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11 Reasons the BBC Has Banned Hit Songs

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The BBC, Britain’s sometimes old maidish, publicly-funded broadcaster, was in a tough spot last week. Following the death of Baroness Margaret Thatcher, Britain’s former Prime Minister and controversial Iron Lady, anti-Thatcherites campaigned to get the song, “Ding-Dong, The Witch is Dead,” in the top spot on UK music charts.

The 74-year-old song, celebrating Dorothy’s timely squashing of the Wicked Witch in The Wizard of Oz, nearly made it, topping out at number 2, which meant that the BBC would eventually have to play it on its Sunday music chart show. The mere notion that the BBC would air a song mocking the death of Lady Thatcher resulted in complaints from Thatcher supporters that the broadcaster was letting the charts be “hijacked” for political purposes; anti-Thatcherites threw around the words “freedom of speech.”

On Sunday, April 14, BBC Radio 1 Controller Ben Cooper responded to the controversy on his blog, explaining that he was sensitive to all sides of the argument and had decided to treat the rise of the song “as a news story.” They played a 5-second excerpt of the song, rather than the full 51-seconds of high-pitched Munchkin crooning, and explained why the song was at the top of the charts. “Most of [our audience] are too young to remember Lady Thatcher and many will be baffled by the sound of the Munchkins from The Wizard of Oz,” he said. “To ban the record from our airwaves completely would risk giving the campaign the oxygen of further publicity and might inflame an already delicate situation.” 

It’s obviously not the first time—nor will it be the last—that a song has caused the BBC a spot of bother. That’s because for pretty much as long as the BBC has been in business, it has been in the business of censoring. But that doesn’t mean that the BBC’s treatment of popular music over the last 90 years has always been understandable—sometimes, it’s been downright manic, careening from thinking that whatever the kids were into these days was clearly objectionable to worrying that it lived up too much to its old maid Auntie image.

Here are a few things that got songs banned from the Beeb.

 

1. Prostitution

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In 1930, just eight years after the BBC was launched on the world, Cole Porter’s ballad about a happy hooker, “Love for Sale,” was banned from the Beeb’s airwaves for its ambiguity about prostitution.

2. Drugs 

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Illegal substances are a perpetual sticking point for the Beeb. In 1931, Cab Calloway’s classic “Minnie the Moocher” was kept off the air, probably owing to its drug references and depiction of generally loose morals. Just over 60 years later, in 1993, obvious references to drugs got The Shamen’s “Ebeneezer Goode” banned—the refrain went “eeeezer Goode, eeeezer Goode." Get it? “E’s are good”?

3. Violence

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Louis Armstrong’s “Mack the Knife,” from The Threepenny Opera, was banned in 1959 because of worries that its jazzy tune might incite gang violence. To be fair, it’s a pretty catchy tune about a violent murderer.

4. Sex

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Oh, Auntie Beeb. If there’s one thing that the British public, according to Auntie Beeb, can’t stomach, it’s references to sex. In the 1930s, ukulele-player George Formby and the BBC had a wary relationship, since a whole bunch of Formby’s cheery tunes were all about the fuzzy double entendre. In 1937, his jam, “With My Little Stick of Blackpool Rock” (Blackpool Rock is a popular seaside candy that comes in stick form) was permitted, provided the version aired excised the lyrics: “With my little stick of Blackpool Rock, along the promenade I stroll/ In the ballroom I went dancing each night/ No wonder every girl that danced with me, stuck to me tight.”

The Beatles’ 1967 “I Am the Walrus” was banned for the words “pornographic priestess” and “knickers”; the Rolling Stones’ “Let’s Spend the Night Together” was banned that same year for, well, everything. Serge Gainsbourg and Jane Birkin’s breathy, velvety, overtly sexual “Je T’Aime… Moi Non Plus” (with its lyrics, “I go and I come, between your kidneys,” which sounds plainly ridiculous and somewhat painful) was pulled from the airwaves in 1969, solidifying the French opinion that the Brits were all a bunch of repressed weirdoes.

Paul McCartney’s 1972 Wings-era jam “Hi, Hi, Hi,” written with his late wife Linda, was banned for its sexually suggestive lyrics and references to drugs. (According to McCartney, the Beeb just misheard the words: One line the BBC heard as “get you ready for my body gun” was actually meant to say “get you ready for my polygon.” Obviously.)

