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Ceasefire in the Balkans, French War Council Approves Plan XVII

Wikimedia Commons
Wikimedia Commons

The First World War was an unprecedented catastrophe that killed millions and set the continent of Europe on the path to further calamity two decades later. But it didn’t come out of nowhere. With the centennial of the outbreak of hostilities coming up in 2014, Erik Sass will be looking back at the lead-up to the war, when seemingly minor moments of friction accumulated until the situation was ready to explode. He'll be covering those events 100 years after they occurred. This is the 64th installment in the series.

April 13-19, 1913: Ceasefire in the Balkans, French War Council Approves Plan XVII

With the fall of Janina (Ioannina) to the Greeks and Adrianople (Edirne) to the Bulgarians in March 1913, the last two reasons for the Ottoman Turks to continue holding out against the Balkan League were removed, and from April 13 to 19, 1913, Turkish representatives agreed to a ceasefire with Bulgaria, Serbia, and Greece as a preamble to negotiations for a lasting peace. For all intents and purposes, the First Balkan War was over.

It was pretty clear what shape the peace treaty (to be negotiated at the Conference of London over the following weeks) would assume: The Turks would have to give up virtually all of their European territories except for a small strip of territory to the west of the Ottoman capital, Constantinople, left at the suggestion of British foreign minister Edward Grey as a buffer for the strategic Turkish straits.

However the diplomatic crisis resulting from the First Balkan War was far from over, as the smallest member of the Balkan League, Montenegro, continued to lay siege to the important city of Scutari (Shkodër) in the western Balkans. This threatened to provoke military action by Austria-Hungary, whose foreign minister, Count Berchtold, insisted that Scutari should belong to the new, independent state of Albania.

As part of the deal which defused the military standoff between Austria-Hungary and Russia in March, the Russians agreed that Scutari would go to Albania as long as their client, Serbia, was compensated with territory in the interior. By mid-April 1913, the Serbians took the hint from their Russian patrons and withdrew from Scutari—but the Montenegrins were hanging on with grim determination (pointless obstinacy might be more accurate, considering Montenegro was now defying a consensus among all of Europe’s Great Powers, who made their displeasure known by dispatching a multinational fleet to the Adriatic Sea to blockade the tiny kingdom). Although the Montenegrin forces laying siege to Scutari appeared incapable of capturing the well-defended city, in the Balkans when military might failed there was always recourse to treachery.

Meanwhile, tensions were already brewing between the other members of the Balkan League, as Bulgaria fell to squabbling with Serbia and Greece over Ottoman territory conquered in the First Balkan War. To the south, the Bulgarians still claimed Salonika, occupied by the Greeks. In the west the Serbians, forced by the Great Powers to give up their conquests in Albania, had sent at least two diplomatic notes asking the Bulgarians for a larger share of neighboring Macedonia—but the Bulgarians ignored both requests. By mid-April, the Serbs were organizing paramilitary groups in Bulgarian-occupied territory, with plans to incite rebellion against their erstwhile ally, and Serbian Prime Minister Nikola Pašić (above) was privately warning the Great Powers that Serbia would go to war with Bulgaria if its demands weren’t met.


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The Bulgarians had some idea what was coming: As early as mid-March, 1913, Tsar Ferdinand warned his son that the Greeks and Serbians were forming an alliance against Bulgaria. Meanwhile Romania—hitherto a neutral power—was now demanding a chunk of Bulgaria’s northern territory, Silistra, in return for recognizing Bulgarian conquests to the south. The victor of the First Balkan War was rapidly running out of friends.

French Supreme War Council Approves Plan XVII

Appointed chief of staff of the French army during the war scare accompanying the Second Moroccan Crisis, Joseph Joffre’s top priority was drawing up a new strategic plan for war with Germany, which was increasingly viewed as inevitable. The plan formulated by his predecessors, Plan XVI, was considered dangerously passive and obsolete: It called for French armies to assume a defensive stance southeast of Paris, thus giving up the initiative to the Germans and contravening military doctrine of the day, which called for offensive outrance (all-out attack) relying on the élan (spirit) of French soldiers.

