15 Facts About Roy Lichtenstein's Drowning Girl

 Sean Gallup // Getty Images
Sean Gallup // Getty Images

Arguably the most popular of American painter Roy Lichtenstein's works, Drowning Girl is an iconic landmark of pop art. But beneath its bold lines, clever circles, and rushing waves lies the story of a 40-something artist who finally found his calling by looking to kids stuff.

1. LICHTENSTEIN FOUND INSPIRATION IN COMIC BOOKS.

Though comic books had been overlooked by art critics, Lichtenstein, a Manhattan-born painter, relished in their bold lines, vibrant colors, and use of word bubbles to convey speech and thought. While the artist was also a sculptor and lithographer, he'd become best-known for his comic-influenced paintings, which elevated comics' low-brow aesthetic to high art.

2. HE EVEN MIMICKED THEIR PRINTING PROCESS'S LOOK.

At a glance, Drowning Girl might seem like she's printed like old-school comics. But Lichtenstein actually recreated this aesthetic with oil and synthetic polymer paint on canvas. Brushing paint over stencils he'd perforated with a dot pattern, he mimicked the "tonal variations with patterns of colored circles that imitated the half-tone screens of Ben Day dots used in newspaper printing."

3. DROWNING GIRL IS A RIFF OFF A DC COMIC PANEL.

Lichtenstein lifted the imagery of the drowning girl and her thought bubble from the splash page of the 1962 comic Secret Hearts #83. There, a story called "Run for Love!" featured a full-page illustration with a drowning dark-haired girl in the foreground. In the background lies a small, capsized boat, and a befuddled blonde man holding on to it. For his 1963 homage, Lichtenstein cropped the image, bumped up the color, thickened the line work, and changed the thought bubble wording from "I don't care if I have a cramp! -- I'd rather sink -- than call Mal for help!" to "I don't care! I'd rather sink -- than call Brad for help!"

4. THE MAN'S NAME CHANGE WAS BECAUSE HIS DROWNING GIRL DESERVED BETTER.

"A very minor idea," Lichtenstein has said of the revision of Mal for Brad, "But it has to do with oversimplification and cliché." Or to simplify, he felt that his cartoon representation of frustrated American Womanhood demanded a boyfriend with "a heroic name." Mal just wouldn't cut it.

5. LICHTENSTEIN WAS A GROUNDBREAKER.

American pop artist Roy Lichtenstein stands in front of art
Wesley / Stringer // Getty Images

His peers Robert Rauschenberg and Jasper Johns had already been bringing popular imagery into their work. But by dabbling in comic motifs as early as 1958, Lichtenstein was the first pop artist to dive into cartoons and comics, beating even Andy Warhol whose brush with comic-based pieces came in 1960.

6. BEFORE DROWNING GIRL, HE PAINTED MICKEY MOUSE AND POPEYE.

In her book Roy Lichtenstein, art historian Carolyn Lanchner pinpoints the summer of 1961 as when the painter moved away from Abstract Expressionism, which was popular at the time, and toward cartoon imagery, which was overlooked if not despised. The acclaimed artist recounted this stage in his evolution by saying, "The early (paintings) were of animated cartoons, Donald Duck, Mickey Mouse, and Popeye, but then I shifted into the style of cartoon books with a more serious content such as 'Armed Forces of War,' and 'Teen Romance.'" He continued, "I was very excited about and interested in the highly emotional content yet detached impersonal handling of love, hate, war, etc., in these cartoon images."

7. LICHTENSTEIN USED AN OPAQUE PROJECTOR TO COPY THE DETAILS OF THE COMICS.

This machine allows opaque objects—like a pencil sketch—to be projected onto a screen, or canvas. He once described the process thusly, "From a cartoon, photograph or whatever, I draw a small picture—the size that will fit into my opaque projector ... I don't draw a picture in order to reproduce it—I do it in order to recompose it ... I project the drawing onto the canvas and pencil it in and then I play around with the drawing until it satisfies me." This process allowed Lichtenstein to work out composition and minor details on large canvases, like Drowning Girl which measures in at 67 5⁄8 inches by  66 3⁄4 inches.