In 1984, Frankie Goes To Hollywood’s “Relax” was deemed too explicitly sexual (although “Relax, don’t do it, when you want to come” actually sounds not explicit enough—don’t do what?). In a move that probably did much for the song’s chart performance, Radio 1 DJ Mike Read called the lyrics “disgusting” and yanked the record off the turntable live on air.

5. Politics

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McCartney had a rough year in 1972 with the BBC: His “Give Ireland Back to the Irish” was banned for its overtly political and anti-British message. Politics, especially of the kind that question authority, weren’t popular with the Beeb: In 1977, the Sex Pistols’ raucous “God Save The Queen” was banned for its anti-establishment message.

6. Sappy lyrics

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So, ok, sex, drugs, anti-establishment politics, violence—not fit for the public consumption, fair enough. But what could possibly be objectionable about Bing Crosby? During World War II, the blue-eyed crooner’s homesick “I’ll Be Home For Christmas” wasn’t allowed on BBC airwaves because controllers felt that the lyrics might lower morale in troops overseas. Indeed, during the War, the BBC was particularly mindful of what it thought that the country needed, and concluded that saccharine sweetness wasn’t it. In 1942, the BBC pursued a “policy of excluding sickly sentimentality which, particularly when sung by certain vocalists, can become nauseating and not at all in keeping with what we feel to be the need of the public in this country in the fourth year of war.”

7. Teen death

What is with teenagers, death, and eternal love? In the 1950s and ‘60s, “death pop”—songs about teenagers whose love is ripped asunder by untimely death—was as big of a thing as Twilight is now. But as much as the kids were totally into the tragic, Romeo and Juliet romance of it all, the BBC wasn’t a fan. In 1960, it banned Ricky Valance’s version of “Tell Laura I Love Her,” a song about a boy called Tommy who dies in a car crash during a drag race. Tommy was only racing—heartbreak alert—to win enough money to buy his lovely Laura a wedding ring. Sigh. In 1961, the BBC banned John Leyton and the Outlaws’ syrupy “Johnny, Remember Me,” a song about a young man who is haunted by his dead lover, promptly rocketing the track to the number 1 spot on UK charts. 

8. Spookiness

Bobby Pickett’s Halloween jam “Monster Mash” was banned from the airwaves in 1962 on the grounds that it was “too morbid.” Evidently, Auntie Beeb is of a nervous disposition because “Monster Mash” wasn’t the only “scary song” the broadcaster banned: Just the year before, it refused to play The Moontrekker’s “Night of the Vampire” on the grounds that the eerie sounds of a creaking door and spooky laughter on the rock instrumental might actually scare someone to death. Muhahahaha!

9. Irreligious references to Heaven

In 1954, Don Cornell's "Hold My Hand" was banned because in it, he compares his relationship to his ladylove to heaven and that didn’t fly with the Beeb. “So this is the kingdom of heaven/ So this is the sweet promised land/ While angels tell of love, don't break the spell of love/ Hold my hand." Syrupy, sweet—and breeding a generation of atheists who find divinity only in themselves and their lovers? You be the judge.

10. Satire!

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Comedy was also not permitted by the BBC—several of mathematician and satirist Tom Lehrer’s songs, including “The Old Dope Peddler,” a 1960 sentimental song about the neighborhood drug dealer, were banned. Incidentally, rapper 2 Chainz sampled “The Old Dope Peddler” on his track, “Dope Peddler,” in 2012. Lehrer told the BBC in 2013 that he was “very proud” of his song’s being used more than half a century after he recorded it—his response to their request was, “I grant you motherf***ers permission—which is the word that they use constantly—to do this and please give my regards to Mr. Chainz, or may I call him 2?”

11. Awesome drum beats?

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Phil Collins’s “In The Air Tonight” was banned during the Gulf War, because... of its dark, atmospheric drumming? Spooky lyrics? Relationship to Miami Vice? Who knows? Incidentally, the Beeb also yanked The Cure’s “Killing an Arab,” for obvious reasons, and John Lennon’s “Imagine,” for not obvious reasons, off the air during the Gulf War. 

