15 Inspiring Quotes from LGBT Leaders

iStock
iStock

June 28 marks the 48th anniversary of the Stonewall Riot, when members of the LGBT community fought back when police raided the Stonewall Inn, a gay bar in New York's Greenwich Village, and arrested a number of patrons. Each June, Pride Month is celebrated to commemorate their stand, which is often regarded as the first major protest on behalf of the homosexual community, and which sparked the creation of various equal rights groups, such as the Gay Liberation Front and the Gay Activists Alliance. These quotes from LGBT leaders on everything from intersectionality to being an ally will ring true well after Facebook pulls the "pride" reaction from your newsfeed.

1. TAMMY BALDWIN // FIRST OPENLY GAY U.S. SENATOR

Tammy Baldwin speaks onstage at an EMILY's List gala
Kris Connor/Getty Images

"There will not be a magic day when we wake up and it's now okay to express ourselves publicly. We make that day by doing things publicly until it’s simply the way things are."

—from her "Never Doubt" speech at the Millennium March for Equality, 2000

2. ESSEX HEMPHILL // POET, PERFORMER, AND ACTIVIST

"We will not go away with our issues of sexuality. We are coming home. It is not enough to tell us that one was a brilliant poet, scientist, educator, or rebel. Whom did he love? It makes a difference. I can't become a whole man simply on what is fed to me: watered-down versions of Black life in America. I need the ass-splitting truth to be told, so I will have something pure to emulate, a reason to remain loyal."

—from Ceremonies: Prose and Poetry, 1992

3. CHARLES M. BLOW // JOURNALIST, COMMENTATOR, AND COLUMNIST FOR THE NEW YORK TIMES

Charles M. Blow at the 2017 Brooklyn Artists Ball
Theo Wargo/Getty Images

"Part of what my discomfort was, in the beginning, is that I wanted something that didn't exist. I wanted something that was so singular, a label that was so singular for me. I was so special—I was so different from everybody else I was meeting. And I wanted a different label. And I had to say, 'Charles snap out of that. What are you talking about?' All identity labels are umbrella terms to some degree, but this term bisexual is not only serviceable but it is sufficient. And yes, it brings together a bunch of people who are maybe shades different from one another. And maybe that’s the beauty of labels: that they force you to be with other people and see the difference."

—from an interview with Michelangelo Signorile about coming out as bisexual in his memoir Fire Shut Up In My Bones, 2014

4. LESLIE FEINBERG // TRANSGENDER ACTIVIST AND AUTHOR OF STONE BUTCH BLUES AND TRANSGENDER WARRIORS

"Like racism and all forms of prejudice, bigotry against transgender people is a deadly carcinogen. We are pitted against each other in order to keep us from seeing each other as allies. Genuine bonds of solidarity can be forged between people who respect each other's differences and are willing to fight their enemy together. We are the class that does the work of the world, and can revolutionize it. We can win true liberation."

—from Transgender Liberation: A Movement Whose Time Has Come, 1992

5. JASON COLLINS // FIRST OPENLY GAY PLAYER IN THE NBA AND IN MAJOR AMERICAN PROFESSIONAL SPORTS

Jason Collins speaks at the 2016 Democratic National Convention
Saul Loeb/Getty Images

"Openness may not completely disarm prejudice, but it's a good place to start."

—from the essay "The Gay Athlete," published in Sports Illustrated in 2013

6. HARVEY MILK // ASSASSINATED SAN FRANCISCO CITY SUPERVISOR AND FIRST OPENLY GAY MAN ELECTED TO PUBLIC OFFICE

"If a bullet should enter my brain, let that bullet destroy every closet door."

—from a tape recording to be played in the event of his assassination, quoted in Randy Shilts's The Mayor of Castro Street: The Life and Times of Harvey Milk, 1977

7. ZACHARY QUINTO // ACTOR AND PRODUCER

Zachary Quinto speaks onstage at the 2017 GLSEN Respect Awards
Ilya S. Savenok/Getty Images

"In light of Jamey's death, it became clear to me in an instant that living a gay life without publicly acknowledging it is simply not enough to make any significant contribution to the immense work that lies ahead on the road to complete equality. Our society needs to recognize the unstoppable momentum toward unequivocal civil equality for every gay, lesbian, bisexual, and transgender citizen of this country.”

