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40 Fun Facts About the Most Popular American Baby Names of the Last 100 Years

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Baby naming trends come and go. Some names spike and then drop out of view while others stick around for years. The Social Security Administration's list of the top names over the last 100 years shows how many people have been given a particular name since 1917. Some names accrue numbers slowly, by maintaining a low level of popularity over a long period of time, and some rack up the numbers by being wildly popular for a few years. Boy names tend to be less variable than girl names, so their overall numbers are higher. By the numbers, the first six most popular names are boy names, with the most popular girl name first making an appearance at 7th place overall. The second most popular girl name comes in at 15th. Here are some other things to know about 40 of the most popular U.S. names of the last 100 years, organized into 20 boy and 20 girl names.

BOY NAMES

1. JAMES

The most popular boy name over the past 100 years is James. More than 4.5 million boys have been named James, nearly 3 percent of all boys born during that time. Though it has ranked as low as the 19th most popular name, it was number 1 from 1940-1952.

2. JOHN

John, like James, has stayed consistently popular for boys, though it has slid from number 1 to number 28 over the last 100 years. In 1923, more than 5 percent of all boy babies born that year were named John.

3. ROBERT

Like James and John, Robert has stayed consistently popular over the years. It hasn’t appeared in the top 10 since the end of the 1980s, though. In 1934 Robert, and its variations of Bobby and Bob, all made the top 100.

4. MICHAEL

Michael is the most common boy name for people currently alive. It has not been out of the top 10 names given to baby boys since 1943, and had an unbroken streak at number 1 from 1961 to 1998. In 2016 it was still ranked at number 8.

5. WILLIAM

William is another steady classic, like James, John, and Robert, that has maintained its consistent level of popularity. It did have a brief, minor dip in the 1980s and '90s, but it’s back on top again, or nearly, ranking as the number 3 name for boys, ahead of the other classics, in 2016.

6. DAVID

David has been another steady classic, but it only reached number 1 once, in 1960. But that was a big year for births, so almost 86,000 babies got the name David in that year alone. Dave was also a big hit that year.

7. RICHARD

The name Richard had its biggest year in 1947, and stayed in the top 10 until 1970. In 1959 there were also over 13,000 babies named Ricky, as well as thousands of Ricks.

8. JOSEPH

Joseph’s peak year was 1917, but it has been in the top 25 for the 100 years since. It has never reached number 1 though.

9. THOMAS

There were more than 45,000 baby boys named Thomas in 1955. Its popularity began to decline in the 1970s, but it remains one of the top 50 boy names.

10. CHARLES

Charles ranks 10th of all boy names over the last 100 years, with over 2 million total. It has maintained a steady general popularity, but hit its peak in 1929.

11. JOSHUA

Joshua is the 22nd most popular name of the past century, but it's notable in that it is the highest ranking name that was neither consistently popular over the whole time, nor a baby boomer name. Joshua didn’t break the top 100 names for any year until 1971, and it achieved peak popularity in 2006.

12. KEVIN

Kevin, the 23rd most popular name of the last 100 years, started to spike in popularity at the beginning of the baby boom, reaching a peak in 1963, when more than 30,000 baby boys got the name. It was the first in a string of popular Irish names ending in n, possibly establishing a preference for boy names ending in in/an/on that has continued through the current decade.

13. BRIAN

Brian, another Irish name ending in n, is the 24th most popular boy name overall. It was not particularly popular during the baby boom years, but peaked later in 1977.

14. JASON

Jason is a classic name from Greek mythology, but it was not commonly given to boys in the U.S. until it suddenly spread like wildfire in the 1970s. Its rise was swift, high, and relatively short, making it, according to certain measures, the trendiest boy name of the past 100 years.

15. RYAN

Ryan, a common Irish last name, took off as a first name in the U.S. in 1971, the year after the hit movie Love Story was released, starring Ryan O’Neal. The name Jennifer, a character name in the movie, took off at the same time and went on to dominate the girl name list for years. Ryan also fit it well with the trend toward other boy names ending in n, like Brian and Jason.