The obvious goal was to regain the provinces of Alsace and Lorraine, lost to Germany in 1871, but the issue was complicated by the possibility of a German attack through Belgium, as it was widely recognized that the Germans would probably violate Belgian neutrality in an attempt to circumvent French fortresses and envelop French armies from the north. Still, there was a range of opinion among French officers about how large this Belgian incursion would be, and where it would be directed. Joffre and most of his colleagues assumed the Germans would limit their maneuvers to the closest corner of Belgium, east of the River Meuse, in order to minimize the violation of Belgian territory and (hopefully) keep Britain out of the war. A more alarming scenario—the one actually envisioned by the German Schlieffen Plan—had German armies crossing west of the Meuse to strike deep to the rear of the French armies.

In fact Joffre’s predecessor, Supreme War Council vice-president General Victor Michel, foresaw just such a scenario, and drew up his own radical plan to replace Plan XVI, calling for a French deployment far west along the Belgian border, followed by an advance into Belgium to defensive positions connecting the three key fortress cities of Antwerp, Namur, and Verdun. But the British general Sir Henry Wilson warned that a French violation of Belgian neutrality would alienate public opinion in Britain, making it more difficult to persuade the proud island nation to join the war against Germany. Michel’s plan was doubly unacceptable because it gave up the cherished offensive to the Germans. France’s civilian leadership instructed Michel’s successor Joffre that the Republic’s war plan should be offensive in nature—but avoid Belgium.

On April 18, 1913, Joffre presented his proposal for a new strategy, Plan XVII, to the Supreme War Council, including President Raymond Poincaré and war minister Adolphe Marie Messimy. Plan XVII divided 62 divisions, containing roughly 1.7 million troops, in five armies along the French frontier with Germany and Belgium. In line with the civilian leadership’s instructions, French strength was concentrated near the German border for a direct attack aiming to liberate Alsace-Lorraine. The French First Army would form south of Epinal and strike east into Alsace, towards the Rhine; the Second Army would form south of Nancy and strike northeast into Lorraine; the Third Army would form north of Verdun and strike east and northeast, near Metz. The Fourth Army would be held in reserve, while the Fifth Army stood alone on the French left (northwestern) flank to check a German advance through Luxembourg and Belgium.


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In retrospect it is easy to criticize Joffre’s plan for failing to anticipate the German threat to the French left flank, but the fact is he was placed in a difficult situation by France’s civilian leadership, who foreclosed serious consideration of any strategy involving Belgian territory in order to placate their cagy British allies. Unable to devote serious planning resources to Belgian scenarios, Joffre naturally concentrated on plans for a direct attack on Germany, as instructed by the civilian leadership—while still leaving himself some flexibility in the form of the Fifth Army, near the Belgian border, and the Fourth Army, in reserve.

Indeed, a number of historians have pointed out that Plan XVII was a general plan of concentration, rather than a specific plan of attack, which left Joffre a great deal of leeway to react to German moves (including an invasion of Belgium) by making big strategic decisions on the fly. But at the end of the day his plan still failed to provide sufficient forces to counter an “all out” German thrust through Belgium; in 1914 this would bring France to the brink of disaster.

See the previous installment, next installment, or all entries.

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Pop Culture
The Muppets are Getting a Reboot (Again)
Frazer Harrison, Getty Images
Frazer Harrison, Getty Images

The Muppets have entertained audiences from television sets and movie screens. Now, The Hollywood Reporter reports the beloved characters are coming to your computer. Jim Henson's classic characters are being rebooted for Disney's new streaming service.

This isn't the first time Disney has attempted to repackage The Muppets for TV since acquiring the property in 2004. In 2015, a mockumentary-style show, simply titled The Muppets, premiered on ABC, but it was canceled after one season in light of underwhelming reviews. Disney is also producing a CGI update of the animated series Muppet Babies this March. Unlike that show, this upcoming series will star the original adult characters.