8. THESE LICHTENSTEIN PIECES ARE REGARDED AS PARODIES.

He also crafted works inspired by Cézanne, Mondrian, and Picasso, which were likewise dubbed "parodies" by art critics. But Lichtenstein rejected this description—he didn’t want viewers to think he was mocking the works of others. Instead, he insisted, "The things that I have apparently parodied I actually admire."

9. DROWNING GIRL HAS HIGHBROW INSPIRATIONS AS WELL.

Hokusai's famous print, The Great Wave off Kanazawa, inspired Lichtenstein
Katsushika Hokusai's The Great Wave off Kanagawa
Wikimedia Commons // Public Domain

The pastiche-loving pop artist confessed that his use of blacks and blues to create the waves and the curls of the girl's hair was influenced by Japanese printmaker Hokusai's world-famous wood-block print The Great Wave off Kanagawa. "In the Drowning Girl the water is not only Art Nouveau," Lichtenstein explained, "But it can also be seen as Hokusai. I don't do it just because it is another reference. Cartooning itself sometimes resembles other periods in art—perhaps unknowingly ... They do things like the little Hokusai waves in the Drowning Girl. But the original wasn't very clear in this regard—why should it be? I saw it and then pushed it a little further until it was a reference that most people will get ... it is a way of crystallizing the style by exaggeration."

10. BRAD WAS A RECURRING CHARACTER.

While that cad Brad doesn't make into the frame of Drowning Girl, the mentioned boyfriend can be found in Lichtenstein's 1962 painting Masterpiece. There, a blonde woman says through speech bubble, "Why, Brad darling, this painting is a masterpiece! My, soon you'll have all of New York clamoring for your work!" But between the scenes something bitter must have befallen this mysterious beau. In 1963's I Know How You Must Feel, Brad ...”, he's out of frame, leaving a brooding blonde girl thinking, "I know how you must feel, Brad…"

11. CROPPING AND TWEAKING COMIC PANELS MAKES THEM UNIQUELY LICHTENSTEIN'S.

The provocative painter became known for focusing in on expressions of comic panels, and revamping their thought bubbles to play to a new context. In a recent re-assessment of Drowning Girl, Expressionist artist Vian Shamounki Borchert felt Lichtenstein's cropping suggests a woman drowning in her own tears over that dreadful Brad. Meanwhile, art critic Kelly Rand saw the hurt heroine as being "in a suspended state of distress," pointing out that the lack of any context leads the viewer to ask what’s happening. Had the boat and the heroine's lamentable beau been left in the frame, the meaning of the image would have shifted to a far more literal sense of peril.

12. APPROPRIATION FROM COMICS MADE DROWNING GIRL.

Drowning Girl had a coveted spot in some of Lichtenstein's early '60s art shows, and over the years has become one of his most adored creations. But even as his comic-inspired pieces made him famous in his 40s, a debate raged over whether this comic appropriation or parody was art at all. In 1963, New York Times critic Brian O'Doherty infamously declared Lichtenstein "one of the worst artists in America," bristling that the painter won praise as he "briskly went about making a sow's ear out of a sow's ear." Then in 1964, Life magazine covered the brewing art scene kerfuffle with the hurtful headline “Is He the Worst Artist in the U.S.?

13. THE TIDE TURNED FOR DROWNING GIRL.

Critics may have initially huffed, but over the decades, no one could deny that Lichtenstein's comic-influenced works had a lasting allure. Art collectors paid out enormous amounts to claim them as their own. Drowning Girl was acquired by the Museum of Modern Art in 1971, and has been a proud part of their permanent collection ever since. Lichtenstein won redemption in 1986, when Life re-evaluated his works, declaring him "always the most thoughtful of the pop artists ... [who] had the most to say. Those cartoon blowups may have disturbed the critics, but collectors, tired of the solemnity of abstract expressionism, were ready for some comic relief. Why couldn't the funny pages be fine art?'' Ultimately, this daring artist's re-interpretation challenged art critics and broader audiences to examine their own biases. As his work grew in popularity, so did the art community's respect for comics and cartoons. Lichtenstein—who lived until 1997 and the ripe age of 73—had the chance to see the sea change he'd begun in the world's understanding of art.

