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How Paul Wittgenstein Paved the Way for One-Armed Concert Pianists

In 2012, Nicholas McCarthy became the first one-handed pianist to graduate from London's illustrious Royal College of Music. McCarthy, who was born without a right hand, has since gone on to build a successful career as a classical musician, giving performances all across the world and playing everywhere from the Royal Albert Hall to the closing ceremony of the 2012 Paralympic Games.

As McCarthy’s success—and astonishing talent—proves, having one hand is not as restrictive a disability for a pianist as it might seem. What’s more, thanks to the life and legacy of Austrian pianist Paul Wittgenstein, there’s a remarkably sizable repertoire of compositions available exclusively for one-handed pianists.

Wittgenstein was born into a family with a long musical heritage in Vienna, Austria, on November 5, 1887. His grandmother, Fanny, had been a friend of Felix Mendelssohn; her adopted son, Joseph Joachim, studied under Mendelssohn in Germany, and became one of the most accomplished violinists of the 19th century. Paul’s father, Karl Wittgenstein, was also a violinist, as well as a close friend of the industrialist and philanthropist Andrew Carnegie, founder of New York City’s Carnegie Hall. But it was as a steel magnate that Karl made a name for himself and ultimately became one of the richest people in Europe at the time. Thanks to the family’s wealth and their longstanding interest in the arts, it was not uncommon for the likes of Gustav Mahler, Clara Schumann, Richard Strauss, or Johannes Brahms to drop by the Wittgenstein family home.

As a result, Paul, along with his older brother Johannes, quickly took a serious interest in music—and both showed an aptitude for it. Tragically, Johannes died under mysterious circumstances while in America in 1902, but Paul—originally dismissed as being less accomplished than his older brother—continued his studies, and was accepted into the Viennese Gymnasium. After working under the Polish composer and piano virtuoso Theodor Leschetizky, Paul gave his first public performance in 1913 to rave reviews and was set to launch his career as a concert pianist.

But the following year, war broke out.

At the start of the First World War in 1914, Wittgenstein was called up for military service in the Austro-Hungarian Army and dispatched to the Russian front. Just weeks after his arrival, however, a stray bullet struck him in his right elbow. The injury was so bad that he passed out, and when he regained consciousness several days later in a Ukrainian hospital, he found out that not only was he a prisoner of war, but his right arm had been amputated.

Once he had recovered from his surgery, Wittgenstein was relocated to an isolated prison camp in Omsk, in southwest Siberia. Despite what seemed to be a bleak future ahead of him, Wittgenstein resolved not to be hindered by what had happened: Etching the layout of a piano keyboard onto an upturned supply crate, Wittgenstein set about retraining and strengthening his left hand, and spent much of his incarceration calculating how it might be possible to play some of his favorite pieces of music with his left hand alone. “It was like climbing a mountain,” he later wrote of his determination to continue playing. “If you can’t get up one way, you try another.”

While still a prisoner in Siberia, Wittgenstein managed to contact one of his former music teachers, the composer Josef Labor, via the Danish consul, to explain what had happened to him and to request that Labor write him a piece to perform using just his left hand. Several weeks later, the reply came: Labor was already working on it and a sympathetic dignitary arranged to transfer Wittgenstein to a camp with a piano.

In 1915, Wittgenstein was repatriated and sent home via Sweden as part of a prisoner of war exchange program between Russian and Austria. With little chance of seeing active service again, he immediately set about launching his musical career for the second time—only this time, under considerably changed circumstances.

Wittgenstein began to study intensely. He arranged his own left-hand-only versions of some of his favorite pieces—including Beethoven’s Appassionata piano sonata, Bach’s Prelude in C Minor, Mendelssohn’s Songs Without Words, and Chopin’s Revolutionary Étude. He learned and rehearsed the piece Josef Labor had written for him, all the while continuing to improve the strength, technique, and stamina of his left hand. He gave his first one-handed performance in Vienna, debuting Labor’s Concert Piece in the form of Variations for Pianoforte Left Hand. And that was just the beginning.

