Ceasefire in the Balkans, French War Council Approves Plan XVII

Wikimedia Commons
Wikimedia Commons

The First World War was an unprecedented catastrophe that killed millions and set the continent of Europe on the path to further calamity two decades later. But it didn’t come out of nowhere. With the centennial of the outbreak of hostilities coming up in 2014, Erik Sass will be looking back at the lead-up to the war, when seemingly minor moments of friction accumulated until the situation was ready to explode. He'll be covering those events 100 years after they occurred. This is the 64th installment in the series.

April 13-19, 1913: Ceasefire in the Balkans, French War Council Approves Plan XVII

With the fall of Janina (Ioannina) to the Greeks and Adrianople (Edirne) to the Bulgarians in March 1913, the last two reasons for the Ottoman Turks to continue holding out against the Balkan League were removed, and from April 13 to 19, 1913, Turkish representatives agreed to a ceasefire with Bulgaria, Serbia, and Greece as a preamble to negotiations for a lasting peace. For all intents and purposes, the First Balkan War was over.

It was pretty clear what shape the peace treaty (to be negotiated at the Conference of London over the following weeks) would assume: The Turks would have to give up virtually all of their European territories except for a small strip of territory to the west of the Ottoman capital, Constantinople, left at the suggestion of British foreign minister Edward Grey as a buffer for the strategic Turkish straits.

However the diplomatic crisis resulting from the First Balkan War was far from over, as the smallest member of the Balkan League, Montenegro, continued to lay siege to the important city of Scutari (Shkodër) in the western Balkans. This threatened to provoke military action by Austria-Hungary, whose foreign minister, Count Berchtold, insisted that Scutari should belong to the new, independent state of Albania.

As part of the deal which defused the military standoff between Austria-Hungary and Russia in March, the Russians agreed that Scutari would go to Albania as long as their client, Serbia, was compensated with territory in the interior. By mid-April 1913, the Serbians took the hint from their Russian patrons and withdrew from Scutari—but the Montenegrins were hanging on with grim determination (pointless obstinacy might be more accurate, considering Montenegro was now defying a consensus among all of Europe’s Great Powers, who made their displeasure known by dispatching a multinational fleet to the Adriatic Sea to blockade the tiny kingdom). Although the Montenegrin forces laying siege to Scutari appeared incapable of capturing the well-defended city, in the Balkans when military might failed there was always recourse to treachery.

Meanwhile, tensions were already brewing between the other members of the Balkan League, as Bulgaria fell to squabbling with Serbia and Greece over Ottoman territory conquered in the First Balkan War. To the south, the Bulgarians still claimed Salonika, occupied by the Greeks. In the west the Serbians, forced by the Great Powers to give up their conquests in Albania, had sent at least two diplomatic notes asking the Bulgarians for a larger share of neighboring Macedonia—but the Bulgarians ignored both requests. By mid-April, the Serbs were organizing paramilitary groups in Bulgarian-occupied territory, with plans to incite rebellion against their erstwhile ally, and Serbian Prime Minister Nikola Pašić (above) was privately warning the Great Powers that Serbia would go to war with Bulgaria if its demands weren’t met.


Click to enlarge.

The Bulgarians had some idea what was coming: As early as mid-March, 1913, Tsar Ferdinand warned his son that the Greeks and Serbians were forming an alliance against Bulgaria. Meanwhile Romania—hitherto a neutral power—was now demanding a chunk of Bulgaria’s northern territory, Silistra, in return for recognizing Bulgarian conquests to the south. The victor of the First Balkan War was rapidly running out of friends.

French Supreme War Council Approves Plan XVII

Appointed chief of staff of the French army during the war scare accompanying the Second Moroccan Crisis, Joseph Joffre’s top priority was drawing up a new strategic plan for war with Germany, which was increasingly viewed as inevitable. The plan formulated by his predecessors, Plan XVI, was considered dangerously passive and obsolete: It called for French armies to assume a defensive stance southeast of Paris, thus giving up the initiative to the Germans and contravening military doctrine of the day, which called for offensive outrance (all-out attack) relying on the élan (spirit) of French soldiers.