What won’t get you banned

But where it banned some songs for what seem like weird reasons, the BBC certainly didn’t ban every song in questionable taste—even after complaints by certain members of the aghast British public. In 1973, broadcasting standards campaigner Mary Whitehouse, a woman with a seemingly bottomless capacity for moral outrage who spearheaded several very public campaigns to ban “filth” from radio and television throughout the 1960s, ‘70s and ‘80s, complained about rock legend Chuck Berry’s performance of “My Ding-a-ling” on Top of the Pops. Watch the performance here:

"One teacher," Whitehouse wrote to the BBC, "told us of how she found a class of small boys with their trousers undone, singing the song and giving it the indecent interpretation which—in spite of all the hullabaloo—is so obvious … We trust you will agree with us that it is no part of the function of the BBC to be the vehicle of songs which stimulate this kind of behaviour— indeed quite the reverse." But the BBC refused to apologize or disallow the song; then-director Charles Curran wrote to Whitehouse, “We did not think it would disturb or emotionally agitate its listeners and we believe that the innuendo is, at worst, on the level of seaside postcards or music hall humour.”

The BBC didn’t ban other songs that were controversial. Prodigy’s “Smack My Bitch Up,” a song that some thought celebrated misogyny, despite the “shock” ending of the video, wasn’t exactly banned, although the BBC did limit its airplay and in some cases, only played a lyric-less version. And The Kinks’ “Lola,” the best, most melancholic song about falling in love with a trans-woman ever, was only briefly banned, not because of content that the 1970’s audience might have objected to, but because it made a reference to “Coca-Cola.” BBC Radio had a strict no product policy, so singer Ray Davies was forced to interrupt the band’s American tour to fly back to London and re-record the lyric to say “cherry cola” instead.

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11 Popular Quotes Commonly Misattributed to F. Scott Fitzgerald
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F. Scott Fitzgerald wrote a lot of famous lines, from musings on failure in Tender is the Night to “so we beat on, boats against the current” from The Great Gatsby. Yet even with a seemingly never-ending well of words and beautiful quotations, many popular idioms and phrases are wrongly attributed to the famous Jazz Age author, who was born on this day in 1896. Here are 11 popular phrases that are often misattributed to Fitzgerald. (You may need to update your Pinterest boards.)

1. “WRITE DRUNK, EDIT SOBER.”

This quote is often attributed to either Fitzgerald or his contemporary, Ernest Hemingway, who died in 1961. There is no evidence in the collected works of either writer to support that attribution; the idea was first associated with Fitzgerald in a 1996 Associated Press story, and later in Stephen Fry’s memoir More Fool Me. In actuality, humorist Peter De Vries coined an early version of the phrase in a 1964 novel titled Reuben, Reuben.

2. “FOR WHAT IT’S WORTH: IT’S NEVER TOO LATE OR, IN MY CASE, TOO EARLY TO BE WHOEVER YOU WANT TO BE.”

It’s easy to see where the mistake could be made regarding this quote: Fitzgerald wrote the short story “The Curious Case of Benjamin Button” in 1922 for Collier's Magazine, and it was adapted into a movie of the same name, directed by David Fincher and starring Brad Pitt and Cate Blanchett, in 2008. Eric Roth wrote the screenplay, in which that quotation appears.

3. “OUR LIVES ARE DEFINED BY OPPORTUNITIES, EVEN THE ONES WE MISS.”

This is a similar case to the previous quotation; this quote is attributed to Benjamin Button’s character in the film adaptation. It’s found in the script, but not in the original short story.

4. “YOU’LL UNDERSTAND WHY STORMS ARE NAMED AFTER PEOPLE.”

There is no evidence that Fitzgerald penned this line in any of his known works. In this Pinterest pin, it is attributed to his novel The Beautiful and Damned. However, nothing like that appears in the book; additionally, according to the National Atmospheric and Oceanic Association, although there were a few storms named after saints, and an Australian meteorologist was giving storms names in the 19th century, the practice didn’t become widespread until after 1941. Fitzgerald died in 1940.

5. “A SENTIMENTAL PERSON THINKS THINGS WILL LAST. A ROMANTIC PERSON HAS A DESPERATE CONFIDENCE THAT THEY WON’T.”

This exact quote does not appear in Fitzgerald’s work—though a version of it does, in his 1920 novel This Side of Paradise:

“No, I’m romantic—a sentimental person thinks things will last—a romantic person hopes against hope that they won’t. Sentiment is emotional.” The incorrect version is widely circulated and requoted.