Over the next 30 years, Wittgenstein used his family’s enormous fortune to commission dozens of left-hand piano pieces—a total of 17 piano concertos among them—from some of the early 20th century’s most renowned composers, including Benjamin Britten, Sergei Prokofiev, Paul Hindemith, Richard Strauss, and Maurice Ravel. All the while he continued to tour, steadily building his reputation as a remarkable individual performer, determined not to be held back in any way—often, however, at the expense of his collaborators.

As his fame grew, Wittgenstein became increasingly demanding; he had uneasy relationships with many of the composers with whom he worked. When Prokofiev sent him his 4th Piano Concerto (1931), he claimed not to understand it and resolved never to play it until “the inner logic of the work” became clear to him. (Wittgenstein never performed the work, and Prokofiev never heard it played in his lifetime.) Similarly, when Paul Hindemith sent him his Klaviermusik, or Concerto for Piano with Orchestra, Op. 29 (1924), Wittgenstein again claimed not to understand that work either, refused to play it, and kept it hidden in his study. It was not discovered until 2002, and finally received its debut performance in 2004—41 years after Hindemith’s death.

But it was with French composer Maurice Ravel that Wittgenstein had his rockiest—albeit fruitful—relationship. In 1930, Ravel sent Wittgenstein his epic Piano Concerto for the Left Hand. The piece remains not only one of Ravel’s most popular and virtuosic pieces, but is perhaps the most famous piece of left-hand piano music in the entire classical repertoire (and has even become something of a rite of passage for two-handed piano players). Despite its astonishing complexity, however, as soon as he received the score, Wittgenstein set to work editing and revising it, altering not just the piano part that he was expected to play, but also the orchestral accompaniment.

Ravel could not attend his concerto’s debut performance in 1932, but he traveled to Vienna shortly after to attend a dinner and concert hosted by Wittgenstein, at which the work was to be played. Throughout the performance, Ravel reportedly grew steadily more agitated as he realized the alterations Wittgenstein had made. Incensed, Ravel cornered Wittgenstein after the performance about his changes and the pair had a heated argument about the supremacy of composers over musicians. This disagreement would lead to Wittgenstein exclaiming, "Performers must not be slaves," to which Ravel famously replied, “Performers are slaves.” Despite their differences, however, the pair reconciled enough to collaborate on a performance of the concerto in 1933 with Wittgenstein at the piano, and Ravel conducting.

By the late 1930s, war again impacted Wittgenstein’s life: Although his family was Christian, their Jewish heritage was enough to see Wittgenstein forbidden from giving public performances under the Nuremburg Laws that were imposed on Austria following the Nazi annexation in 1938. Wittgenstein relocated to America as a consequence, and there continued his playing and teaching, becoming an American citizen in 1946. He died in New York in 1961 at the age of 73.

Wittgenstein’s life may have been a tumultuous one full of misfortune and disagreements, but he left behind an extraordinary legacy of works for performers of equally extraordinary talent.

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By Napoleon Sarony - Library of Congress, Public Domain, Wikimedia Commons
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25 of Oscar Wilde's Wittiest Quotes
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By Napoleon Sarony - Library of Congress, Public Domain, Wikimedia Commons

On October 16, 1854, Oscar Fingal O'Flahertie Wills Wilde was born in Dublin, Ireland. He would go on to become one of the world's most prolific writers, dabbling in everything from plays and poetry to essays and fiction. Whatever the medium, his wit shone through.

1. ON GOD

"I think that God, in creating man, somewhat overestimated his ability."

2. ON THE WORLD AS A STAGE

"The world is a stage, but the play is badly cast."

3. ON FORGIVENESS

"Always forgive your enemies; nothing annoys them so much."

4. ON GOOD VERSUS BAD

"It is absurd to divide people into good and bad. People are either charming or tedious."

