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© 2004 Twentieth Century Fox
© 2004 Twentieth Century Fox

10 Sweet Facts About Napoleon Dynamite

© 2004 Twentieth Century Fox
© 2004 Twentieth Century Fox

ChapStick, llamas, and tater tots are just a few things that appear in Napoleon Dynamite, a cult film shot for a mere $400,000 that went on to gross $44.5 million. In 2002, Brigham Young University film student Jared Hess filmed a black-and-white short, Peluca, with his classmate Jon Heder. The film got accepted into the Slamdance Film Festival, which gave Hess the courage to adapt it into a feature. Hess used his real-life upbringing in Preston, Idaho—he had six brothers and his mom owned llamas—to form the basis of the movie, about a nerdy teenager named Napoleon (Heder) who encourages his friend Pedro (Efren Ramirez) to run for class president.

In 2004, the indie film screened at Sundance, and was quickly purchased by Fox Searchlight and Paramount, then released less than six months later. Today, the film remains so popular that last year Pedro and Napoleon reunited for a cheesy tots Burger King commercial. Here are 10 sweet facts about the ever-quotable comedy.

1. DEB IS BASED ON JERUSHA HESS.

Jared Hess’ wife Jerusha co-wrote the film and based Deb on her own life. “Her mom made her a dress when she was going to a middle school dance and she said, ‘I hadn’t really developed yet, so my mom overcompensated and made some very large, fluffy shoulders,’” Jared told Rolling Stone. “Some guy dancing with her patted the sleeves and actually said, ‘I like your sleeves … they’re real big.’” 

Tina Majorino, who played the fictional Deb, hadn’t done a comedy before, because people thought of her as a dramatic actress. “The fact that Jared would even let me come in and read really appealed to me,” she told Rolling Stone. “Even if I didn’t get the role, I just wanted to see what it was like to audition for a comedy, as I’d never done it before.”

2. NAPOLEON'S FAMOUS DANCE SCENE MANIFESTED FROM THE SHORT FILM.

At the end of shooting Peluca, Hess had a minute of film stock left and knew Heder liked to dance. Heder had on moon boots—something Hess used to wear—so they traveled to the end of a dirt road. They turned on the car radio and Jamiroquai’s “Canned Heat” was playing. “I just told him to start dancing and realized: This is how we’ve got to end the film,” Hess told Rolling Stone. “You don’t anticipate those kinds of things. They’re just part of the creative process.” 

Heder told The Huffington Post he found inspiration in Michael Jackson and dancing in front of a mirror, for the end-of-the-movie skit. But when it came time to film the dance for the feature, Heder felt “pressure” to deliver. “I was like, ‘Oh, crap!’ This isn’t just a silly little scene,” he told PDX Monthly. “This is the moment where everything comes, and he’s making the sacrifice for his friend. That’s the whole theme of the movie. Everything leads up to this. Napoleon’s been this loser. This has to be the moment where he lands a victory.” Instead of hiring a choreographer, the filmmakers told him to “just figure it out.” They filmed the scene three times with three different songs, including Jamiroquai’s “Little L” and “Canned Heat.”

3. FANS STILL FLOCK TO PRESTON, IDAHO TO TOUR THE MOVIE’S LOCATIONS.

In a 2016 interview with The Salt Lake Tribune, The Preston Citizen’s circulation manager, Rhonda Gregerson, said “every summer at least 50 groups of fans walk into the office wanting to know more about the film.” She said people come from all over the world to see Preston High School, Pedro’s house, and other filming locations as a layover before heading to Yellowstone National Park. “If you talk to a lot of people in Preston, you’ll find a lot of people who have become a bit sick of it,” Gregerson said. “I still think it’s great that there’s still so much interest in the town this long after the movie.”

Besides the filming locations, the town used to host a Napoleon Dynamite festival. In 2005, the fest drew about 6000 people and featured a tater tot eating contest, a moon boot dancing contest, boondoggle keychains for sale, and a tetherball tournament. The fest was last held in 2008.

