, Burton released his first theatrical feature, Pee-wee’s Big Adventure.

23. BOB CLARK’S IDEA FOR A BLACK CHRISTMAS SEQUEL SOUNDS AWFULLY FAMILIAR.

A Christmas Story (1983) will be a lasting part of Bob Clark’s legacy, but for horror fans, the work he did in the 1970s is just as important. Films like Children Shouldn’t Play With Dead Things (1972) and Deathdream (1974) got him notice, but Black Christmas (1974), one of the first slasher films, became a cult classic and earned him a dedicated following.

Clark said in an interview that John Carpenter asked him if he had considered making a sequel to Black Christmas. “I was through with horror," Clark explained. "I didn't come into the business to do just horror.” Carpenter asked him what the sequel would be like if he did want to make one, and Clark gave him an idea that should sound very familiar to fans of the genre: “I said it would be the next year and the guy would have actually been caught, escape from a mental institution, go back to the house and they would start all over again. And I would call it Halloween."

24. GENE HACKMAN WAS SLATED TO STAR IN—AND DIRECT—THE SILENCE OF THE LAMBS.

Gene Hackman and Orion Pictures split the $500,000 needed for the movie rights to the book. But Hackman dropped out days after he watched clips of himself at the 1989 Oscars as FBI Agent Alan Parker in the violent Mississippi Burning, deciding not to follow up a dark role with an even more unlikeable character.

25. CHILD’S PLAY WAS INSPIRED BY A REAL EVENT. (YES, CHILD'S PLAY.)

20th Century Fox Home Entertainment

In 1909, Key West painter and author Robert Eugene Otto claimed that one of his family's servants placed a voodoo curse on his childhood toy, Robert the Doll. Supposedly, the doll would mysteriously move from room to room, knock furniture over, and conduct conversations with Otto. Robert the Doll was left in the attic until Otto's death in 1974, when new owners moved into his Florida home. The new family also claimed mysterious activities would happen in the house connected to the doll. Today, Robert the Doll is on display at the Custom House and Old Post Office in Key West, Florida.

26. THE CONJURING’S ED AND LORRAINE WARREN ARE REAL-LIFE PARANORMAL INVESTIGATORS.

The Conjuring is based on real-life paranormal investigators Ed and Lorraine Warren and their experience with the Perrons, a family who moved into a Rhode Island farmhouse and experienced ghostly and terrifying occurrences in 1971.

"When Insidious came out and was successful the story about the Warrens came to me and I was like, 'Oh, my gosh, this is really cool,'” director James Wan told Entertainment Weekly in 2013. "But I didn’t just want to make another ghost story or another supernatural film. One thing I had never explored was the chance to tell a story that’s based on real-life characters, real-life people. So those were the things that led me to The Conjuring."

The Warrens also had a possessed Raggedy Ann doll that was the inspiration for the spin-off film Annabelle. Allegedly, a demon spirit possessed the Raggedy Ann doll, which is currently on display and under lock and key at the Warrens' Occult Museum in Monroe, Connecticut.

27. DAMIEN ORIGINALLY HAD A DIFFERENT NAME IN THE OMEN.

Screenwriter David Seltzer planned to name his antichrist Domlin after the “total obnoxious brat” child of a friend, until his wife convinced him that it would be a horrible thing to do to the kid. (Not to mention friendship-ending.) He landed on Damien after Father Damien, who started the first leper colony in the Hawaiian islands.

28. THE CREATURE FROM THE BLACK LAGOON WAS MODELED AFTER THE OSCAR STATUETTE.

Universal managed to snag an up-and-coming filmmaker with a prestigious resume to direct Creature from the Black Lagoon: Jack Arnold, whose documentary With These Hands had received an Academy Award nomination. Though he didn’t get the Oscar, Arnold kept the souvenir certificate that the Academy always mailed to its nominees. The little card would go on to become an unexpected source of inspiration behind the scenes of Creature from the Black Lagoon.