—from a blog post in response to the suicide of Jamey Rodemeyer, a bisexual teen and YouTuber known for speaking out against homophobic bullying, 2011

8. AUDRE LORDE // POET, ESSAYIST, AND CIVIL RIGHTS ACTIVIST

"Sometimes we drug ourselves with dreams of new ideas. The head will save us. The brain alone will set us free. But there are no new ideas waiting in the wings to save us as women, as human. There are only old and forgotten ones, new combinations, extrapolations and recognitions from within ourselves–along with the renewed courage to try them out."

—from Sister Outsider: Essays and Speeches, 1984

9. ALICE WALKER // NOVELIST, ACTIVIST, AND AUTHOR OF THE COLOR PURPLE

Alice Walker at The Color Purple Broadway opening night
Mark Sagliocco/Getty Images

"Please remember, especially in these times of group-think and the right-on chorus, that no person is your friend (or kin) who demands your silence, or denies your right to grow and be perceived as fully blossomed as you were intended."

—from In Search of Our Mothers' Gardens: Womanist Prose, 1983

10. MARSHA P. JOHNSON // TRANSVESTITE ACTIVIST AND STONEWALL RIOT PARTICIPANT

"I'd like to see the gay revolution get started, but there hasn't been any demonstration or anything recently. You know how the straight people are. When they don't see any action they think, 'Well, gays are all forgotten now, they're worn out, they're tired.' ... If a transvestite doesn't say I'm gay and I'm proud and I'm a transvestite, then nobody else is going to hop up there and say I'm gay and I'm proud and I'm a transvestite for them."

—from an interview in Out of the Closets: Voices of Gay Liberation, 1972

11. CHERRIE MORAGA // POET, ESSAYIST, AND CHICANA ACTIVIST

"Our strategy is how we cope—how we measure and weigh what is to be said and when, what is to be done and how, and to whom, daily deciding/risking who it is we can call an ally, call a friend (whatever that person's skin, sex, or sexuality). We are women without a line. We are women who contradict each other."

—from This Bridge Called My Back, Fourth Edition: Writings by Radical Women of Color, 1981

12. JAMES BALDWIN // POET, NOVELIST, PLAYWRIGHT, AND ESSAYIST; AUTHOR OF NOTES FROM A NATIVE SON

James Baldwin smokes a cigarette at home
Ralph Gatti/Getty Images

“Everybody's journey is individual. You don't know with whom you're going to fall in love. … If you fall in love with a boy, you fall in love with a boy. The fact that many Americans consider it a disease says more about them than it does about homosexuality."

—from an interview with Eve Auchincloss and Nancy Lynch, 1969

13. GEORGE TAKEI // ACTOR, DIRECTOR, AND ACTIVIST

George Takei flashes a Vulcan salute onstage
Adam Bettcher/Getty Images

"We should indeed keep calm in the face of difference, and live our lives in a state of inclusion and wonder at the diversity of humanity."

—from Lions and Tigers and Bears: The Internet Strikes Back, 2013

14. BOB PARIS // AUTHOR, ACTIVIST, BODYBUILDER, AND FORMER MR. UNIVERSE

"Every gay and lesbian person who has been lucky enough to survive the turmoil of growing up is a survivor. Survivors always have an obligation to those who will face the same challenges."

— from Straight from the Heart, a memoir written with his then-husband Rod Jackson, 1995

15. KRISTIN BECK // FIRST OPENLY TRANSGENDER FORMER U.S. NAVY SEAL

Kristen Beck speaks at a conference on transgender military service
Nicholas Kamm/Getty Images

"I don't want you to love me. I don't want you to like me. But I don't want you to beat me up and kill me. You don't have to like me, I don't care. But please don't kill me."

—from a CNN interview with Anderson Cooper, 2013

20 Surprising Facts About Pulp Fiction

Miramax
Miramax

On October 14, 1994, Quentin Tarantino's Pulp Fiction was released in theaters in America and a new Hollywood auteur was born. In addition to teaching Americans what a Quarter Pounder with Cheese is called in Europe, the film reignited the career of John Travolta (who received a Best Actor Oscar nomination for his work) and showed audiences a different side of Bruce Willis. In honor of the film's anniversary, here are 20 things you might not have known about Pulp Fiction.

