The 10 Best Sci-Fi Movies of All Time

Bong Joon-ho's Snowpiercer (2013).
Bong Joon-ho's Snowpiercer (2013).
© 2013 - RADiUS/TWC

How do you narrow down the entire history of science fiction cinema into a list of only the 10 best movies? Help us, Mental Floss! You’re our only hope! (That Star Wars movie isn’t included, but another one is. Let us use the quote.)

1. METROPOLIS (1927)

Director Fritz Lang delivered one of film history’s earliest dystopias with Metropolis, in which the eponymous city’s wealthy ruler (Alfred Abel) and a mad scientist (Rudolf Klein-Rogge) attempt to use the robot doppelgänger of a beloved worker (Brigitte Helm) to incite open rebellion. Metropolis was famously subject to substantial cuts to its initial 153-minute running time, as a result of negative reviews following its 1927 Berlin premiere. (H.G. Wells called it “the silliest film” and “already as a possibility a third of a century out of date.”) In 2008, cinephiles rejoiced when a 16mm negative was found in a Buenos Aires film museum that included the bulk of the missing footage.

2. THE BRIDE OF FRANKENSTEIN (1935)

One of the few movie sequels that improves upon its already excellent predecessor, The Bride of Frankenstein reunited director James Whale with actors Colin Clive (Frankenstein) and Boris Karloff (Frankenstein’s Monster). New to the mix was Elsa Lanchester as the Bride and (in a prologue) Frankenstein author Mary Shelley. Whale originally balked at the idea of making a sequel to Frankenstein, telling a friend that the original script “stinks to heaven.” Ten or more writers later, and Whale had an acceptable script—in which Frankenstein attempts to create a mate for his monster—to work with. Earlier drafts of the script involved death rays and circus lions.

3. 2001: A SPACE ODYSSEY (1968)

The long and storied career of Stanley Kubrick netted the legendary director only one Oscar: Best Visual Effects for 2001: A Space Odyssey. The famous “Star Gate” scene gave 2001 the edge over its competitors … or should we say “competitor,” as only one other film was nominated in that category, John Sturges’s mostly forgotten Ice Station Zebra. Known to 2001’s crew as the “Manhattan Project,” the Star Gate sequence—which utilized various photography methods, including “slit-scan” photographywas shot in secret at a former corset factory in Manhattan on Broadway and 72nd Street.

4. ALIEN (1979)

If any director is deserving of two movies on this list, it’s Ridley Scott. (More on that later.) Three years before Blade Runner, Scott introduced one of cinema history’s most famous monsters in Alien, which was famously pitched to studios as “Jaws in space.” The creature was designed by surrealist painter H.R. Giger, who was handpicked by scriptwriter Dan O’Bannon. As O’Bannon later recalled, upon being introduced, Giger immediately offered him opium.

5. STAR WARS: EPISODE V – THE EMPIRE STRIKES BACK (1980)

It’s hard to pick one Star Wars movie to be on sci-fi’s “best of” list … but not that hard, as the second installment in the original trilogy is generally regarded to be the best one. (What, were we going to choose The Phantom Menace?) The Empire Strikes Back gives the franchise its most memorable (and oft-misquoted) line in Darth Vader’s “No, I am your father.” Keeping the twist a secret was so important that, at the time that scene was shot, only a handful of people knew about it: George Lucas, Empire’s producers, director Irvin Kershner, and Mark Hamill, who got the heads-up only seconds before he was to deliver his reaction shot. Not even David Prowse, the man in the Darth Vader suit, knew about his character’s true identity. He delivered the line “Obi-Wan killed your father,” which was later dubbed (along with the rest of his dialogue) by James Earl Jones.

