15 Facts About Franz Marc's Yellow Cow

Wikimedia Commons // Public Domain
Wikimedia Commons // Public Domain

To gaze upon German Expressionist Franz Marc's Yellow Cow is to take in a surreal and spirited painting, alive with color. But within its bold brush strokes and envelope-pushing aesthetic lies the unexpected story of a complicated love between two artists, and the path that led them together.

1. YELLOW COW IS WILDLY DIFFERENT FROM FRANZ MARC'S EARLY WORKS.

Philosophy student-turned-painter Franz Marc attended the Munich Academy of Art during the turn of the 20th century. There, he studied natural realism, striving to capture his subjects in portraits true to dimension, gesture, and color. In 1902, he created Portrait of the Artist's Mother, which immortalized homemaker and devout Calvinist Sophie Marc. Sitting in profile, she leans over a book, reading by the light of an unseen lantern. Though Marc would become known for his vibrant color choices, here he favored darker shades that gave the painting a flat appearance, and a somber mood.

2. YELLOW COW'S CREATION WAS INSPIRED BY GERMAN NUDISTS.

In the early 20th century, Germany was in the midst of a back-to-nature movement, which saw several new artist collectives and nudist colonies pop up around the country. This celebration of the glory of the land and its natural inhabitants spoke to Marc, who later explained, "People with their lack of piety, especially men, never touched my true feelings. But animals with their virginal sense of life awakened all that was good in me."

3. HE VIEWED ANIMALS AS GOD-LIKE CREATURES.

Like the naturalists, Marc came to value the rural wonders of the country. He abandoned the bustle and urban intellectualism of Munich, and sought the spirituality and peace he believed could be found in living simply, as animals do. He began to think of them as having a "god-like presence and power." In a 1908 letter, Marc attempted to detail how this belief was informing his work, writing, "I am trying to intensify my ability to sense the organic rhythm that beats in all things, to develop a pantheistic sympathy for the trembling flow of blood in nature, in trees, in animals, in air—I am trying to make a picture of it … with colors which make a mockery of the old kind of studio picture."

4. ANIMALS BECAME A SIGNATURE MOTIF FOR MARC.

This is an image of Dog Lying in the Snow by Franz Marc
Wikimedia Commons // Public Domain

By 1907, Marc was focusing his work on capturing the spiritualism found in animals. Other notable works in the vein include The Fox, Dog Lying In The Snow, The Little Blue Horses, The Red Bull, Little Monkey, Monkey Frieze, Wild Boars in the Water, and The Tiger.

5. YELLOW COW IS A VERY LARGE PAINTING.

Measuring 55 3/8 by 74 1/2 inches, it's nearly 5 by 6 feet wide.

6. MARC DEVELOPED HIS OWN COLOR SYMBOLISM.

This is an image of Self-portrait by August Macke.
Wikimedia Commons // Public Domain

Colors would recur in Marc's work and speak to different emotions or themes. In 1910, he explained his use of color in a letter to friend and colleague, artist August Macke. Marc wrote, "Blue is the male principle, astringent and spiritual. Yellow is the female principle, gentle, gay, and spiritual. Red is matter, brutal and heavy and always the color to be opposed and overcome by the other two."

7. YELLOW COW MIGHT BE AN UNCONVENTIONAL WEDDING PORTRAIT.

Exploring the painter's works and statements on his use of color, art historian Mark Rosenthal declared that the frolicking cow is actually a veiled depiction of Marc's second wife Maria Franck, while the distant blue mountains are meant to represent the painter himself. Painted the same year the couple were married, it times out to potentially be representative of their nuptials. The blending of the blue into the cow's spots suggests the joining of masculine and feminine.

8. FRANCK WAS A RECURRING MUSE FOR HER LOVER.

In 1906, before they were married, Marc had sketched a more traditional portrait of his wife-to-be, titled simply Mädchenkopf, which translates—rather unsentimentally—to "girl's head." That same year, he captured Franck in the abstract painting Two Women on the Hillside. Later, he created Maria Franck in a White Cap.

9. MARC AND FRANCK HAD A COMPLICATED ROMANCE.

An artist in her own right, Franck met Marc at a costume ball in Schwabing, Germany. The pair hit it off, and also befriended illustrator Marie Schnür, resulting in a shared Bavarian summer of creativity (and rumored three-way trysts). Schnür was the other woman who modeled for Two Women on the Hillside, as well as the other woman captured in a NSFW photo from their formative season in the sun. Marc ended up marrying both women, starting with Schnür.

