Ceasefire in the Balkans, French War Council Approves Plan XVII

Wikimedia Commons
Wikimedia Commons

The First World War was an unprecedented catastrophe that killed millions and set the continent of Europe on the path to further calamity two decades later. But it didn’t come out of nowhere. With the centennial of the outbreak of hostilities coming up in 2014, Erik Sass will be looking back at the lead-up to the war, when seemingly minor moments of friction accumulated until the situation was ready to explode. He'll be covering those events 100 years after they occurred. This is the 64th installment in the series.

April 13-19, 1913: Ceasefire in the Balkans, French War Council Approves Plan XVII

With the fall of Janina (Ioannina) to the Greeks and Adrianople (Edirne) to the Bulgarians in March 1913, the last two reasons for the Ottoman Turks to continue holding out against the Balkan League were removed, and from April 13 to 19, 1913, Turkish representatives agreed to a ceasefire with Bulgaria, Serbia, and Greece as a preamble to negotiations for a lasting peace. For all intents and purposes, the First Balkan War was over.

It was pretty clear what shape the peace treaty (to be negotiated at the Conference of London over the following weeks) would assume: The Turks would have to give up virtually all of their European territories except for a small strip of territory to the west of the Ottoman capital, Constantinople, left at the suggestion of British foreign minister Edward Grey as a buffer for the strategic Turkish straits.

However the diplomatic crisis resulting from the First Balkan War was far from over, as the smallest member of the Balkan League, Montenegro, continued to lay siege to the important city of Scutari (Shkodër) in the western Balkans. This threatened to provoke military action by Austria-Hungary, whose foreign minister, Count Berchtold, insisted that Scutari should belong to the new, independent state of Albania.

As part of the deal which defused the military standoff between Austria-Hungary and Russia in March, the Russians agreed that Scutari would go to Albania as long as their client, Serbia, was compensated with territory in the interior. By mid-April 1913, the Serbians took the hint from their Russian patrons and withdrew from Scutari—but the Montenegrins were hanging on with grim determination (pointless obstinacy might be more accurate, considering Montenegro was now defying a consensus among all of Europe’s Great Powers, who made their displeasure known by dispatching a multinational fleet to the Adriatic Sea to blockade the tiny kingdom). Although the Montenegrin forces laying siege to Scutari appeared incapable of capturing the well-defended city, in the Balkans when military might failed there was always recourse to treachery.

Meanwhile, tensions were already brewing between the other members of the Balkan League, as Bulgaria fell to squabbling with Serbia and Greece over Ottoman territory conquered in the First Balkan War. To the south, the Bulgarians still claimed Salonika, occupied by the Greeks. In the west the Serbians, forced by the Great Powers to give up their conquests in Albania, had sent at least two diplomatic notes asking the Bulgarians for a larger share of neighboring Macedonia—but the Bulgarians ignored both requests. By mid-April, the Serbs were organizing paramilitary groups in Bulgarian-occupied territory, with plans to incite rebellion against their erstwhile ally, and Serbian Prime Minister Nikola Pašić (above) was privately warning the Great Powers that Serbia would go to war with Bulgaria if its demands weren’t met.


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The Bulgarians had some idea what was coming: As early as mid-March, 1913, Tsar Ferdinand warned his son that the Greeks and Serbians were forming an alliance against Bulgaria. Meanwhile Romania—hitherto a neutral power—was now demanding a chunk of Bulgaria’s northern territory, Silistra, in return for recognizing Bulgarian conquests to the south. The victor of the First Balkan War was rapidly running out of friends.

French Supreme War Council Approves Plan XVII

Appointed chief of staff of the French army during the war scare accompanying the Second Moroccan Crisis, Joseph Joffre’s top priority was drawing up a new strategic plan for war with Germany, which was increasingly viewed as inevitable. The plan formulated by his predecessors, Plan XVI, was considered dangerously passive and obsolete: It called for French armies to assume a defensive stance southeast of Paris, thus giving up the initiative to the Germans and contravening military doctrine of the day, which called for offensive outrance (all-out attack) relying on the élan (spirit) of French soldiers.

