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15 Surprising Facts About Paul Giamatti

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Over the course of nearly 30 years and approximately 100 film and television roles, Paul Giamatti has worked his way up from blink-and-you’ll-miss-him roles like “Heckler #2” to become an Oscar-nominated leading man. While he continues to build a diverse resume of film roles with projects like American Splendor, Sideways, Cinderella Man, 12 Years a Slave, and Straight Outta Compton, he’s also bringing his singular brand of wit and talent to the small screen on Showtime’s Billions. To celebrate the venerable actor’s 50th birthday, here are 15 things you might not know about Paul Giamatti.

1. HE GREW UP WANTING TO BE A PROFESSOR.

Growing up in a family surrounded by academics, Paul Giamatti considered following his father’s career path and becoming a professor. In 1978, at the age of 40, Giamatti’s father—Bart—was appointed president of Yale University (the youngest person to ever hold the position). “I was never the class clown, or put on shows at home,” Giamatti told The Scotsman about his roundabout road to becoming an actor. “I never thought of acting as something I could do with my life. When I was a kid, I used to run around wrapped in toilet paper so I could be the Mummy. But that wasn’t a sign that I was dreaming of being an actor. I was just an odd child."

2. HE HAD A STRANGE OBSESSION WITH BASEBALL UMPIRES.

Growing up, Giamatti was oddly fascinated with baseball umpires. “I don’t think it had anything to do with their authority,” he told The Believer. “It was more a fascination with the appearance of the home-plate umps. They wear those old-school chest protectors and the mask and they’re always dressed in black … There’s something weirdly sinister about those cats. And of course I’ve always been drawn to the ancillary supporting players in drama. If you look at a game of baseball as a narrative of some kind, the umps are the bit players. They’re the character actors. In almost any situation, I’m invariably interested in the people that nobody pays much attention to."

3. HIS FATHER IS THE MAN WHO BANNED PETE ROSE FROM BASEBALL.

Giamatti’s obsession with baseball’s supporting players might make more sense when you consider that, after leaving his position at Yale in 1986, Bart Giamatti became the president of the National League and, in 1989, was appointed MLB Commissioner. Though he only held the position for five months (the elder Giamatti passed away on September 1, 1989), he managed to make one memorable move during his tenure when he banned Pete Rose from the game amid allegations that he was betting on baseball games.

4. HE LIKES PLAYING SUPPORTING ROLES.

Though he emerged as more of a leading man in the early 2000s with movies like American Splendor and Sideways, Giamatti is content to play a supporting role. "I think you're given more license to have fun, in a way,” he told The Guardian of being a supporting player. “You're supposed to be more vivid, your job is to be more eccentric. I think I just like it better. There's something about working in a smaller space that I'm more temperamentally suited to."

5. M. NIGHT SHYAMALAN SEES HIM AS A TOM HANKS TYPE (WITH BEAUTIFUL EYES).

M. Night Shyamalan, who directed Giamatti in 2006’s Lady in the Water, doesn’t see Giamatti as a bit player. “He is very much a leading man," Shyamalan told The New York Times. "For me, he is like Tom Hanks—he can carry a movie. Paul's eyes are very beautiful in a puppy-dog way. The audience is compelled to want what that person wants and that is a sign of a real star."

6. HIS MOST CHALLENGING ROLE REQUIRED HIM TO SIT IN POOP.

When asked about the biggest challenge he has faced as an actor, the ever-self-deprecating Giamatti said it was one of his earliest roles. “I believe the character was called ‘Man in Sleeping Bag,’” he said. “A homeless guy. It may have just been ‘man.’ Who knows. It was an episode of NYPD Blue. We were in a squatters village below the Manhattan Bridge. I was lying in real human feces. A real lunatic who lived there in a huge drainage pipe of some kind would crawl out occasionally and pelt me with debris … They had to pay him a lot to stay in his pipe. Good for him. I had one line. Something like, ‘I don’t know nothin’ man.’ I screwed it up. I sat around all day. At one point I got thrown off the set by a P.A. who thought I was a real ‘Man in Sleeping Bag.’ I was nervous; disoriented."

When asked about the most fun he’s had playing a part, Giamatti responded: “Man in sleeping bag."