5. ON GETTING ADVICE

"The only thing to do with good advice is pass it on. It is never any use to oneself."

6. ON HAPPINESS

"Some cause happiness wherever they go; others whenever they go."

7. ON CYNICISM

"What is a cynic? A man who knows the price of everything and the value of nothing."

8. ON SINCERITY

"A little sincerity is a dangerous thing, and a great deal of it is absolutely fatal."

9. ON MONEY

"When I was young I thought that money was the most important thing in life; now that I am old I know that it is."

10. ON LIFE'S GREATEST TRAGEDIES

"There are only two tragedies in life: one is not getting what one wants, and the other is getting it."

11. ON HARD WORK

"Work is the curse of the drinking classes."

12. ON LIVING WITHIN ONE'S MEANS

"Anyone who lives within their means suffers from a lack of imagination."

13. ON TRUE FRIENDS

"True friends stab you in the front."

14. ON MOTHERS

"All women become like their mothers. That is their tragedy. No man does. That's his."

15. ON FASHION

"Fashion is a form of ugliness so intolerable that we have to alter it every six months."

16. ON BEING TALKED ABOUT

"There is only one thing in life worse than being talked about, and that is not being talked about."

17. ON GENIUS

"Genius is born—not paid."

18. ON MORALITY

"Morality is simply the attitude we adopt towards people whom we personally dislike."

19. ON RELATIONSHIPS

"How can a woman be expected to be happy with a man who insists on treating her as if she were a perfectly normal human being?"

20. ON THE DEFINITION OF A "GENTLEMAN"

"A gentleman is one who never hurts anyone’s feelings unintentionally."

21. ON BOREDOM

"My own business always bores me to death; I prefer other people’s."

22. ON AGING

"The old believe everything, the middle-aged suspect everything, the young know everything."

23. ON MEN AND WOMEN

"I like men who have a future and women who have a past."

24. ON POETRY

"There are two ways of disliking poetry; one way is to dislike it, the other is to read Pope."

25. ON WIT

"Quotation is a serviceable substitute for wit."

And one bonus quote about Oscar Wilde! Dorothy Parker said it best in a 1927 issue of Life:

If, with the literate, I am
Impelled to try an epigram,
I never seek to take the credit;
We all assume that Oscar said it.

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Lucy Quintanilla/iStock
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5 Cemetery Road Trips for the Ultimate Taphophile
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Lucy Quintanilla/iStock

Autumn is the best time of year for a road trip. The weather is cooling down, the leaves are turning, and fewer people are on the roads. With Halloween on the horizon, cemeteries are natural destinations. These five journeys are a great way to explore America’s rich and varied history as recorded on its tombstones—and truly dedicated taphophiles (from the Greek for tomb) can combine them into one itinerary covering 22 states and more than 10,000 miles. Tombstone tourists, rejoice.

1. NORTHEAST

A stylized map of the United States showing a route map for a Northeast cemetery road trip
Lucy Quintanilla/iStock

A. Hope Cemetery
201 Maple Avenue, Barre, Vermont
44.2107° N, 72.4994° W

Barre’s Hope Cemetery is a jaw-dropping open-air sculpture garden, featuring locally quarried granite carved into everything from angels to sports cars to life-sized portraits. The cemetery is especially gorgeous when the leaves turn in autumn.

B. Mount Auburn Cemetery
580 Mount Auburn Street, Cambridge, Massachusetts
42.3752° N, 71.1450° W

Designed by Dr. Jacob Bigelow, the foremost botanist of his day, this breathtaking place may be the most important cemetery in America. Its opening in 1831 signaled a shift from austere churchyards to park-like cemeteries full of trees and flowers. One of the most striking grave monuments remembers Mary Baker Eddy, founder of Christian Science.