16. GARY

Gary is the 31st most popular boy name of the last century. It peaked during the boomer years, boosted by the popularity of actor Gary Cooper.

17. JACOB

Jacob was a rather old-fashioned sounding name when it cracked the top 100 in the mid 1970s, but after a 14-year run as the number 1 baby name for boys starting in 1999, it established itself as the name of a new generation. Just within that time frame, it became the overall 32nd most popular name of the last 100 years.

18. SCOTT

Scott is the 39th most popular boy name of the last 100 years. It’s notable because it was primarily a surname until it began to rise in popularity as a first name in the 1950s and '60s. Many last names became popular first names in the following years (Tyler, Jackson, Cooper, etc.).

19. ALEXANDER

Alexander, which peaked in popularity in 2009, is the 47th most popular boy name of the last 100 years. Unlike most popular boy names, which tend to have one or two syllables and begin with a consonant, Alexander starts with a vowel and has a whopping four syllables.

20. NOAH

Noah is the current number 1 boy name (as of 2016), and though it only broke the top 100 starting in 1995, it already ranks 85th on the most popular of all time. It's part of a newer trend toward biblical names ending in a vowel sound, like Elijah, Jonah, and Isaiah.

GIRL NAMES

1. MARY

The most popular girl name over the past 100 years is Mary. Almost 3.5 million girls have been named Mary—about 2 percent of all girls born during that time. It was the number 1 or 2 name from the beginning of record keeping until 1965, when it started to slide. In 2016 it was ranked at 127.

2. PATRICIA

After Mary, the second most popular name for girls over the past 100 years is Patricia. Though it never made number 1 for any particular year, it stayed close to it through the baby boom years, from 1946-1964. Over 53,000 baby girls were named Patricia in 1952.

3. JENNIFER

Jennifer had a spectacular post-baby-boom rise to the number 1, and it stayed in that position from 1970 until 1984, the year of its peak popularity. It probably got its long-term boost from the 1970 film Love Story, starring Ali MacGraw as a beautiful, tragic character bearing the name.

4. ELIZABETH

Though the name Elizabeth had its year of greatest popularity in the early 1900s, it has stayed consistent over the last 100 years, resisting and weathering trends, hovering near the top 10, and neither spiking nor dropping off in popularity.

5. LINDA

In contrast to Elizabeth, the window of popularity for Linda was relatively brief. It was mostly confined to the baby boom years, but its spike was so dramatic that it qualifies as the trendiest baby name in American history. The number of Lindas rose sharply, putting the name at number 1 in 1947, after a Buddy Clark song, "Linda," topped the charts. It fell just as sharply after a few years, and by 1978 was down to 100th place.

6. BARBARA

In the early Hollywood film era, glamorous actresses like Barbara La Marr, Barbara Bedford, Barbara Kent, and Barbara Stanwyck gave the name Barbara a boost. It stayed in the top 10 from 1927-1958, but dropped off quickly after that.

7. SUSAN

Susan, like Linda and Patricia, was a quintessential baby boom name. At its peak in 1960, over 39,000 baby girls were named Susan.

8. JESSICA

Jessica’s rise to popularity started a little after the Jennifer craze began, but it was probably bolstered by Jennifer and other popular J names like Jason and Joshua. It stayed in the top 10 through the 1980s and '90s.

9. MARGARET

Margaret was far more popular in 1917 than it is 100 years later, but its decline in popularity has been very slow and gradual, meaning that although it hasn’t made the top 10 for decades, it manages to rack up enough numbers year by year to put it at number 9 overall for the century. Over 1 million baby girls have been named Margaret.

10. SARAH

Sarah is another slow-burn classic, varying in popularity a bit over the years, but never swinging wildly. It performed most modestly during the baby boom years. It reached its peak in 1993, when over 24,000 baby girls were named Sarah.

11. KAREN

Though it did first rise from seemingly nowhere at the end of the 1930s, Karen belongs to the latter half of the baby boom years, peaking in 1965. It had a slower decline than other baby boom names like Linda and Susan.