1. THE FILM WAS RELEASED IN SOUTH KOREA, JAPAN, AND EVEN SLOVAKIA BEFORE IT ARRIVED IN AMERICA.

Tarantino’s film first played the Cannes Film Festival in May 1994. It was shown at other festivals around the world, from Munich to Locarno, before hitting American shores on September 23, 1994, at the New York Film Festival. The film was released in South Korea, Japan, and Slovakia before it officially opened in the U.S. on October 14, 1994. The feature rolled out across Asia and Europe throughout 1994 and 1995.

2. HONEY BUNNY WAS NAMED AFTER AN ACTUAL RABBIT.

Honey Bunny belonged to Linda Chen, who typed up Tarantino's handwritten script for Pulp Fiction. In lieu of payment, she asked Tarantino to watch her rabbit when she went on location; Tarantino wouldn't do it, and when the rabbit later died, he named Amanda Plummer's character after Chen's pet.

3. YOU CAN WATCH THE FILM CHRONOLOGICALLY ... KIND OF.

The narrative structure of the film plays out of sequence, but it’s easy enough to break it down into seven distinct sections (a prologue, an epilogue, two preludes, and three large segments) that can then be re-ordered into a chronological narrative (Hint: The first prelude, to the “Gold Watch” section, plays first. If that doesn’t help, here’s an infographic).

4. THE FILM CONTAINS 265 “F WORDS.”

Even that hefty number isn’t Tarantino’s highest (1992’s Reservoir Dogs used it 269 times). Still, the film was the big “f word” winner of 1994, as no other film released that year even came close to that amount of profanity.

5. VINCENT VEGA’S 1964 CHEVELLE MALIBU WAS STOLEN AFTER THE SHOOT.

John Travolta’s character in the film had a sweet ride—which, in real life, belonged to Tarantino—and it was such a hot rod that it was stolen soon after the film’s release. It wasn’t found for nearly two decades, when two cops happened on a pair of kids stripping an older car. After running the Vehicle Identification Number, they found it shared the number with a car in Oakland, which turned out to be Tarantino’s car.

6. THE MOVIE COST ONLY $8.5 MILLION TO MAKE.

Five million went to the actors’ salaries. It made that all back in its first week at the U.S. box office (the film pulled in $9.3 million the first weekend of release).

7. THE FILM WAS THE THIRD BIGGEST R-RATED EARNER OF 1994.

The film lost out on the title to True Lies ($146.2 million) and Speed ($121.2 million). The film’s earnings were strong enough to place it in the overall top 10 for the year, though 1994 was dominated by Forrest Gump, which made $329.6 million that year.

8. EVEN THOUGH THE FILM MADE OVER $100 MILLION, IT TOOK A LONG TIME TO GET THERE.

Even though Tarantino’s film ended up being a tremendous hit—especially considering that slim budget—it took some time to get there. The film was in release for 178 days before it finally pulled in 100 million domestic dollars. A little comparison? It took Harry Potter and the Deathly Hallows – Part 2 only two days.

9. VINCENT VEGA WAS WRITTEN FOR MICHAEL MADSEN ...

Tarantino specifically wrote a number of roles in the film for chosen actors (including Samuel L. Jackson, Harvey Keitel, Tim Roth, and Amanda Plummer), but nothing compared to his dedication to having Michael Madsen play Vince. Madsen, who knew of Tarantino’s plans and said he wanted to do the part, dropped out two weeks before the script was finished to star in Wyatt Earp.

10. ... WHICH COULD HAVE MADE HIM MR. BLONDE’S TWIN.

Tarantino has a long tradition of connecting characters in his various films—basically, the filmmaker is working with a number of sprawling family trees, and it’s always a treat to see how characters intersect—which would have made Madsen’s casting of Vince come with a surprising twist: it might have made him Mr. Blonde’s (Madsen’s character from Reservoir Dogs) twin, as it’s long been known that Vince and Blonde are brothers.

11. IT INSPIRED TOP GEAR’S STIG.

The mysterious, anonymous Stig was inspired by the mysterious, anonymous Gimp. The Gimp was even the original name for the Stig, until they couldn’t find a racing driver willing to use that name.

12. BUTCH WAS SUPPOSED TO BE A LOT YOUNGER.

Tarantino wrote the part as a young boxer, with Matt Dillon specifically in mind for the role, but when the actor took too much time considering the part, it was tweaked slightly to accommodate Bruce Willis (who was a little ticked that he wasn’t asked to play Vincent).