4. IDAHO ADOPTED A RESOLUTION COMMENDING THE FILMMAKERS.


Jerusha and Jared Hess
Frederick M. Brown/Getty Images

In 2005, the Idaho legislature wrote a resolution praising Jared and Jerusha Hess and the city of Preston. HCR029 appreciates the use of tater tots for “promoting Idaho’s most famous export.” It extols bicycling and skateboarding to promote “better air quality,” and it says Kip and LaFawnduh’s relationship “is a tribute to e-commerce and Idaho’s technology-driven industry.” The resolution goes on to say those who “vote Nay on this concurrent resolution are Freakin’ Idiots.” Napoleon would be proud.

5. NAPOLEON WAS A DIFFERENT KIND OF NERD. 

Sure, he was awkward, but Napoleon wasn’t as intelligent as other film nerds. “He’s not a genius,” Heder told The Huffington Post. “Maybe he’s getting good grades, but he’s not excelling; he’s just socially awkward. He doesn’t know how much of an outcast he is, and that’s what gives him that confidence. He’s trying to be cool sometimes, but mostly he just goes for it and does it.”

6. THE TITLE SEQUENCE FEATURED SEVERAL DIFFERENT SETS OF HANDS.

Eight months before the theatrical release, Fox Searchlight had Hess film a title sequence that made it clear that the film took place in 2004, not in the ’80s or ’90s. Napoleon’s student ID reveals the events occur during the 2004-2005 school year. Heder’s hands move the objects in and out of the frame, but Fox didn’t like his hangnails. “They flew out a hand model a couple weeks later, who had great hands, but was five or six shades darker than Jon Heder,” Hess told Art of the Title. “If you look, there are like three different dudes’ hands—our producer’s are in there, too.”

7. THE MOVIE MESSED UP NETFLIX’S ALGORITHMS.

Beginning in 2006, Cinematch—Netflix’s recommendation algorithm software—held a contest called The Netflix Prize. Anyone who could make Cinematch’s predictions at least 10 percent more accurate would win $1 million. Computer scientist Len Bertoni had trouble predicting whether people would like Napoleon Dynamite. Bertoni told The New York Times the film is “polarizing,” and the Netflix ratings are either one or five stars. If he could accurately predict whether people liked the movie, Bertoni said, then he’d come much closer to winning the prize. That didn’t happen for him.

The contest finally ended in 2009 when Netflix awarded the grand prize to BellKor’s Pragmatic Chaos, who developed a 10.06 percent improvement over Cinematch’s score.

8. NAPOLEON ACCIDENTLY GOT A BAD PERM.


© 2004 Twentieth Century Fox

Heder got his hair permed the night before shooting began—but something went wrong. Heder called Jared and said, “‘Yeah, I got the perm but it’s a little bit different than it was before,’” Hess told Rolling Stone. “He showed up the night before shooting and he looked like Shirley Temple! The curls were huge!” They didn’t have much time to fix the goof, so Hess enlisted Jerusha and her cousin to re-perm it. It worked, but Jon wasn’t allowed to wash his hair for the next three weeks. “So he had this stinky ‘do in the Idaho heat for three weeks,” Jared said. “We were shooting near dairy farms and there were tons of flies; they were all flying in and out of his hair.”

9. LAFAWNDUH’S REAL-LIFE FAMILY STARRED IN THE MOVIE.

Shondrella Avery played LaFawnduh, the African American girlfriend of Kip, Napoleon’s older brother (played by Aaron Ruell). Before filming, Hess phoned Avery and said, “‘You remember that there were no black people in Preston, Idaho, right? Do you think your family might want to be in the movie?’ And that’s how it happened,” Avery told Los Angeles Weekly. Her actual family shows up at the end when LaFawnduh and Kip get married.

10. A SHORT-LIVED ANIMATED SERIES ACTED AS A SEQUEL.

In 2012, Fox aired six episodes of Napoleon Dynamite the animated series before they canceled it. All of the original actors returned to supply voices to their characters. The only difference between the film and the series is Kip is not married. Heder told Rolling Stone the episodes are as close to a sequel as fans will get. “If you sit down and watch those back to back, you’ve got yourself a sequel,” he said. “Because you’ve got all the same characters and all the same actors.”

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Shopping Malls Might be Dying, But Miami Is Planning to Build the Largest One in North America
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iStock

Shopping malls and the "American Dream" are two things that are often said to be dead or dying, but one developer sees it a little differently.

