ABC
ABC

10 Fun Facts About The Love Boat

ABC
ABC

For nearly 10 years, TV viewers got to experience a journey aboard a cruise ship nearly every Saturday night as The Love Boat brought the misadventures and romantic escapades of the luxury liner life right into their living rooms. With a roster of memorable characters like Captain Stubing (Gavin MacLeod), "Doc" Bricker (Bernie Kopell), Burl "Gopher" Smith (Fred Grandy), Julie McCoy (Lauren Tewes), and the finger-gun flailing Isaac (Ted Lange), the series was an immediate hit, lasting from 1977 until the spring of 1986. Here are 10 facts you need to know about TV's The Love Boat

1. THE LOVE BOAT FOLLOWS THE LOVE, AMERICAN STYLE ANTHOLOGY FORMULA.

The Love Boat was unique for television at the time in that it was centered around multiple vignettes every week, chronicling the comedic (and romantic) misadventures of an ever-changing group of passengers and the stalwart crew of the ship.

The separate storylines would all have different writers and weave in and out throughout the episode. It wasn’t a typical sitcom, nor was it sketch comedy; it was a style that executive producer Aaron Spelling directly modeled after ABC’s earlier comic hit Love, American Style.

Aimed at an older audience—with an eye on comic hijinks dripping with sexual tension—The Love Boat found an audience instantly, debuting at number 14 on the Nielsen charts and staying strong until the finale.

2. THE SHOW WAS BASED ON A TELL-ALL BOOK BY A REAL CRUISE DIRECTOR.

There’s more reality to The Love Boat than most people would assume. The show was actually based on a book titled Love Boats by Jeraldine Saunders, the first female to become cruise director for Princess Cruises. The 1974 book is a tell-all, revealing anecdotes from Saunders’s decade-long career (at that point) as a cruise director and the various run-ins she had with colorful passengers, crew members, and exotic destinations.

3. IT WAS TURNED INTO THREE TV MOVIES FIRST.

Before The Love Boat became a weekly television show, ABC tested the waters with three made-for-TV movies acting as pilots: The Love Boat (1976), The Love Boat II (1977), and The New Love Boat (1977). The Love Boat II saw the eventual TV cast appear in early versions of their famous roles, including Bernie Kopell, Ted Lange, and Fred Grandy. And The New Love Boat was basically a pilot for what the finalized series was going to be.

After three TV movies and an overhaul of the cast, The Love Boat was ready to officially set sail on September 24, 1977.

4. ROBERT REED AND FLORENCE HENDERSON GUEST STARRED (BUT NOT AS MIKE AND CAROL BRADY).

The Love Boat was a destination for countless celebrity guest stars over the years. Each week, stars from both the big and small screens would make appearances, including Betty White, Joan Collins, Alan Thicke, Gene Kelly, Hulk Hogan, Jeffery Tambor, and Janet Leigh.

The Iron Woman of Love Boat guest stars was none other than Florence Henderson, who boarded the Pacific Princess a staggering nine times, playing various characters. During one of her guest-stints, the boat was also boarded by Robert Reed, who obviously played Mr. Brady on The Brady Bunch. Though the two were in separate vignettes and weren’t playing their former married selves, the show did acknowledge their sitcom past as Henderson briefly sees Reed’s character and the two share a knowing glance.

5. CHARLIE’S ANGELS WERE ONCE ONBOARD FOR A CROSSOVER.

In addition to The Love Boat, Spelling had another project on ABC, Charlie’s Angels, which preceded Love Boat by one year in 1976. So it was only natural to meld the two series—which have as little in common as humanly possible—for a 1979 crossover.

In the two-part episode “Love Boat Angels,” the Angels board the Pacific Princess in order to retrieve stolen pieces of art on a voyage to the Virgin Islands. Though the episode was about the Angels doing their Angel-y thing, The Love Boat favorites like Captain Stubing, Isaac, "Doc" Bricker, and Julie McCoy all made appearances.