Theirs was a marriage of convenience, meant to aid her in securing custody of her bastard baby boy, whom she had with another man. Details on this marriage are scant beyond that it was brief, lasting from 1907 to 1908. However, because Schnür accused Marc of infidelity, he was barred from remarrying until a special dispensation was granted, which took years. So while Marc and Franck had tried to wed in 1911, their official "I do" didn't come until June 3, 1913, in Munich.

10. TWO WOMEN ON THE HILLSIDE WAS A SIGN OF MARC'S TRANSITION TO HIS SIGNATURE STYLE.

This is an image of Two Women on the Hillside by Franz Marc.
Wikimedia Commons // Public Domain

Looking back on 1906's Two Women on the Hillside, it seems to foretell Yellow Cow. Depicting the two women who, in their own ways, would inspire Yellow Cow, Marc moved away from the German realist art he studied in college. Instead, looser brush strokes speak to Post-Impressionist interests, and the willful abstractness of its subjects predicts the evolving German expressionism movement of which he would become a part. It also shows repetition in the lines—of the woman's hip to the hill beyond—that would be revisited in Yellow Cow, whose haunches mirror the rise and fall of the mountains behind her.

11. YELLOW COW WAS A PART OF THE DER BLAUE REITER ART MOVEMENT.

Named for a Wassily Kandinsky painting, this movement boasted members like Kandinsky, Marc, Macke, Alexej von Jawlensky, Marianne von Werefkin, and Gabriele Münter. Der Blaue Reiter (translating to The Blue Rider) had no hard manifesto, but its members shared a common urge to express spiritualism through their work, and often specifically through color. Turned away from exhibitions, they toured with their own, and published an almanac that celebrated contemporary, primitive, and folk art, along with children's paintings.

12. DER BLAUE REITER WAS DEVASTATED BY WORLD WAR I.

The Blue Rider movement only lasted from 1911 to 1914, in large part because the tensions growing between nations chased Russian artists back to their homeland, while Germans, including Marc and Macke, were conscripted into military service. As these artistic colleagues scattered, their movement faded. But it proved fundamental to the evolving Expressionism, and its works would remain.

13. MARC DID NOT LIVE TO SEE HIS LEGACY SECURED.

Marc's animal paintings would go on to awe viewers for decades to come. They'd become coveted by collectors and museums. And a plaque would be placed on the Munich home where he was born, remembering him as a founder of Der Blaue Reiter. But Marc was killed on March 4, 1916, during the Battle of Verdun. He was 36 years old.

14. FRANCK SAW TO IT THAT HIS WORKS WOULD BE PRESERVED.

This is an image of art historian, Klaus Lankheit.
Wikimedia Commons // Public Domain

Marc's widow gave records of his life and writing to German art historian Klaus Lankheit. She called on German writer/gallery owner Herwarth Walden to exhibit her late husband's works in a posthumous show in October of 1916. While continuing to create and exhibit her own work, she collected Marc's letters from the war's front, and in 1920 had them published in a two-volume book called Briefe, Aufzeichnungen und Aphorismen (translating to Letters, Records, and Aphorisms). According to the Solomon R. Guggenheim Museum, where a copy of each is preserved, "The first volume contains letters written from September 1914 to March 1916 as well as records alongside color plates, and the second presents the artist’s sketchbook." Franck preserved Marc's legacy in whatever way she could, and in doing so, gave him to the world.

15. YELLOW COW IS REMEMBERED AS A JOYFUL MASTERPIECE.

While it might not sound complimentary to compare your wife to a cow, the consensus on Yellow Cow is that it signifies the happiness and bliss Marc's bond with Franck brought to his life. The bovine's bright colors are jubilant and yet the colors of her body jibe with those in her environment. She belongs here. Her pose is enthusiastic and bold—almost dance-like. If you look closely, you can even see a small smile play across her lips. It's an unusual love letter, but one that's outlived its lovers, and now hangs on the walls of the Guggenheim in New York City, to inspire many more.

The 25 Best Colleges in America

Vasyl Dolmatov/iStock via Getty Images
Vasyl Dolmatov/iStock via Getty Images

The college decision process is always a tough one, but review site Niche's annual rankings of the best colleges in America make it easier for prospective students (and their parents) to narrow down the choices to find the best fit. The 2020 list takes a variety of factors into account, including student life, admissions, finances, and student reviews. But the most important factor in their methodology, comprising 40 percent of a school's overall rating, is academics, which, according to the Niche website, looks at "acceptance rate, quality of professors, as well as student and alumni surveys regarding academics at the school."