Part shopping outlet and part theme park, American Dream Miami is slated to become the largest mall in North America when it opens in Miami-Dade County, the South Florida Sun-Sentinel reports. Indeed, "mall" might not be the best word for this mega-complex. In addition to retail outlets, plans are in the works for an aquarium, water park, ski slope, live performing arts center, Ferris wheel, submarine ride, skating rink, and 2000 hotel rooms.

The project is being developed by Triple Five Group, which operates the Mall of America in Minnesota and the West Edmonton Mall in Canada—currently the two current largest shopping and entertainment centers on the continent. It also owns the American Dream Meadowlands in New Jersey.

This announcement comes at a time when shopping malls are being shuttered across the country. More than 6400 stores closed last year, and another 3600 are expected to go out of business this year, according to Business Insider.

American Dream Miami will cost $4 billion and cover 6.2 million square feet. Developers hope it will attract tourists as well as local thrill seekers who want a closer entertainment option than Disney World and Universal Studios in Orlando. Developer Eskandar Ghermezian was reportedly inspired by a comment made by his daughter, who complained there was nothing to do in the area when it rained.

Critics of the project, however, called it "American Nightmare," arguing it would harm the environment and cause traffic congestion. The developer still needs to obtain several permits before construction can begin.

[h/t Sun-Sentinel]

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20 Character Actors Who Make Everything They’re in Better
Netflix
Netflix

If the main character in your movie is a straitlaced do-gooder, or really, blandly relatable in any way, you’re going to need some eccentric figures to bring some spice to the party. More than mere sidekicks, these characters either make the world they inhabit feel dangerous and chaotic or bring order to insanity by sheer force of personality. They’re characters that make your ears perk just as the movie starts to lose you.

Character actors are tasked with making movies more interesting, but only the best of them succeed. So here are 20 ultra-talented stars who never fail to make good films great, great films classic, and terrible films almost watchable.

1. PETER STORMARE

Peter Stormare in 'American Gods'
Jan Thijs, Starz Entertainment/FremantleMedia North America

Thank Fargo for this one. Peter Stormare’s magic stems from his range, which runs from Genuinely Kind to Terrifyingly Aggressive. You might expect him to play a growling bad guy every role, but his comic timing and humane sensitivity allow him to play everything from an unlicensed eye doctor in Minority Report to multiple voices on children’s shows to an incompetent nihilist kidnapper in The Big Lebowski.

2. OCTAVIA SPENCER

Octavia Spencer in 'Hidden Figures' (2016)
Twentieth Century Fox Film Corporation

Octavia Spencer is a world-class actor and producer with the hardware to prove it (including an Oscar, a BAFTA, and a Golden Globe). She’s a dynamite talent who offers a Herculean amount of support to everyone she shares scenes with. It’s possible that her trademark is a wry, knowing sense of humor, but she’s not that easily pinned down or pigeonholed, mightily subverting expectations in genre work like Snowpiercer and gut-wrenching dramas like Fruitvale Station.

3. SCOOT MCNAIRY

Scoot McNairy in 'Halt and Catch Fire'
Eric Ogden, AMC

Possessing leading man looks and chops with a character actor’s transformative ability, Scoot McNairy is a deft craftsman who brings meek powder keg Gordon Clark to life on Halt and Catch Fire as well as embodying slimy slave trader Brown in 12 Years a Slave and amateurish holdup man Frankie in the crime drama Killing Them Softly.

4. TILDA SWINTON

Tilda Swinton in 'Only Lovers Left Alive' (2013)
Sandro Kopp, Sony Pictures Classics

Some character actors are in the hall of fame, some have won awards, but Tilda Swinton is on (and possibly from) another planet. She can more than hold her own as a leading performer, delivering searing portrayals in We Need to Talk About Kevin and deathly mystery in The Only Lovers Left Alive. But it’s her bizarre character work that most endures, like having your brain smacked with a rainbow baseball bat. From her toothy despot in Snowpiercer to her thousand-year-old dowager in The Grand Budapest Hotel to her wintry witch in The Chronicles of Narnia to a dozen other deeply strange performances, Swinton is playing a totally different game than everyone else. If Hollywood ever makes a David Bowie biopic, they know who to hire.

5. OLIVER PLATT

Oliver Platt in FX's 'Fargo'
Chris Large, FX Networks

An actor’s actor, Oliver Platt never seems content to play the same role twice, yet he has the peerless ability to make it feel as if we’ve known a character our whole lives. That bone-deep familiarity is a quality that comes from another level of acting talent. Even if he’s only in one scene, Platt never phones it in. He’s never less than fantastic. Whether droll and off-the-cuff or stridently severe, you get the feeling that Platt is in it for the pure, unbridled love of acting.