The obvious goal was to regain the provinces of Alsace and Lorraine, lost to Germany in 1871, but the issue was complicated by the possibility of a German attack through Belgium, as it was widely recognized that the Germans would probably violate Belgian neutrality in an attempt to circumvent French fortresses and envelop French armies from the north. Still, there was a range of opinion among French officers about how large this Belgian incursion would be, and where it would be directed. Joffre and most of his colleagues assumed the Germans would limit their maneuvers to the closest corner of Belgium, east of the River Meuse, in order to minimize the violation of Belgian territory and (hopefully) keep Britain out of the war. A more alarming scenario—the one actually envisioned by the German Schlieffen Plan—had German armies crossing west of the Meuse to strike deep to the rear of the French armies.

In fact Joffre’s predecessor, Supreme War Council vice-president General Victor Michel, foresaw just such a scenario, and drew up his own radical plan to replace Plan XVI, calling for a French deployment far west along the Belgian border, followed by an advance into Belgium to defensive positions connecting the three key fortress cities of Antwerp, Namur, and Verdun. But the British general Sir Henry Wilson warned that a French violation of Belgian neutrality would alienate public opinion in Britain, making it more difficult to persuade the proud island nation to join the war against Germany. Michel’s plan was doubly unacceptable because it gave up the cherished offensive to the Germans. France’s civilian leadership instructed Michel’s successor Joffre that the Republic’s war plan should be offensive in nature—but avoid Belgium.

On April 18, 1913, Joffre presented his proposal for a new strategy, Plan XVII, to the Supreme War Council, including President Raymond Poincaré and war minister Adolphe Marie Messimy. Plan XVII divided 62 divisions, containing roughly 1.7 million troops, in five armies along the French frontier with Germany and Belgium. In line with the civilian leadership’s instructions, French strength was concentrated near the German border for a direct attack aiming to liberate Alsace-Lorraine. The French First Army would form south of Epinal and strike east into Alsace, towards the Rhine; the Second Army would form south of Nancy and strike northeast into Lorraine; the Third Army would form north of Verdun and strike east and northeast, near Metz. The Fourth Army would be held in reserve, while the Fifth Army stood alone on the French left (northwestern) flank to check a German advance through Luxembourg and Belgium.


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In retrospect it is easy to criticize Joffre’s plan for failing to anticipate the German threat to the French left flank, but the fact is he was placed in a difficult situation by France’s civilian leadership, who foreclosed serious consideration of any strategy involving Belgian territory in order to placate their cagy British allies. Unable to devote serious planning resources to Belgian scenarios, Joffre naturally concentrated on plans for a direct attack on Germany, as instructed by the civilian leadership—while still leaving himself some flexibility in the form of the Fifth Army, near the Belgian border, and the Fourth Army, in reserve.

Indeed, a number of historians have pointed out that Plan XVII was a general plan of concentration, rather than a specific plan of attack, which left Joffre a great deal of leeway to react to German moves (including an invasion of Belgium) by making big strategic decisions on the fly. But at the end of the day his plan still failed to provide sufficient forces to counter an “all out” German thrust through Belgium; in 1914 this would bring France to the brink of disaster.

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Jon Snow's Game of Thrones Fate Could Have Spelled Divorce for Showrunner David Benioff

Christopher Polk, Getty Images for Turner
Christopher Polk, Getty Images for Turner

The emotional toll that Game of Thrones's twists and turns takes on its fans has been well-documented. Between the TV show's massive body count and its never-ending series of other shocking moments, the show has left viewers shaken to theirs core for the past eight years (which is part of its massive appeal). But one of Game of Thrones's most heartbreaking moments—the death of Jon Snow at the hands of Alliser Thorne and other members of the Night's Watch in the fifth season—didn't leave just fans crushed. It nearly cost showrunner David Benioff his marriage.