6. “IT’S A FUNNY THING ABOUT COMING HOME. NOTHING CHANGES. EVERYTHING LOOKS THE SAME, FEELS THE SAME, EVEN SMELLS THE SAME. YOU REALIZE WHAT’S CHANGED IS YOU.”

This quote also appears in the 2008 The Curious Case of Benjamin Button script, but not in the original short story.

7. “GREAT BOOKS WRITE THEMSELVES; ONLY BAD BOOKS HAVE TO BE WRITTEN.”

There is no evidence of this quote in any of Fitzgerald’s writings; it mostly seems to circulate on websites like qotd.org, quotefancy.com and azquotes.com with no clarification as to where it originated.

8. “SHE WAS BEAUTIFUL, BUT NOT LIKE THOSE GIRLS IN THE MAGAZINES. SHE WAS BEAUTIFUL FOR THE WAY SHE THOUGHT. SHE WAS BEAUTIFUL FOR THE SPARKLE IN HER EYES WHEN SHE TALKED ABOUT SOMETHING SHE LOVED. SHE WAS BEAUTIFUL FOR HER ABILITY TO MAKE OTHER PEOPLE SMILE, EVEN IF SHE WAS SAD. NO, SHE WASN’T BEAUTIFUL FOR SOMETHING AS TEMPORARY AS HER LOOKS. SHE WAS BEAUTIFUL, DEEP DOWN TO HER SOUL.”

This quote may have originated in a memoir/advice book published in 2011 by Natalie Newman titled Butterflies and Bullshit, where it appears in its entirety. It was attributed to Fitzgerald in a January 2015 Thought Catalog article, and was quoted as written by an unknown source in Hello, Beauty Full: Seeing Yourself as God Sees You by Elisa Morgan, published in September 2015. However, there’s no evidence that Fitzgerald said or wrote anything like it.

9. “AND IN THE END, WE WERE ALL JUST HUMANS, DRUNK ON THE IDEA THAT LOVE, ONLY LOVE, COULD HEAL OUR BROKENNESS.”

Christopher Poindexter, the successful Instagram poet, wrote this as part of a cycle of poems called “the blooming of madness” in 2013. After a Twitter account called @SirJayGatsby tweeted the phrase with no attribution, it went viral as being attributed to Fitzgerald. Poindexter has addressed its origin on several occasions.

10. “YOU NEED CHAOS IN YOUR SOUL TO GIVE BIRTH TO A DANCING STAR.”

This poetic phrase is actually derived from the work of philosopher Friedrich Nietzsche, who died in 1900, just four years after Fitzgerald was born in 1896. In his book Thus Spake ZarathustraNietzsche wrote the phrase, “One must have chaos within to enable one to give birth to a dancing star.” Over time, it’s been truncated and modernized into the currently popular version, which was included in the 2009 book You Majored in What?: Designing Your Path from College to Career by Katharine Brooks.

11. “FOR THE GIRLS WITH MESSY HAIR AND THIRSTY HEARTS.”

This quote is the dedication in Jodi Lynn Anderson’s book Tiger Lily, a reimagining of the classic story of Peter Pan. While it is often attributed to Anderson, many Tumblr pages and online posts cite Fitzgerald as its author.

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13 Smart Facts About The Big Bang Theory
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The Big Bang Theory, which has held the title of television's most popular comedy for several years now, and will return for its 11th season on Monday, September 25th. In the meantime, geek out with these facts about the long-running cerebral comedy on the 10th anniversary of its premiere.

1. THE SHOW WASN’T PITCHED IN A TRADITIONAL WAY.

Instead of writing up a premise—which includes outlines of the characters and the long-term vision for the show—and pitching it to CBS, co-creators Chuck Lorre and Bill Prady revealed at PaleyFest in 2009 that for their pitch, they wrote a complete script, hired actors, and, as Lorre explained, “put on a show” for CBS president Les Moonves. Lorre found the experience to be “crazy,” but it obviously worked.

2. IT TOOK TWO PILOTS FOR THE SHOW TO GET PICKED UP TO SERIES.

The show filmed two different pilots, because CBS didn't like the first one but felt the show had potential. The first pilot began with a different theme song and featured Sheldon, Leonard, and two female characters, including a different actress playing what would become the Penny role. Chuck Lorre thought the initial pilot “sucked” but is open to having the unaired pilot included as part of a DVD.

