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9 Wild Facts About the Bronx Zoo

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Even if you’ve never set foot in New York, you almost certainly know of the Bronx Zoo. Opening its doors for the first time in 1899, this sprawling 250-acre wildlife reservation has over 4000 different animals and 650 species. Take a look at a few things you might not have known about one of the world’s most famous zoological retreats.

1. IT WAS CO-CREATED BY A TAXIDERMIST.

William Temple Hornaday was working as a taxidermist for the Smithsonian Institution when he noticed that the nation’s population of bison was shrinking. Eager to promote conservation efforts, Hornaday used his voice with the Smithsonian to spread the word about the threatened species. After a spat with the Institution, he was approached by the New York Zoological Society in 1896 to serve as director of the Bronx Zoo. In doing so, Hornaday helped bring the bison back from the brink of extinction by sending several of the Zoo's bison back out west in 1906. He remained with the zoo for 30 years.

2. IT ONCE HOUSED TASMANIAN TIGERS.

Thylacines, or Tasmanian tigers, were nearing extinction in the early 1900s, but the Bronx Zoo was able to acquire several for exhibition beginning in 1902. The first lived for six years; the next two, arriving in 1912 and 1916, lived only a short time in captivity before perishing. The zoo's last thylacine was secured in 1917. The species was thought to have died out in 1936, but in early 2017, several eyewitness accounts of the distinctive animals were reported in Australia. Zoologists are working to determine if the thylacine might still be alive.

3. THEY EXHIBITED A MAN.

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In the most ignoble chapter in the zoo’s history, organizers opened an attraction in 1906 that featured a "Mbuti pygmy” or “bushman”—an African man named Ota Benga. Benga and other tribesmen had been brought to America by anthropologist Samuel Verner at the behest of organizers of the 1904 St. Louis World's Fair so visitors could gawk at them in mock-up villages. When the fair was over, Verner brought Benga and others back to Africa: the two struck up a friendship, and Benga reportedly asked to come back to the States. Verner approached the Bronx Zoo with the prospect of Benga becoming a fixture: Hornaday agreed to let him live on and roam the grounds. Public outrage followed, and Benga was released after just two weeks to the care of an orphanage. He committed suicide in 1916.

4. THE ZOOKEEPERS HAD TO BE TOLD NOT TO MAKE FRIENDS WITH THE BEARS.

Too much children’s literature about cuddly bears may have proven disastrous for early zookeepers at the park. In 1919, Hornaday told the New York Tribune that he had to constantly warn his employees not to try and befriend the mammoth bears housed on the property. Two keepers ignored his advice; both had to be pried from the clutches of the bear and suffered “severe” injuries.

5. IT’S HOME TO A REMNANT OF THE ICE AGE.

Not all of the Zoo’s attractions are feathered or furred. The Rocking Stone sits near the World of Darkness exhibit and packs 30 dense tons into a formation standing 7 feet tall and 10 feet wide. The boulder was carried by glaciers in the last Ice Age. The “rocking” label came from the fact that the stone was so perfectly balanced that it could be moved with slight pressure. The Zoo, fearing someone might one day push it too far, eventually shored up the base to keep it on firmer footing.

6. THEY ONCE SAVED A SPECIES OF TOAD THAT WAS DECLARED EXTINCT.

The kihansi spray toad was in dire circumstances in 2009: A hydroelectric dam in Tanzania had dried up mists showering a five-acre area near Kihansi Gorge, the toad's only known micro-habitat, and the species was officially declared extinct in the wild. Fortunately, Tanzanian authorities had seen the situation coming and allowed the Bronx Zoo to come in and obtain 499 toads to bring back to America. A portion went to the Toledo Zoo; both facilities spent nearly a decade breeding them in a captive assurance population. The Zoos replicated their habitat while Tanzania created a gravity-operated misting system that would restore water. Roughly 100 toads were returned in 2010 as test cases; a full-scale reintroduction followed in 2012.

7. A COBRA ONCE ESCAPED (AND SIGNED ONTO TWITTER).

A photograph of an Egyptian cobra
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Animal escapes have been few and far between at the Zoo. One of the most publicized was the the disappearance of a 20-inch venomous Egyptian cobra in 2011. Zoo officials weren’t certain how the reptile broke out of her habitat, but felt confident she would remain in the building. She did, and was found after a week’s search. In the interim, someone on Twitter engaged 203,000 followers with the freed snake’s fictional exploits. It’s still tweeting.