13. TARANTINO LOVES VINTAGE BOARD GAMES, AND IT SHOWS.

The filmmaker is an avid board game collector, which is why the film features Operation and The Game of Life. Tarantino convinced Travolta to come on board with an all-day Welcome Back, Kotter, Grease, and Saturday Night Fever board game marathon.

14. VINCENT’S PREFERRED READING MATERIAL IS REAL.

Vince loves reading pulp fiction books during his, ahem, private time, including Peter O’Donnell’s Modesty Blaise, a real pulp fiction novel based on O’Donnell’s '60s comic strip. Tarantino has long expressed interest in bringing that tale to the big screen, including giving his official license to the 2003 film (Quentin Tarantino Presents) My Name is Modesty.

15. DESPITE TARANTINO’S LOVE FOR UMA THURMAN, SHE WASN’T HIS FIRST PICK.

Other possible Mias? Isabella Rossellini, Julia Louis-Dreyfus, Meg Ryan, Alfre Woodard, Halle Berry, Daryl Hannah, Rosanna Arquette, Joan Cusack, and Michelle Pfeiffer. Tarantino’s original favorite was supposedly Pfeiffer.

16. THE ORIGINAL POSTER CAN FETCH YOU SEVERAL HUNDRED DOLLARS.

The first poster had Thurman smoking from a box of Lucky Strike cigarettes—but Miramax hadn’t licensed usage rights from Lucky Strikes, who threatened to sue. Rather than fight it, Miramax had the posters returned. Those that survived can now command big money.

17. JULES MAY HAVE BEEN WRITTEN FOR SAMUEL L. JACKSON, BUT HE ALMOST LOST THE PART.

Tarantino very much had Jackson in mind for the role of Jules, but when he auditioned Paul Calderon, he was so struck by the performance that he very nearly hired him. Jackson, desperate to get “his” role back, flew to Los Angeles and auditioned for Tarantino again.

18. CAPTAIN KOONS MIGHT HAVE A FAMOUS RELATIVE.

Well, famous in the Tarantino universe, anyway: It’s widely believed that Christopher Walken’s Captain Koons is a descendent of Django Unchained character Crazy Craig Koons, who is only mentioned by name in a Wanted poster.

19. ROBERT RODRIGUEZ DIRECTED PARTS OF THE FILM.

When Tarantino is on screen as Jimmie, someone else had to be behind the camera—and that someone was Robert Rodriguez. The pair later teamed up for a number of other projects, including From Dusk Till Dawn and Grindhouse.

20. TRAVOLTA DIDN’T REALLY INJECT THURMAN IN THAT SCENE.

The infamous scene in which Mia is stabbed with a very necessary adrenaline shot was stressful enough, so Tarantino took off some of the pressure: the needle was inserted, and then Travolta pulled it out. The scene was reversed in post-production so it looks as if Vincent Vega really is plunging that syringe into her. Movie magic!

Additional Sources: Short List; Box Office Mojo (1, 2)

This article originally ran in 2015.

Aaugh! 10 Facts About It's the Great Pumpkin, Charlie Brown

Warner Home Video
Warner Home Video

Lee Mendelson hadn’t planned on a career in animation. But when television sponsors saw the filmmaker’s documentary about cartoonist Charles Schulz, they asked if the two could team up to produce a Christmas special based on Schulz’s Peanuts strip. The result, A Charlie Brown Christmas, was seen by roughly half of all households watching television during its premiere on CBS on December 9, 1965.

Mendelson went on to produce other Peanuts primetime specials, but 1966’s It’s the Great Pumpkin, Charlie Brown remains one of the most endearing. As you prepare annual sympathy for poor ol' Chuck (“I got a rock”), check out some facts about naked composers, vomiting voice actors, and CBS’s bizarre ultimatum.

1. THE FUTURE OF ANIMATED PEANUTS SPECIALS DEPENDED ON IT.  


Warner Home Video

Mendelson and animator Bill Melendez had very high aspirations for A Charlie Brown Christmas. When they screened it prior to its premiere, however, they felt it didn’t live up to its potential—and CBS agreed. The network said it was the last Peanuts special they would buy. But after it delivered huge ratings, CBS changed their mind and asked for more. When the two delivered another hit—the baseball-themed Charlie Brown All-Stars—they thought they had earned the network’s confidence.

Instead, CBS told them they needed a special that could run every year, like A Charlie Brown Christmas. If Mendelson couldn’t provide it, they told him they might not pick up an option for a fourth show. Despite Schulz and his collaborators being annoyed by the network's abrasive attitude, they hammered out a story with a seasonal clothesline that could be rerun in perpetuity.   