14. WOMEN IN PERIL BECAME A THEME FOR THE PAINTER.

 A guest views 'Crying Girl' by artist Roy Lichtenstein
Roy Lichtenstein's Crying Girl
Ben Pruchnie // Getty Images

Now heralded as a "masterpiece of melodrama," Drowning Girl is by far the most famous of these. Other titles from this unofficial series include Crying Girl (1963), Crying Girl (1964), Hopeless, In the Car, and Oh, Jeff...I Love You, Too...But.... Each painting hints at a story, which the viewer is urged to imagine. It's believed this invitation to collaboration is a major part of what has made Lichtenstein's comic art, and particularly Drowning Girl, remain a popular attraction to museum visitors, even decades later.

15. LICHTENSTEIN BECAME CELEBRATED AS NOT JUST A PAINTER, BUT A STORYTELLER.

In 2012, Washington's National Gallery of Art helped put together a rousing Lichtenstein retrospective which did not shy away from his comic-inspired art, but rather relished in it. More specifically, a conversation emerged about the carefully selected images Lichtenstein plucked from comics. National Gallery curator Harry Cooper told NPR the artist "really looked hard for these comics that had a kind of crux of the story in them," then applied his unique perspective to them to open them up to an audience who might never touch a comic book, but could nonetheless be enchanted with their stories. With that, he helped elevate pop art to a place where it could not be ignored or written off as a "just a gimmick, just a joke." Though Lichtenstein experimented in many forms of art and style over his long career, it was his embracing of comics in works like Drowning Girl that secured his legacy as a painter, a pop art pioneer, and a visual storyteller in his own right.

12 Facts About Elizabeth Cady Stanton

Veeder, Library of Congress // No Known Restrictions on Publication
Veeder, Library of Congress // No Known Restrictions on Publication

Elizabeth Cady Stanton (1815-1902) was never able to cast a vote legally, though she helped secure that right for women across America. As the philosopher of the women’s rights movement in 19th-century America, she expressed what she felt regardless of what others might think. Read on for more facts about one of the most important women in history.

1. HER FATHER WISHED SHE HAD BEEN A BOY.

Cady Stanton’s father, Daniel Cady, served in Congress and the New York State Assembly, and was a New York Supreme Court judge. He and his wife Margaret had 11 children; five daughters, including Elizabeth, and one son would survive to adulthood. When her brother Eleazar died at age 20, Elizabeth’s father allegedly said to her, “Oh my daughter, I wish you were a boy!”

That may have been her father’s way of lamenting the hardships she would suffer as a woman, but Elizabeth responded by throwing herself into studying Greek, chess, and horse riding, vowing “to make her father happy by being all a son could have been,” Lori D. Ginzberg writes in Elizabeth Cady Stanton: An American Life. Daniel Cady did encourage his bright and self-confident daughter when she was upset that laws could not help one of his female clients: “When you are grown up, and able to prepare a speech, you must go down to Albany and talk to the legislators,” he told her. “If you can persuade them to pass new laws, the old ones will be a dead letter.”

2. A PREACHER ACTUALLY SCARED THE BEJESUS OUT OF HER.

Even as a young person, Elizabeth bristled against her family’s Presbyterian beliefs. In 1831, as a required part of her lessons at the Troy Female Seminary, she attended a revival at which noted evangelist Charles Grandison Finney spoke. She found his ideas about sin so alarming that she had to take time off from school to recover. Ultimately, she rejected organized Christianity’s dependence on fear, and later came to view religion as at odds with her work in the feminist movement.

3. SHE SPENT HER HONEYMOON AT AN ANTI-SLAVERY CONVENTION.

In 1840, Elizabeth married Henry Stanton, a prominent abolitionist who was active in the New York Anti-Slavery Society. After the wedding, the new couple headed to the World Anti-Slavery Convention in London, where Henry was a delegate and Elizabeth was forced with other female attendees into the back of the lecture hall [PDF]. There she met feminist Lucretia Mott, who shared her support for women’s and African Americans' rights.

