13 Phenomenal Facts About Juno

Fox Searchlight Pictures
Fox Searchlight Pictures

Made for only $6.5 million, Juno defied expectations when it grossed $231 million worldwide and earned four Oscar nominations, including a nod for Best Picture. (It was the first Fox Searchlight film to surpass $100 million at the box office.) Jason Reitman directed Ellen Page as the titular teenager who gets impregnated by her friend, Paulie (Michael Cera). She decides to carry the baby to full term and then adopt it to married couple Mark and Vanessa Loring (Jason Bateman and Jennifer Garner).

Diablo Cody, a one-time stripper who wrote the 2005 book Candy Girl: A Year in the Life of an Unlikely Stripper, wrote the screenplay (her first) and won the 2008 Oscar for Best Original Screenplay. The film became a pop culture phenomenon, largely because of its strong cast, witty dialogue, catchy soundtrack, and how it depicted teen pregnancy as something positive instead of life-destroying. Here are 13 facts about the hit indie dramedy, which hit theaters 10 years ago today.


The scribe based the story on her own life and wanted to tell a story that was “different” from the rest of Hollywood movies. “Juno is like a personal, emotional scavenger hunt for me," Cody told The Telegraph. "I dragged so many of my own experiences into it that I'm shocked the movie is so coherent. I managed to get every person, quirk, and object that has meaning in my life into the script. I wanted to make it deeply personal. I didn't want it to be generic."


In an interview with Collider, Michael Cera said that one reason he wanted to star in the movie was because the script was written like a book. “I remember certain paragraphs were just broken up oddly and that kind of … I was like, oh, it’s not like reading a script,” he said. “It’s more like a book. That kind of made me want to do the movie. I thought, well, if it’s written oddly, if it’s not written like a script, then it’s got to be a good movie.”


Fox Searchlight Pictures

The film takes an apolitical stance on teen pregnancy, but Page gets upset when “people call it a pro-life movie,” she told the Toronto Star. “In other words, that it’s anti-abortion,” she said. “That’s just not true. To me, it’s not a political film. I never thought about that when we were making it. Sometimes I even forget she’s pregnant. The most important thing is the choice is there and the film completely demonstrates that. It allows a scene in an abortion clinic, for goodness sake. A lot of films probably wouldn’t do that.”

At a live reading of the movie earlier this year, Cody told Vanity Fair that it “disturbed” her how people considered Juno to be “an anti-choice movie. In a way, I feel like I had a responsibility to maybe be more explicitly pro-choice, and I wasn’t … I think I took the right to choose for granted at the time."


The actress plays Juno’s stepmother, Bren, who surprisingly supports her stepdaughter’s pregnancy and then forms a relationship with her. “I kept waiting for the Evil Stepmother to make it hard for Juno, and then she didn't,” Janney said. “Diablo herself was a stepmother, too, and I think she wanted to debunk the Evil Stepmother myth and take that in a whole new direction.” Janney references Juno’s ultrasound scene, when Bren becomes protective of her daughter. “There's something wonderful about Diablo; she does not seem to judge any of her characters. And then the one woman who crosses a line is the one I get to tear into, which is always fun to do as an actor.”


Around the time the movie was released, Gloucester High School in Massachusetts noticed an increase in teen pregnancies. The school’s principal, Dr. Joseph Sullivan, told TIME several young women “made a pact to get pregnant and raise their babies together.” The media dubbed it “The Juno Effect.” In 2008, Planned Parenthood president Cecile Richards told Entertainment Weekly the teen birthrate was increasing. However, since then, teen pregnancies have been on the decline.


Fox Searchlight Pictures

Cera and Bateman played father-son on Arrested Development. In the movie they do not share any scenes together, but Bateman joked to MTV that it would’ve been strange “if I were adopting my son’s child ... At one point we were joking that Michael would walk by in the background of a scene and I would do a double-take as if to be like, ‘I know that guy from somewhere!’ But we never ended up doing that.”


Juno says that her dad named her after Zeus’ wife. She tells him Juno “was supposed to be really beautiful but really mean, like Diana Ross.” At an April all-female cast live reading of the script, Cody told Vanity Fair she “felt bad” about the line, and when she wrote it she thought celebrities didn’t have feelings. “I want to apologize,” she said. To make things weirder, Ross’s daughter, Tracee Ellis Ross, also participated in the reading. “My God! You couldn’t cut it out for the reading? Seriously? That’s my mom for God’s sake,” Ellis Ross joked after Page read the line.


Kimya Dawson—along with Sonic Youth, The Kinks, Belle and Sebastian, Cat Power—had songs featured on the film's two soundtracks (the second one being Juno B-Sides: Almost Adopted Songs). The first one was a big hit—it went platinum. Dawson, who plays in The Moldy Peaches, was discovered through her paintings. Three years before the movie came out, Dawson painted a picture for future Juno casting director Kara Lipson. Page was a big fan of The Moldy Peaches and recommended the band to Reitman. Lipson heard he was trying to track Dawson down. “So she just e-mailed me and was like, ‘Hey, remember me? I ordered a painting,’” Dawson told Entertainment Weekly. “She sent me a copy of [Reitman’s first feature] Thank You for Smoking and the [Juno] screenplay. And then, once I’d watched Thank You for Smoking and read the screenplay, I was like, ‘Okay, cool.’ I liked that movie, and this is a nice story about family and pregnancy and all that business that I like.”