While being interviewed on Jimmy Kimmel Live! in 2015, The Romanoffs star Amanda Peet, who has been married to Benioff since 2006, told Kimmel that she was close to divorcing Benioff for killing off Jon Snow.

"I made him promise me, I begged him … I said, 'I've heard all this stuff … [Kit Harington] got a haircut, I don't want to divorce you, what's happening?'" Peet recalled. Benioff assured his wife that Jon wasn't going to die, but obviously that wasn't true—or at least not at the time. "I don't love you anymore," Peet (jokingly) told her husband. "I said, 'If you kill him, that's it.'"

As we all know, the sixth season saw Jon brought back to life, but Peet likely had no idea it was going to happen due to the intense secrecy of the show. "It's a little like being married to someone in the CIA or something," the actress stated. "He's in bed and he has his earphones and we angle the computer so that I can't see the dailies."

Though Jon's resurrection may have saved their marriage, who knows how Peet will feel about how it all ends when Game of Thrones's eighth and final season premieres on April 14, 2019.

20 Surprising Facts About Benedict Cumberbatch

Larry Busacca, Getty Images
Larry Busacca, Getty Images

If Benedict Cumberbatch isn't careful, he might just run out of dream roles to play. Since the earliest days of his career, the 42-year-old actor has made no secret that there were two roles at the top of his character bucket list: Hamlet and Patrick Melrose, the protagonist at the center of Edward St Aubyn's critically acclaimed series of novels.

In 2015, Cumberbatch took the stage in London to do the whole "to be or not to be" thing. (More on that later.) In 2018, he starred in Patrick Melrose, Showtime's television adaptation of the book series, and earned both Golden Globe and Emmy nominations for the role. Now, Cumberbatch is back on the small screen—and bald—for the HBO movie Brexit, which premieres on January 19th.

1. He made his stage debut playing a "very bossy" Joseph in a Nativity play.

In a 2010 interview with London Theatre, Cumberbatch shared that his first stage performance found him playing “a very bossy Joseph in the Nativity play at primary school. Apparently I pushed Mary offstage because she was taking too long. Actresses eh!”

2. He thinks his name sounds like "a fart in a bath."

There’s something very regal-sounding about a name like Benedict Cumberbatch, but it’s not one that necessarily rolls right off the tongue. The Washington Post once identified the actor as “Bandersnatch Cummerbund” (though later clarified that it was a joke). But there have been plenty of other mix-ups—like the time a television show ID'ed him as “Benedict Cumberpatch” (which sort of has a nice ring to it).

Cumberbatch had a feeling that his name might cause problems in his career, which is why he began his career as Benedict Carlton (which is his middle name). Ultimately, it was his agent who convinced him to use Cumberbatch, even though the actor said the surname sounds like “a fart in a bath.”

3. He toyed with the idea of becoming a lawyer.

Though he grew up in a family of actors, Cumberbatch wasn’t always planning to live his life out in front of a camera. In fact, it was because of his parents’ chosen profession that they encouraged him to pursue a more stable calling, which led him to want to become a criminal lawyer.

“[Acting is] a very odd, peripatetic, crazed, out of your control work and social schedule,” Cumberbatch told The Mirror in 2015. “It's very hard to plan a family life, let alone know where the next paycheck is coming from so they worked very, very hard as my parents, and actors, to afford me an education whereby I had the opportunity and the privilege to try and channel myself towards other goals.

“For a while, I wanted to be a barrister because there's definitely a crossover with criminal law—with trying to persuade an audience and a jury and a judge of the case and your client's story so I did go down that route for a little bit. I think they would have been very happy if I ended up there."

He spoke with Vulture about his legal leanings, too, and noted that, “I would've loved the performance of court, the idea of persuading people, storytelling and all that. It parallels beautifully with acting, lots of frustrated, amateur dramatics going on in court all the time. I think lots of barristers literally perform in amateur dramatic societies and are very good actors. It's a massive crossover."