6. ONLY THREE ACTORS APPEARED IN EVERY EPISODE OF THE SHOW.

During The Love Boat’s nine years on the air, plenty of the ship’s crew came and went, but three actors were onboard for the series’ entire 250-episode run: Gavin MacLeod, Bernie Kopell, and Ted Lange. Fred Grandy came close, starring in 246 episodes across the entire length of the show. Lange, Kopell, and MacLeod also starred in the 1990 TV movie The Love Boat: A Valentine Voyage and made appearances on Love Boat: The Next Wave.

7. THE SHOW WAS FILMED ON REAL BOATS WITH ACTUAL PASSENGERS.

To shoot The Love Boat you need a boat, right? To make the boat come alive, the production shot on two real cruise ships: The Pacific Princess and Island Princess. Real cruises were booked and actual passengers played extras during certain scenes that required a more authentic look. For the actual people on vacation, filming was just an added bonus, as extras would get a raffle ticket at the end of each day they filmed. The cruises known to double as shooting locales would always sell out.

Filming aboard an actual ship wasn’t the norm, though. Like any sitcom, The Love Boat was mostly shot on soundstages that could create the look of a cabin, dining area, or a ship’s hallways.

8. DIONNE WARWICK SANG THE THEME FOR THE FINAL SEASON.

The Love Boat’s iconic theme was written by Paul Williams—who had written for The Carpenters, David Bowie, and The Muppets—and Charles Fox, the man behind the music for the Wide World of Sports and the first theme for ABC’s Monday Night Football. And for the show’s first eight seasons, The Love Boat theme was performed by Jack Jones until season nine when hit singer Dionne Warwick took over.

Her version closed out the final season of the show, and a completely overhauled version would grace Love Boat: The Next Wave from the late ‘90s.

9. THE REAL LOVE BOAT BECAME A NOTORIOUS VESSEL FOR DRUG SMUGGLERS.

The life of an out-of-work Hollywood icon can be rough, and after The Love Boat went off the air, the Pacific Princess found itself mixed up in the seedy world of narcotics. In 1998, BBC reported that the liner had become “a major tool for smugglers bent on trafficking drugs around the Mediterranean,” and more than 50 pounds of heroin were found aboard in November of that year.

The ship was impounded in Greece during a cruise, stranding the 600 passengers there as the whole ordeal got sorted out.

10. THE PACIFIC PRINCESS WAS BROUGHT TO A SCRAP YARD IN 2013.

When The Love Boat ended, the Pacific Princess—eventually renamed the MS Princess—was still in operation as a functioning luxury liner. In addition to its previously known drug issues, the ship’s final years were spent in a state of constant repairs and unpaid debt. After going through numerous owners and financial maladies, the MS Princess was eventually sent to a Turkish scrap yard in 2013.

Before it went to scrap, the ship was already decommissioned, and getting it back into proper shape would have been senseless from a financial standpoint, according to Ersin Ceviker of the Ship Recyclers' Association of Turkey. During its trip to the Aliaga port in Turkey, the ship began taking on water and required additional tugboats to bring it to its final destination.

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Universal Pictures Home Entertainment
The 10 Wildest Movie Plot Twists
Laura Harring in Mulholland Drive (2001)
Laura Harring in Mulholland Drive (2001)
Universal Pictures Home Entertainment

An ending often makes or breaks a movie. There’s nothing quite as satisfying as having the rug pulled out from under you, particularly in a thriller. But too many flicks that try to shock can’t stick the landing—they’re outlandish and illogical, or signal where the plot is headed. Not all of these films are entirely successful, but they have one important attribute in common: From the classic to the cultishly beloved, they involve hard-to-predict twists that really do blow viewers’ minds, then linger there for days, if not life. (Warning: Massive spoilers below.)