As Arnold told Cinefantastique magazine in 1975, “There was a picture of the Oscar statuette on it. I said, ‘If we put a gilled head on [the figurine], plus fins and scales, that would look pretty much like the kind of creature we’re trying to get.’ So they made a mold out of rubber, and gradually the costume took shape.” At first, the creature had what leading lady Julie Adams (credited as Julia Adams) described as an “eel-like” physique. Slick and streamlined, the outfit didn’t come with much in the way of fins, ridges, or body armor. These were later enhanced to give the monster a more menacing appearance. 

29. BRUCE CAMPBELL MADE $93,000 FOR ARMY OF DARKNESS.

Scream Factory

To illustrate the plight of the working stiff actor, Bruce Campbell once provided a helpful breakdown of his salary for 1992’s second Evil Dead sequel, Army of Darkness. With a $500,000 salary nipped at by agents, managers, income taxes, and a now-ex wife, he figured he made roughly $93,000. But the film took two years to complete, meaning his net profit for portraying horror icon Ash in a major motion picture was less than $50,000 a year.

30. AN ACTUAL WITCH WAS HIRED TO HELP MAKE THE CRAFT MORE AUTHENTIC.

To make sure that the depiction of Wicca in The Craft was as close to real life as it could be, the filmmakers hired Pat Devin as a consultant. Devin is a member of one of the largest and oldest Wiccan religious organizations in United States, Covenant of the Goddess, and at the time she was the First Officer of the group’s Southern California Local Council. Devin played a big role in the production process and at times worked directly with the actresses. “A lot of my suggestions were acted upon and virtually all of my suggestions were given careful consideration,” Devin shared, “ even if they didn’t all end up in the final version of the film.”

31. THE NAME OF THE DEMON IN THE EXORCIST IS PAZUZU.

Though it’s never stated in the film, the demon that takes possession of Regan MacNeil has a name: Pazuzu, which is taken from the name of the king of the demons in Assyrian and Babylonian mythology. 

32. WES CRAVEN REGRETTED TEASING A SEQUEL IN A NIGHTMARE ON ELM STREET.

Craven was rather staunchly opposed to any sort of "sequel tease" finale, but the big boss (that'd be New Line's Bob Shaye) insisted on one. “Bob wanted a hook for a sequel,” Craven told Vulture. “I felt that the film should end when Nancy turns her back on Freddy and his violence—that’s the one thing that kills him. Bob wanted to have Freddy pick up the kids in a car and drive off, which reversed everything I was trying to say—it suddenly presented Freddy as triumphant. I came up with a compromise, which was to have the kids get in the convertible, and when the roof comes down, we’d have Freddy’s red and green stripes on it. Do I regret changing the ending? I do, because it’s the one part of the film that isn’t me.”

33. STANLEY KUBRICK ALLEGEDLY TYPED ALL OF THOSE “ALL WORK” PAGES IN THE SHINING.

Warner Home Video

No one is quite sure whether Kubrick typed 500 pages of “All work and no play makes Jack a dull boy.” Kubrick didn’t go to the prop department with this task, using his own typewriter to make the pages. It was a typewriter that had built-in memory, so it could have turned out the pages without an actual person. But the individual pages in the film contain different layouts and mistakes. Some claim that it would have been characteristic of the director to individually prepare each page. Alas, we’ll never know—Kubrick never addressed this question before he died.

34. THE ENDING OF PSYCHO WAS SPOILED MONTHS BEFORE THE FILM'S RELEASE.

Despite Hitchcock's fervent and admirable attempts at keeping the project a secret, both Variety and The Hollywood Reporter published very thorough spoilers regarding the Psycho plot months before the film actually came out.

35. STEVEN SPIELBERG THOUGHT HIS DVD COPY OF PARANORMAL ACTIVITY WAS HAUNTED.

As the urban legend goes, Spielberg, whose DreamWorks Studios was considering distributing Paranormal Activity, took a DVD of the movie home to watch, but then got freaked out when the door to his bedroom locked by itself. “So the whole story about how the doors to his bedroom got locked from the inside ... personally I believe it,” Peli told Moviefone. “It’s not something the marketing department just came up with before releasing the movie.” Spielberg famously carried the DVD to work in a trash bag because he thought it was haunted. Despite the shock, Spielberg loved the movie and suggested a new ending that was used in the theatrical release.