7. HE COULDN’T BELIEVE THAT ANYONE WOULD WANT TO MAKE, OR WATCH, A MOVIE ABOUT WINE.

Though Sideways may be one of the best known, and most beloved, films on Giamatti’s resume, the actor himself wasn’t so sure about it. He told The Scotsman that when he was offered the part, his first thought was: “No one will want to make this movie—and who the hell is going to want to watch a movie about wine?" For the record, Giamatti freely admits that he knows nothing about wine, and he’s fine with that.

8. HE GOT FOOD POISONING WHILE MAKING SIDEWAYS. HE ALSO GOT VERY DRUNK.

In the DVD commentary for Sideways, Giamatti and his co-star, Thomas Haden Church, discussed how they both got food poisoning after filming the dinner scene with Giamatti’s on-screen mom. On another occasion, Giamatti got very, very drunk.

“There was one dinner scene where I had to drink a sh*tload and by the end of the night I was completely hammered,” Giamatti recounted. “Fortunately I didn’t have to do that much talking but I got really f*cked up, it was great. You can tell that I’m kind of messed up. Maybe that’s why the Academy didn’t nominate me for that movie, because I’m clearly drunk."

9. HE DIDN’T CARE ABOUT HIS SO-CALLED “OSCAR SNUB.”

Speaking of the Oscars: While much of the movie-watching world was taken aback when both Thomas Haden Church and Virginia Madsen received Academy Award nominations for their work on Sideways, while Giamatti got nothing, the actor wasn’t at all fazed or disappointed. “That was an odd dilemma to be in,” he told the Independent. “I didn't expect to get nominated so it was like everybody else was way more disappointed than I was, so that was really weird, talking to these people and not knowing what to say to them to take their disappointment away that I didn't get nominated."

10. HE WAS APPROACHED ABOUT PLAYING MICHAEL SCOTT ON THE OFFICE.

In 2006, The New York Times reported that when adapting Ricky Gervais and Stephen Merchant’s The Office for American television, Paul Giamatti as Michael Scott was on the top of at least one NBC executive’s dream casting list. Giamatti declined the part.

11. HE HAS PORTRAYED TWO DIFFERENT PRESIDENTS.

Six years after playing the title role in HBO’s John Adams miniseries (a part that earned him a Golden Globe Award), Giamatti took on the role of another POTUS when he voiced Teddy Roosevelt for Ken Burns’s The Roosevelts: An Intimate History.

12. NOT BEING BORED IS HIS MAIN CRITERIA FOR ACCEPTING A ROLE.

When asked about how he goes about choosing his roles, Giamatti told The A.V. Club that he doesn’t have any sort of calculated plan. “I just don’t want to be bored,” he said. “That’s the only criteria I have. I like it if the script is good and the director seems like he’s gonna be good. But if I can find a variety of things to do, which I feel like I manage to do, as far as the actual performing goes and the character, that’s huge for me. To be able to feel like I can do a fairly diverse array of things. I’ve been lucky in that way. I don’t mind being stereotyped in some way and playing certain kinds of guys, but if I can find something to occasionally get a break from that, that would be nice. And I feel like I manage to. But there’s no grand scheme other than that."

13. HE THINKS HE HAS BEEN TYPECAST, AND HE’S OK WITH IT.

Because he chooses his roles on what is most interesting to him personally, Giamatti often ends up playing oddballs. “I think I'm typecast. But that is fine with me,” he told the Independent. “I remember an actor called Bud Cort, I met him once and he said, 'Go ahead and happily be typecast, I resisted it and didn't get cast again, I would happily go back and be typecast.' Within the type I play, it's interesting to play, ambivalent, spiky, weird, unpleasant people."

14. HE CAN BE VERY CRITICAL OF HIS OWN PERFORMANCES.

Like so many other artists, Giamatti has a habit of picking apart his performances. “I definitely have a tendency to only see the blemishes of things, and see lots of things about my acting that I don’t like,” he told The A.V. Club. “I think I’ve gotten a little easier on myself, or at least a little more usefully critical of myself. I think before, I just couldn’t take looking at myself at all. I don’t know. I’m happy people see something I don’t see. I’ve very critical of myself, and film has been an adjustment for me. I’m glad; it’s a challenge in some ways. Certainly not boring. But it’s always been hard for me to feel like I get it, get how to act on film. I feel like I’m gradually getting it."