8. IT SET AN ORIGAMI ELEPHANT WORLD RECORD.

In 2016, the Zoo was recognized by Guinness World Records as having the largest displayed collection of origami elephants in the world: 78,564. The display, which was briefly open to the public, was intended to draw attention to the plight of the creatures and their poaching rivals through their 96 Elephants campaign meant to stop the trafficking of ivory. The Zoo is down to just three live elephants, and has vowed not to acquire any more once they pass. On August 3, 2017, Zoo organizers plan to crush two tons of ivory in Central Park as part of the awareness campaign.

9. IT HAS PLANS FOR YOUR POOP.

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With thousands of daily visitors, the Bronx Zoo could probably make use of its own sewage system. Instead, the park unveiled an eco-friendly restroom on park grounds in 2006 that captures human waste and diverts it into compost. The system, which uses only six ounces of water per flush, is estimated to save a million gallons of water a year.

Want to learn more about the Bronx Zoo? Catch The Zoo, a documentary series now airing on Animal Planet. New episodes premiere in February.

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20 Things You Might Not Have Known About Firefly
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As any diehard fan will be quick to tell you, Firefly's run was far, far too short. Despite its truncated run, the show still offers a wealth of fun facts and hidden Easter eggs. On the 15th anniversary of the series' premiere, we're looking back at the sci-fi series that kickstarted a Browncoat revolution.

1. A CIVIL WAR NOVEL INSPIRED THE FIREFLY UNIVERSE.

The Pulitzer Prize-winning novel The Killer Angels from author Michael Shaara was Joss Whedon’s inspiration for creating Firefly. It follows Union and Confederate soldiers during four days at the Battle of Gettysburg during the American Civil War. Whedon modeled the series and world on the Reconstruction Era, but set in the future.

2. ORIGINALLY, THE SERENITY CREW INCLUDED JUST FIVE MEMBERS.

When Whedon first developed Firefly, he wanted Serenity to only have five crew members. However, throughout development and casting, Whedon increased the cast from five to nine.

3. REBECCA GAYHEART WAS ORIGINALLY CAST TO PLAY INARA.

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Before Morena Baccarin was cast as Inara Serra, Rebecca Gayheart landed the role—but she was fired after one day of shooting because she lacked chemistry with the rest of the cast. Baccarin was cast two days later and started shooting that day.

4. NEIL PATRICK HARRIS WAS ALMOST DR. SIMON TAM.

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Before it went to Sean Maher, Neil Patrick Harris auditioned for the role of Dr. Simon Tam.

5. JOSS WHEDON WROTE THE THEME SONG.

Whedon wrote the lyrics and music for Firefly’s opening theme song, “The Ballad of Serenity.”

6. STAR WARS SPACECRAFT APPEAR IN FIREFLY.

Star Wars was a big influence on Whedon. Captain Malcolm Reynolds somewhat resembles Han Solo, while Whedon used the Millennium Falcon as inspiration to create Serenity. In fact, you can spot a few spacecraft from George Lucas's magnum opus on the show.

When Inara’s shuttle docks with Serenity in the pilot episode, an Imperial Shuttle can be found flying in the background. In the episode “Shindig,” you can see a Starlight Intruder as the crew lands on the planet Persephone.

7. HAN SOLO FROZEN IN CARBONITE POPS UP THROUGHOUT FIREFLY.

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Nathan Fillion is a big Han Solo fan, so the Firefly prop department made a 12-inch replica of Han Solo encased in Carbonite for the Canadian-born actor. You can see the prop in the background in a number of scenes.

8. ALIEN'S WEYLAND-YUTANI CORPORATION MADE AN APPEARANCE.

In Firefly’s pilot episode, the opening scene features the legendary Battle of Serenity Valley between the Browncoats and The Union of Allied Planets. Captain Malcolm Reynolds takes control of a cannon with a Weyland-Yutani logo inside of its display. Weyland-Yutani is the large conglomerate corporation in the Alien film franchise. (Whedon wrote Alien: Resurrection in 1997.)

9. ZAC EFRON'S ACTING DEBUT WAS ON FIREFLY.

A 13-year-old Zac Efron made his acting debut in the episode “Safe” in 2002. He played Young Simon in a flashback.

10. CAPTAIN MALCOLM REYNOLDS'S HORSE IS A WESTERN TROPE.

At its core, Firefly is a sci-fi western—and Malcolm Reynolds rides the same horse on every planet (it's named Fred).

11. FOX AIRED FIREFLY'S EPISODES OUT OF ORDER.

Fox didn’t feel Firefly’s two-hour pilot episode was strong enough to air as its first episode. Instead, “The Train Job” was broadcast first because it featured more action and excitement. The network continued to cherry-pick episodes based on broad appeal rather than story consistency, and eventually aired the pilot as the show’s final episode.