12. ASHLEY

Ashley is the 17th most popular name for girls of the past 100 years, but it didn't even crack the top 1000 until 1964. It was traditionally a boy name, notably as the name of Scarlett O'Hara’s love interest in the hugely popular novel and film Gone with the Wind. It got a big boost as a girl's name in the early 1980s, when it was the name of a female character on the soap opera The Young and the Restless. The name stayed in the top 10 until 2005.

13. CAROL

Carol is another name that started as a boy name; it's a version of Charles. It became popular as a girl name in the 1920s and reached peak popularity 1941.

14. MICHELLE

Michelle had a huge spike in popularity to 4th place in 1966, after the Beatles song “Michelle” became a hit. It stayed in the top 10 for 15 years, making it the 21st most popular girl name of the last 100 years.

15. EMILY

Emily spent over a decade as the number 1 girl name, from 1996-2007. As of last year it was still in the top 10, and it’s become the 22nd most popular name of the past century.

16. SHIRLEY

Shirley, like Linda, was another trendy name, rising quickly to a high level of popularity and then falling off. It reached its peak in 1936, when Shirley Temple was a child superstar and over 35,000 baby girls were given the name.

17. JACQUELINE

In 1960 John F. Kennedy announced his candidacy for president. The next year the name of his glamorous wife shot up almost 50 places to become the 37th most popular name for girls. The name reached a peak in 1964, after Kennedy’s assassination, when almost 12,000 girls were named Jacqueline. It never reached top 10, or even the top 30, but it stayed popular enough to become the 72nd most popular girl name of the last 100 years.

18. MADISON

The name Madison was not on any list of girl names until the movie Splash came out in 1984. In the film, a mermaid (played by Daryl Hannah) finds her way to New York, where she decides to take the name Madison after seeing a street sign for Madison Avenue. The movie was a hit and so was the name. By 2001 it had become the number 2 name for girls, and it's become the 90th most popular name over the last 100 years.

19. KAYLA

A fictional character also gave rise to Kayla, the 100th most popular name of the last 100 years. According to the baby-naming guide Beyond Jennifer & Jason by Linda Rosenkrantz, the spark that started rocketing Kayla up the name list in 1982 was the introduction of a character by that name on the soap opera Days of Our Lives. It spent 17 years in the top 20.

20. EMMA

Emma is the current number 1 name for girls (as of 2016) and the 50th most popular girl name of the past 100 years. It was also popular in the year 1900, but it declined in popularity to a low of 461 on the list for 1976. It then started gradually rising to return to the top 20, where it's now been since 1999. Names go in and out of style, but Emma proves that they can go out and come back after a long absence.

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15 Things You May Not Know About Close Encounters of the Third Kind
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Columbia Pictures

We are not alone. Here are a few facts about Steven Spielberg’s 1977 UFO classic, on its 40th anniversary.

1. IT WAS INITIALLY A VERY DIFFERENT FILM.

Spielberg’s initial story outline involved UFOs and shady government dealings following the Watergate scandal, which became a script entitled “Watch the Skies.” The idea involved a police or military officer working on Project Blue Book, the Air Force’s official study into UFOs in the 1950s and 1960s, who would become the whistleblower on the government cover-up of aliens. There were numerous rewrites—Taxi Driver scribe Paul Schrader even took a crack at it, penning a political UFO thriller titled “Kingdom Come” that Spielberg and the movie studio rejected—before the story we know today emerged.

2. IT’S NAMED AFTER LEGITIMATE UFO RESEARCH.


Columbia Pictures

Spielberg partly based his idea on the research of Dr. J. Allen Hynek, a civilian scientific advisor to Project Blue Book who eventually admitted that 11 percent of the study’s findings about unidentified flying objects could not be explained using science.

The title (which is never specifically explained in the movie) is actually derived from Hynek’s own alien close encounter classification system: A close encounter of the first kind is sighting of a UFO; the second kind is physical evidence to prove the existence of an alien; and the third kind is actual contact with alien life forms.