15. HE BELIEVES THAT CHUCK RHOADES, HIS CHARACTER IN BILLIONS, IS ESSENTIALLY A GOOD GUY.

At the moment, much of Giamatti’s time is devoted to Billions, the Showtime series he stars in that was recently renewed for a third season. In the series, Giamatti plays U.S. Attorney Chuck Rhoades, a complicated character who will seemingly stop at nothing to take down his wife’s employer, hedge fund manager Bobby Axelrod (Damian Lewis). While Rhoades doesn’t always make the best choices, Giamatti believes that he’s essentially a good guy.

“I admire those guys who do what my character does,” Giamatti told the Los Angeles Daily News. “They are ambitious, driven guys with human needs and desires, but they do believe in the law as a kind of instrument for doing good.” He acknowledges that Rhoades is “definitely a flawed person, but essentially I think my character is doing a good thing.”

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15 Heartwarming Facts About Mister Rogers
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Though Mister Rogers' Neighborhood premiered 50 years ago, Fred Rogers remains an icon of kindness for the ages. An innovator of children’s television, his salt-of-the-earth demeanor and genuinely gentle nature taught a generation of kids the value of kindness. In celebration of the groundbreaking children's series' 50th anniversary, here are 15 things you might not have known about everyone’s favorite “neighbor.”

1. HE WAS BULLIED AS A CHILD.

According to Benjamin Wagner, who directed the 2010 documentary Mister Rogers & Me—and was, in fact, Rogers’s neighbor on Nantucket—Rogers was overweight and shy as a child, and often taunted by his classmates when he walked home from school. “I used to cry to myself when I was alone,” Rogers said. “And I would cry through my fingers and make up songs on the piano.” It was this experience that led Rogers to want to look below the surface of everyone he met to what he called the “essential invisible” within them.

2. HE WAS AN ORDAINED MINISTER.

Rogers was an ordained minister and, as such, a man of tremendous faith who preached tolerance wherever he went. When Amy Melder, a six-year-old Christian viewer, sent Rogers a drawing she made for him with a letter that promised “he was going to heaven,” Rogers wrote back to his young fan:

“You told me that you have accepted Jesus as your Savior. It means a lot to me to know that. And, I appreciated the scripture verse that you sent. I am an ordained Presbyterian minister, and I want you to know that Jesus is important to me, too. I hope that God’s love and peace come through my work on Mister Rogers’ Neighborhood.”

3. HE RESPONDED TO ALL HIS FAN MAIL.

Responding to fan mail was part of Rogers’s very regimented daily routine, which began at 5 a.m. with a prayer and included time for studying, writing, making phone calls, swimming, weighing himself, and responding to every fan who had taken the time to reach out to him.

“He respected the kids who wrote [those letters],” Heather Arnet, an assistant on Mister Rogers’ Neighborhood, told the Pittsburgh Post-Gazette in 2005. “He never thought about throwing out a drawing or letter. They were sacred."

According to Arnet, the fan mail he received wasn’t just a bunch of young kids gushing to their idol. Kids would tell Rogers about a pet or family member who died, or other issues with which they were grappling. “No child ever received a form letter from Mister Rogers," Arnet said, noting that he received between 50 and 100 letters per day.

4. ANIMALS LOVED HIM AS MUCH AS PEOPLE DID.

It wasn’t just kids and their parents who loved Mister Rogers. Koko, the Stanford-educated gorilla who understands 2000 English words and can also converse in American Sign Language, was an avid Mister Rogers’ Neighborhood watcher, too. When Rogers visited her, she immediately gave him a hug—and took his shoes off.

5. HE WAS AN ACCOMPLISHED MUSICIAN.

Though Rogers began his education in the Ivy League, at Dartmouth, he transferred to Rollins College following his freshman year in order to pursue a degree in music (he graduated Magna cum laude). In addition to being a talented piano player, he was also a wonderful songwriter and wrote all the songs for Mister Rogers' Neighborhood—plus hundreds more.