The obvious goal was to regain the provinces of Alsace and Lorraine, lost to Germany in 1871, but the issue was complicated by the possibility of a German attack through Belgium, as it was widely recognized that the Germans would probably violate Belgian neutrality in an attempt to circumvent French fortresses and envelop French armies from the north. Still, there was a range of opinion among French officers about how large this Belgian incursion would be, and where it would be directed. Joffre and most of his colleagues assumed the Germans would limit their maneuvers to the closest corner of Belgium, east of the River Meuse, in order to minimize the violation of Belgian territory and (hopefully) keep Britain out of the war. A more alarming scenario—the one actually envisioned by the German Schlieffen Plan—had German armies crossing west of the Meuse to strike deep to the rear of the French armies.

In fact Joffre’s predecessor, Supreme War Council vice-president General Victor Michel, foresaw just such a scenario, and drew up his own radical plan to replace Plan XVI, calling for a French deployment far west along the Belgian border, followed by an advance into Belgium to defensive positions connecting the three key fortress cities of Antwerp, Namur, and Verdun. But the British general Sir Henry Wilson warned that a French violation of Belgian neutrality would alienate public opinion in Britain, making it more difficult to persuade the proud island nation to join the war against Germany. Michel’s plan was doubly unacceptable because it gave up the cherished offensive to the Germans. France’s civilian leadership instructed Michel’s successor Joffre that the Republic’s war plan should be offensive in nature—but avoid Belgium.

On April 18, 1913, Joffre presented his proposal for a new strategy, Plan XVII, to the Supreme War Council, including President Raymond Poincaré and war minister Adolphe Marie Messimy. Plan XVII divided 62 divisions, containing roughly 1.7 million troops, in five armies along the French frontier with Germany and Belgium. In line with the civilian leadership’s instructions, French strength was concentrated near the German border for a direct attack aiming to liberate Alsace-Lorraine. The French First Army would form south of Epinal and strike east into Alsace, towards the Rhine; the Second Army would form south of Nancy and strike northeast into Lorraine; the Third Army would form north of Verdun and strike east and northeast, near Metz. The Fourth Army would be held in reserve, while the Fifth Army stood alone on the French left (northwestern) flank to check a German advance through Luxembourg and Belgium.


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In retrospect it is easy to criticize Joffre’s plan for failing to anticipate the German threat to the French left flank, but the fact is he was placed in a difficult situation by France’s civilian leadership, who foreclosed serious consideration of any strategy involving Belgian territory in order to placate their cagy British allies. Unable to devote serious planning resources to Belgian scenarios, Joffre naturally concentrated on plans for a direct attack on Germany, as instructed by the civilian leadership—while still leaving himself some flexibility in the form of the Fifth Army, near the Belgian border, and the Fourth Army, in reserve.

Indeed, a number of historians have pointed out that Plan XVII was a general plan of concentration, rather than a specific plan of attack, which left Joffre a great deal of leeway to react to German moves (including an invasion of Belgium) by making big strategic decisions on the fly. But at the end of the day his plan still failed to provide sufficient forces to counter an “all out” German thrust through Belgium; in 1914 this would bring France to the brink of disaster.

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7 Things You Might Not Know About Mario Lopez

Angela Weiss, Getty Images for Oakley
Angela Weiss, Getty Images for Oakley

While several of the actors featured in the 1990s young-adult series Saved by the Bell have fared well following the show’s end in 1994, Mario Lopez is in a class by himself. The versatile actor-emcee can be seen regularly on Extra, as host of innumerable beauty pageants, and as the author of several best-selling books on fitness. For more on Lopez, check out some of the more compelling facts we’ve rounded up on the multi-talented performer.

1. A WITCH DOCTOR SAVED HIS LIFE.

Born on October 10, 1973, in San Diego, California to parents Mario and Elvia Lopez, young Mario was initially the picture of health. But things quickly took a turn for the worse. In his 2014 autobiography, Just Between Us, Lopez wrote that he began having digestive problems immediately after birth, shrinking to just four pounds. Though doctors administered IV hydration, they told his parents nothing more could be done. Desperate, his father reached out to a witch doctor near Rosarito, Mexico who had cured his spinal ailments years earlier. The healer mixed a drink made of Pedialyte, Carnation evaporated milk, goat’s milk, and other unknown substances. It worked: Lopez kept it down and began growing, so much so that his mother declared him “the fattest baby you had ever seen in your life.”

2. HE STARTED ACTING AT 10.

A highly active kid who got involved in both tap and jazz dancing and amateur wrestling, Lopez was spotted by a talent scout during a dance competition at age 10 and was later cast in a sitcom, a.k.a. Pablo, in 1984. That led to a role in the variety show Kids Incorporated and in the 1988 Sean Penn feature film Colors. In 1989, at the age of 16, he won the role of Albert Clifford “A.C.” Slater in Saved by the Bell. By 1992, Lopez was making public appearances at malls, where female fans would regularly toss their underthings in his direction.

