20 Facts About Your Favorite Arnold Schwarzenegger Movies

Jason Merritt/Getty Images
Jason Merritt/Getty Images

He’s been a bodybuilder, a governor, a stand-in for Donald Trump, and a Terminator. But Arnold Schwarzenegger’s legacy will always be as one of Hollywood’s most popular action stars. To celebrate his 70th birthday, here are 20 facts about some of your favorite Ahnold movies.

1. SCHWARZENEGGER’S NAME ALMOST KILLED PUMPING IRON BEFORE IT GOT STARTED.


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And not because it was hard to pronounce. According to Pumping Iron co-director George Butler, cash was so tight during the film's production that he once visited a film development lab hoping to get some work done on credit. When the employee asked him what he was doing, Butler told him it was about bodybuilding. Suddenly, the man turned icy and asked if it had anything to do with Arnold Schwarzenegger. When Butler told him he was the star, the lab turned him away. The reason? The actor’s first movie, 1970’s Hercules in New York, had burned his business. “I won't give you any credit,” he said. “I had a movie in here … Hercules in New York and they never paid a bill and they owe me thirty grand."

2. CONAN THE DESTROYER HELPED MAKE SCHWARZENEGGER AN AMERICAN.

Schwarzenegger gained U.S. citizenship during the filming of Conan the Destroyer. He retains dual Austrian and U.S. citizenship to this day.

3. THE IDEA FOR THE TERMINATOR ALL STARTED WITH A FEVER DREAM.

James Cameron had a tumultuous experience making his directorial debut in 1981's Piranha II: The Spawning, but as he once put it, sometimes "nightmares are a business asset." While in Rome for the horror movie's release, Cameron had a fever dream of a "metal death figure coming out of a fire." That idea eventually morphed into The Terminator.

4. DIE HARD WAS SUPPOSED TO BE A SEQUEL TO COMMANDO

We have Schwarzenegger to thank for Bruce Willis's debut as tough NYPD cop John McClane in Die Hard: The former Moonlighting star was only cast in the role after the Governator turned it down. The film—now considered one of the greatest action movies of all time—was originally intended to be a sequel to Schwarzenegger's testosterone-fueled Commando, and a script was commissioned based on Roderick Thorp's 1979 novel Nothing Lasts Forever, about an NYPD detective fighting German terrorists who take over a skyscraper. However, the disappointing box-office performance of Schwarzenegger's first attempt at a sequel, Conan the Destroyer, led him to drop out of Commando 2. The script was then repurposed into a standalone action film, and the rest is Hollywood history.

5. PREDATOR FOILED A CONAN SEQUEL.


Twentieth Century Fox

A third film called Conan the Conqueror was planned for a 1987 release, but Schwarzenegger was unable to appear in it because he was shooting Predator.

Eventually, Schwarzenegger’s three-movie Conan contract expired and the idea was later refashioned into 1997’s Kull the Conqueror starring Kevin Sorbo. Kull happened to be a character based on another pulp fiction series by Conan creator Robert E. Howard.

6. TOTAL RECALL WAS IN DEVELOPMENT FOR OVER A DECADE. 

In 1976, fledgling screenwriters Ronald Shusett and Dan O’Bannon teamed up to adapt Philip K. Dick’s short story “We Can Remember It For You Wholesale.” The pair purchased the rights to the piece that year, but soon hit the first of many delays on the road to the screen.

Difficulties in reimagining the story as a film forced the pair to take a long break from the Dick story to work on a different project. (This distraction would prove rather fortuitous, ultimately becoming the screenplay for Ridley Scott’s Alien.) Over the course of many years, the Total Recall screenplay went through more than 40 revisions. 

7. BILL MURRAY, PATRICK SWAYZE, AND DANNY DEVITO ALL TURNED DOWN THE ROLE OF KIMBLE IN KINDERGARTEN COP.


Universal Pictures

Bill Murray turned down director Ivan Reitman, who he had worked with in Meatballs (1979), Stripes (1981), and in the Ghostbusters movies, without giving a reason. Patrick Swayze and Danny DeVito also said no.