3. THERE’S A CAMEO FROM THE GODFATHER OF UFO RESEARCH.

Hynek, who also served as a technical advisor on the movie, makes an uncredited cameo in the final scene of the movie. You can spot him pretty easily—he’s the goateed man smoking a pipe and wearing a powder blue suit who pushes through the crowd of scientists to get a better look at the aliens.

4. NOBODY WANTED THE STARRING ROLE.

Richard Dreyfuss in Close Encounters of the Third Kind (1977)
Columbia Pictures

The director first offered the part of Roy Neary to actor Steve McQueen, who turned it down because he said he couldn’t cry on cue, something he saw as essential to the character. Spielberg then went to Dustin Hoffman, Al Pacino, Jack Nicholson, Gene Hackman, and James Caan who all turned him down as well before asking his friend Richard Dreyfuss, who previously worked with Spielberg on Jaws, to take the part.

5. BUT IT WASN'T THE MOST DIFFICULT ROLE TO CAST.

Spielberg approached French actors like Lino Ventura, Yves Montand, and Jean-Louis Trintignant to play Claude Lacombe—who was based on famous UFO researcher Jacques Vallée—before settling on director and sometimes-actor François Truffaut. The initially skeptical Truffaut, who was nervous about appearing in a big budget Hollywood movie, accepted the role because he wanted to compile research for a book about acting (he never did write the book).

6. MERYL STREEP COULD HAVE PLAYED ROY'S WIFE.

Many actresses—including a then-unknown Yale Drama School grad named Meryl Streep—auditioned for the part of Roy’s wife Ronnie, but he ultimately cast actress Teri Garr because he saw her in a coffee commercial and loved the way she was able to convey a wide range of emotions in a 30-second clip.

7. THEY SHOT IN A DISUSED AIR FORCE HANGAR.


Columbia Pictures

Spielberg wanted to shoot in real suburban locations rather than studio backlots, but the production had trouble finding locations. The biggest question: Where could Spielberg shoot the climactic canyon sequence with the mothership?

The production looked for huge indoor enclosures that would allow for the massive scale of the scene, though they only found ones with center support dividers that spoiled the openness Spielberg wanted for the UFO runway. The only location producers found without center dividers was a 300 foot by 300 foot disused hangar that had been used for dirigibles during World War II at Brookley Air Force base in Mobile, Alabama.

8. THE TEAM BOUGHT A HOUSE FOR THE PRODUCTION—AND SOLD IT FOR A PROFIT.

The Nearys' house, which is located at 1613 Carlisle Drive East in Mobile, was actually purchased by the production for $35,000 so they could do whatever they wanted with the interiors. It was later sold for $50,000 after production wrapped, netting a $15,000 surplus that went back into the film’s budget.

9. THE MEMORABLE 5-NOTE TONES TOOK A LONG TIME TO FIGURE OUT

Composer John Williams worked with Spielberg to come up with the movie’s distinct five-note musical method of communication between humans and aliens—which Spielberg partly based on the Solfège system of musical education—a year before shooting began.

Williams initially wanted a seven-note sequence, but it was too long for the simple musical “greeting” Spielberg wanted. The composer enlisted a mathematician to calculate the number of five-note combinations they could potentially make from a 12-note scale. When that number proved to be somewhere upwards of 134,000 combinations, Williams created 100 distinct versions, and they simply whittled the combinations down one by one until they had a winner.

10. SPIELBERG USED TRICKS TO GET THE PERFORMANCE OUT OF HIS CHILD ACTOR.


Columbia Pictures

Cary Guffey, who plays little Barry Guiler, had never acted before, so Spielberg set up ways to coax a performance out of the 3-year-old. To get a shot of Guffey reacting to the aliens first approaching the Guiler house, Spielberg slowly unwrapped a present for the young actor just off camera, making him smile. Guffey even exclaims “Toys! Toys!” in the final take.

To get the boy to react to the aliens offscreen, Spielberg had Guffey walk up to his mark where—unbeknownst to the little actor—two crewmembers were dressed as a gorilla and a clown standing behind cardboard blinds. When Guffey entered the kitchen, Spielberg dropped the first blind revealing the clown to scare him, and then dropped the other blind to reveal the gorilla, which scared him even more. The gorilla then took off his mask, revealing the film’s makeup man, Bob Westmoreland, who Guffey recognized, causing him to laugh and smile in the final take.