3. HE COULD PROBABLY BEAT YOU UP.

Lopez wrestled as an amateur throughout high school. According to the Chula Vista High School Foundation, Lopez was a state placewinner at 189 pounds in 1990. (On Saved by the Bell, Slater was also a wrestler.) He later complemented his grappling ability with boxing, often sparring professionals like Jimmy Lange and Oscar De La Hoya in bouts for charity. In 2018, Lopez posted on Instagram that he received his blue belt in Brazilian jiu-jitsu under Gracie Barra Glendale instructor Robert Hill.

4. HE TURNED DOWN PLAYGIRL.

Lopez’s active lifestyle has made for a trim physique, but he’s apparently unwilling to take off more than his shirt. In 2008, Lopez said he was approached to pose for Playgirl but declined. The magazine reportedly offered him $200,000.

5. HE WAS MARRIED FOR TWO WEEKS.

Lopez had a well-publicized marriage to actress Ali Landry, but not for all the right reasons. The two were married in April 2004 and split just two weeks later, with Landry alleging Lopez had not been faithful. Lopez later disclosed he had made a miscalculation during his bachelor party in Mexico, cheating on Landry just days before the ceremony.

6. HE APPEARED ON BROADWAY.

Lopez joined the cast of Broadway’s A Chorus Line in 2008, portraying Zach, the director who coaches the cast of aspiring dancers. (It was his first stage appearance since he participated in a grade school play, where he played a tree.) His run, which lasted five months, was perceived to be part of a rash of casting choices on Broadway revolving around hunky performers to attract audiences. The role was thought to be the start of a resurgence for Lopez, who had previously appeared on Dancing with the Stars and has been a co-host of the pop culture newsmagazine show Extra since 2007.

7. HE BELIEVES HIS DOG SUFFERED FROM POSTPARTUM DEPRESSION.

In 2010, Lopez and then-girlfriend (now wife) Courtney Mazza had their first child, Gia. According to Lopez, his French bulldog, Julio César Chavez Lopez, exhibited signs of depression following the new addition to the household. Lopez also said he used his extensive knowledge of dogs to better inform his voiceover work as a Labrador retriever in 2009’s The Dog Who Saved Christmas and 2010’s The Dog Who Saved Christmas Vacation.

The Legend of Cry Baby Lane: The Lost Nickelodeon Movie That Was Too Scary for TV

Nickelodeon, Viacom
Nickelodeon, Viacom

Several years ago, rumors about a lost Nickelodeon movie branded too disturbing for children’s television began popping up around the internet. They all referenced the same plot: A father of conjoined twins was so ashamed of his sons that he hid them away throughout their childhood. (This being a made-for-TV horror movie, naturally one of the twins was evil.)

After one twin got sick the other soon followed, with both boys eventually succumbing to the illness. To keep the town from discovering his secret, the father separated their bodies with a rusty saw and buried the good one at the local cemetery and the evil one at the end of a desolate dirt road called Cry Baby Lane, which also happened to be the title of the rumored film. According to the local undertaker, anyone who ventured down Cry Baby Lane after dark could hear the evil brother crying from beyond the grave.

Cry Baby Lane then jumps to present day (well, present day in 2000), where a group of teens sneaks into the local graveyard in an effort to contact the spirit of the good twin. After holding a seance, they learn that the boys' father had made a mistake and mixed up the bodies of his children—burying the good son at the end of Cry Baby Lane and the evil one in the cemetery. Meaning those ghostly wails were actually the good twin crying out for help. But the teens realized the error too late: The evil twin had already been summoned and quickly began possessing the local townspeople.

MOVIE OR MYTH?

Parents were appalled that such dark content ever made it onto the family-friendly network, or so the story goes, and after airing the film once the Saturday before Halloween in 2000, Nickelodeon promptly scrubbed it from existence. But with no video evidence of it online for years, some people questioned whether Cry Baby Lane had ever really existed in the first place.

“Okay, so this story sounds completely fake, Nick would NEVER air this on TV,” one Kongregate forum poster said in September 2011. “And why would this be made knowing it’s for kids? This story just sounds too fake …”

While the folklore surrounding the film may not be 100 percent factual, Nickelodeon quickly confirmed that the “lost” Halloween movie was very real, and that it did indeed contained all the rumored twisted elements that have made it into a legend.