C. Touro Jewish Cemetery
Touro Street, Newport, Rhode Island
41.48793° N, 71.30936° W

Open only one day a year, the Touro Cemetery is the second-oldest Jewish cemetery in the U.S. Henry Wadsworth Longfellow wrote a beautiful poem about the place. Nearby Touro Synagogue offers a brochure to explain the significance of the cemetery to visitors who come to gaze through its gates.

D. Green-Wood Cemetery
500 25th Street, Brooklyn, New York
40.6590° N, 73.9956° W

Lovely Green-Wood Cemetery is the forefather of city parks in America. Full of famous names and one-of-a-kind monuments, the cemetery rewards repeat visits. Among those buried here are Jean-Michel Basquiat, FAO Schwarz, and conductor Leonard Bernstein.

E. Soldiers’ National Cemetery
Gettysburg National Military Park
1195 Baltimore Pike, Gettysburg, Pennsylvania
39.82177° N, 77.23256° W

A Gettysburg postcard from pre-1930
Author's collection

President Lincoln’s Gettysburg address announced the system of national cemeteries for casualties of federal battles. In Soldiers’ National Cemetery, granite stones marked with the tally of unknown soldiers provide a sobering reminder of the costs of war.

F. Congressional Cemetery
1801 E. Street SE, Washington, D.C.
38.8811° N, 76.9780° W

Originally designed as a graveyard for congressmen who died in office, the Congressional Cemetery became the final resting place for a wide assortment of public servants. FBI Director J. Edgar Hoover, Civil War photographer Mathew Brady, and march king John Philip Sousa—as well as pioneers in the fights for Native American rights, women’s rights, and gay rights—are all buried here.

2. SOUTH

A stylized map of the United States showing a route map for a Southern cemetery road trip
Lucy Quintanilla/iStock

A. The Martin Luther King Jr. Center for Nonviolent Social Change
449 Auburn Avenue NE, Atlanta, Georgia
33.7563° N, 84.3734° W

Dr. Martin Luther King Jr. rests on the grounds of the Center for Nonviolent Social Change, founded in his name by his widow Coretta Scott King in 1968. After her death in 2006, Mrs. King joined him in a matching sarcophagus. The King Center is undergoing renovation in advance of the 50th anniversary of his assassination, so call before you visit.

B. Bonaventure Cemetery
330 Bonaventure Road, Savannah, Georgia
32.0444° N, 81.0467° W

Oaks draped with Spanish moss surround museum-worthy statuary in Bonaventure Cemetery. When John Muir camped there in September 1867, he wrote that the cemetery was "so beautiful that almost any sensible person would choose to dwell here with the dead” [PDF]. More than a century later, the cemetery still makes all the lists of most beautiful graveyards.

C. Tolomato Cemetery
14 Cordova Street, Saint Augustine, Florida
29.8970° N, 81.3151° W

American citizens of Saint Augustine started using this acre of land as a cemetery in 1777, although the Spanish used it as a graveyard even earlier. As such, it may be the oldest European-founded cemetery in the U.S. Although Hurricane Irma did significant damage in September, Tolomato Cemetery remains open to visitors one day a month as its Preservation Society repairs it.

D. St. Louis Cemetery #1
425 Basin Street, New Orleans, Louisiana
29.9608° N, 90.0754° W

A vintage postcard of St. Louis No. 1
Author's collection

New Orleans’s tropical heat and humidity gave rise to the so-called oven tomb, which can reduce a corpse to bones in less than a year. In the back of each of these tombs stands a receptacle called a caveau, which contains the bones of all its occupants mixed together through the generations.

The most famous tomb in the oldest surviving cemetery in New Orleans may belong to Marie Laveau, the Voodoo Queen. The death date on the tomb is closer to her daughter Marie’s, but since the bones of all the tomb’s occupants lie jumbled together in its central caveau, it’s believed the original Marie rests there as well. After vandalism of the tomb spiraled out of control, the cemetery now opens only to tour groups. Luckily, there are many tours from which to choose.