11. THE MOVIE NEARLY FEATURED VERY EARLY CGI.

Spielberg originally toyed with the idea of using computer generated images to create the aliens and their ships, even going so far as to have animator Colin Cantwell create a CGI test of three UFOs floating over a stadium. The single-shot test, which took three weeks to complete and was one of the first computer generated images ever created for a film, proved to be unfeasible for the whole movie—so the idea was dropped.

12. THERE WERE SOME UNORTHODOX IDEAS FOR CREATING THE ALIENS.

Spielberg wanted the aliens to be non-human beings that glided instead of walked, and he had a weird idea to pull it off: An orangutan dressed in a specially-made suit. For a screen test, the production team outfitted an orangutan in grey spandex and strapped it into roller skates. The orangutan immediately took off the skates and crawled to its owner, so a full test couldn’t be completed, and the team scrapped the idea. The majority of the small aliens in the final movie were played by local elementary school girls from Mobile in specially made grey suits and masks who were heavily backlit to create the final alien silhouette effect.

13. CLOSE ENCOUNTERS FEATURES A PRECURSOR TO E.T.


Columbia Pictures

To create the alien who bids farewell using the musical hand signals at the end of the film, Spielberg enlisted the help of Italian special effects artist Carlo Rambaldi, who designed a fully articulated steel, aluminum, and fiberglass animatronic puppet that Spielberg nicknamed “Puck.” Puck’s expressions were based on photos of Guffey. The puppet was operated by a crew of seven puppeteers, with Spielberg himself controlling the final articulation before the alien leaves to go to the mothership.

Puck would help inspire E.T. after Spielberg asked himself, “What if this little guy didn’t get back on the mothership?” Rambaldi would also go on to design the character of E.T.

14. SPIELBERG BET AGAINST HIS OWN MOVIE—AND REALLY CASHED IN.

Spielberg and his buddy George Lucas both had new movies coming out in 1977; Lucas’s was a little movie called Star Wars. Lucas thought his ramshackle space movie wouldn’t make back its budget, and he knew his friend’s new movie would break box office records just like Jaws had done, so he offered Spielberg a friendly wager. Both agreed to give the other 2.5 percent of the profits of their respective films. Lucas grossly underestimated his movie, which went on to become the second highest grossing movie of all time if adjusted for inflation (in comparison, Close Encounters is #71). The difference ended up being $40 million.

15. SPIELBERG DIDN'T LIKE THE VERSION THAT WAS INITIALLY RELEASED.

Spielberg wanted to release Close Encounters in the summer of 1978, which would have given him ample time to edit the film and finish its special effects—but Columbia Pictures, which was going through major financial troubles, insisted he have it ready for a November 1977 release, leaving the director with a final cut on a movie he didn’t feel was completely ready. 

Three years later, the company allowed Spielberg to “finish” the movie under one condition: That he show the inside of the mothership, which would give the studio’s marketing department an angle to sell this new version. The director capitulated, adding new scenes and cutting others to create a “Special Edition.” The director was unhappy with the scene, though, and later cut it for the Collector's Edition home video release.

ADDITIONAL SOURCES:Blu-ray special features; Close Encounters of the Third Kind: The Making of Steven Spielberg’s Classic FilmClose Encounters of the Third Kind Diary.

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10 Treasures From the New York Academy of Medicine Library
A urine wheel from Fasciculus Medicinae
A urine wheel from Fasciculus Medicinae
Courtesy New York Academy of Medicine Library

Tucked away on a side street near Central Park, the New York Academy of Medicine Library is one of the most significant historical medical libraries in the world. Open to the public by appointment since the 19th century, its collection includes 550,000 volumes on subjects ranging from ancient brain surgery to women's medical colleges to George Washington's dentures. A few weeks ago, Mental Floss visited to check out some of their most fascinating items connected to the study of anatomy. Whether it was urine wheels or early anatomy pop-up books, we weren't disappointed.

