Cartoon Network
Cartoon Network

10 Fun Facts About Johnny Bravo

Cartoon Network
Cartoon Network

In the early 1990s, Ted Turner committed himself to building an animation empire. In 1991, Turner Entertainment purchased Hanna-Barbera, the animation house responsible for classic toons like Scooby-Doo, The Flintstones, Space Ghost, and countless others. And with the launch of Turner’s Cartoon Network in 1992, all of those classic cartoons would have a permanent home. That took care of the nostalgia crowd, but the network was also anxious to create unique, original content to get the younger generation hooked on this 24/7 world of animation.

On July 14, 1997, Cartoon Network debuted a show that would become a cornerstone of that move toward fresh content: Johnny Bravo. To celebrate the 20th anniversary of the muscle-bound greaser with the golden pompadour, here are 10 facts about Johnny Bravo.

1. JOHNNY BRAVO IS A TAKE ON ITS CREATOR'S FULL NAME.

Though it’s easy to assume that the name "Johnny Bravo" came from Greg Brady’s alter ego on The Brady Bunch, it’s actually a take on creator Van Partible’s full name, which is Efram Giovanni Bravo Partible.

2. BRAVO’S VOICE IS A MIX OF YOUNG AND OLD ELVIS.

When Partible told the eventual voice of Johnny Bravo, Jeff Bennett, that he wanted the character to sound like Elvis, Bennett only had one question: Old or young? Bennett explained that they’re basically two unique voices, with a younger Elvis sounding much faster and more energetic, while the elder Presley would require Bennett to deepen and “slow it down.”

Partible asked for something more in the middle, resulting in the signature Bravo voice. While Partible heard a lot of Elvis impersonators for the role, he said Bennett was the only one to go beyond imitation and become an actual character. 

3. JOHNNY BRAVO’S BIGGEST SUPPORTERS AT CARTOON NETWORK WERE WOMEN.

After Partible’s initial pitch, Cartoon Network was going to pass on Johnny Bravo for not being “cartoony” enough. That is until three prominent women at the network—Ellen Cockrill, Janet Mazotti, and Julie Kane-Ritsch—fought for the show to get picked up.

It may sound strange for the chauvinistic Bravo to have their support, but as Partible mentioned in his blog, “I think it's because they know Johnny Bravos in their lives and can relate. They also enjoy watching him get his comeuppance.”

4. THE SHOW GREW FROM PARTIBLE’S SENIOR THESIS PROJECT.

While studying animation at Loyola Marymount University, Partible created a short animated film for his senior thesis project called Mess o’ Blues. The short focuses on a character not too far off from an Elvis impersonator, who looks like a much thinner Bravo with jet black hair and one of The King’s trademark white jumpsuits.

The film was sent to Hanna-Barbera, which was on the lookout for new talent after the launch of Cartoon Network. After receiving acclaim from the studio, Partible was brought in to pitch a series based on the film. Partible expanded on the initial project, including a redesign and rebranding of the main character into Johnny Bravo.

To this day, there’s been no official release of Mess o’ Blues, though some snippets of footage do exist.

5. PARTIBLE BASED THE SHOW’S STYLE ON AL HIRSCHFELD ILLUSTRATIONS.

One of the most striking things about Johnny Bravo—especially when compared to its contemporaries—is its minimalist character designs. The lines and extraneous details are kept to a minimum—so much so that Bravo himself often has a face that consists of large black circles for sunglasses and a few simple lines for a nose. In Bravo’s world, mouths seem to come and go as needed.

This was all part of Partible’s vision, as he was inspired by the work of famed illustrator Al Hirschfeld, who was most famous for his caricatures of Broadway stars and big screen celebrities. In particular, Bravo’s head and trademark hair were a take on Hirschfeld’s caricature of actor Richard Davalos for an illustration he did in 1995 that looked back at Arthur Miller’s A View From the Bridge. The hairdo's vertical lift was the perfect complement to Bravo's faux-greaser panache. 

6. JOHNNY BRAVO WAS ON-THE-JOB TRAINING FOR PARTIBLE.

When Cartoon Network accepted Partible’s pitch for Johnny Bravo, there was only one problem: Partible had never worked on a full-fledged TV show before. “My new producer, Larry Huber, told me that this was going to be a type of graduate school where I was going to learn how to make cartoons from the ground up in the studio system,” Partible wrote on his blog.

The initial deal that Partible signed on for was a “step deal,” which he described as, “I was going to be under careful watch and evaluated after every step of production to see if they wanted to continue to go forward.”

The experience turned out to be a blessing. At the time, Cartoon Network was looking to experiment, and Partible’s youth and inexperience were something the network was willing to gamble on. Looking to capture the unique style of upstart creators, the company let Partible do the cartoon his own way. 

7. THE LEGENDARY JOE BARBERA WAS PART OF THE WRITERS’ ROOM.

The goal for Hanna-Barbera during this time was to create new shows that still felt like the classic series the studio put out in the ’60s and ’70s. It’s pretty easy to achieve that when one half of the company’s namesake—Joe Barbera—agreed to take a hands-on approach to Johnny Bravo during the mid-’90s.