12. THE ALLIANCE'S ORIGINS ARE AMERICAN AND CHINESE.

The full name of The Alliance is The Anglo-Sino Alliance. Whedon envisioned The Alliance as a merger of American and Chinese government and corporate superpowers. The Union of Allied Planets’ flag is a blending of the American and Chinese national flags.

13. THE SERENITY LOUNGE SERVED AS AN ACTUAL LOUNGE.

Between set-ups and shots, the cast would hang out in the lounge on the Serenity set rather than trailers or green rooms.

14. INARA SERRA'S NAME IS MESOPOTAMIAN.

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Inara Serra is named after the Mesopotamian Hittite goddess, the protector of all wild animals.

15. THE CHARACTERS SWORE (JUST NOT IN ENGLISH).

The Firefly universe is a mixture of American and Chinese culture, which made it easy for writers to get around censors by having characters swear in Chinese.

16. THE UNIFORMS ARE RECYCLED FROM STARSHIP TROOPERS.

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The uniforms for Alliance officers and soldiers were the costumes from the 1997 science fiction film Starship Troopers. The same costumes were repurposed again for the Starship Troopers sequel.

17. "SUMMER!" MEANS SOMEONE MESSED UP.

Every time a cast member flubbed one of his or her lines, they would yell Summer Glau’s name. This was a running gag among the cast after Glau forgot her lines in the episode “Objects In Space.”

18. THE SERENITY SPACESHIP WAS BUILT TO SCALE.

The interior of Serenity was built entirely to scale; rooms and sections were completely contiguous. The ship’s interior was split into two stages, one for the upper deck and one for the lower. Whedon showed off the Firefly set in one long take to open the Serenity movie.

19. "THE MESSAGE" SHOULD HAVE BEEN THE SHOW'S FAREWELL.

Although “The Message” was the twelfth episode, it was the last episode filmed during Firefly’s short run. Composer Greg Edmonson wrote a piece of music for a funeral scene in the episode, which served as a final farewell to the show. Sadly, it was one of three episodes (the other two were “Trash” and “Heart of Gold”) that didn’t air during Firefly’s original broadcast run on Fox.

20. FIREFLY AND SERENITY WERE SENT TO THE INTERNATIONAL SPACE STATION.

American Astronaut Steven Ray Swanson is a big fan of Firefly, so when he was sent to the International Space Station for his first mission (STS-117) in 2007, he brought DVD copies of Firefly and its feature film Serenity aboard with him. The DVDs are now a permanent part of the space station’s library.

This post originally appeared in 2014.

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10 Hush-Hush Facts About L.A. Confidential
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On this day 20 years ago, a rising star director, a writer who thought he’d never get the gig, and a remarkable cast got together to make a film about the corrupt underbelly of 1950s Los Angeles, and the men and women who littered its landscape. This was L.A. Confidential, a film so complex that its creator (legendary crime writer James Ellroy) thought it was “unadaptable.” In the end, it was one of the most acclaimed movies of the 1990s, a film noir classic that made its leading actors into even bigger stars, and which remains an instantly watchable masterpiece to this day. Here are 10 facts about how it got made.

1. THE SCRIPTING PROCESS WAS TOUGH.

Writer-director Curtis Hanson had been a longtime James Ellroy fan when he finally read L.A. Confidential, and the characters in that particular Ellroy novel really spoke to him, so he began working on a script. Meanwhile, Brian Helgeland—originally contracted to write an unproduced Viking film for Warner Bros.—was also a huge Ellroy fan, and lobbied hard for the studio to give him the scripting job. When he learned that Hanson already had it, the two met, and bonded over their mutual admiration of Ellroy’s prose. Their passion for the material was clear, but it took two years to get the script done, with a number of obstacles.

"He would turn down other jobs; I would be doing drafts for free,” Helgeland said. “Whenever there was a day when I didn't want to get up anymore, Curtis tipped the bed and rolled me out on the floor."

2. IT WAS ORIGINALLY INTENDED AS A MINISERIES.

When executive producer David Wolper first read Ellroy’s novel, he saw the dense, complex story as the perfect fodder for a television miniseries, and was promptly turned down by all the major networks at the time.

3. JAMES ELLROY DIDN’T THINK THE BOOK COULD BE ADAPTED.

Though Wolper was intrigued by the idea of telling the story onscreen, Ellroy and his agent laughed at the thought. The author felt his massive book would never fit on any screen.

“It was big, it was bad, it was bereft of sympathetic characters,” Ellroy said. “It was unconstrainable, uncontainable, and unadaptable.”