3. WEST

A stylized map of the United States showing a route map for a Western cemetery road trip
Lucy Quintanilla/iStock

A. Texas State Cemetery
909 Navasota Street, Austin, Texas
30.15994° N, 97.43553° W

Conceived as a pantheon to the famous sons of Texas, the Texas State Cemetery is the final home of Gene Cernan, the last man to walk on the moon, as well as Congresswoman Barbara Jordan, who helped impeach Richard Nixon. Also buried here are Governor Ann Richards, Chris Kyle (author of American Sniper), and Stephen Austin himself, all of whom lie beneath remarkable statuary.

B. Apache Prisoners-of-War Cemetery
The East Ridge at Fort Sill, Lawton, Oklahoma
34.6960° N, 98.3710° W

After his capture by the U.S. Cavalry, Apache chief Geronimo remained a prisoner of war at Fort Sill until his death in 1909. His grave remained unmarked for many years, but early in World War II, the 501st Airborne took his name as their motto. With the permission of Geronimo’s descendants, paratroopers built the pyramid of stones that now marks Geronimo’s grave. Around him lie men proud to be remembered as his warriors.

C. Riverside Cemetery
5201 Brighton Boulevard, Denver, Colorado
39.4739° N, 104.5733° W

Dating to 1876, the year Colorado attained statehood, Riverside Cemetery embraced African-American pioneers, the first native New Mexican elected to Congress, and the first doctor to theorize that cholera was contagious. The cemetery has struggled since it was closed to new burials, but the Friends of Historic Riverside Cemetery are working to rescue it.

D. Fort Yellowstone Army Cemetery
Grand Loop Road, Yellowstone National Park, Wyoming
44.9646° N, 110.7002° W

Before the formation of the National Park Service, the U.S. Army guarded Yellowstone from poachers and souvenir hunters. Their sober little cemetery underlines the dangers lurking in one of the most stunning places in America. As reported in Lee H. Whittlesey’s Death in Yellowstone, causes of death in this cemetery included drowning, avalanche, being struck by lightning, runaway horses, and grizzly bear attack.

E. Custer National Cemetery
Little Bighorn Battlefield National Monument, Crow Agency, Montana
45.5714° N, 107.4332° W

When gold was discovered in the Black Hills, the federal government demanded access across land it had set aside for the Lakota Sioux. As many as 10,000 Native Americans refused to renegotiate the treaty. In June 1876, Lt. Colonel George Armstrong Custer led the 7th Cavalry to attack, only to be wiped out by the Lakota, Cheyenne, and Arapaho. It took more than a century for the Native warriors to be commemorated here.

4. WEST COAST

A stylized map of the United States showing a route map for a West Coast cemetery road trip
Lucy Quintanilla/iStock

A. Lake View Cemetery
1554 15th Avenue E, Seattle, Washington
47.6341° N, 122.3153° W

High on a hill overlooking the city, Lake View's most famous residents are Bruce Lee and his son Brandon. Also buried here are Princess Angeline, daughter of Chief Sealth (who gave his name to Seattle), as well as madams, lumber barons, and politicians—a who’s who of Seattle’s historical figures.

B. Lone Fir Cemetery
SE 26th Avenue, Portland, Oregon
45.5173° N, 122.6446° W

Portland’s pioneer cemetery is glorious in springtime, when its rhododendrons bloom. Full of pioneers, prostitutes, shanghai captains, mayors, and governors, the cemetery also features some unusual modern grave monuments. Vandalism and the weather have been hard on Lone Fir, but its Friends group offers tours to raise money for repair.

C. Fort Ross State Historic Park
19005 Coast Highway 1, Jenner, California
38.5143° N, 123.2485° W

A vintage postcard from Fort Ross cemetery
Author's collection

In 1812, Russia invaded Northern California. Russian pioneers built a fort, married local women, and hunted sea otters along the coast. By 1839, they no longer needed to provision Russian settlements in Alaska, so the fort was abandoned, leaving behind a little graveyard. The California Historical Landmarks Committee took control of it in 1906.