8. THE STUDIO WANTED O.J. SIMPSON TO PLAY THE TERMINATOR.

It's been bouncing around the Internet for so long that you probably think it's an urban legend, but Orion co-founder Mike Medavoy admitted that he had strongly suggested O.J. Simpson for the part of the title role, and Cameron dismissed the thought because Simpson came off as too nice of a guy.

9. SCHWARZENEGGER DIRECTED A MADE-FOR-TV HOLIDAY MOVIE.

It was 1992, and Arnold Schwarzenegger was coasting on a career high, having starred in Terminator 2: Judgment Day just one year before. So naturally he took some time off to direct a made-for-TV remake of a classic 1945 rom-com about a food writer who has to pretend to be the perfect housewife lest she lose her job. It just makes sense. Swap out original star Barbara Stanwyck for Dyan Cannnon, add in Kris Kristofferson as the love interest, and TNT’s Christmas in Connecticut is good to go.

10. THE ACTOR HAD A CLOSE CALL ON THE SET OF TRUE LIES.


Twentieth Century Fox

Schwarzenegger almost died on the set of True Lies, when a horse he was riding during one of the film’s most memorable action sequences got spooked by a camera boom and started rearing up near the edge of a very steep drop (the actor estimates it was about 90 feet to the ground). Arnold managed to slip off the horse in time, and a stuntman pulled him to safety.

11. HE WAS ABLE TO PLAY THE LEAD IN JINGLE ALL THE WAY BECAUSE OF A DELAY ON A PLANET OF THE APES REMAKE.

Schwarzenegger signed up to star in the Apes remake in March of 1994, but 20th Century Fox rejected multiple scripts for the movie, including one co-written by Chris Columbus. Columbus left the project in late 1995, and Schwarzenegger followed him soon after, freeing him to sign up for Jingle All the Way, produced by Columbus, in February 1996. Fox's Planet of the Apes reboot found its way into theaters in 2001, starring Mark Wahlberg and directed by Tim Burton.

12. ARNOLD CAME BACK FOR A THIRD TERMINATOR, BUT AT A PRICE.

Schwarzenegger was paid $29.25 million to reprise his role as The Terminator in T3. His contract stipulated that $1.5 million of the budget should be set aside for private jets, a fully-equipped gym, deluxe hotel suites, limousines, and bodyguards for his personal benefit at all times during production. On top of that, Arnold also received 20 percent of the gross receipts on ticket sales, DVDs, TV rights, game licensing, and in-flight movie licensing on the movie worldwide.

13. PUMPING IRON INSPIRED SATURDAY NIGHT FEVER.

To create a contrast in Pumping Iron, the directors decided to focus on Schwarzenegger’s rival for the 1975 Mr. Olympia title, a soft-spoken Brooklyn native named Lou Ferrigno. Unlike Schwarzenegger’s bombastic confidence, Ferrigno was depicted as being browbeaten by his domineering father. According to Butler, screenwriter Nik Cohn saw the scenes of the Ferrignos arguing over the dinner table and used it as inspiration for a project of his own: His story, "Tribal Rites of the New Saturday Night," was turned into 1977’s Saturday Night Fever.

14. SCHWARZENEGGER WAS INITIALLY TURNED DOWN FOR TOTAL RECALL FOR BEING TOO MANLY.

Despite the gradual growth of main character Douglas Quaid’s imagined virility, there was a limit to how far producer Dino De Laurentiis was willing to stray from the original character in Total Recall. He insisted that someone like Schwarzenegger was out of the question for the part and even turned down the Terminator star when Schwarzenegger expressed interest in the role. 

15. SCHWARZENEGGER SPOKE JUST 58 WORDS IN THE TERMINATOR


Metro-Goldwyn-Mayer Studios Inc.

Technically, The Terminator says more than Arnold's 17 sentences, but one is an overdubbed voice of a cop, and the other is in Sarah Connor's mother's voice, when the Terminator was trying to trick her.