36. DREW BARRYMORE WAS SLATED TO STAR IN SCREAM.

Barrymore changed her mind about playing the lead five weeks before production was set to begin. Barrymore instead suggested she play Casey Becker, the teen terrorized by the killer in the opening scene, to cleverly subvert audience expectations that a star of her stature would survive the movie. Casting directors approached Alicia Witt, Brittany Murphy, and Reese Witherspoon to take over the Sidney Prescott role before eventually casting Neve Campbell.

37. JAMES CAMERON HAD TO QUASH A MUTINY ON THE SET OF ALIENS.

20th Century Fox Home Entertainment

Aliens was shot at England’s historic Pinewood Studios, which provided its own unionized crew members for productions using the facilities. Some of these workers resented the 14-hour days and, having no idea what James Cameron was capable of (The Terminator hadn’t opened yet), thought he was in over his head. In particular, the first assistant director thought he should be directing Aliens. He mocked Cameron, called him “guv’nor,” rolled his eyes at him ... and got himself fired for insubordination. The new first assistant director behaved respectfully, and things were better after that.

38. SISSY SPACEK WAS ADAMANT THAT HER OWN HAND APPEAR IN CARRIE’S FINAL SCENE.

Though Brian De Palma wanted to get a stunt person for the final scene, where Sue Snell visits Carrie’s grave, Spacek insisted that it needed to be her hand that was shown, which required her to be buried in the ground. “I laughed about that,” Spacek told NPR. "I do all my own foot and hand work, and always have."

39. BUFFALO BILL’S DANCE IN THE SILENCE OF THE LAMBS WAS NOT IN THE SCRIPT.

But it was in the original book, and Ted Levine, the actor who played the serial killer Jame Gumb, insisted that the scene be included because it helped explain the demented character better.

40. JAWS ORIGINALLY ENDED JUST LIKE MOBY DICK.

The original ending in the script had the shark dying of harpoon injuries inflicted by Quint and Brody à la Moby Dick, but Spielberg thought the movie needed a crowd-pleasing finale and came up with the exploding tank as seen in the final film. The dialogue and foreshadowing of the tank were then dropped in as they shot the movie.

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14 Colorful Facts About Reservoir Dogs
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Lions Gate Films Home Entertainment

Many directors come to the world’s attention gradually and quietly over the course of a few films. Quentin Tarantino is not one of those directors. His feature debut, Reservoir Dogs, blasted Sundance audiences’ faces off in January of 1992 before doing the same in Cannes, Toronto, and at your local multiplex exactly 25 years ago today. Seldom has a filmmaker’s debut attracted so much controversy and acclaim, or inspired so much discussion about the meaning of “Like a Virgin.” Let’s put on our black suits and skinny ties and dive into the nitty-gritty. Don’t forget to tip your waitress!

1. IT WAS THE DARLING OF SUNDANCE 1992 ... AND THEN DIDN’T WIN ANYTHING.

Reservoir Dogs had its world premiere at the 1992 Sundance Film Festival, where it was the buzziest movie on the schedule (assisted by an industry pre-screening a few weeks earlier). Quentin Tarantino later recounted how everyone kept telling him the jury awards were going to come down to either his film or one other (though people had different ideas of which other film was his main competition). And in the end? Of the eight awards given to non-documentary features, Reservoir Dogs received zero of them.

2. MOST OF IT WAS FILMED IN A MORTUARY.

The empty building where our multi-colored heroes rendezvous after the robbery was actually a disused mortuary. When Harvey Keitel and Steve Buscemi go to that back room to argue and wash blood off themselves, you can clearly see plastic tubes, embalming fluid, and such. It’s a fitting location to use, considering the way the movie ends.