Taking the number one spot on Niche's list for the second year in a row is the Massachusetts Institute of Technology, followed by Stanford University in the number two spot (again, for the second year in a row). Six of America's eight Ivy League schools made it into the top 10.

Here are the 25 Best Colleges in America for 2020, according to Niche's rankings.

  1. Massachusetts Institute of Technology // Cambridge, MA

  1. Stanford University // Stanford, CA

  1. Yale University // New Haven, CT

  1. Harvard University // Cambridge, MA

  1. Princeton University // Princeton, NJ

  1. Duke University // Durham, NC

  1. Brown University // Providence, RI

  1. Columbia University // New York, NY

  1. University of Pennsylvania // Philadelphia, PA

  1. Rice University // Houston, TX

  1. Northwestern University // Evanston, IL

  1. Vanderbilt University // Nashville, TN

  1. Pomona College // Claremont, CA

  1. Washington University in St. Louis // St. Louis, MO

  1. Dartmouth College // Hanover, NH

  1. California Institute of Technology // Pasadena, CA

  1. University of Notre Dame // Notre Dame, IN

  1. University of Chicago // Chicago, IL

  1. University of Southern California // Los Angeles, CA

  1. Cornell University // Ithaca, NY

  1. Bowdoin College // Brunswick, ME

  1. Amherst College // Amherst, MA

  1. University of Michigan // Ann Arbor, MI

  1. Georgetown University // Washington DC

  1. Tufts University // Medford, MA

12 Facts About Theodore Roosevelt National Park

Two bison grazing in Theodore Roosevelt National Park.
Two bison grazing in Theodore Roosevelt National Park.
scgerding/iStock via Getty Images Plus

The only U.S. national park named after a person—America's 26th presidentTheodore Roosevelt National Park (TRNP) was established in North Dakota by Harry S. Truman in 1947. The park honors Roosevelt, who lived as a ranchman in the Dakota Territory in the 1880s and, as president, conserved 230 million acres of public land for future generations. Read on for things to do and see, plus what to know before you go camping, in Theodore Roosevelt National Park.

1. The plans for Theodore Roosevelt National Park began not long after Roosevelt’s death in 1919.

Medora, North Dakota, was chosen as the site of the memorial, and in 1921, the state’s legislature asked its reps in Congress to help set aside land for that purpose. One early proposal called for a park of more than 2000 acres, but that was controversial—the land was valuable to ranchers. Some believed a national monument was more appropriate than a national park.

Then, in the 1930s, drought and overgrazing led many homesteaders to abandon their land, which they sold to the federal government; some of those lands were set aside to create a park. In 1935, the land—which was in a north unit and a south unit—became the Roosevelt Recreation Demonstration Area, and in 1946, it was taken over by the Fish and Wildlife Service and became the Theodore Roosevelt National Wildlife Refuge.

On April 25, 1947, President Harry Truman signed the bill that created Theodore Roosevelt National Memorial Park; at that time, the land included the South Unit and the site of Roosevelt’s Elkhorn Ranch. The North Unit of the park was added the next year. Finally, in 1978, President Jimmy Carter signed a law that changed the memorial park to the Theodore Roosevelt National Park. In 2018, it received nearly 750,000 visitors.

2. Before the land became Theodore Roosevelt National Park, Native Americans hunted in the area.

A flint spearpoint and other projectiles from the Archaic Culture (5500 BCE to 500 CE) have been found in the park, as have artifacts from the Plains Woodland Tradition (1 to 1200 CE) and pre-Columbian peoples. Though one of the pre-Columbian sites includes a bison processing camp (or what remains of it), there was no permanent occupation of the area of that time, according to the park’s website.

There are a number of sites from what the website calls the Historic Period, which lasted from 1742 to the 1880s, and included artifacts like “stone rings, a rock cairn, and four conical, timbered lodges. Two of the lodges, presumably used by men engaged in seasonal eagle trapping, are still standing today … One archaeological interpretation indicated that the use of the badlands for hunting, gathering, and spiritual pursuits, though undertaken by numerous cultures and groups over millennia, had not significantly changed over that entire time span.” The Mandan and Hidatsa, among many other Native tribes, hunted in the area, and the lands have spiritual significance for some tribes as well.

3. Theodore Roosevelt National Park contains 70,488 acres.

The park is spread over three units. The South Unit, which is located in Medora off I-94, is its most visited area. The North Unit, 50 miles off the same highway, is more remote. Both units have scenic drives—though the drive in the South Unit is currently closed due to slumping—and hiking trails. The South Unit also has a petrified forest with a 10.3-mile trail.