1. FASCICULUS MEDICINAE (1509)

The Fasciculus Medicinae is a compilation of Greek and Arabic texts first printed in Venice in 1491. While it covers a variety of topics including anatomy and gynecology, the book begins with the discipline considered most important for diagnosing all medical issues at the time: uroscopy (the study of urine). The NYAM Library's curator, Anne Garner, showed us the book's urine wheel, which once had the various flasks of urine colored in to help aid physicians in their diagnosis. Each position of the wheel corresponded to one of the four humors, whether it was phlegmatic, choleric, sanguine, or melancholic. The image on the left, Garner explains, "shows the exciting moment where a servant boy brings his flasks to be analyzed by a professor." Other notable images in the book include one historians like to call "Zodiac Man," showing how the parts of the body were governed by the planets, and "Wound Man," who has been struck by every conceivable weapon, and is accompanied by a text showing how to treat each type of injury. Last but not least, the book includes what's believed to be the first printed image of a dissection.

2. ANDREAS VESALIUS, DE HUMANI CORPORIS FABRICA (1543)

Andreas Vesalius's Fabrica
Frontispiece of Andreas Vesalius's Fabrica
Courtesy New York Academy of Medicine Library

Andreas Vesalius, born 1514, was one of the most important anatomists who ever lived. Thanks to him, we moved past an understanding of the human body based primarily on the dissection of animals and toward training that involved the direct dissection of human corpses. The Fabrica was written by Vesalius and published when he was a 28-year-old professor at the University of Padua. Its detailed woodcuts, the most accurate anatomical illustrations up to that point, influenced the depiction of anatomy for centuries to come. "After this book, anatomy divided up into pre-Vesalian and post-Vesalian," Garner says. You can see Vesalius himself in the book's frontispiece (he's the one pointing to the corpse and looking at the viewer). "Vesalius is trying to make a point that he himself is doing the dissection, he believes that to understand the body you have to open it up and look at it," Garner explains.

3. THOMAS GEMINUS, COMPENDIOSA (1559)

Flap anatomy from Thomas Geminus's Compendiosa
Courtesy New York Academy of Medicine Library

There was no copyright in the 16th century, and Vesalius's works were re-used by a variety of people for centuries. The first was in Flemish printer and engraver Thomas Geminus’s Compendiosa, which borrowed from several of Vesalius's works. The first edition was published in London just two years after the Fabrica. Alongside a beautiful dedication page made for Elizabeth I and inlaid with real gemstones, the book also includes an example of a "flap anatomy" or a fugitive leaf, which was printed separately with parts that could be cut out and attached to show the various layers of the human body, all the way down to the intestines. As usual for the time, the female is depicted as pregnant, and she holds a mirror that says "know thyself" in Latin.

4. WILLIAM COWPER, THE ANATOMY OF HUMANE BODIES (1698)

Illustration from William Cowper's The Anatomy of Humane Bodies
Courtesy New York Academy of Medicine Library

After Vesalius, there was little new in anatomy texts until the Dutch anatomist Govard Bidloo published his Anatomia humani corporis in 1685. The work was expensive and not much of a financial success, so Bidloo sold excess plates to the English anatomist William Cowper, who published the plates with an English text without crediting Bidloo (a number of angry exchanges between the two men followed). The copperplate engravings were drawn by Gérard de Lairesse, who Garner notes was "incredibly talented." But while the engravings are beautiful, they're not always anatomically correct, perhaps because the relationship between de Lairesse and Bidloo was fraught (Bidloo was generally a bit difficult). The skeleton shown above is depicted holding an hourglass, by then a classic of death iconography.

5. 17TH-CENTURY IVORY MANIKINS

17th Century Ivory Manikin
Courtesy New York Academy of Medicine Library

These exquisite figures are a bit of a mystery: It was originally thought that they were used in doctors’ offices to educate pregnant women about what was happening to their bodies, but because of their lack of detail, scholars now think they were more likely expensive collector's items displayed in cabinets of curiosity by wealthy male physicians. The arms of the manikins (the term for anatomical figures like this) lift up, allowing the viewer to take apart their removable hearts, intestines, and stomachs; the female figure also has a little baby inside her uterus. There are only about 100 of these left in the world, mostly made in Germany, and NYAM has seven.