6. ANN DOWD

Ann Dowd plays Aunt Lydia in 'The Handmaid's Tale'
Hulu

This Emmy-winning, 30-year veteran is in five movies coming out this year alone. That’s on top of a busy slate of guest starring roles on TV shows where she almost always becomes the best thing about the episode. She just finished up a remarkable run as the dead-eyed, chain-smoking Patti in The Leftovers, but her reign of matronly terror as Aunt Lydia on The Handmaid’s Tale has only just begun.

7. GIANCARLO ESPOSITO

Giancarlo Esposito in 'Breaking Bad'
Michele K. Short, AMC/Sony Pictures Television

To offer some perspective on Giancarlo Esposito’s genius: he recently did a single episode of Westworld where he delivered a fiery monologue that shook a character to the core, and the creators of Westworld almost definitely hired him because they knew he’d deliver a fiery monologue that would shake an entire audience to its core. Best known as Gus Fring on Breaking Bad (and Better Call Saul), Esposito has appeared in more than 75 movies and a list of TV episodes no one has time to count (though it's worth a reminder that he played Big Bird's camp counselor on Sesame Street). Unfailingly charismatic, Esposito is a modern marvel who, over four decades of acting, has never failed to astound.

8. CARRIE COON

Carrie Coon stars in HBO's 'The Leftovers'
HBO

Carrie Coon’s acting talent is so outstanding that she often commanded entire sequences in The Leftovers without interacting with anyone else. Her character was marked by isolation, and you could wind up not remembering to blink while watching her complete even the most mundane of tasks with a seemingly infinite pool of sorrow. She brought that concentration of anxiety to Gone Girl, where she played the sister of Ben Affleck’s character, and, most recently, to the third season of the Fargo TV series.

9. MICHAEL STULHBARG

Michael Stuhlbarg in 'A Serious Man' (2009)
Focus Features

Last year, in addition to his starring role in the third season of Fargo, Michael Stulhbarg was in three Best Picture nominees—The Shape of Water, Call Me By Your Name, and The Post—where he played pivotal roles as a modest Soviet spy, a father with a barn-burning monologue of compassionate acceptance, and a cosmopolitan newspaper editor, respectively. Three in one year. That’s incredible, but easy to believe when it comes to a talent like Stuhlbarg, who combines a workmanlike consistency and a stage actor’s perfectionism to create everymen who, far from being boring, are each singularly memorable.

10. MARGO MARTINDALE

Margo Martindale in 'The Americans'
FX Networks

The one. The only. Margo Martindale is so transcendent that BoJack Horseman features a character called “Beloved Character Actress Margo Martindale” (which is voiced by Martindale). Perhaps the most famous character actor currently working, she brings a maternal energy to even her craziest characters, which probably makes them seem even crazier. She also excels in roles that exude a sense of cool confidence, which helps if you’re handling soviet spies on The Americans or leading a weed-dealing family on Justified.

11. WALTON GOGGINS

Walton Goggins in FX's 'Justified'
FX Networks

Speaking of Justified: Walton Goggins earned an Emmy nomination for his portrayal of gritty-yet-charming criminal Boyd Crowder on the show, but he deserves so many more awards (though it's worth noting that he did win an Oscar in 2002, when The Accountant—a short film he produced and starred in—was named Best Live-Action Short Film). He’s got a flare for playing wild-eyed thugs and weirdos blissfully lacking self-awareness, but the scummy majesty he offers isn’t solely used for black hats. Goggins popping up randomly in movies and TV shows is always a delight because he’s a hell of an actor who seems to have time traveled here from the Wild West.

12. CCH POUNDER

CCH Pounder in 'NCIS: New Orleans'
CBS

CCH Pounder’s niche is serious professionals in police stations and emergency rooms, but she’s also brought steely playfulness to the neighborhood witch Madame Dorothea in the Mortal Instruments franchise. She’s consistently fantastic, drawing on years of expertise, natural magnetism, and an amazing number of starring and guest-starring roles on TV.