Disney has yet to announce a premiere date or even a premise for the new streaming show. Audiences can expect to see it sometime after the Netflix competitor launches in fall of 2019.

The Muppets will be accompanied by streaming versions of other classic Disney properties. Series based on Monsters Inc. (2001) and The Mighty Ducks (1992) as well as film reboots of The Parent Trap (1998) and Honey, I Shrunk the Kids (1989) are all expected to appear exclusively on the streaming service.

[h/t The Hollywood Reporter]

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entertainment
15 Educational Facts About Old School
DreamWorks
DreamWorks

Old School starred Luke Wilson as Mitch Martin, an attorney who—after catching his girlfriend cheating, and through some real estate and bitter dean-related circumstances—becomes the leader of a not-quite-official college fraternity. Along with his fellow thirtysomething friends Bernard (Vince Vaughn) and newlywed Frank (Will Ferrell), they end up having to fight for their right to maintain their status as a party-loving frat on campus.

The film, which was released 15 years ago today, marked Vaughn’s return to major comedies and Ferrell’s first major starring role after seven years on Saturday Night Live. Here are some facts about the movie for everyone, but particularly for my boy, Blue.

1. THE IDEA ORIGINATED WITH AN AD GUY.

Writer-director Todd Phillips was talking to a friend of his from the advertising industry named Court Crandall one day. Crandall had seen and enjoyed Phillips's movie Frat House (1998) and told his director buddy, “You know what would be funny is a movie about older guys who start a fraternity of their own.” After being told by Phillips to write it, he presented Phillips with a “loose version” of the finished product.

2. SOME OF THE FRAT SHENANIGANS WERE REAL.

While Crandall received the story credit for Old School, Phillips and Scot Armstrong received the credit for writing the script. Armstrong put his own college fraternity experiences into the script. “We were in Peoria, Illinois, so it was up to us to entertain ourselves," Armstrong shared in the movie's official production notes. "A lot of ideas for Old School came from things that really happened. When it was cold, everyone would go stir crazy and it inspired some moments of brilliance. Of course, my definition of ‘brilliance' might be different from other people's.”

3. IVAN REITMAN HELPED OUT.

Ivan Reitman, director of Stripes and Ghostbusters, was an executive producer on the film. Phillips and Armstrong wrote and rewrote every day for two months at Reitman’s house, an experience Phillips described as comedy writing “boot camp.”

4. THE STUDIO DIDN’T WANT VINCE VAUGHN.

Vince Vaughn in 'Old School' (2003)
DreamWorks

It didn’t seem to make a difference to DreamWorks that Phillips and Armstrong had written the role of Bernard with Vince Vaughn in mind—the studio didn't want him. After his breakout success in Swingers, Vaughn had taken roles in dramas like the 1998 remake of Psycho. “So when Todd Phillips wanted me for Old School, the studio didn’t want me,” Vaughn told Variety in 2015. “They didn’t think I could do comedy! They said, ‘He’s a dramatic actor from smaller films.’ Todd really had to push for me.”

5. RECYCLED SHOTS OF HARVARD UNIVERSITY WERE USED.

The film was mainly shot on the Westwood campus of UCLA. The aerial shots of the fictitious Harrison University, however, were of Harvard; they had been shot for Road Trip (2000).

6. VINCE VAUGHN FANS MIGHT RECOGNIZE THE CHURCH.

In the film, Frank gets married at Westminster Presbyterian Church in Pasadena, California. Vaughn and Owen Wilson were in that same church two years later for Wedding Crashers (2005).

7. WILL FERRELL SCARED MEMBERS OF A 24-HOUR GYM.

Frank’s streaking scene was shot on a city street. As Ferrell remembered it, one of the storefronts was a 24-hour gym with Stairmasters and treadmills in the window. “I was rehearsing in a robe, and all these people are in the gym, watching me. I asked one of the production assistants, ‘Shouldn’t we tell them I’m going to be naked?’ Sure enough, I dropped my robe and there were shrieks of pure horror. After the first take, nobody was at the window anymore. I took that as a sign of approval.”