4. CADY STANTON ATTENDED AN EPIC TEA PARTY …

When you think of an important tea party, the Boston event probably springs to mind—but there was at least one other tea-related confab that was just as historic.

On July 9, 1848, Cady Stanton and three other women—Lucretia Mott, her sister Martha Wright, and Mary Ann McClintock—were invited to the Waterloo, New York home of Jane Hunt, a wealthy Quaker dedicated to social reform. During the gathering, they discussed how women weren’t allowed to vote or own property and why the Quaker religion avoided getting involved with women’s rights and the anti-slavery movement. The decision to create an organized meeting to advocate women’s equality was decided right then and there, though who came up with the idea is not known.

5. ... WHICH LED TO THE FIRST WOMEN’S RIGHTS CONVENTION IN AMERICA.

Cady Stanton, Mott, and their colleagues announced “a Convention to discuss the social, civil, and religious condition and rights of woman.” Ten days after the tea party, more than 300 people attended the event (also known as the Seneca Falls convention). The first day, July 19, was planned as an all-women discussion, and July 20 was open to the public.

Stanton wrote and read a “Declaration of Sentiments and Grievances” for the occasion, a discourse based on the Declaration of Independence describing the oppression of women and the rights to which they were entitled. It began with these famous lines: “We hold these truths to be self-evident, that all men and women are created equal, that they are endowed by their Creator with certain inalienable rights, that among these are life, liberty, and the pursuit of happiness.” (The Declaration of Independence had almost identical wording except for the “and women” part.) Sixty-eight women and 32 men signed the declaration. Seneca Falls launched annual conventions to advocate women’s rights, and was the start of the long battle that eventually earned women the right to vote.

6. CADY STANTON AND SUSAN B. ANTHONY WERE BFFS.

Elizabeth Cady Stanton and Susan B. Anthony
Library of Congress // No Known Restrictions on Publication

Cady Stanton met Susan B. Anthony in 1851 and they quickly became an unstoppable pair. In their shared goal of achieving women’s equality, Anthony handled the campaigning and speeches, while Cady Stanton did the lion’s share of the writing from her home in Seneca Falls. While Anthony objected to Cady Stanton allowing her role as a mother to interfere with her reform work, she also helped her take care of the seven Stanton children. Cady Stanton said of Anthony:

“In the division of labor we exactly complemented each other. In writing we did better work than either could alone. While she is slow and analytical in composition, I am rapid and synthetic. I am the better writer, she the better critic. She supplies the facts and statistics, I the philosophy and rhetoric, and, together, we have made arguments that have stood unshaken through the storms of long years—arguments that no one has answered. Our speeches may be considered the united product of our two brains."

Together, they formed the anti-slavery Women’s Loyal National League and published the first three of six volumes of History of Woman Suffrage.

7. SHE OPPOSED THE 15th AMENDMENT.

Cady Stanton and Anthony also founded the National Woman Suffrage Association in 1869 in response to the proposed 15th Amendment. According to Ginzberg, feminists faced a choice after the Civil War, when Congress debated suffrage for emancipated slaves. “There was a battle among abolitionists—of which Stanton counted herself—between having a 15th Amendment that gave black men the vote or holding out for a suffrage amendment that granted the vote to all adult Americans,” Ginzberg told NPR. “Stanton and her friend Susan B. Anthony stood on what they claimed was the highest moral ground by demanding universal human rights for all and—historians have argued about this ever since—not being willing to sacrifice women's rights for the politically expedient challenge of gaining rights for black men.” The 15th Amendment, giving men the right to vote regardless of “race, color, or previous condition of servitude,” was ratified in 1870. Women did not end up achieving the franchise until 1920.