1. PSYCHO (1960)

Alfred Hitchcock often constructed his movies like neat games that manipulated the audience. The Master of Suspense delved headfirst into horror with Psycho, which follows a secretary (Janet Leigh) who sneaks off with $40,000 and hides in a motel. The ensuing jolt depends on Leigh’s fame at the time: No one expected the ostensible star and protagonist to die in a gory (for the time) shower butchering only a third of the way into the running time. Hitchcock outdid that feat with the last-act revelation that Anthony Perkins’s supremely creepy Norman Bates is embodying his dead mother.

2. PLANET OF THE APES (1968)

No, not the botched Tim Burton remake that tweaked the original movie’s famous reveal in a way that left everyone scratching their heads. The Charlton Heston-starring sci-fi gem continues to stupefy anyone who comes into its orbit. Heston, of course, plays an astronaut who travels to a strange land where advanced apes lord over human slaves. It becomes clear once he finds the decrepit remains of the Statue of Liberty that he’s in fact on a future Earth. The anti-violence message, especially during the political tumult of 1968, shook people up as much as the time warp.

3. DEEP RED (1975)

It’s not rare for a horror movie to flip the script when it comes to unmasking its killer, but it’s much rarer that such a film causes a viewer to question their own perception of the world around them. Such is the case for Deep Red, Italian director Dario Argento’s (Suspiria) slasher masterpiece. A pianist living in Rome (David Hemmings) comes upon the murder of a woman in her apartment and teams up with a female reporter to find the person responsible. Argento’s whodunit is filled to the brim with gorgeous photography, ghastly sights, and delirious twists. But best of all is the final sequence, in which the pianist retraces his steps to discover that the killer had been hiding in plain sight all along. Rewind to the beginning and you’ll discover that you caught an unknowing glimpse, too.

4. SLEEPAWAY CAMP (1983)

Sleepaway Camp is notorious among horror fans for a number of reasons: the bizarre, stilted acting and dialogue; hilariously amateurish special effects; and ‘80s-to-their-core fashions. But it’s best known for the mind-bending ending, which—full disclosure—reads as possibly transphobic today, though it’s really hard to say what writer-director Robert Hiltzik had in mind. Years after a boating accident that leaves one of two siblings dead, Angela is raised by her aunt and sent to a summer camp with her cousin, where a killer wreaks havoc. In the lurid climax, we see that moody Angela is not only the murderer—she’s actually a boy. Her aunt, who always wanted a daughter, raised her as if she were her late brother. The final animalistic shot prompts as many gasps as cackles.

5. THE USUAL SUSPECTS (1995)

The Usual Suspects has left everyone who watches it breathless by the time they get to the fakeout conclusion. Roger "Verbal" Kint (Kevin Spacey), a criminal with cerebral palsy, regales an interrogator in the stories of his exploits with a band of fellow crooks, seen in flashback. Hovering over this is the mysterious villainous figure Keyser Söze. It’s not until Verbal leaves and jumps into a car that customs agent David Kujan realizes that the man fabricated details, tricking the law and the viewer into his fake reality, and is in fact the fabled Söze.

6. PRIMAL FEAR (1996)

No courtroom movie can surpass Primal Fear’s discombobulating effect. Richard Gere’s defense attorney becomes strongly convinced that his altar boy client Aaron (Edward Norton) didn’t commit the murder of an archbishop with which he’s charged. The meek, stuttering Aaron has sudden violent outbursts in which he becomes "Roy" and is diagnosed with dissociative identity disorder, leading to a not guilty ruling. Gere’s lawyer visits Aaron about the news, and as he’s leaving, a wonderfully maniacal Norton reveals that he faked the multiple personalities.

7. FIGHT CLUB (1999)

Edward Norton is no stranger to taking on extremely disparate personalities in his roles, from Primal Fear to American History X. The unassuming actor can quickly turn vicious, which led to ideal casting for Fight Club, director David Fincher’s adaptation of the Chuck Palahniuk novel. Fincher cleverly keeps the audience in the dark about the connections between Norton’s timid, unnamed narrator and Brad Pitt’s hunky, aggressive Tyler Durden. After the two start the titular bruising group, the plot significantly increases the stakes, with the club turning into a sort of anarchist terrorist organization. The narrator eventually comes to grips with the fact that he is Tyler and has caused all the destruction around him.