Four years before Juno was released, Napoleon Dynamite, another micro-budgeted film that grossed a lot of money, inspired Cody. “Napoleon Dynamite was the successful indie movie. And I saw it, and I went, okay, I’ll write something like that. But I’ll make Napoleon a girl,” she told Vanity Fair.

But Reitman didn’t understand the Napoleon comparisons. “I actually see none of Napoleon Dynamite in this,” he told ComingSoon.net. “There’s a realness to this movie that Napoleon never had.” In fact, he’d compare it to Election. “I think there’s a lot of Mark stuff that’s drawn from Matthew Broderick’s character in Election—the humiliation."


Fox Searchlight Pictures

Garner’s Vanessa wants to adopt Juno’s baby. At first she comes across as cold, but eventually softens. “There’s somebody I was basing it on who maybe came across as cold or controlling, but was really just trying so hard to do the right thing,” Garner told Entertainment Weekly. “What happens in this movie forces the character to open up bit by bit. I think she just wants this baby, and she thinks the way to go about it is to be as appealingly Leave It to Beaver as possible. And she just forgets to add the human being in there.”


“We didn’t intend to make a movie about teen pregnancy and the options available to people who find themselves in that situation,” Cody told NPR. “We just wanted to tell a personal story about maturity and relationships. And the pregnancy just kind of motivates the story."


Juno references the famous comedian in the movie, even though Page—and possibly Cody—had no idea who he was. “I always wonder about that line because I think, 'No way would any teenager reference Soupy Sales,'” Cody told PopMatters, “but it always gets a laugh. I’m always aware of my own failings as a writer. I’m not even quite sure who Soupy Sales is.” Page said, “I had no idea it was even someone.”


Because Juno liked to talk on a hamburger phone, the studio thought it would be a fun marketing ploy to send out promotional hamburger phones. Australians sold the phones on eBay, and eBay in the U.S. said demand for the phone jumped 759 percent right after Juno was released in theaters. The phone currently sells on Amazon for $14.95.

10 Fast Facts About Jimi Hendrix

AFP/Getty Images
AFP/Getty Images

Though he’s widely considered one of the most iconic musicians of the 20th century, Jimi Hendrix passed away as his career was really just getting started. Still, he managed to accomplish a lot in the approximately four years he spent in the spotlight, and leave this world a legend when he died on September 18, 1970, at the age of 27. Here are 10 things you might not have known about the musical legend.

1. Jimi Hendrix didn't become "Jimi" until 1966.

Jimi Hendrix was born in Seattle on November 27, 1942 as John Allen Hendrix. He was initially raised by his mother while his father, James “Al” Hendrix, was in Europe fighting in World War II. When Al returned to the United States in 1945, he collected his son and renamed him James Marshall Hendrix.

In 1966, Chas Chandler—the bassist for The Animals, who would go on to become Jimi’s manager—saw the musician playing at Cafe Wha? in New York City. "This guy didn't seem anything special, then all of a sudden he started playing with his teeth," roadie James "Tappy" Wright, who was there, told the BBC in 2016. "People were saying, 'What the hell?' and Chas thought, 'I could do something with this kid.’”

Though Hendrix was performing as Jimmy James at the time, it was Chandler who suggested he use the name “Jimi.”

2. Muddy Waters turned Jimi Hendrix on to the guitar—and scared the hell out of him.

When asked about the guitarists who inspired him, Hendrix cited Buddy Holly, Eddie Cochran, Elmore James, and B.B. King. But Muddy Waters was the first musician who truly made him aware of the instrument. “The first guitarist I was aware of was Muddy Waters,” Hendrix said. “I heard one of his old records when I was a little boy and it scared me to death because I heard all these sounds.”

3. Jimi Hendrix could not read music.

George Stroud/Express/Getty Images

In 1969, Dick Cavett asked the musician whether he could read music: “No, not at all,” the self-taught musician replied. He learned to play by ear and would often use words or colors to express what he wanted to communicate. “[S]ome feelings make you think of different colors,” he said in an interview with Crawdaddy! magazine. “Jealousy is purple—‘I'm purple with rage’ or purple with anger—and green is envy, and all this.”

4. Jimi Hendrix used his dreams as inspiration for his songwriting.

Hendrix drew inspiration for his music from a lot of places, including his dreams. “I dreamt a lot and I put a lot of my dreams down as songs,” he explained in a 1967 interview with New Musical Express. “I wrote one called ‘First Look’ and another called ‘The Purple Haze,’ which was all about a dream I had that I was walking under the sea.” (In another interview, he said the idea for “Purple Haze” came to him in a dream after reading a sci-fi novel, believed to be Philip José Farmer’s Night of Light.)

5. "Purple Haze" features one of music's most famous mondegreens.