8. SHE RAN FOR CONGRESS.

Women could run for public office even though they couldn’t vote, a situation that Cady Stanton sought to challenge. She ran for the U.S. House of Representatives—the first woman to do so—as an independent representing New York in 1866. She knew that she was treading new ground when she announced she was running. “I have no political antecedents to recommend me to your support, but my creed is free speech, free press, free men, and free trade—the cardinal points of democracy,” she explained in a letter. She received only 24 votes of the 12,000 cast, perhaps a reflection of the fact that no women could vote—but her audacious campaign likely inspired others. Six years later Victoria Woodhull became the first female candidate for president. It wasn’t until 1916 that a woman, Rep. Jeannette Rankin of Montana, was elected to Congress.

9. SHE WROTE A BESTSELLING CRITIQUE OF CHRISTIANITY.

Her 1895 book The Woman’s Bible, which criticized the ways religion portrayed women as less than men, drove a wedge between Stanton and the women’s movement. Cady Stanton argued that the Bible taught “the subjection and degradation of woman” and that equality demanded a revision of its lessons. Anthony felt it was more important to welcome people of all religious beliefs into the fight for suffrage. Thanks to the controversy, the book became a bestseller.

10. SHE BELIEVED BIKES WOULD LIBERATE WOMEN.

As the 1970s feminist slogan goes, “a woman needs a man like a fish needs a bicycle.” In Cady Stanton’s day, a bike made it so that a woman wouldn’t need a man, at least when it came to transportation. Biking had become popular by the 1890s, and was strongly associated with the modern woman of the latter part of the 19th century, liberated from stuffy social and marital expectations. At 80, Stanton told The American Wheelman magazine that “the bicycle will inspire women with more courage, self-respect [and] self-reliance,” eventually leading to women’s suffrage. Both she and Susan B. Anthony have been credited with saying “woman is riding to suffrage on the bicycle.” They could see beyond the convenience of getting from point A to point B: Bikes symbolized a new freedom for women.

11. SHE TRIED TO DONATE HER BRAIN TO SCIENCE.

Cady Stanton died in 1902, just before turning 87. Susan B. Anthony was heartsick. “I am too crushed to speak,” she told The New York Times’s obituary writer.

But Cady Stanton had tried to ensure that she would still help women’s causes after her own death. Her friend Helen Gardener, a fellow suffragist, had convinced her to donate her brain to Cornell University so scientists would have an eminent female brain to compare with those of eminent men. Stanton had told her family of her plan, and Gardener announced her wishes publicly. Gardener said Cady Stanton “felt that a brain like hers would be useful for all time in the record it would give the world, for the first time—the scientific record of a thinker among women,” Kimberly A. Hamlin writes in From Eve to Evolution: Darwin, Science, and Women’s Rights in Gilded Age America. Cady Stanton’s family, however, refused to believe she had agreed to the plan, and the brain was buried with the rest of her in the Bronx’s Woodlawn Cemetery.

12. SHE WILL APPEAR ON THE $10 BILL IN 2020.

The 19th Amendment, which finally gave women the right to vote, celebrates its centennial in 2020. To commemorate the anniversary, a new $10 bill will be issued with Elizabeth Cady Stanton, Lucretia Mott, Sojourner Truth, Susan B. Anthony, and Alice Paul on the back—the first time in more than 100 years that a female portrait has been featured on paper money. (Alexander Hamilton will remain on the front.) You can also expect to see Cady Stanton and Anthony memorialized in a bronze statue in New York City’s Central Park that will be known as the Elizabeth Cady Stanton and Susan B. Anthony Woman Suffrage Movement Monument. Amazingly, the suffrage pioneers are the first two women to be honored with statues in Central Park, and only the fourth and fifth American women represented by public statues in any NYC park.

8 Hair-Raising Facts About Black Cats

iStock
iStock

No member of catkind is more maligned than the black cat. At best, they're bemoaned as lackluster photography subjects; at worst, they're seen as harbingers of really bad luck. But there's a lot to love about these furballs, as evidenced by the holidays in their honor—the ASPCA celebrates Black Cat Appreciation Day annually on August 17 and, across the pond, October 27 is National Black Cat Day—and the facts below.