6. BLADE RUNNER (1982)

The work of author Philip K. Dick has been like catnip to directors over the years, with Minority Report, Total Recall, The Adjustment Bureau, A Scanner Darkly, Amazon’s The Man in the High Castle and more all pulling from his work. The most famous Dick adaptation, however, is Ridley Scott’s Blade Runner, starring Harrison Ford as an L.A. cop tasked with hunting down rogue androids, or “replicants.” (The original book is titled Do Androids Dream of Electric Sheep?) Preview screenings went so poorly that an infamous voiceover was added to make the plot easier to follow. (In Ford’s words: “[A] f*cking nightmare.”) Eventually Scott got his way, and the voiceover was chopped from 1992’s “Director’s Cut” and 2007’s “Final Cut” home video releases.

7. BRAZIL (1985)

The old chestnut returns: dystopias that were subject to major attempted—and in some cases successful—studio interference. Universal refused to release Brazil in the U.S. with Gilliam’s original ending, wherein mild-mannered government cog Sam Lowry (Jonathan Pryce) is driven insane by torture, instead preferring an alternate cut where he gets the girl and drives off into the sunset. Gilliam organized secret (and forbidden) screenings of his cut for members of the Los Angeles press, who subsequently awarded the film L.A. Critics's awards for Best Film, Best Screenplay, and Best Director. Universal, whose hand had been well and truly forced according to Gilliam, “immediately released it in New York and Los Angeles, [even though] they had no posters. They had nothing—they had a Xeroxed copy of the artwork they were going to eventually make a poster of … And it did proceed to do the most business per theater of any film at that time.”

8. THE FLY (1986)

With his offbeat sensibility and love of body horror, David Cronenberg isn’t exactly the Oscar “type.” It’s his 1986 film The Fly, in which an eccentric scientist (Jeff Goldblum) accidentally genetically splices himself with the insect of the title, that earned Cronenberg’s filmography its only Academy Award to date. Fittingly, the Oscar was for Best Makeup, awarded to Chris Walas and Stephan Dupuis. In an early cut of the film, there was even more makeup-enhanced grossness; Cronenberg cut a scene where Goldblum’s character beats a genetically mutated half-cat/half-baboon to death because “If you beat an animal, even a cat-monkey, to death with a lead pipe, your audience is no longer interested in your problems."

9. JURASSIC PARK (1993)

Director Steven Spielberg has a lot of successful films under his belt, but nothing has quite measured up to Jurassic Park (at least if we’re talking financials). With a $1.029 billion worldwide gross, the dino caper remains the highest earner of Spielberg’s career and one of only three pre-2000 films to pass the billion-dollar mark. (The other two are Titanic and Star Wars: Episode I - The Phantom Menace.) The film’s impressive box office haul isn’t the only thing that’s aged well; the effects, too, still look remarkably realistic, nearly a quarter-century later—the result of Spielberg insisting on the use of practical effects (including giant animatronic puppets) augmented by CGI.

10. SNOWPIERCER (2013)

Behind-the-scenes interference dogged the most recent film on this list, Bong Joon-ho’s Snowpiercer, which found itself at the mercy of Harvey “Scissorhands” Weinstein. Like Metropolis, Snowpiercer is a dystopian drama that centers heavily on class conflict. In the case of Snowpiercer, the remnants of humanity live on a train, with the inhabitants getting richer and richer the further toward the front of the train you go. The Weinstein Company wanted to cut 20 minutes from Snowpiercer for its North American release. Bong Joon-ho refused, and after two years a full version of Snowpiercer was eventually released … into just eight theaters. In the wake of overwhelming critical acclaim, the screen count was eventually upped to more than 350. The movie is currently being adapted into a television series for TNT.

10 Bold Breaking Bad Fan Theories

Bryan Cranston as Walter White and Aaron Paul as Jesse Pinkman in Breaking Bad.
Bryan Cranston as Walter White and Aaron Paul as Jesse Pinkman in Breaking Bad.
Ben Leuner, AMC

It’s been nearly six years since Breaking Bad went out in a blaze of gunfire, but fans still haven’t stopped thinking about the award-winning crime drama. What really happened to Walter White in the series finale? What’s the backstory on Gus Fring? And what did Jesse Pinkman’s doodles mean?

While El Camino, Vince Gilligan's new Breaking Bad movie, offers definitive answers to at least one of these questions, these fan theories offer some alternative answers—even if they strain the limits of logic and sanity along the way. Read on to discover the surprising source of Walt’s cancer diagnosis, and why pink is always bad news.