Before Cry Baby Lane was a blip in Nick’s primetime schedule, it was nearly a $100 million theatrical release. Peter Lauer, who had previously directed episodes of the Nick shows The Secret World of Alex Mack and The Adventures of Pete & Pete, co-wrote the screenplay with KaBlam! co-creator Robert Mittenthal. Cry Baby Lane, which would eventually spawn urban legends of its own, was inspired by a local ghost story Lauer heard growing up in Ohio. “There was a haunted farmhouse, and if you went up there at midnight, you could hear a baby crying and it’d make your high school girlfriend scared,” he told The Daily.

BIG SCARES ON A SMALL BUDGET

Despite Nickelodeon’s well-meaning intentions, parent company Paramount wasn’t keen on the idea of turning the screenplay into a feature film. The script was forgotten for about a year, until Nick got in touch with Lauer about producing Cry Baby Lane—only this time as a $800,000 made-for-TV movie. The director gladly signed on.

Even with the now-meager budget, Cry Baby Lane maintained many of the same elements of a much larger picture. In a bid to generate more publicity around the project, Nickelodeon cast Oscar nominee Frank Langella as the local undertaker (a role Lauer had originally wanted Tom Waits to play). All the biggest set pieces from the screenplay were kept intact, and as a result, the crew had no money left to do any extra filming.

Only two scenes from the movie ended up getting cut—one that alluded to skinny dipping and another that depicted an old man’s head fused onto the body of a baby in a cemetery. The story of a father performing amateur surgery on the corpses of his sons, however, made it into the final film.

The truth of what happened after Cry Baby Lane premiered on October 28, 2000 has been muddied over the years. In most retellings, Nickelodeon received an "unprecedented number" of complaints about the film and responded by sealing it away in its vault and acting like the whole thing never happened. But if that version of events is true, Nick has never acknowledged it.

Even Lauer wasn’t aware of any backlash from parents concerned about the potentially scarring effects of the film until The Daily made him aware of the rumors years later. “All I know is that they aired it once,” he told the paper. “I just assumed they didn’t show it again because they didn’t like it! I did it, I thought it failed, and I moved on.”

But the idea that the movie was pulled from airwaves for being too scary for kids isn’t so far-fetched. Though Cry Baby Lane never shows the conjoined twins being sawed apart on screen, it does pair the already-unsettling story with creepy images of writhing worms, broken glass, and animal skulls. This opening sequence, combined with the spooky, empty-eyed victims of possession that appear later, and multiple scenes where a child gets swallowed by a grave, may have made the film slightly more intense than the average episode of Are You Afraid of the Dark?

IMPERFECT TIMING

Cry Baby Lane premiered at a strange time in internet history: Too early for pirated copies to immediately spring up online yet late enough for it to grow into a web-fueled folktale. The fervor surrounding the film peaked in 2011, when a viral Reddit thread about Cry Baby Lane caught the attention of one user claiming to have the so-called “lost” film recorded on VHS. He later uploaded the tape for the world to view and suddenly the lost movie was lost no longer.

News of the unearthed movie made waves across the web, and instead of staying quiet and waiting for the story to die down, Nickelodeon decided to get in on the hype. That Halloween, Nick aired Cry Baby Lane for the first time in over a decade. Regardless of whether the movie had previously been banned or merely forgotten, the network used the mystery surrounding its origins to their PR advantage.

“We tried to freak people out with it,” a Nick employee who worked at The 90s Are All That (now The Splat), the programming block that resurrected Cry Baby Lane (and who wished to remain anonymous) said of the promotional campaign for the event. “They were creepy and a little glitchy. We were like, ‘This never aired because it was too scary and we’re going to air it now.’”

Cry Baby Lane now makes regular appearances on Nickelodeon’s '90s block around Halloween, which likely means Nick hasn’t received enough complaints to warrant locking it back in the vault. And during less spooky times of the year, nostalgic horror fans can find the full movie on YouTube.

The mystery surrounding Cry Baby Lane’s existence may have been solved, but the urban legend of the movie that was “too scary for kids’ TV” persists—even at the network that produced it.

“People who were definitely working at Nickelodeon in 2000, but didn’t necessarily work on [Cry Baby Lane] were like, ‘Yeah I heard about it, I remember it being a thing,'" the Nick employee says. “It’s sort of like its own legend within the company.”

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