1. IN SOME CULTURES, BLACK CATS ARE GOOD LUCK.

A black kitten stretching
iStock

They may have a less-than-stellar reputation in some areas of the world, but there are plenty of places where black cats aren’t bad luck at all. If you’re a single woman in Japan, owning a black cat is said to increase your number of suitors; if you’re in Germany and one crosses your path from right to left, good things are on the horizon.

2. THEY'RE A SAILOR'S BEST FRIEND.

Not only were cats welcome aboard British vessels to hunt mice, but sailors generally thought a black cat in particular would bring good luck and ensure a safe return home. A few of these kitties have been enshrined in maritime history, like Tiddles, who traveled more than 30,000 miles during his time with the Royal Navy. (His favorite pastime was playing with the capstan’s bell-rope.)

3. THERE IS NO ONE BLACK CAT BREED.

The Cat Fanciers’ Association (CFA) recognizes 22 different breeds that can have solid black coats—including the Norwegian Forest Cat, Japanese Bobtail, and Scottish Fold—but the Bombay breed is what most people picture: a copper-eyed, all-black shorthair. The resemblance to a "black panther" (more on those animals in a bit) is no coincidence. In the 1950s, a woman named Nikki Horner was so enamored with how panthers looked that she bred what we now refer to as the Bombay.

4. BLACK CATS ARE AS EASILY ADOPTED AS CATS OF OTHER COLORS.

Black cat facts.
iStock

It’s common to think that black cats in shelters are the last in line to find their forever homes, but a recent survey from the ASPCA suggests otherwise. Although euthanasia numbers for black cats were some of the highest, their total number of adoptions was the highest of any hue as well. The vet who conducted the study argues that there may just simply be more black cats than other colors.

5. THEIR COATS CAN "RUST."

A black cat’s color all boils down to a genetic quirk. There are three variants of the black fur gene (solid black, brown, and cinnamon), and the hue works in conjunction with the pattern. If a cat has a solid black hue, but also the dominant tabby stripe gene, heavy exposure to the sun can make the eumelanin pigment in its fur break down to reveal its once-invisible stripes (another potential cause: nutritional deficiency). What was once a black cat is now a rusty brown cat.

6. THE GENE THAT CAUSES BLACK FUR MIGHT MAKE THESE FELINES RESISTANT TO DISEASE.

Even though their coloring is what gives them a bad reputation, these felines may be getting the last laugh after all. The mutation that causes a cat’s fur to be black is in the same genetic family as genes known to give humans resistance to diseases like HIV. Some scientists think the color of these cats may have less to do with camouflage and more to do with disease resistance. They’re hoping that as more cat genomes are mapped, we may get a step closer to curing HIV.

7. YOU CAN VISIT A CAT CAFE DEVOTED TO BLACK CATS.

Step through the doors of Nekobiyaka in Himeji, Japan and get ready for your wildest cat lady dreams to come true. Black cats are the stars of this café and visitors are invited to pet (but not pick up) these lithe felines. Each of Nekobiyaka’s identical-looking black cats wears a different colored bandana to resolve any catastrophic mix-ups.

8. THEY'RE DIFFICULT TO PHOTOGRAPH—BUT IT CAN BE DONE.

A black cat is photographed against a blue-gray background
iStock

The modern-day conundrum black cat owners face isn’t bad luck, but bad lighting. In a world filled with people sharing photos of their pets on Instagram, black cats can end up looking like a dark blob in photos. One photographer’s advice? Minimalist backgrounds, so your subject can stand out, and angling them towards natural light sources (but keep them out of bright sunlight!). If you're snapping pics on your iPhone, tap on your cat's face, then use the sun icon to brighten up the photo.

BONUS: BLACK PANTHERS HAVE SPOTS.

Technically, there is no such thing as a black panther—it’s a term used for any big black cat. What we call black panthers are in fact jaguars or leopards and yes, they have spots, too. Their hair shafts produce too much melanin thanks to a mutation in their agouti genes, which are responsible for distributing pigment in an animal’s fur. Look carefully and you can see a panther’s spots as the sunlight hits them in just the right way.

This article originally ran in 2016.

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