Though he wasn’t a full-time member of the show’s staff, Partible described Barbera's role in his blog:

“So, once a week, we would get a visit from Mr. B, pick his brain, and come up with jokes. He seemed to enjoy the goofy banter we had in the room.”

Barbera became a literal part of the show when he briefly appeared in the episode “Bravo Dooby Doo” when Johnny, Scooby, and the gang team up to unmask the ghoul of the week. When Partible screened the episode for Barbera, the legendary cartoonist fell asleep, only to be startled awake when Bravo and Thelma screamed his name toward the end of the show.

8. THE SHOW WAS AN EARLY BREAK FOR SETH MACFARLANE AND BUTCH HARTMAN.

The influence Johnny Bravo had on audiences is well documented, but the show’s production also helped launch the careers of two household names of animation: Family Guy’s Seth MacFarlane and The Fairly OddParents creator Butch Hartman.

MacFarlane was a writer and storyboard artist on Bravo during its first year, while Hartman performed the same duties but also directed 10 episodes of the show in 1997. MacFarlane and Hartman also worked on other Cartoon Network shows for Hanna-Barbera before going off to create their own series in the late ’90s and early 2000s.

9. JOHNNY BRAVO LED TO ONE OF FAMILY GUY’S MOST MEMORABLE CHARACTERS.

In the episode “Johnny Bravo Meets Adam West,” the famed former Batman comes to Johnny's aid after Mamma Bravo goes missing (in reality, she's about one minute late getting home from grocery shopping). The episode was written by Hartman and MacFarlane, which is where the future Family Guy creator first met the man who would eventually become the mayor of Quahog.

The experience on Bravo—highlighted by West’s surreal, self-aware performance—inspired MacFarlane to bring the actor aboard Family Guy years later. In an interview with The A.V. Club, MacFarlane expanded on his choice:

"I wrote on a show called Johnny Bravo when I was at Hanna-Barbera, and he guest-starred as himself. He was so funny, and he's got this way about him. I think he likes playing into what he's known for, even on a casual basis. He's a really fun guy to work with, and genuinely gets comedy. It's not the type of situation where you just bring somebody in to make fun of themselves."

10. THERE WAS TALK OF A BRAVO MOVIE STARRING THE ROCK IN 2002.

When Johnny Bravo was in the middle of its Cartoon Network run, Warner Bros. wanted to make the jump from animation to live-action with a movie adaptation of the show, and there were rumors that they wanted Dwayne “The Rock” Johnson as Johnny. The Rock is apparently a huge Johnny Bravo fan, which caught the attention of producers Marty Adelstein and Neal Moritz.

Plans obviously fell through, and since then, no serious news on a renewed effort to make a Johnny Bravo movie has surfaced. Moritz and Johnson have since teamed up on the Fast and the Furious franchise.

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Zach Hyman, HBO
10 Bizarre Sesame Street Fan Theories
Zach Hyman, HBO
Zach Hyman, HBO

Sesame Street has been on the air for almost 50 years, but there’s still so much we don’t know about this beloved children’s show. What kind of bird is Big Bird? What’s the deal with Mr. Noodle? And how do you actually get to Sesame Street? Fans have filled in these gaps with frequently amusing—and sometimes bizarre—theories about how the cheerful neighborhood ticks. Read them at your own risk, because they’ll probably ruin the Count for you.

1. THE THEME SONG CONTAINS SECRET INSTRUCTIONS.

According to a Reddit theory, the Sesame Street theme song isn’t just catchy—it’s code. The lyrics spell out how to get to Sesame Street quite literally, giving listeners clues on how to access this fantasy land. It must be a sunny day (as the repeated line goes), you must bring a broom (“sweeping the clouds away”), and you have to give Oscar the Grouch the password (“everything’s a-ok”) to gain entrance. Make sure to memorize all the steps before you attempt.

2. SESAME STREET IS A REHAB CENTER FOR MONSTERS.

Sesame Street is populated with the stuff of nightmares. There’s a gigantic bird, a mean green guy who hides in the trash, and an actual vampire. These things should be scary, and some fans contend that they used to be. But then the creatures moved to Sesame Street, a rehabilitation area for formerly frightening monsters. In this community, monsters can’t roam outside the perimeters (“neighborhood”) as they recover. They must learn to educate children instead of eating them—and find a more harmless snack to fuel their hunger. Hence Cookie Monster’s fixation with baked goods.

3. BIG BIRD IS AN EXTINCT MOA.

Big Bird is a rare breed. He’s eight feet tall and while he can’t really fly, he can rollerskate. So what kind of bird is he? Big Bird’s species has been a matter of contention since Sesame Street began: Big Bird insists he’s a lark, while Oscar thinks he’s more of a homing pigeon. But there’s convincing evidence that Big Bird is an extinct moa. The moa were 10 species of flightless birds who lived in New Zealand. They had long necks and stout torsos, and reached up to 12 feet in height. Scientists claim they died off hundreds of years ago, but could one be living on Sesame Street? It makes sense, especially considering his best friend looks a lot like a woolly mammoth.