1. Walter White picks up traits from the people he kills.

Walter White is an unpredictable guy, but he’s weirdly consistent on one thing: After he kills someone, he kind of copies them. Remember how Krazy-8 liked his sandwiches without the crust? After Walt murdered him, he started eating crustless PB&Js. Walt also lifted Mike Ehrmantraut’s drink order and Gus Fring’s car, leading many fans to wonder if Walt steals personal characteristics from the people he kills.

2. Gus Fring worked for the CIA.

Gus Fring (Giancarlo Esposito) and Juan Bolsa (Javier Grajeda) in Breaking Bad
Giancarlo Esposito and Javier Grajeda in Breaking Bad.
Ursula Coyote, AMC

Who was Gus Fring before he became the ruthless leader of a meth/fried chicken empire? Well, we know he’s from Chile. We also know that any records of his time there are gone. And we know that cartel kingpin Don Eladio refused to kill him when he had the chance. Since Don Eladio has no qualms about eliminating the competition, Gus must have some form of protection. Could it be from the U.S. government? A detailed Reddit theory suggests that Gus was once a Chilean aristocrat who helped the CIA install the dictator Augusto Pinochet in power. Once Pinochet became a liability, Gus went to Mexico at the CIA’s behest to infiltrate a drug cartel. His alliance with U.S. intelligence kept him alive even as his work got more violent, and helped him bypass the normal immigration issues you'd typically encounter when you’ve murdered a bunch of people.

3. Madrigal built defective air filters that gave Walter white cancer.

Madrigal Electromotive is a corporation with varied interests. The German parent company of Los Pollos Hermanos dabbles in shipping, fast food, and industrial equipment … including air filters. According to one fan theory, Gray Matter—the company Walter White co-founded with Elliott Schwartz—purchased defective air filters from Madrigal and installed them while Walt still worked at the company. The filters ultimately caused Walt’s lung cancer, pushing him into the illegal drug trade and, eventually, business with Madrigal.

4. Color is a crucial element in the series.

Marie Schrader (Betsy Brandt) and Hank Schrader (Dean Norris)
Betsy Brandt and Dean Norris as Marie and Hank Schrader in Breaking Bad.
Ben Leuner, AMC

Color is a code on Breaking Bad. When a character chooses drab tones, they’re usually going through something, like withdrawal (Jesse) or chemo (Walt). Their wardrobe might turn darker as their stories skew darker—like when Marie ditched her trademark purple for black while she was under protective custody. Also, pink signals death, whether it’s on a teddy bear or Saul Goodman’s button down shirt.

5. Breaking Bad and The Walking Dead exist in the same universe.

Breaking Bad and The Walking Dead both aired on AMC, but according to fans, that’s not all they have in common. There’s an exhaustive body of evidence connecting the two shows—and one of the biggest links is Blue Sky. The distinctively-colored crystal meth is Walt and Jesse’s calling card on Breaking Bad, but it’s also Merle Dixon’s drug of choice on The Walking Dead. Coincidentally, his drug dealer (“a janky little white guy” who says “bitch”) sounds a lot like Jesse.

6. Walter white froze to death and hallucinated Breaking Bad's ending.

Bryan Cranston in the 'Breaking Bad' series finale
Ursula Coyote, AMC

In her review of the Breaking Bad series finale “Felina,” The New Yorker critic Emily Nussbaum suggested an alternate ending in which Walt died an episode earlier, as the police surrounded his car in New Hampshire. He could’ve frozen to death “behind the wheel of a car he couldn’t start,” she theorized, and hallucinated the dramatic final shootout in “Felina” in his dying moments. This reading has gained traction with multiple fans, including SNL alum Norm Macdonald.