4. His parents on Sherlock are also his parents in real life.

Speaking of Cumberbatch’s parents: While both Timothy Carlton and Wanda Ventham are familiar faces as actors in their own right, fans of Sherlock might also be quick to recognize them as Sherlock and Mycroft Holmes’s parents.

In 2014, Cumberbatch told the Press Association that he was a little nervous about working with his parents, as “They’re Equity card carrying members but you know it was nerve-wracking because they are actors as well and yet they were brilliant and they were fantastic.”

5. He spent a year teaching in India.

During a gap year, Cumberbatch decided to volunteer his time and teach English at a Tibetan monastery in Darjeeling, India. “I’d always been fascinated by the idea of meditation and what it meant,” he told Lion’s Roar. “In India, I went on a retreat with a lama—several days of incantation to clear and purify the mind—along with a dozen other people. It was incredible, and I kind of floated out of there after two weeks."

Though teaching and acting may seem unrelated, many of the skills and practices Cumberbatch learned during that time eventually helped him in his acting career. “Stillness is an essential part of acting,” he said, “so I already had a certain amount of focus in that beforehand. A still point is a very, very hard place to find, especially among the usual kind of pulped sheep pushed around by the blinking flashing world of modern technology.”

6. He was kidnapped in South Africa.

While filming the 2005 miniseries To the Ends of the Earth, Cumberbatch experienced another kind of epiphany when he nearly lost his life. The actor and two of his co-stars took a day off to learn how to scuba dive near Mozambique. On their way back from the outing, the actor explained, “The three of us were trying to change the tire. These six men appeared suddenly from the eucalyptus. They said: 'Put your hands on your head, don't look at us,' and were frisking us for drugs, money, weapons. Then they bundled us into the car. They dragged me up and put me in the boot of the car.”

Like so many of the quick-thinking characters he has played, Cumberbatch realized his only option was to try and argue his way out of the situation:

“I said: ‘If you leave me in here, it’s not the lack of air, it’s the small space. There’s a problem with my heart and my brain.’

“I just tried to explain to them: ‘I will die, possibly have a fit, and it will be a problem for you. I will be a dead Englishman in your car. Not good.’

“They shut the boot and had an argument, and then pulled me out. So I kind of thank God I had the presence of mind to give them the idea that it would be better to keep me alive. And the other two hadn’t been harmed.”

In a way, the incident became the impetus for Cumberbatch to pursue his dreams even more aggressively. “It taught me that you come into this world as you leave it, on your own,” he said. “It’s made me want to live a life slightly less ordinary.”

7. Julian Assange tried to talk him out of starring in The Fifth Estate.

Benedict Cumberbatch as Julian Assange in 'The Fifth Estate' (2013)
DreamWorks

In 2013, a very white-haired Cumberbatch played the role of WikiLeaks founder Julian Assange in Bill Condon’s The Fifth Estate. In preparing for the role, Cumberbatch—ever the dutiful actor—reached out to Assange about arranging a meeting. Assange’s response, which went viral, was rather epic. Though he assured Cumberbatch that he would very much enjoy meeting him, and that he believed they would get along, he spent the bulk of his word count telling the actor why making the film was a terrible idea:

“You will be used, as a hired gun, to assume the appearance of the truth in order to assassinate it. To present me as someone morally compromised and to place me in a falsified history. To create a work, not of fiction, but of debased truth.

“Not because you want to, of course you don't, but because, in the end, you are a jobbing actor who gets paid to follow the script, no matter how debauched.

“Your skills play into the hands of people who are out to remove me and WikiLeaks from the world.

“I believe that you should reconsider your involvement in this enterprise.”

The film went forward as planned, with Cumberbatch in the lead (though it was a critical and box office failure, which likely pleased Assange).