4. OSCAR’S TRASH CAN IS A TARDIS.

Oscar’s home doesn’t seem very big. But as The Adventures of Elmo in Grouchland revealed, his trash can holds much more than moldy banana peels. The Grouch has chandeliers and even an interdimensional portal down there! There’s only one logical explanation for this outrageously spacious trash can: It’s a Doctor Who-style TARDIS.

5. IT’S ALL A RIFF ON PLATO.

Dust off your copy of The Republic, because this is about to get philosophical. Plato has a famous allegory about a cave, one that explains enlightenment through actual sunlight. He describes a prisoner who steps out of the cave and into the sun, realizing his entire understanding of the world is wrong. When he returns to the cave to educate his fellow prisoners, they don’t believe him, because the information is too overwhelming and contradictory to what they know. The lesson is that education is a gradual learning process, one where pupils must move through the cave themselves, putting pieces together along the way. And what better guide is there than a merry kids’ show?

According to one Reddit theory, Sesame Street builds on Plato’s teachings by presenting a utopia where all kinds of creatures live together in harmony. There’s no racism or suffocating gender roles, just another sunny (see what they did there?) day in the neighborhood. Sesame Street shows the audience what an enlightened society looks like through simple songs and silly jokes, spoon-feeding Plato’s “cave dwellers” knowledge at an early age.

6. MR. NOODLE IS IN HELL.

Can a grown man really enjoy taking orders from a squeaky red puppet? And why does Mr. Noodle live outside a window in Elmo’s house anyway? According to this hilariously bleak theory, no, Mr. Noodle does not like dancing for Elmo, but he has to, because he’s in hell. Think about it: He’s seemingly trapped in a surreal place where he can’t talk, but he has to do whatever a fuzzy monster named Elmo says. Definitely sounds like hell.

7. ELMO IS ANIMAL’S SON.

Okay, so remember when Animal chases a shrieking woman out of the college auditorium in The Muppets Take Manhattan? (If you don't, see above.) One fan thinks Animal had a fling with this lady, which produced Elmo. While the two might have similar coloring, this theory completely ignores Elmo’s dad Louie, who appears in many Sesame Street episodes. But maybe Animal is a distant cousin.

8. COOKIE MONSTER HAS AN EATING DISORDER.

Cookie Monster loves to cram chocolate chip treats into his mouth. But as eagle-eyed viewers have observed, he doesn’t really eat the cookies so much as chew them into messy crumbs that fly in every direction. This could indicate Cookie Monster has a chewing and spitting eating disorder, meaning he doesn’t actually consume food—he just chews and spits it out. There’s a more detailed (and dark) diagnosis of Cookie Monster’s symptoms here.

9. THE COUNT EATS CHILDREN.

Can a vampire really get his kicks from counting to five? One of the craziest Sesame Street fan theories posits that the Count lures kids to their death with his number games. That’s why the cast of children on Sesame Street changes so frequently—the Count eats them all after teaching them to add. The adult cast, meanwhile, stays pretty much the same, implying the grown-ups are either under a vampiric spell or looking the other way as the Count does his thing.

10. THE COUNT IS ALSO A PIMP.

Alright, this is just a Dave Chappelle joke. But the Count does have a cape.

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HighSpeedInternet.com
The Most Popular Netflix Show in Every Country
HighSpeedInternet.com
HighSpeedInternet.com
most popular Netflix show in each country map
HighSpeedInternet.com
most popular Netflix show in each country map key
HighSpeedInternet.com

If you're bored with everything in your Netflix queue, why not look to the top shows around the world for a recommendation?

HighSpeedInternet.com recently used Google Trends data to create a map of the most popular show streaming on Netflix in every country in 2018. The best-loved show in the world is the dystopian thriller 3%, claiming the number one spot in eight nations. The show is the first Netflix original made in Portuguese, so it's no surprise that Portugal and Brazil are among the eight countries that helped put it at the top of the list.

Coming in second place is South Korea's My Love from the Star, which seven countries deemed their favorite show. The romantic drama revolves around an alien who lands on Earth and falls in love with a mortal. The English-language show with the most clout is 13 Reasons Why, coming in at number three around the world—which might be proof that getting addicted to soapy teen dramas is a universal experience.

Pot comedy Disjointed is Canada's favorite show, which probably isn't all that surprising given the nation's recent ruling to legalize marijuana. Perhaps coming as even less of a shock is the phenomenon of Stranger Things taking the top spot in the U.S. Favorites like Black Mirror, Sherlock, and The Walking Dead also secured the love of at least one country.

Out of the hundreds of shows on the streaming platform, only 47 are a favorite in at least one country in 2018. So no hard feelings, Gypsy.

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