3. JIM PARSONS THOUGHT HE WAS AUDITIONING FOR A GAME SHOW.

Amy and Sheldon in The Big Bang Theory.
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When Jim Parsons’s agent called and said Chuck Lorre wanted him to audition for a pilot, Parsons misunderstood. “I did not know Chuck Lorre at the time,” Parsons told David Letterman in 2014. “I thought he was talking about Chuck Woolery. I thought, why are they so excited about it? We should see what the man has to offer before we’re like, ‘It’s a new Chuck Woolery pilot!'"

4. ED ROBERTSON OF THE BARENAKED LADIES HESITATED TO WRITE THE THEME SONG.

As the story goes, Lorre and Prady went to a Barenaked Ladies concert and were impressed that lead singer Ed Robertson sang a song on cosmological theory, so they tapped him to write the series' theme song, called “The History of Everything." In 2013, Robertson told CBS News that he’d previously written some songs for TV and films only to have his work rejected, so he was initially reluctant to take on the project.

“I was like, look, how many other people have you asked to write this? I’m at my cottage, I got a couple of weeks off right now and if you’ve asked Counting Crows and Jack Johnson and all these other people to write it, then I kinda don’t want to waste my time on it,” Robertson told them. Lorre and Prady told Robertson he was their only choice, so Robertson agreed to come on board. The first version was 32 seconds long but Robertson had to trim it down to 15 seconds. The original version was also acoustic, which Lorre loved, but Robertson insisted that his bandmates be on the track, and Lorre loved that one even more.

5. SHELDON PROBABLY DOESN’T HAVE ASPERGER’S.

Because of Sheldon’s anti-social nature, viewers have often assumed that Sheldon has Asperger's syndrome. But Prady has stated that, "We write the character as the character. A lot of people see various things in him and make the connections. Our feeling is that Sheldon's mother never got a diagnosis, so we don't have one.”

Parsons himself isn’t totally sure, though. “Asperger’s came up as a question within the first few episodes. I got asked about it by a reporter, and I had heard of it, but I didn’t know what it was, specifically,” he told Adweek in 2014. “So I asked the writers—I said, ‘They’re asking me if Sheldon has Asperger’s’ and they were like, ‘No.’ And I said, ‘OK.’ And I went back and I said, ‘No.’ And then I read some about it and I went, OK, well, if the writers say he doesn’t, then he doesn’t, but he certainly shares some qualities with those who do. I like the way it’s handled ... This is who this person is; he’s just another human.”

6. KUNAL NAYYAR GOT HIRED BECAUSE HE WAS “CHARMING."

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In reminiscing about the early days, Prady explained to Buzzy Mag how Raj came to be: “When we were casting for that part, we were casting for an international member of the ensemble, [because] if you go into the science department at a university, it’s not [just] Americans,” Prady said. “It’s one of the most international kinds of communities. So we saw foreign-born people. And so we saw people who were Korean and Korean-American and Latino. And then Kunal came in and it was like Jim [Parsons]—it was just Person Number Eight on a day of Twenty-Seven people, and he was charming.”

7. AMY FARRAH FOWLER WAS MADE A NEUROSCIENTIST ON PURPOSE.

Mayim Bialik, who in real life has a PhD in neuroscience, told Variety how Amy Farrah Fowler’s profession came to be. “They didn’t have a profession for my character when I came on in the finale of season three,” she says. “In season four, Bill Prady said they’d make her what I am so I could fix things (in the script) if they were wrong. It’s neat to know what things mean. But most of the time, I don’t have to use it.”

8. ASTROPARTICLE PHYSICIST/SCIENCE CONSULTANT DAVID SALTZBERG ONCE GOT A JOKE ON THE AIR.

The Big Bang Theory has had David Saltzberg on retainer since the beginning of the series. Every week he attends the tapings and offers up corrections and ensures the white boards used in the scenes are accurate. During episode nine of the first season, Saltzberg wrote a joke for Sheldon, who has a fight with another scientist. Penny asks Sheldon about the misunderstanding and Sheldon replies, “A little misunderstanding? Galileo and the Pope had a little misunderstanding!”