16. PENELOPE ANN MILLER TAUGHT SCHWARZENEGGER HOW TO KISS ON CAMERA.

Penelope Ann Miller, Schwarzenegger’s love interest in Kindergarten Cop, gave her co-star some tips on the art of the onscreen smooch. She instructed him to grab and hold her before going in for the kiss, otherwise it would look like they were “swallowing each other up.” 

17. HE TOOK TANGO LESSONS TO PREPARE FOR TRUE LIES.

Schwarzenegger may have been very comfortable with action sequences, but he needed extra help in a different area when filming True Lies: He had to take tango lessons prior to filming, to give his Harry Tasker all those smooth moves on the dance floor.

18. JACKIE KENNEDY HELPED PUMPING IRON BECOME A HIT. 

A week before Pumping Iron premiered in January of 1977, the film’s press agent was able to stage a press luncheon in New York featuring an impressive list of the city’s notables like Andy Warhol and George Plimpton. But the most significant guest was Jacqueline Kennedy Onassis, who appeared as a favor to a mutual friend of hers and Schwarzenegger’s. Her presence at an event meant to promote a bodybuilding movie was so unique that it received a considerable amount of press attention. “She certainly gave Pumping Iron a big publicity boost,” Schwarzenegger would later write. Onassis even attended the film’s premiere with her son, John F. Kennedy Jr.

19. JEAN-CLAUDE VAN DAMME WAS THE ORIGINAL GUY IN THE PREDATOR SUIT.

The “Muscles from Brussels” was reportedly fired from the movie because he complained too much about how uncomfortable the suit was.

20. THERE WAS A SEQUEL TO JINGLE ALL THE WAY STARRING LARRY THE CABLE GUY. 

No original cast nor characters returned in the straight-to-DVD Jingle All the Way 2 (2014). It was produced by 20th Century Fox and WWE Studios and featured wrestler Santino Marella. Sinbad expressed incredulity when a Redditer inquired if he was asked to return for it. "What they are doing a new version without me! Ain't gonna work!"

13 Great Rockumentaries Every Music (and Movie) Fan Should See

The Criterion Collection
The Criterion Collection

More people are watching documentaries these days, which likely means that more people are rocking their faces off with nonfiction. Far from Ken Burns’s soothing tones, these music-filled films demand amplification and an unseemly amount of perspiration.

Rock documentaries are tricky beasts. Though they often have the built-in advantage of following around famous people, they aren’t immune to boredom and eye-rolling faux depth. Keeping it simple by showcasing the music can be good, but it’s no way to be great. The best of the best manage to deliver a stellar soundscape, offer a backstage pass to the real humans who make it, and hold our ears even if we aren’t already devoted fans. If a little history gets made in the process, even better.

Grab a seat next to Penny Lane on the bus. Here are 13 of the best documentaries that every music—and film—fan should add to their Must Watch list.

1. WHAT’S HAPPENING! THE BEATLES IN THE U.S.A. (1964)

A singular piece of filmmaking where nonfiction talent met transcendent musical genius on the threshold of gargantuan stardom, this is the best Beatles documentary ever produced. Directed by legendary documentarians Albert and David Maysles, the film captures the band’s first frivolous jaunt through America, where they raised the screaming decibel level in The Ed Sullivan Show theater and goofed off in hotel rooms. It’s an explosion of youth before they changed music forever.

2. DON’T LOOK BACK (1967)

Another marriage of style, skill, and subject, Don't Look Back helped shape how the rockumentary genre could provide insights into the people who shape our popular culture. That so many iconic moments emerged from D.A. Pennebaker’s watershed work, which strolled with Bob Dylan through England in 1965, is a testament to the legendary musician's infinite magnetism. The cue cards, singing with Joan Baez in a hotel room on the edge of breaking up, the Mississippi voter registration rally, and on and on. Since it portrayed fame’s effect on the artist, the art, and the audience, most every other rock doc has been chasing its brilliance.