8. THE SIXTH SENSE (1999)

Early in his career, M. Night Shyamalan was frequently (perhaps a little too frequently) compared to Hitchcock for his ability to ratchet up tension while misdirecting his audience. He hasn’t always earned stellar reviews since, but The Sixth Sense remains deservedly legendary for its final twist. At the end of the ghost story, in which little Haley Joel Osment can see dead people, it turns out that the psychologist (Bruce Willis) who’s been working with the boy is no longer living himself, the result of a gunshot wound witnessed in the opening sequence.

9. THE OTHERS (2001)

The Sixth Sense’s climax was spooky, but not nearly as unnerving as Nicole Kidman’s similarly themed ghost movie The Others, released just a couple years later. Kidman gives a superb performance in the elegantly styled film from the Spanish writer-director Alejandro Amenábar, playing a mother in a country house after World War II protecting her photosensitive children from light and, eventually, dead spirits occupying the place. Only by the end does it become clear that she’s in denial about the fact that she’s a ghost, having killed her children in a psychotic break before committing suicide. It’s a bleak capper to a genuinely haunting yarn.

10. MULHOLLAND DRIVE (2001)

David Lynch’s surrealist movies may follow dream logic, but that doesn’t mean their plots can’t be readily discerned. Mulholland Drive is his most striking work precisely because, in spite of its more wacko moments, it adds up to a coherent, tragic story. The mystery starts innocently enough with the dark-haired Rita (Laura Elena Harring) waking up with amnesia from a car accident in Los Angeles and piecing together her identity alongside the plucky aspiring actress Betty (Naomi Watts). It takes a blue box to unlock the secret that Betty is in fact Diane, who is in love with and envious of Camilla (also played by Harring) and has concocted a fantasy version of their lives. The real Diane arranges for Camilla to be killed, leading to her intense guilt and suicide. Only Lynch can go from Nancy Drew to nihilism so swiftly and deftly.

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iStock
Hollywood's 5 Favorite Movie Villains
iStock
iStock

Movie villains are meant to bring out the best in a hero, but with the right script, director, and performer in place, these bad guys can sometimes steal the show from their clean-cut rivals.

Take any horror movie, for example—chances are you’re not watching Friday the 13th to root for the absentminded teenagers down at Camp Crystal Lake. And Steven Spielberg certainly didn’t become a household name by directing a shark movie titled Three Guys on a Boat Drinking Narragansett.

The Hollywood Reporter set out to celebrate these iconic agents of evil by surveying 1000 professionals in the entertainment industry (directors, producers, entertainment attorneys, etc.) on their favorite movie villains. A rogues' gallery of murderous AI, mafia bosses, and a diabolical fashion magazine editor all made the top 25 list as the worst of the worst, and while they’re all deserving, the top five are the gold standard. They include:

5. Nurse Ratched: Played by Louise Fletcher in One Flew Over the Cuckoo's Nest (1975)
4. The Joker: Played by Heath Ledger in The Dark Knight (2008)
3. The Wicked Witch of the West: Played by Margaret Hamilton in The Wizard of Oz (1939)
2. Hannibal Lecter: Played by Anthony Hopkins in The Silence of the Lambs (1991), Hannibal (2001), and Red Dragon (2002)
1. Darth Vader: Played by David Prowse and James Earl Jones in the Star Wars movies (Prowse 1977-1983, Jones 1977-present)

That top spot might not come as a surprise to most, unless you’re still in your twenties: According to The Hollywood Reporter, survey respondents in that age group put Darth Vader in the sixth spot—behind Regina George from Mean Girls.

To check out the entire list, head to The Hollywood Reporter.

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