6. BERNHARD SIEGFRIED ALBINUS, TABULAE SCELETI (1747)

Illustration from Bernhard Siegfried Albinus's Tabulae Sceleti
Courtesy New York Academy of Medicine Library

One of the best-known anatomists of the 18th century, the Dutch anatomist Bernhard Siegfried Albinus went to medical school at age 12 and had a tenured position at the University of Leiden by the time he was 24. The Tabulae Sceleti was his signature work. The artist who worked on the text, Jan Wandelaar, had studied with Gérard de Lairesse, the artist who worked with Bidloo. Wandelaar and Albinus developed what Garner says was a bizarre method of suspending cadavers from the ceiling in the winter and comparing them to a (very cold and naked) living person lying on the floor in the same pose. Albinus also continued the dreamy, baroque funerary landscape of his predecessors, and his anatomy is "very, very accurate," according to Garner.

The atlas also features an appearance by Clara, a celebrity rhinoceros, who was posed with one of the skeletons. "When Albinus is asked why [he included a rhinoceros], he says, 'Oh, Clara is just another natural wonder of the world, she's this amazing creation,' but really we think Clara is there to sell more atlases because she was so popular," Garner says.

7. FERDINAND HEBRA, ATLAS DER HAUTKRANKHEITEN (1856–1876)

Circus performer Georg Constantin as depicted in Ferdinand Hebra's dermatological atlas
Courtesy New York Academy of Medicine Library

By the mid-19th century, dermatology had started to emerge as its own discipline, and the Vienna-based Ferdinand Hebra was a leading light in the field. He began publishing this dermatological atlas in 1856 (it appeared in 10 installments), featuring chromolithographs that showed different stages of skin diseases and other dermatological irregularities.

"While some of the images are very disturbing, they also tend to adhere to Victorian portrait conventions, with very ornate hair, and [subjects] looking off in the distance," Garner says. But one of the most famous images from the book has nothing to do with disease—it's a depiction of Georg Constantin, a well-known Albanian circus performer in his day, who was covered in 388 tattoos of animals, flowers, and other symbols. He travelled throughout Europe and North America, and was known as "Prince Constantine" during a spell with Barnum's Circus. (The image is also available from NYAM as a coloring sheet.)

8. KOICHI SHIBATA, OBSTETRICAL POCKET PHANTOM (1895)

19th century Obstetrical Pocket Phantom
Courtesy New York Academy of Medicine Library

Obstetrical phantoms, often made of cloth, wood, or leather, were used to teach medical students about childbirth. This "pocket phantom" was originally published in Germany, and Garner explains that because it was made out of paper, it was much cheaper for medical students. The accompanying text, translated in Philadelphia, tells how to arrange the phantom and describes the potential difficulties of various positions.

9. ROBERT L. DICKINSON AND ABRAM BELSKIE, BIRTH ATLAS (1940)

Image from Robert Dickinson's Birth Atlas
Courtesy New York Academy of Medicine Library

Robert Dickinson was a Brooklyn gynecologist, early birth control advocate, and active member of NYAM. His Birth Atlas is illustrated with incredibly lifelike terracotta models created by New Jersey sculptor Abram Belskie. The models were exhibited at the 1939 New York World's Fair, where they became incredibly popular, drawing around 700,000 people according to Garner. His depictions "are very beautiful and serene, and a totally different way of showing fetal development than anything that had come before," Garner notes.

10. RALPH H. SEGAL, THE BODYSCOPE (1948)

The Bodyscope
Courtesy New York Academy of Medicine Library

This midcentury cardboard anatomy guide contains male and female figures as well as rotating wheels, called volvelles, that can be turned to display details on different parts of the body as well as accompanying explanatory text. The Bodyscope is also decorated with images of notable medical men—and "wise" sayings about God's influence on the body.

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