The third unit of the park is its smallest, and very out of the way: The roads leading to the Elkhorn Ranch Unit are unpaved and sometimes require four-wheel drive. No roads go directly to the site to preserve the solitude TR would have felt living there, so getting to the site requires a bit of a walk along a mowed pathway.

4. Visitors to Theodore Roosevelt National Park can see the future president’s Maltese Cross ranch house.

Theodore Roosevelt's Maltese Cross Ranch Cabin in Theodore Roosevelt National Park.
Theodore Roosevelt's Maltese Cross Ranch Cabin.
Erin McCarthy

When Theodore Roosevelt first came to the Dakota Badlands to hunt bison in 1883, he stayed with some cattle ranchers and decided to invest in a ranch himself. Before he left, he invested $14,000 into Maltese Cross Ranch. The cabin was built seven miles outside of Medora, and it was unusual for the area: While most houses were made of sod, Roosevelt’s ranch was made of ponderosa pine. It had a singled, pitched roof, which created an upper half-story where his ranch hands could sleep. There were three rooms (a kitchen, a living room, and a bedroom for TR), and white-washed walls.

The cabin got new owners in 1900, and after Roosevelt became president, it went on tour: It could be seen at the World’s Fair in St. Louis, Missouri, then to Portland, Oregon, for the Lewis and Clark Centennial Exposition. For a time, it sat in Fargo, North Dakota, and then on the state capital grounds in Bismarck. Finally, in 1959, the cabin came back to what was, by then, Theodore Roosevelt National Memorial Park. Today, it can be found in the South Unit of the Park behind the Visitor’s Center.

The building is mostly original; the roof and shingles were removed at one point and have been restored. Inside, visitors can see several authentic Roosevelt artifacts, including a traveling trunk with “T.R.” on the top and a hutch.

5. Visitors to Theodore Roosevelt National Park can go out to the site where Roosevelt’s second ranch house once stood.

A gate in front of the site of Theodore Roosevelt's Elkhorn Ranch site.
A gate in front of the site of Theodore Roosevelt's Elkhorn Ranch site.
Erin McCarthy

In 1884, Roosevelt decided to abandon politics after the deaths of his wife and mother and settle at his ranch in the Dakotas permanently. But his Maltese Cross cabin was located on a popular route into Medora, and people were always stopping by. Grieving and seeking solitude, Roosevelt rode out to a site 35 miles north of Medora that had been recommended to him.

On the site, Roosevelt found the skulls of two elk, their horns interlocked, and named what he would come to refer to as his Home Ranch in their honor. He bought the rights to the site for $400; his nearest neighbors were at least 10 miles away.

Two friends of Roosevelt’s from Maine, Bill Sewall and Wilmont Dow, came to the Dakotas and built the 30-by-60-foot house of cottonwood pine; it had 7-foot high walls, eight rooms, and a veranda. Also on the site was a barn, a blacksmith’s shop, a cattle shed, and a chicken coop.

In Hunting Trips of a Ranchman, Roosevelt wrote:

“My home ranch-house stands on the river brink. From the low, long veranda, shaded by leafy cotton-woods, one looks across sand bars and shallows to a strip of meadowland, behind which rises a line of sheer cliffs and grassy plateaus. This veranda is a pleasant place in the summer evenings when a cool breeze stirs along the river and blows in the faces of the tired men, who loll back in their rocking-chairs (what true American does not enjoy a rocking-chair?), book in hand—though they do not often read the books, but rock gently to and for, gazing sleepily out at the weird-looking buttes opposite, until their sharp outlines grow indistinct and purple in the after-glow of the sunset."

But the cattle business was not meant to be Roosevelt’s future. He eventually returned to New York, and after a hard winter where he lost 60 percent of his herd, he sold the ranch in 1898. By 1901—the year Roosevelt became president—the ranch was gone. A local said that all that remained was “a couple of half-rotted foundations."

Today, visitors to TRNP can take a scenic drive on gravel roads, then hike three-eighths of a mile to the Elkhorn site, located between the Little Missouri River and black, white, and yellow Badlands bluffs. There, they can stand on the foundation stones that mark where TR’s Home Ranch once stood, listening to the birds, insects, and low mooing of cattle, as he would have done. (They might even encounter a cow or two on the trail!)