3. GIMME SHELTER (1970)

The rockumentary has evolved to be as diverse as the sonic landscape itself, which is why Popstar: Never Stop Never Stopping can send up the current scene just like This Is Spinal Tap! did in the 1980s. Still, 1970 feels like the year that defined the rockumentary. Another Maysles joint, this profound doc captured The Rolling Stones touring at a time when they were one of the biggest bands in the world and only getting bigger. The music is powerful and immediate, and the film closes with their appearance at the Altamont Free Concert, which turned deadly when—after a day of skirmishes between concertgoers and the Hell’s Angels acting as security—a fan with a gun was stabbed to death when he tried to get on stage during “Under My Thumb.”

4. WOODSTOCK (1970)

The other 1970 film that helped define the genre allowed thousands to claim they’d been to the biggest concert event of the generation without actually going. If rock ‘n’ roll emerged from unruly teenage years into conflicted young adulthood in the 1960s, nothing stamped that image in henna ink better than Woodstock and the documentary that accompanied it. The bands that appear are legendary: Crosby, Stills & Nash; The Who; Joe Cocker singing The Beatles; Janis Joplin; Jimi Hendrix; and many more. It’s a fly-by of the three days of peace and music that you could play on repeat with summery ease.

5. ZIGGY STARDUST AND THE SPIDERS FROM MARS (1973)

Rock doc royalty D.A. Pennebaker captured David Bowie’s final performance in his red-domed sci-fi persona at London's Hammersmith Odeon with a flair that captures the frenetic energy of the room. The crowd is as much a part of the moment as the band is, as the camera places you in the middle of a transitional moment in music history. To see Bowie that close up now is a wonder. And, naturally, the music is out of this world.

6. THE DECLINE OF WESTERN CIVILIZATION (1981)

Instead of following the famous, Penelope Spheeris’s debut dug its nails deep into the Los Angeles punk scene at the turn of the decade. Black Flag, The Circle Jerks, and other bands your parents have never heard of perform mosh pit-sparking anthems and show off their living conditions like a grungy proto-version of MTV Cribs. There’s a purity here missing from most music docs—a chronicle of people whose passion far, far outweighs their paychecks, and a screening that led the LAPD to request that the movie never be shown in LA again.

7. SIGN "☮" THE TIMES (1987)

Having Prince at the center of your concert doc is a shortcut to ensuring it’s one of the best of all time. There’s the music, of course. Hits like “Little Red Corvette” and “U Got the Look,” and Sheila E. beating the hell out of her drum kit. There’s also The Purple One's inexhaustible energy and stage presence. As a bonus, the film jumps between concert footage and (instead of candid hotel conversations) a sci-fi narrative where we get to go to Prince Planet. It’s a rocky, disorienting experience that could have only been held so tightly together by a master showman.

8. MADONNA: TRUTH OR DARE (1991)

It might be hard to explain to a younger audience just how dominant Madonna was as an artist coming out of the 1980s or the kind of landmark event this film represented because of her status. The travelogue of her Blonde Ambition Tour was like peeking into the insane world of the ultra-famous—not least because Madonna was dating Warren Beatty at the time and part of the film involves her hanging out with Al Pacino, Lionel Richie, and more. There are threats that the Canadian police will arrest her for simulating masturbation in her show, the Pope trying to get the tour canceled in Italy, and a slightly awkward return home to see family. All par for the course for someone whose personal life was carved up for public consumption.

9. RHYME & REASON (1997)

An unparalleled look into the lyricism and lifestyle of rap musicians from the genre’s rise through its global domination of the 1990s, the concert and party footage is fantastic, and the number of interviews is staggering. Peter Spirer spoke with more than 80 rap and hip-hop artists to craft a snapshot of what life was like for a group of musicians who discovered their voices could echo across the world as well as those who followed after to even greater success. Instead of going deep on one person behind the music, it’s a historical document of the culture itself as seen through the eyes of those at its very center.

10. THE DEVIL AND DANIEL JOHNSTON (2005)

For those who don’t know Daniel Johnston’s music, this doc is a crash course not only in its stripped-down, anti-folk vibes but the head it all comes spilling out of. Instead of romanticizing or ignoring his bipolar disorder, Jeff Feuerzeig’s movie engages with it directly, drawing beautiful gems from a troubled mind. An absolute masterpiece, it’s less a vision of a musician giving glimpses into his real life than it is a vision of a human being who makes music.