3. TIM ROTH’S CHARACTER’S APARTMENT WAS UPSTAIRS FROM THE MORTUARY.

For a location scout, finding one building that can serve two different purposes is like hitting a home run.

4. IT WENT THROUGH SEVERAL CASTING PERMUTATIONS.

In the early stages, Tarantino was going to play Mr. Pink himself, with producer Lawrence Bender as Nice Guy Eddie. Steve Buscemi was later considered for Nice Guy Eddie, but ended up playing Mr. Pink, a role for which Michael Madsen (Mr. Blonde) auditioned. Samuel L. Jackson and Ving Rhames both almost played Holdaway (the cop Tim Roth works with in flashbacks). Robert Forster, who later appeared in QT’s Jackie Brown, auditioned for the part of Joe, which went to Lawrence Tierney.

5. THERE WERE SOME UNUSUAL OFFERS FROM PRODUCERS.

While searching for producers to finance the film and save them from having to make it themselves on a minuscule budget, Tarantino and Bender fielded several offers that sounded good but had a catch to them. One producer offered $1.6 million, but only if the ending was changed so that everyone who was dead came back to life, the whole thing having been a hoax or a con of some kind. Another offered $500,000 … but only if his girlfriend could play Mr. Blonde. (Bender said it was such a bizarre idea that he and Tarantino actually considered it.)

6. MR. BLUE HAD BEEN A BANK ROBBER IN REAL LIFE.

Before he was an actor, Eddie Bunker was a criminal, spending much of the first half of his life in various correctional facilities. He went straight in 1975, at the age of 42, writing several crime novels (Tarantino was a fan), and eventually doing some acting and screenwriting. Eleven years before Reservoir Dogs, he wrote a semi-autobiographical novel with a prescient title: Little Boy Blue.

7. HARVEY KEITEL WAS THE LEAD CHARACTER IN GETTING THE FILM MADE, TOO.

When Tarantino and Bender were trying to get the project off the ground, they got a lucky break. Bender was taking an acting class from one Peter Floor, who asked the boys who their dream choice would be for the lead in Reservoir Dogs. Well, that’d be Harvey Keitel, Bender said. As it happened, Floor’s ex-wife, also an acting coach, knew Keitel from the Actors Studio in New York, and got him a copy of the script. Keitel loved it and signed on immediately as star and producer, which helped attract Chris Penn and Michael Madsen.

8. LAWRENCE TIERNEY WAS CRAZY.

This is a recurring theme in stories about Tierney (see also: his one-time guest spot as Elaine’s dad in a season two episode of Seinfeld). The legendary tough guy and frequently off-the-wagon drinker got into a heated argument with Tarantino during the first week of shooting, ending with QT firing him. (He recanted.) Other cast members talked about going out drinking with Tierney, who once ended up with his pants down outside a bar. Coincidentally, Tierney and Bunker had worked together before, kind of: they got into a fistfight in an L.A. parking lot sometime in the 1950s. (According to Bunker, Tierney didn’t recall the incident.)

9. TARANTINO GOT ENCOURAGEMENT FROM TERRY GILLIAM.

In June 1991, Tarantino took his screenplay and a few actors to the Sundance Institute’s screenplay workshop. Several of the judges were very positive about it (some weren’t), but the most encouraging was the man who’d made Time Bandits, Brazil, and (to be released a few months later) The Fisher King. Terry Gilliam’s best piece of advice to Tarantino, a first-time director, was to learn to delegate. As Tarantino later told Charlie Rose, when he asked Gilliam how to bring his vision to the screen, “he said, ‘Well, Quentin, you have to understand, as a director you don’t have to do that. Your job is to hire talented people who can do that. You hire a cinematographer who can get the kind of quality that you want … You have a talented costume designer who can give the colors that you need and the flamboyance or not that you want … Your job is articulating to them what you want on the screen.’ And then, all of a sudden, the whole mystical shaman, mystic thing that I thought directing was just went boom. And I realized I could do that … I can describe what I want. I know what’s in my head.”