D. Hollywood Forever
6000 Santa Monica Boulevard, Hollywood, California
34.0904° N, 118.3206° W

Once the swankest cemetery in Old Hollywood, Hollywood Forever is now the final resting place of Johnny and Dee Dee Ramone, Mel Blanc, Darren McGavin, Rozz Williams, John Huston, Cecil B. DeMille, and many more. Judy Garland joined them earlier this year.

E. Manzanar Cemetery
Manzanar National Historic Site, Inyo County, California
36.7255° N, 118.1626° W

The Manzanar War Relocation Center was the first American concentration camp to open during World War II. At its height, Manzanar imprisoned 10,000 men, women, and children of Japanese descent, most of whom were American citizens. Although the bulk of the camp was demolished, the cemetery’s Soul Consoling Tower continues to mark the graves of people who died while interned there.

F. Silver Terrace Cemeteries
381 Cemetery Road, Virginia City, Nevada
39.3165° N, 119.6451° W

A vintage postcard from the Silver Terrace cemetery in Virginia City
Author's collection

After the 1859 discovery of one of the richest lodes of gold in history, Virginia City became the largest town between Denver and San Francisco. Of course, this necessitated the largest cemetery district as well. The 22 adjacent graveyards making up Virginia City’s Silver Terrace Cemeteries are now part of one of the largest National Historic Landmark Districts in the country.

5. MIDWEST

A stylized map of the United States showing a route map for a Midwest cemetery road trip
Lucy Quintanilla/iStock

A. Lakewood Cemetery
3600 Hennepin Avenue, Minneapolis, Minnesota
44.5659° N, 93.1734° W

Modeled on Istanbul’s Hagia Sophia, Lakewood’s Mortuary Chapel is a spectacular example of Byzantine Revival architecture. Mosaic tiles, some as small as a fingernail, adorn its interior. At Lakewood, politicians with modernist monuments are buried beside names familiar from the grocery store: Charles Pillsbury and Franklin Mars, who founded the candy company that bears his name.

B. Oakland Cemetery
1000 Brown Street, Iowa City, Iowa
41.6697° N, 91.5222° W

Urban legends surround the Black Angel of Oakland Cemetery: if you kiss the statue, you’ll be struck dead; if a pregnant woman crosses its shadow, she will miscarry; if ever a virgin is kissed in front of the statue, it will resume its normal bronze color and the curse will be broken. Strangely enough, this is not the only black angel in Iowa—and the other has legends swirling around it as well. Daniel Chester French’s monument to spiritualist Ruth Ann Dodge stands in the Fairview Cemetery in Council Bluffs.

C. Graceland Cemetery
4001 North Clark Street, Chicago, Illinois
41.9548° N, 87.6619° W

Known as the Cemetery of the Architects, Chicago’s Graceland Cemetery holds the Carrie Eliza Getty mausoleum, considered one of the first examples of modern architecture. Graceland Cemetery also contains a wealth of magnificent statuary, including Lorado Taft’s Eternal Silence and Daniel Chester French’s Memory.

D. Elmwood Cemetery
1200 Elmwood Avenue, Detroit, Michigan
42.3466° N, 83.0179° W

A vintage postcard from Elmwood cemetery
Author's collection

Practically in the shadow of Detroit’s Renaissance Center, this dramatic garden cemetery stands on ground fought over during the French and Indian War. Elmwood Cemetery is the final resting place of Canadian Club whiskey founder Hiram Walker, guitarist Fred “Sonic” Smith of the MC5, and Detroit’s legendary mayor Coleman Young, who was a Tuskegee Airman.

Cemeteries are lenses, revealing what their local communities choose to celebrate alongside things that must not be forgotten. This list merely skims the surface—go see what you can discover.

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