8. He is easily starstruck.

When asked during a Reddit AMA whether he’s ever been starstruck while meeting or working with a fellow actor, Cumberbatch admitted that it happens all the time: “Uhhhhhhhh. Every time I've met someone famous who I've been in the audience of,” he said. “I have the same butterflies and inability to be cool. I approach them as a fellow member of the human race as the next person in their audience does. I've been doing this for 10 odd years, and so to meet people who thrilled me with their work for my entire life in such a concentrated manner as has happened over the last few years has been mind-blowing.”

9. Ted Danson was really, really excited to meet him.

While Cumberbatch may get nervous every time he meets an acting hero, one well-known actor who was pretty excited to meet Cumberbatch was Cheers star Ted Danson. When asked during a Reddit AMA to share the “weirdest encounter you've had with a fan,” Cumberbatch answered: “Ted Danson at a pre-Oscar party screaming across a floor of people like Leonardo DiCaprio, Ray Liotta, Kristen Stewart, Kirsten Dunst, et al while pushing past them and knocking their drinks. ‘OH MY GOD! OH MY GOD! IT'S F***ING SHERLOCK HOLMES!’”

10. He wasn't immediately sold on playing Sherlock Holmes.

Though playing the titular “consulting detective” in Sherlock is the role that brought Cumberbatch global recognition, saying yes to the part wasn’t exactly a no-brainer for the actor. While speaking at a BAFTA event in 2014, Cumberbatch admitted that he was actually a little hesitant to sign on for the project. “I heard about it and thought that sounds like an idea to [re-franchise] something to make money,” he said. “It could be a bit cheap and cheesy. Then I found out who was involved and realized it wouldn’t be cheap and cheesy.

“My mum had done a few episodes of Coupling with Steven [Moffat] and Mark Gatiss was a huge hero of mine when I was a student in League Of Gentleman,” Cumberbatch continued, “so I knew the stable was good. I thought I would read it and then I fell in love with it.”

11. The BBC wasn't sure Cumberbatch was "sexy" enough to pull off Sherlock.


BBC

It’s funny to think about now, considering Cumberatch’s massive worldwide fanbase, but just as the actor wasn’t immediately sold on playing Sherlock Holmes, the BBC wasn’t sure the actor was a great match for the role—because they wanted someone with sex appeal. While speaking at the Hay Festival in 2014, Sherlock co-creator Steven Moffat talked about the BBC’s track record in determining which actors might connect with audiences—Cumberbatch being one of them.

“They said of casting David Tennant as Casanova, ‘Damn, you should have cast someone sexier,’” Moffat said. “With Benedict Cumberbatch, we were told the same thing. ‘You promised us a sexy Sherlock, not him.’”

Sue Vertue, a fellow producer on Sherlock (and Moffat's wife), relayed a similar tale to Entertainment Weekly just a few months prior to Moffat’s comments, telling the magazine: “When we first cast [Cumberbatch], people were saying, ‘You promised us a sexy one!’ People weren’t thinking of Benedict in that light at all.” His name, apparently, posed another problem: “When people said, ‘Who’s playing Sherlock Holmes?’ and we’d say, ‘Benedict Cumberbatch,’ everyone looked very vague,” Vertue said. “Then we’d always have to spell his name.”

12. He is (distantly) related to Sir Arthur Conan Doyle.

It turns out that Sherlock Holmes may have been the role Cumberbatch was born to play. In 2017, researchers at Ancestry.com made the rather fascinating discovery that Cumberbatch and Sherlock Holmes creator Sir Arthur Conan Doyle are sixteenth cousins, twice removed. The ancestral link between the two is former Duke of Lancaster John of Gaunt, who was Doyle’s 15th great-grandfather and Cumberbatch’s 17th great-grandfather.

13. He also has a family link to Alan Turing.

Amazingly, the Conan Doyle connection wasn’t the first time Cumberbatch’s ancestry was linked to one of his characters. In 2014, the same team of researchers determined that Cumberbatch was the 17th cousin of Alan Turing, the computer scientist/codebreaker he played in Morten Tyldum’s The Imitation Game (2014)—a role that earned Cumberbatch an Oscar nomination in 2015.