2. THE VOICE OF VIOLET PUKED AFTER EVERY RECORDING SESSION.

It’s standard practice these days to use adult actors to mimic juvenile cartoon characters: adults are (presumably) better able to take direction and deliver a performance in line with the director’s wishes. But for many Peanuts specials, children were used to voice Charlie Brown, Lucy, Linus, and the rest. Anne Altieri, who portrayed both Violet and Frieda, was so nervous to be part of the show that she threw up every time she was done with a recording session.

3. IT WAS THE FIRST TIME LUCY SNATCHED THE FOOTBALL FROM CHARLIE BROWN.

In animated form, anyway. When Schulz, Mendelson, and Melendez were brainstorming scene ideas for the special, talk turned to the fact that Lucy’s habit of pulling the football away from Charlie Brown had never been seen in animation. They also decided it would be a good time to introduce Snoopy’s World War I Flying Ace. The joke had appeared in the strip, but Mendelson thought it would work even better in motion. He was right: the sequence with Snoopy in a doghouse dogfight is one of the most memorable in the Peanuts animated canon.

4. IT’S SECRETLY ABOUT SANTA.

The Great Pumpkin saga was adapted from Schulz’s newspaper strip, where he had conceived it as a metaphor for some of the hope (and disappointment) associated with Saint Nick. Schulz disliked the idea kids heard of a jolly fat man who delivered presents all over the world when he knew many families could only afford one or two gifts for the holidays. “The Great Pumpkin is really kind of a satire on Santa Claus,” he told Mendelson. “When [he] doesn’t come, Linus is crushed.”

5. THE MUSIC COMPOSER WAS FOUND NAKED BY COPS.


Warner Home Video

The jazzy scores of the early Peanuts specials were the work of composer Vince Guaraldi. When he was busy putting together “The Great Pumpkin Waltz” for the show, he decided to break for a shower. When he came out, he thought he heard noises outside and went to investigate, naked, and locked himself out in the process. Keyless, Guaraldi tried climbing a ladder to a second-floor window when cops spotted him. “Don’t shoot,” he said. “I’m the Great Pumpkin.” Police, who were many months away from getting the joke, let him back inside.  

6. A LISP ALMOST RUINED THE SHOW.

Kathy Steinberg was only four years old when she portrayed Sally for the first time in A Charlie Brown Christmas: her big break came when Mendelson, her neighbor, started work on the specials. While Steinberg had some limitations—like being too young to know how to read a script—things were going well until producers realized she was on the verge of losing a tooth. Fearing a lisp would ruin the voiceover work, they rushed to get her lines done. The day after finishing, the tooth fell out.  

7. KIDS SENT CHARLIE BROWN CANDY FOR YEARS.

One of the most poignant moments of any Peanuts cartoon comes when downtrodden Charlie Brown opens his Halloween goodie sack and discovers he’s been given rocks instead of candy. According to Schulz, this so angered viewers that for years his California office was inundated with sacks of treats addressed to the character.

8. THE ORIGINAL AIRINGS WERE SLIGHTLY DIFFERENT.

Production costs for the early Charlie Brown specials were subsidized by television sponsors Coca-Cola and Dolly Madison snack cakes: the brands appear at the beginning and end of the broadcast. The Coke “bug” appeared for several years before getting phased out. 

9. CBS GOT A LITTLE SALTY ABOUT LOSING THE RIGHTS.

After spending decades at CBS, the rights to three holiday Peanuts installments went up for grabs in 2000. Though CBS could make the first offer, it was ABC who made the winning bid. Privately, CBS executives were not at all pleased about the business decision to take the football away. “It's a shame that a few more dollars meant more to them than years of tradition and loyalty," one network employee anonymously told Variety

10. SOME SCHOLARS THOUGHT THE GREAT PUMPKIN WAS REAL.


Warner Home Video

A real myth, at any rate. Talking to the Schenectady Gazette in 1968, Schulz said that since the special began airing two years earlier, he had received a number of letters from academics wondering where the Great Pumpkin story had originated. “A number of professional scholars have written me about the origination of the legend,” he said. “They insist it must be based on something.” Schulz suggested they broach the topic with Linus instead.

This article originally ran in 2015.

SECTIONS

arrow
LIVE SMARTER