4. CURTIS HANSON SOLD THE FILM WITH CLASSIC LOS ANGELES IMAGES.

To get the film made, Hanson had to convince New Regency Pictures head Arnon Milchan that it was worth producing. To do this, he essentially put together a collage of classic Los Angeles imagery, from memorable locations to movie stars, including the famous image of Robert Mitchum leaving jail after his arrest for using marijuana.

"Now you've seen the image of L.A. that was sold to get everybody to come here. Let's peel back the image and see where our characters live,” Hanson said.

Milchan was sold.

5. KEVIN SPACEY WAS ON HANSON’S WISH LIST FOR YEARS.

Though the other stars of the film were largely discoveries of the moment, Kevin Spacey was apparently someone Hanson wanted to work with for years. Spacey described Hanson as a director “who’d been trying for years and years and years to get me cast in films he made, and the studio always rejected me.” After Spacey won an Oscar for The Usual Suspects, Hanson called the actor and said “I think I’ve got the role, and I think they’re not gonna say no this time.”

6. SPACEY’S CHARACTER IS BASED ON DEAN MARTIN.

Warner Bros.

Though he cast relative unknowns in Russell Crowe and Guy Pearce, Hanson wanted an American movie star for the role of Jack Vincennes, and decided on Kevin Spacey. In an effort to convince Spacey to take the role, Hanson invited him to dine at L.A.’s famous Formosa Cafe (where scenes in the film are actually set). While at the cafe, Spacey asked a vital question:

“If it was really 1952, and you were really making this movie, who would you cast as Jack Vincennes? And [Hanson] said ‘Dean Martin.’”

At that point, Spacey looked up at the gallery of movie star photos which line the cafe, and realized Martin’s photo was right above him.

“To this day, I don’t know whether he sat us in that booth on purpose, but there was Dino looking down at me,” Spacey said.

After his meeting with Hanson, Spacey watched Martin’s performances in Some Came Running (1958) and Rio Bravo (1959), and realized that both films featured characters who mask vulnerability with a layer of cool. That was the genesis of Jack Vincennes.

7. HANSON CHOSE MUCH OF THE MUSIC BEFORE FILMING.

To help set the tone for his period drama, Hanson began selecting music of the early 1950s even before filming began, so he could play it on set as the actors went to work. Among his most interesting choices: When Jack Vincennes sits in a bar, staring at the money he’s just been bribed with, Dean Martin’s “Powder Your Face With Sunshine (Smile! Smile! Smile!)” plays, a reference to both the character’s melancholy, and to Spacey and Hanson’s decision to base the character on Martin.

8. THE CINEMATOGRAPHY WAS INSPIRED BY ROBERT FRANK PHOTOGRAPHS.

To emphasize realism and period accuracy, cinematographer Dante Spinotti thought less about the moving image, and more about still photographs. In particular, he used photographer Robert Frank’s 1958 collection "The Americans" as a tool, and relied less on artificial light and more on environmental light sources like desk lamps.

"I tried to compose shots as if I were using a still camera,” Spinotti said. “I was constantly asking myself, 'Where would I be if I were holding a Leica?' This is one reason I suggested shooting in the Super 35 widescreen format; I wanted to use spherical lenses, which for me have a look and feel similar to still-photo work.”

9. THE FINAL STORY TWIST IS NOT IN THE BOOK.

Warner Bros.

[SPOILER ALERT] In the film, Jack Vincennes, Ed Exley, and Bud White are all chasing a mysterious crime lord known as “Rollo Tomasi,” who turns out to be their own LAPD colleague, Dudley Smith (James Cromwell). Though Vincennes, Exley, and White are all native to Ellroy’s novel, the Tomasi name is entirely an invention of the film.

10. ELLROY APPROVED OF THE MOVIE.

To adapt L.A. Confidential for the screen, Hanson and Helgeland condensed Ellroy’s original novel, boiling the story down to a three-person narrative and ditching other subplots so they could get to the heart of the three cops at the center of the movie. Ellroy, in the end, was pleased with their choices.

“They preserved the basic integrity of the book and its main theme, which is that everything in Los Angeles during this era of boosterism and yahooism was two-sided and two-faced and put out for cosmetic purposes,” Ellroy said. “The script is very much about the [characters'] evolution as men and their lives of duress. Brian and Curtis took a work of fiction that had eight plotlines, reduced those to three, and retained the dramatic force of three men working out their destiny. I've long held that hard-boiled crime fiction is the history of bad white men doing bad things in the name of authority. They stated that case plain.”

Additional Sources:
Inside the Actors Studio: Kevin Spacey (2000)

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