7. Jesse’s superheroes are a peek into his inner psyche.

In season 2 of Breaking Bad, we discover that Jesse Pinkman is a part-time artist. He sketches his own superheroes, including Backwardo/Rewindo (who can run backwards so fast he rewinds time), Hoverman (who floats above the ground), and Kanga-Man (who has a sidekick in his “pouch”). The characters are goofy, just like Jesse, but they may also reveal what’s going on in his head. Backwardo represents Jesse’s tendency to run from conflict. Hoverman reflects his lack of direction or purpose, while Kanga-Man hints at his codependency.

8. Madrigal was founded by Nazi war criminals.

Walter White (Bryan Cranston) and Uncle Jack (Michael Bowen) in 'Breaking Bad'
Bryan Cranston and Michael Bowen in Breaking Bad.
Ursula Coyote, AMC

This might be one of the wilder Breaking Bad theories, but before you write it off, consider Werner Heisenberg: The German physicist, who helped pioneer Hitler’s nuclear weapons program, is the obvious inspiration for Walt’s meth kingpin moniker. While Heisenberg only appears in name, there are plenty of literal Nazis on the show. Look no further than Uncle Jack and the Aryan Brotherhood, who served as the Big Bad of season 5. At least one Redditor thinks all these Nazi references are hinting at something bigger, a conspiracy that goes straight to the top. The theory starts in South America, where many Nazis fled after World War II. A group of them supposedly formed a new company, Madrigal, through their existing connections back in Germany. Eventually, a young Chilean named Gus Fring worked his way into the growing business, and the rest is (fake) history.

9. Walter white survived, but paid the price.

Lots of Breaking Bad theories concern Walt’s death, or lack thereof. But if Walt actually lived through his seemingly fatal gunshot wound in “Felina,” what would the rest of his life look like? According to one Reddit theory, it wouldn’t be pretty. The infamous Heisenberg would almost certainly stand trial and go to prison. Although he tries to leave Skyler White with information to cut a deal with the cops, she could also easily go to jail—or lose custody of her children. The kids wouldn’t necessarily get that money Walt left with Elliott and Gretchen Schwartz, either, as they could take his threats to the police and surrender the cash to them. Basically it amounts to a whole lot of misery, making Walt’s death an oddly optimistic ending. (This is one theory El Camino addresses directly.)

10. Breaking Bad is a prequel to Malcolm in the Middle.

Bryan Cranston in the series premiere of 'Breaking Bad'
Bryan Cranston in the series premiere of Breaking Bad.
Doug Hyun, AMC

Alright, let’s say Walt survived the series finale and didn’t stand trial. Maybe he started over as a new man with a new family. Three boys, perhaps? This fan-favorite theory claims that Walter White assumed a new identity as Malcolm in the Middle patriarch Hal after the events of Breaking Bad, making the show a prequel to Bryan Cranston’s beloved sitcom. The Breaking Bad crew actually liked this idea so much they included an “alternate ending” on the DVD boxed set, where Hal wakes up from a bad dream where "There was a guy who never spoke! He just rang a bell the whole time! And then there was another guy who was a policeman or a DEA agent, and I think it was my brother or something. He looked like the guy from The Shield."

Fan Notices Hilarious Connection Between Joaquin Phoenix's Joker and Superbad's McLovin

Sony Pictures Home Entertainment
Sony Pictures Home Entertainment

There seems to be exactly one funny thing about Todd Phillips's latest film, Joker.

As reported by Geek.com, someone on Twitter by the name of @minalopezavina brilliantly pointed out that Arthur Fleck from Joker and McLovin from Superbad are pretty much in the same costume.

This meme is a nice moment of comic relief in an otherwise very serious movie. In fact, Joker is so dark that the United States Army had issued warnings about possible shootings at theaters playing the film. The warnings coincided with criticisms that the film might be too violent, with fears that the villain-led storyline would result in copycat events in real life.

Both Phillips and star Joaquin Phoenix have weighed in on the controversy, with the director explaining to The Wrap, "It wasn’t, ‘We want to glorify this behavior.’ It was literally like ‘Let’s make a real movie with a real budget and we’ll call it f**king Joker’. That’s what it was.”

All we can say is the amount of chatter behind Joker certainly led to both packed theaters, and endless memes online.

[h/t Geek.com]

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