10. IT WAS HOT. SO VERY, VERY HOT.

The movie was shot in July and August in Los Angeles, which is not a comfortable place to be in July and August. What’s more, it was shot inside a stuffy warehouse crammed with very hot lights. Oh, and everybody was wearing black suits. Tim Roth said it got so hot in there that the pool of fake blood he was lying in would glue him to the floor.

11. A MISTAKE LED TO ONE OF THE FILM’S MYSTERIES.

In the climactic showdown, Joe’s pointing a gun at Mr. Orange (on the floor, already dying), Mr. White is pointing a gun at Joe, and Nice Guy Eddie (Joe’s son, played by Chris Penn) is pointing a gun at Mr. White. Joe shoots Orange, White shoots Joe, Eddie shoots White … but four gunshots are heard, and everyone who wasn’t already on the ground ends up that way. So who shot Nice Guy Eddie? (You can find T-shirts asking that question.) The only logical answer, and the way it was supposed to have played out, is that Mr. White did. He shot Joe, then shot Eddie at the same time Eddie was shooting him. But according to Chris Penn, when they filmed it, the squib on Keitel’s (Mr. White’s) body went off slightly prematurely, Keitel went down as he fired his second shot (which looks like it’s still aimed at Joe), and then Penn’s squib exploded as planned. Penn noticed right away that it was ambiguous, but Tarantino decided to leave it that way.

12. WHATEVER EXPLANATION YOU’VE HEARD FOR THE TITLE PROBABLY ISN’T TRUE.

Tarantino told potential investors that “reservoir dog” was a gangster term from French films like Breathless and Bande à Parte, and that it meant “rat.” That wasn’t true; Tarantino just knew that investors would want an explanation for the title, and that they wouldn’t know those films well enough to contradict him. Later, the widely told story was that it came from Tarantino’s days working at a video store, when he recommended Louis Malle’s Au revoir les enfants (1987) and the customer misheard it as “reservoir dogs.” (But Tarantino expert Dale Sherman points out in his book, Quentin Tarantino FAQ: Everything Left to Know About the Original Reservoir Dog, that Au revoir les enfants wasn’t available to rent until after Tarantino’s employment at the video store.) Another version of the story has Tarantino’s girlfriend recommending that movie, and QT himself mishearing it. Yet others have suggested that it was a combination of Au revoir les enfants and Sam Peckinpah’s Straw Dogs (1971). Tarantino has never given a clear, plausible explanation for the title, so quit asking him.

13. THE EAR-CUTTING SCENE INVOLVED SOME IMPROVISATION.

Kirk Baltz, who played poor Officer Marvin Nash, ad-libbed the exclamation, “I’ve got a little kid at home!” It was allegedly so shocking that Michael Madsen, who had an 18-month-old son, had to take a break to regain his composure. Madsen later did some macabre improvisation of his own, talking into the severed ear.

14. THE TORTURE SCENE WAS TOO MUCH FOR MANY VIEWERS—INCLUDING HORROR ICON WES CRAVEN.

The man who made The Last House on the Left, The Hills Have Eyes, and A Nightmare on Elm Street walked out of Reservoir Dogs while Officer Nash was being tortured. It was at the Toronto International Film Festival in September 1992, a few weeks before the theatrical release. Craven later recalled, “When I was out in the lobby, this kid came pounding out of the shadows and said, ‘You’re Wes Craven, right?’ I said yeah, and he said, ‘And you’re leaving because you can’t take it?’ I said yeah, and he said, ‘I just scared Wes Craven!’ It was Quentin Tarantino, and I didn’t know who he was at the time. But I just don’t like watching people get tortured.” Fair enough, sir.

Additional sources:
Interviews included in the DVD special features Quentin Tarantino: The Pocket Essential Guide, by D.K. Holm Quentin Tarantino FAQ: Everything Left to Know About the Original Reservoir Dog, by Dale Sherman

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