8. FERRELL REALLY WAS NAKED.

Ferrell justified it by saying it showed his character falling off the wagon. “The fact that it made sense was the reason I was really into doing it, and why I was able to commit on that level," Ferrell told the BBC. "If it was just for the sake of doing a crazy shot, then I don't think it makes sense.” Still, Ferrell needed some liquid courage, and was intimidated by the presence of Snoop Dogg.

9. ROB CORDDRY WAS NOT NAKED, BUT HE STILL HAD TO SIGN AWAY HIS NUDITY RIGHTS.

Old School marked the first major film role for Rob Corddry, who at the time was best known as a correspondent for The Daily Show. He had a jewel bag around his private parts for his nude scene, but his butt made it into the final cut. He had to sign a nudity clause, which gave the film the right to use his naked image “in any part of the universe, in any form, even that which is not devised.”

10. SNOOP DOGG AGREED TO CAMEO SO HE COULD PLAY HUGGY BEAR IN STARSKY & HUTCH.

Phillips admitted to essentially bribing the hip-hop artist/actor, using Snoop Dogg’s desire to play the street informant in the modern movie adaptation of the classic TV show (which Phillips was also directing) to his advantage. “So when I went to him I said, 'I want you to do Huggy Bear,' he was really excited. And I said, 'Oh yeah, also will you do this little thing for me in Old School a little cameo?' So he kind of had to do it I think."

11. SNOOP WANTED TO HANG OUT WITH VINCE VAUGHN ON SET, BUT NOT LUKE WILSON.

Snoop Dogg in 'Old School' (2003)
Richard Foreman, Dreamworks

Vaughn and his friends accepted an invitation to hang out in Snoop Dogg’s trailer to play video games on the last day of shooting. Vaughn recalled seeing Luke Wilson later watching the news alone in his trailer; he had not been informed of the get-together.

12. WILSON WAS TEASED BY HIS CO-STARS.

Vaughn, Wilson, and Ferrell dubbed themselves “The Wolfpack”—years before Phillips directed The Hangover—because they would always make fun of each other. A particularly stinging exchange had Ferrell refer to Legally Blonde (which Wilson had starred in) as Legally Bland. Wilson said it didn’t make him feel great. Wilson retorted by telling Ferrell that "the transition from TV to the movies isn't a very easy one, so you might just want to keep one foot back in TV just in case this whole movie thing falls through!"

13. TERRY O’QUINN SCARED HIS SONS INTO THINKING THEY WERE TRIPPING.

Terry O’Quinn (who went on to play John Locke on Lost the following year) agreed to play Goldberg, uncredited, in what was a two-day job for him. He neglected to inform his sons he was in the movie, and when they saw it, one of them called their father. “I got a call from my sons one night, and they said, ‘What were you doing in Old School? We didn’t even know you were in it!’ They said, ‘We’re sitting there, and the first time we see you, it’s, like, in a reflection in a window. And when we saw it, and we both thought we were, like, tripping or something!’”

14. THE EARMUFFS WERE IMPROVISED.

Before filming, Vaughn worked with Ferrell to figure out their characters' backstories and how they knew each other; he credited that with helping him figure out who Bernard was, which led to several ad-libbed moments. “The earmuff scene where he swears in front of the kids, and then I tell the kid to earmuff, that all is off the cuff. But that stuff is a lot easier to do when you know who you are and your circumstances, and who your characters are,” Vaughn explained.

15. FERRELL AND VAUGHN DIDN’T LOVE A SCRIPT FOR A SEQUEL.

Armstrong had written Old School Dos in 2006, which saw the frat going to Spring Break. Ferrell said that he and Vaughn read the script but felt like they would just be “kind of doing the same thing again.” Wilson, on the other hand, was excited over the new script.

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