6. More than 185 species of birds have been spotted in Theodore Roosevelt National Park.

The black and brown Spotted Towhee in Theodore Roosevelt National Park in North Dakota.
Spotted Towhee in Theodore Roosevelt National Park.
Wildnerdpix/iStock via Getty Images Plus

They include bald and golden eagles, blue-winged teal, American wigeon, turkey vultures, prairie and peregrine falcons, and the sage grouse. The park has a handy checklist [PDF] to help visitors keep track of the birds they’ve seen.

Birds aren’t the only animals you might see: TRNP is also home to elk, prairie dogs, pronghorns, feral horses, big horn sheep, coyotes, badgers, beavers, porcupines, mule deer, longhorn steers, rattlesnakes, and bison.

7. There are hundreds of bison in Theodore Roosevelt National Park.

Whether you call them bison or buffalo (though Americans use the terms interchangeably, there is a difference!), you’ll have a chance to see plenty of them at TRNP. Both the north and south units have herds—200 to 400 animals in the south and 100 to 300 in the north. Full-grown bison bulls can stand up to 6 feet tall and weigh up to 2000 pounds, so visitors should give them a wide berth or risk getting charged and possibly gored.

The American bison (Bison bison) was once critically endangered and nearly went extinct. (Roosevelt was one person who was instrumental in saving the species from extinction.) The animals were reintroduced into the park in 1956. Because all of the living bison are descended from a small number of animals, monitoring the genetic diversity of the herd is important. Every couple of years in October, park staff round up the animals in both units by using helicopters to herd them into progressively smaller enclosures. Eventually, each animal ends up in a squeeze shoot, where staff takes hair (for DNA analysis) and blood (to test for disease) samples and weighs and measures the animals. Bison born since the last roundup are given tags and microchips so they can be tracked.

8. Theodore Roosevelt National Park has a few prairie dog towns.

Two black-tailed prairie dogs coming out of a burrow in the ground.
Two black-tailed prairie dogs coming out of a burrow in the ground in the South Unit of Theodore Roosevelt National Park.
RONSAN4D/iStock via Getty Images Plus

Black-tailed prairie dogs are abundant in TRNP. Roosevelt himself described them as “in shape like little woodchucks,” and called them “the most noisy and inquisitive animals imaginable.” Visitors can see the first of many prairie dog towns in the park near the Skyline Vista trail.

9. In prehistoric times, Theodore Roosevelt National Park was home to a Champsosaurus.

Fifty-five million years ago, during the Paleocene Epoch, North Dakota—including the area of TRNP—was a swamp, and in that swamp lived a reptile called Champsosaurus. The animal looked like modern-day crocodilians called gharials and could measure nearly 10 feet long.

10. You can go camping in Theodore Roosevelt National Park.

There are three campgrounds in TNRP, but visitors just can’t drive in and set up a tent—reservations must be made, fees must be paid, and, in some cases, permits are required to camp in the park.

Camping isn't the only thing you can do in the park: It's also possible to canoe or kayak down the Little Missouri River if the water is deep enough.

11. The colors of the rocks in Theodore Roosevelt National Park tell a story.

A rock formation in Theodore Roosevelt National Park with gray, yellow, and light colored-layers.
hartmanc10/iStock via Getty Images Plus

The massive and unusual formations in TRNP, created by erosion over millions of years, are awe-inspiring—and you can tell a lot about them from the colors of their layers [PDF]. Brown and tan layers indicate sandstone, siltstone, and mudstone, which came from the Rocky Mountains, while blue-gray is bentonite clay laid down by the ash of far-away volcanic eruptions. (The clay can absorb up to five times its weight in liquid, which is why it’s used in … kitty litter.)

Black is a layer of coal, and red is the delightfully named clinker, which is formed when coal veins catch fire and cook the rock above it. Locally, the red rock is called scoria, but clinker is its scientific name.

One coal vein located in the park caught fire in 1951 and burned for 26 years. Apparently, visitors could roast marshmallows over the fire, which finally burned out in 1977. Fires in the Badlands aren’t unusual; they can be caused by lightning strikes or even set purposefully to reduce hazards or benefit certain species.

12. There are a number of interesting historic sites near Theodore Roosevelt National Park.

While you’re in the area, check out the Chateau de Mores—the mansion that was home to a French marquis who dreamed of bringing a cattle-slaughtering business to Medora—and the Von Hoffman House. And don’t miss the Medora Musical, a variety show held in an open-air amphitheater that features the history of the town’s most famous and infamous figures—plus an appearance by the president who once called the area his home.

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