14. He has been rendered in chocolate on more than one occasion.


UKTV/FLICKR

In a somewhat bizarre promotional campaign by Britain’s UKTV in 2015, Cumberbatch narrowly beat out David Tennant by a margin of just one percent to be named “TV Dishiest Drama Actor.” The prize? Having a life-sized statue, made entirely of Belgian chocolate, created in the actor’s likeness.

It took a team of eight people more than 250 man-hours to construct the delicious doppelgänger, dubbed “Benedict Chocobatch." In 2016, he was recreated in the sweet stuff again, though this time as an edible chocolate bunny/Benedict hybrid that fans could actually purchase … and eat.

15. He turned Hamlet into "the most in-demand show of all time."

In 2015, Cumberbatch achieved one of his lifetime dreams when it was announced that he would play Hamlet in a 12-week run at London’s Barbican theater. Tickets ended up selling out almost as fast as one could say “To be or not to be.” As The Telegraph reported in 2014:

"The curtain does not go up on the production for another year, but Cumberbatch's Hamlet is nevertheless outselling the next most popular show, the current run of A Streetcar Named Desire at the Young Vic, by four to one. The show has even registered 214 per cent more ticket searches in the hours after tickets were released than Beyoncé and Jay Z’s global On the Run tour.

Hamlet tickets went on sale at 10am on August 11 and within minutes fans were expressing frustration at finding themselves more than 20,000 places back in the queue."

16. He's the leading man in a lot of fan fiction.

In addition to being a leading man on the stage and both the small and big screens, Cumberbatch plays a starring role in a lot of fan fiction. A lot of fan fiction! In 2013, The Mirror estimated that approximately 100 million words of fan fiction had been written about the Sherlock star. Considering that was six years ago, the word count has certainly only grown.

17. Simon Pegg convinced him that he might have radiation poisoning.

Benedict Cumberbatch stars in 'Star Trek Into Darkness' (2013)
Paramount Pictures

While filming Star Trek: Into Darkness, Simon Pegg decided to have a little fun with Cumberbatch by convincing him that he was at risk for radiation exposure. According to Pegg, it worked. He recounted the story to The Sun in 2013:

"I don't like seeing people get embarrassed. But we were filming in a nuclear facility and one day I said that Chris [Pine] needed neutron cream—otherwise he'd get sunburn. He said, 'What?' And I said, 'Yeah, you'll get a rash from ambient radiation in the air.' From there the trick spread to other cast members. Finally, we got Benedict. He had this speech and he kept f***ing it up. Afterwards he said, 'Guys, I'm ever so sorry —I've got a real headache. I think the ions were getting to me.' He was so convinced."

18. He has a rare genetic mutation.

If Cumberbatch’s eyes seem to regularly change color, you’re not imagining things: The actor was born with both central heterochromia and sectoral heterochromia—two rare-but-harmless genetic mutations that affect his eyes. Each of his eyes has multiple colors (a mix of blue, green, and gold) because of the central heterochromia, and the sectoral heterochromia is the reason why he has a brown “freckle” on his right eye.

But ask the actor what his favorite part of his body is, and the eyes have got it. “I guess as an actor your eyes are vital in conveying any internal thought process or feeling, and for that I have my mum to thank,” he said.

19. He's not cool with "Cumberbitches."

When Cumberbatch’s massive contingency of female fans dubbed themselves “Cumberbitches,” the actor took issue with the pejorative moniker. “It’s not even politeness,” he said of his distaste for the term. “I won’t allow you to be my bitches. I think it sets feminism back so many notches. You are ... Cumberpeople."

20. He has been a vocal proponent of closing the gender pay gap.

Equal pay in Hollywood is a hot-button topic, and Cumberbatch has made his stance on the issue very clear by stating that he won’t work on a project if his female co-stars aren’t being paid the same. "Equal pay and a place at the table are the central tenets of feminism," Cumberbatch told Radio Times. "Look at your quotas. Ask what women are being paid, and say: 'If she’s not paid the same as the men, I’m not doing it.'"

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