13. STEPHEN ROOT

Stephen Root in 'Idiotsitter' (2014)
Comedy Central

Stephen Root has portrayed so many outlandish characters that it’s shocking when he turns up in a movie in khakis and a Polo shirt. There are no limits on his range, and you can take your pick from a metric ton of favorites: Office Space, O Brother, Where Art Thou?, Dodgeball, Idiocracy, King of the Hill, NewsRadio, Brooklyn Nine-Nine, and Get Out are just a few. In his TV career, he’s been in over 700 episodes and continues to elevate his game. This is legendary character actor status here.

14. ALLISON JANNEY

Allison Janney in 'I, Tonya' (2017)
Neon

West Wing fans have known about Allison Janney’s ability to command a room either with charm, severity, or by doing "The Jackal" since the late 1990s. But she solidified her place in the Character Actor Hall of Fame with her Oscar-winning turn as Tonya Harding’s abusive, bird enthusiast mother in I, Tonya. With a comic edge that echoes vaudeville (see: Hairspray) and a scary intensity when things get serious, Janney excels in any role you lay at her feet.

15. PAT HEALY

Pat Healy in 'The Innkeepers' (2011)
Magnolia Pictures

Often portraying the disturbing or the disturbed, Pat Healy is willing to push extremes of manic glee while staying grounded. He most notably shines through the grit in Cheap Thrills as the downtrodden mechanic Craig who performs increasingly violent and degrading stunts for a bigger pot of money. He also menaced Ann Dowd and Dreama Walker by phone in Compliance and was menaced by ghosts in The Innkeepers.

16. MICHELLE HURST

Michelle Hurst in 'Orange Is the New Black'
Netflix

If you’re a fan of Law & Order and its 1000 spinoffs, you’ve seen (and likely marveled at) Michelle Hurst a dozen times. She possesses a sharp ferocity, as proven by her portrayal of the acerbic Miss Claudette on the first season of Orange is the New Black. She was sidelined after a 2013 car accident, but she’s back this year in a supporting role in the romantic comedy Permission, so hopefully casting directors will take of this criminally underused powerhouse.

17. MICHAEL PEÑA

Michael Peña in 'CHIPS' (2017)
Peter Iovino, Warner Bros. Entertainment Inc.

If you only know Michael Peña as the fast-talking goof in Ant-Man, you’d be forgiven for not realizing the dangerous dramatic work he has done since Crash. He’s the rare talent who’s at the top of his game whether trying to make us laugh, cry, or wrestle with difficult truths. How else can you explain him stealing scenes in Marvel’s miniature superhero film a year after transforming wholesale into Cesar Chavez for a biopic of the civil rights activist?

18. KATHRYN HAHN

Kathryn Hahn in 'Happyish'
Showtime

Kathryn Hahn has been outshining her leading counterparts for years, but Bad Moms really gave her room to run. She absolutely has the skills to heighten the drama in movies like Revolutionary Road and This Is Where I Leave You, but the sweet spot of her talent is in finding humor by playing an exaggerated version of our funny best friend. Jill Soloway’s Afternoon Delight proved Hahn could shoulder a starring role, but it’s great that she has found her stride as the bar-hopping, sexually adventurous single mother ripping through stereotypes in a budding Bad Moms franchise and continues to command the screen in ensembles.

19. KEITH DAVID

Keith David and Parker Young in 'Enlisted'
Adam Taylor, Fox

This Juilliard graduate got his cinematic start with The Thing and Platoon, then went on to lend his unmistakable, Emmy-worthy voice and stature to a slew of harrowing dramas. But Keith David’s secret weapon is his comic perfection as an exasperated authority figure on display in There’s Something About Mary, Rick and Morty, the short-lived-but-brilliant Enlisted, and later seasons of Community. You can count on the Tony winner for acting perfection on screen or on stage.

20. BETH GRANT

Drew Barrymore and Beth Grant in 'Donnie Darko' (2001)
Newmarket Films

If you need an actor to play a religious zealot or snappy rule-enforcer, Beth Grant is your first and last phone call. She’s the consummate stick in the mud, crafting figures who scold and harangue the main character for having even the tiniest bit of fun. We often love to hate the characters she portrays in movies like Donnie Darko and No Country for Old Men (not to mention her regular role on The Mindy Project), but she always transforms flat antagonists into fully realized humans by carving out space for sympathy.

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