Even though Saltzberg teaches at UCLA and publishes papers, he thinks his work on The Big Bang Theory is more impactful. “This has a lot more impact than anything I will ever do,” he told NPR. “It’s hard to fathom, when you think about 20 million viewers on the first showing—and that doesn't include other countries and reruns. I’m happy if a paper I write gets read by a dozen people.”

9. WIL WHEATON GOT THE “EVIL WIL WHEATON” GIG THROUGH TWITTER.

Wil Wheaton and Jim Parsons in a scene from The Big Bang Theory.
Sonja Flemming - © 2012 CBS Broadcasting, Inc

Wil Wheaton, who plays a “delightfully evil version” of himself on the show, tweeted about The Big Bang Theory. Wheaton told Larry King, “I was talking on Twitter about how much I loved the show and how I thought it was really funny.” Executive producer Steven Molaro—who will be taking on the same role in the Young Sheldon prequel, which also premieres Monday night—saw the tweet and told Wheaton to let him know if he wanted to come to a taping. A few days later Wheaton received an email from Bill Prady’s assistant about appearing on the show. “I just thought the email was a joke from one of my friends, so I just ignored it,” Wheaton said.

When Wheaton realized that the email was legit he phoned up Prady, who explained they wanted a nemesis for Sheldon. “It’s always more fun to be the villain,” Wheaton said. Even though the character has evolved into Sheldon’s ally, Wheaton said, “I still call him Evil Wil Wheaton.”

10. CHUCK LORRE THOUGHT THE SHOW AIRING AT 8 P.M. WAS THE BEGINNING OF THE END.

The show aired a handful of episodes in the fall of 2007, but a Writers Guild strike halted production until the following year. When the show returned in March, it had an earlier time slot. During a 2009 Comic-Con panel with the show’s cast and producers, the moderator asked Lorre about how CBS once again changed the time slot, this time from Mondays at 8 p.m. to Mondays at 9:30 p.m. “You guys followed us when they put us on at 8 and that is what kept us alive,” Lorre replied. "We did eight shows before the strike took us out in our first season. When the strike was over, CBS put us on at 8 p.m. and we thought that might be the end of it. You followed us and kept us alive and that was when we got the two-year pickup when we did well at 8.” The show eventually returned to the Mondays at 8 p.m. slot.

11. PARSONS ATTRIBUTES THE SHOW'S SUCCESS TO ITS LACK OF CHARACTER ARCS.

In a 2014 interview with New York Magazine, Parsons gave his theory (if you will) on why The Big Bang Theory attracts more than 20 million viewers per week—a number unheard of since the Friends-era sitcom reign. “There’s not anything to keep up with,” he said. “You don’t go, ‘I didn’t see the first three seasons, and now they’re off with prostitutes, and they no longer work in the Mafia, and I don’t understand what happened.’ People have so many choices on TV now, so no one’s asking for you to marry us. You can enjoy our show without a weekly appointment.”

12. A NEW GENUS OF JELLYFISH IS NAMED BAZINGA.

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In 2011, a photographer spotted the unnamed grape-sized rhizostome in Australia’s Brunswick River, snapped a photo of it, and sent the photo to marine biologist Lisa-ann Gershwin. In 2013, she named the jellyfish and published a paper on it for the Queensland Museum. In her findings she called it “a new genus and species of the rhizostome jellyfish, which cannot be placed in any known family or suborder.” She told The Huffington Post that it’s the first time in more than 100 years that a new sub-order of jellyfish had been discovered. For now, it’s the only member of the genus Bazinga, the family Bazingidae, and the sub-order Ptychophorae. Sheldon’s catchphrase also inspired the naming of a new bee species in 2013.

13. THE CAST MEMBERS ARE SOME OF THE WORLD’S HIGHEST PAID TV ACTORS.

In August 2017, Variety released a list of television's highest paid actors, and the main cast members of The Big Bang Theory—Kaley Cuoco, Johnny Galecki, Jim Parsons, Simon Helberg, and Kunal Nayyar—came out on top for comedy, earning an average of $900,000 per episode.

BONUS FACT: WE'RE ON THE COFFEE TABLE!

Image credit: Wil Wheaton

In 2010, Wil Wheaton shared this close-up of the coffee table in Sheldon and Leonard's apartment. "I saw a lot of things that could have been on my own coffee table," he wrote, "so I decided to grab a picture."

Here's one from 2014:

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