In the same interview with New Musical Express, it's noted that the “Purple Haze” lyric “‘scuse me while I kiss the sky” was in reference to a drowning man Hendrix saw in his dream. Which makes the fact that many fans often mishear the line as “‘Scuse me, while I kiss this guy” even more appropriate. It was such a common mistake that Hendrix himself was known to have some fun with it, often singing the incorrect lyrics on stage—occasionally even accompanied by a mock make-out session. There’s even a Website, KissThisGuy.com, dedicated to collecting user-generated stories of misheard lyrics.

6. Jimi Hendrix played his guitar upside-down.

Ever the showman, Hendrix’s many guitar-playing quirks became part of his legend: In addition to playing with his teeth, behind his back, or without touching the instrument’s strings, he also played his guitar upside-down—though there was a very simple reason for that. He was left-handed. (His father tried to get him to play right-handed, as he considered left-handed playing a sign of the devil.)

7. Jimi Hendrix played backup for a number of big names.

Though Hendrix’s name would eventually eclipse most of those he played with in his early days, he played backup guitar for a number of big names under the name Jimmy James, including Sam Cooke, Little Richard, Wilson Pickett, Ike and Tina Turner, and The Isley Brothers.

In addition to the aforementioned musical legends, Hendrix also helped actress Jayne Mansfield in her musical career. In 1965, he played lead and bass guitar on “Suey,” the B-side to her single “As The Clouds Drift By.”

8. Jimi Hendrix was once kidnapped after a show.

Though the details surrounding Hendrix’s kidnapping are a bit sketchy, in Room Full of Mirrors: A Biography of Jimi Hendrix, Charles R. Cross wrote about how the musician was kidnapped following a show at The Salvation, a club in Greenwich Village:

“He left with a stranger to score cocaine, but was instead held hostage at an apartment in Manhattan. The kidnappers demanded that [Hendrix’s manager] Michael Jeffrey turn over Jimi’s contract in exchange for his release. Rather than agree to the ransom demand, Jeffrey hired his own goons to search out the extorters. Mysteriously, Jeffrey’s thugs found Jimi two days later … unharmed.

“It was such a strange incident that Noel Redding suspected that Jeffrey had arranged the kidnapping to discourage Hendrix from seeking other managers; others … argued the kidnapping was authentic.”

9. Jimi Hendrix opened for The Monkees.

Though it’s funny to imagine such a pairing today, Hendrix warming up The Monkees’s crowd of teenybopper fans actually made sense for both acts back in 1967. For the band, having a serious talent like Hendrix open for them would help lend them some credibility among serious music fans and critics. Though Hendrix thought The Monkees’s music was “dishwater,” he wasn’t well known in America and his manager convinced him that partnering with the band would help raise his profile. One thing they didn’t take into account: the young girls who were in the midst of Monkeemania.

The Monkees’s tween fans were confused by Hendrix’s overtly sexual stage antics. On July 16, 1967, after playing just eight of their 29 scheduled tour dates, Hendrix flipped off an audience in Queens, New York, threw down his guitar, and walked off the stage.

10. You can visit Jimi Hendrix's London apartment.

In 2016, the London flat where Hendrix really began his career was restored to what it would have looked like when Jimi lived there from 1968 to 1969 and reopened as a museum. The living room that doubled as his bedroom is decked out in bohemian décor, and a pack of Benson & Hedges cigarettes sits on the bedside table. There’s also space dedicated to his record collection.

Amazingly, the same apartment building—which is located in the city’s Mayfair neighborhood—was also home to George Handel from 1723 until his death in 1759; the rest of the building serves as a museum to the famed composer’s life and work.

John Carpenter’s Original Halloween Is Coming Back to Theaters This Month

Anchor Bay Entertainment
Anchor Bay Entertainment

From September 27 through October 31, the original 1978 Halloween—directed by John Carpenter and produced by Debra Hill—will be returning to theaters, though it will look a little different. Hypebeast reports that the film’s cinematographer, Dean Cundey, helped remaster and restore a copy of the original film, giving this updated version better lighting and effects.

Upon its release on October 25, 1978, Halloween became one of the highest-grossing independent films of all time (it grossed $47 million domestically on a $325,000 budget), and kicked off a decade of copycat slasher films. In 2006, the Library of Congress chose to preserve Halloween in the U.S. National Film Registry. Last year, David Gordon Green directed Halloween, a “sequel” to the original. (Basically, the new Halloween ignored plots from 37 years of Halloween sequels and remakes.)

In 2020 and 2021, two more Halloweens, both starring Jamie Lee Curtis and directed by Green, will hit theaters worldwide. But between the end of September and Halloween, you’ll have a chance to see one of the greatest horror films of all time in theaters. (While watching you can look out for these Halloween goofs.)

Unlike a lot of classic movie re-releases, however, Halloween will not be shown at big chains like AMC. And the dates, times, and ticket costs will vary among venues, which will include select art house theaters, Rooftop Cinema Clubs, and event centers across North America. To find out if Halloween will be screening at a theater near you, go to CineLife’s site and type in your zip code.

[h/t Hypebeast]