11. AWESOME; I F*CKIN’ SHOT THAT! (2006)

Rockumentaries follow two major formats: the raw concert doc that’s like a ticket to a show you couldn’t attend, and the profile where artists drop quotables in between performances. They’re safe and familiar, which is probably why the Beastie Boys gave both styles the middle finger in favor of a grand experiment. A year before YouTube launched, the rap trio gave 50 fans in their Madison Square Garden audience camcorders to capture the concert. The result is a genuine, fans’-eye-view of the experience, and a chaotic mashup of perspectives.

12. THE PUNK SINGER (2013)

It’s astonishing how much time and ground Sini Anderson’s portrait of Bikini Kill leader Kathleen Hanna covers. It’s so much that labeling her Bikini Kill’s leader is woefully reductive. Artist, pioneer, feminist, activist, and a dozen other titles swirl around Hanna’s sweat-covered brow as we get to know her both as an artist and as a person. It’s also a punk fever dream of riot grrrl greatness, featuring incendiary archival footage and excellent talks with members of Le Tigre, Bikini Kill, and Julie Ruin, as well as Carrie Brownstein and the Beastie Boys’s Adam Horovitz (who is also Hanna’s husband).

13. JANIS: LITTLE GIRL BLUE (2015)

A fairly recent addition to the pantheon, Amy J. Berg’s doc is a stirring tour of archival footage of the gravel-throated songstress. Narrated by musician Cat Power, instead of losing perspective to the fog of history, a blend of modern conversations and ghosts from the past offer fresh eyes and ears to create a heartsick celebration of one of music history's most beloved artists, whose career was cut woefully short.

20 Memorable Elvis Presley Quotes

Hulton Archive/Getty Images
Hulton Archive/Getty Images

More than 40 years after his death, Elvis Presley remains a rock ‘n' roll icon and has yet to be ousted from his position as “The King.” Yet the Tupelo, Mississippi-born, Memphis, Tennessee-raised superstar never took his fame for granted, nor did he forget his roots. Here are 20 memorable quotes about Elvis’s life and legacy.

ON AMBITION

“Ambition is a dream with a V8 engine.”

ON MAINTAINING YOUR VALUES

“It's not how much you have that makes people look up to you, it's who you are.”

“Values are like fingerprints. Nobody's are the same, but you leave 'em all over everything you do.”

ON THE MUSIC INDUSTRY

“I happened to come along in the music business when there was no trend.”

“I've never written a song in my life. It's all a big hoax.”

“I don't know anything about music. In my line you don't have to.”

ON THE ARMY

“After a hard day of basic training, you could eat a rattlesnake.”

“The army teaches boys to think like men.”

ON TRUTH

“Truth is like the sun. You can shut it out for a time, but it ain't goin' away.”

ON THOSE LEGENDARY DANCE MOVES

“Rock and roll music, if you like it, if you feel it, you can't help but move to it. That's what happens to me. I can't help it.”

“Some people tap their feet, some people snap their fingers, and some people sway back and forth. I just sorta do 'em all together, I guess.”

ON KEEPING POSITIVE

“When things go wrong, don't go with them.”

ON STARDOM

“If you let your head get too big, it'll break your neck.”

“I have no use for bodyguards, but I have very specific use for two highly trained certified public accountants.”

“The image is one thing and the human being is another. It's very hard to live up to an image, put it that way.”

“The Lord can give, and the Lord can take away. I might be herding sheep next year.”

ON LOVE

“Sad thing is, you can still love someone and be wrong for them.”

ON THE PITFALLS OF HOLLYWOOD

“I sure lost my musical direction in Hollywood. My songs were the same conveyer belt mass production, just like most of my movies were.”

ON GETTING OLDER

“Every time I think that I'm getting old, and gradually going to the grave, something else happens.”

ON LEAVING A LEGACY

“Do something worth remembering.”

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