6. HIS INTEREST IN TELEVISION WAS BORN OUT OF A DISDAIN FOR THE MEDIUM.

Rogers’s decision to enter into the television world wasn’t out of a passion for the medium—far from it. "When I first saw children's television, I thought it was perfectly horrible," Rogers told Pittsburgh Magazine. "And I thought there was some way of using this fabulous medium to be of nurture to those who would watch and listen."

7. KIDS WHO WATCHED MISTER ROGERS’ NEIGHBORHOOD RETAINED MORE THAN THOSE WHO WATCHED SESAME STREET.

A Yale study pitted fans of Sesame Street against Mister Rogers’ Neighborhood watchers and found that kids who watched Mister Rogers tended to remember more of the story lines, and had a much higher “tolerance of delay,” meaning they were more patient.

8. ROGERS’S MOM KNIT ALL OF HIS SWEATERS.

If watching an episode of Mister Rogers’ Neighborhood gives you sweater envy, we’ve got bad news: You’d never be able to find his sweaters in a store. All of those comfy-looking cardigans were knitted by Fred’s mom, Nancy. In an interview with the Archive of American Television, Rogers explained how his mother would knit sweaters for all of her loved ones every year as Christmas gifts. “And so until she died, those zippered sweaters I wear on the Neighborhood were all made by my mother,” he explained.

9. HE WAS COLORBLIND.

Those brightly colored sweaters were a trademark of Mister Rogers’ Neighborhood, but the colorblind host might not have always noticed. In a 2003 article, just a few days after his passing, the Pittsburgh Post-Gazette wrote that:

Among the forgotten details about Fred Rogers is that he was so colorblind he could not distinguish between tomato soup and pea soup.

He liked both, but at lunch one day 50 years ago, he asked his television partner Josie Carey to taste it for him and tell him which it was.

Why did he need her to do this, Carey asked him. Rogers liked both, so why not just dip in?

"If it's tomato soup, I'll put sugar in it," he told her.

10. HE WORE SNEAKERS AS A PRODUCTION CONSIDERATION.

According to Wagner, Rogers’s decision to change into sneakers for each episode of Mister Rogers’ Neighborhood was about production, not comfort. “His trademark sneakers were born when he found them to be quieter than his dress shoes as he moved about the set,” wrote Wagner.

11. MICHAEL KEATON GOT HIS START ON THE SHOW.

Oscar-nominated actor Michael Keaton's first job was as a stagehand on Mister Rogers' Neighborhood, manning Picture, Picture, and appearing as Purple Panda.

12. ROGERS GAVE GEORGE ROMERO HIS FIRST PAYING GIG, TOO.

It's hard to imagine a gentle, soft-spoken, children's education advocate like Rogers sitting down to enjoy a gory, violent zombie movie like Dawn of the Dead, but it actually aligns perfectly with Rogers's brand of thoughtfulness. He checked out the horror flick to show his support for then-up-and-coming filmmaker George Romero, whose first paying job was with everyone's favorite neighbor.

“Fred was the first guy who trusted me enough to hire me to actually shoot film,” Romero said. As a young man just out of college, Romero honed his filmmaking skills making a series of short segments for Mister Rogers’ Neighborhood, creating a dozen or so titles such as “How Lightbulbs Are Made” and “Mr. Rogers Gets a Tonsillectomy.” The zombie king, who passed away in 2017, considered the latter his first big production, shot in a working hospital: “I still joke that 'Mr. Rogers Gets a Tonsillectomy' is the scariest film I’ve ever made. What I really mean is that I was scared sh*tless while I was trying to pull it off.”

13. ROGERS HELPED SAVE PUBLIC TELEVISION.

In 1969, Rogers—who was relatively unknown at the time—went before the Senate to plead for a $20 million grant for public broadcasting, which had been proposed by President Johnson but was in danger of being sliced in half by Richard Nixon. His passionate plea about how television had the potential to turn kids into productive citizens worked; instead of cutting the budget, funding for public TV increased from $9 million to $22 million.

14. HE ALSO SAVED THE VCR.

Years later, Rogers also managed to convince the Supreme Court that using VCRs to record TV shows at home shouldn’t be considered a form of copyright infringement (which was the argument of some in this contentious debate). Rogers argued that recording a program like his allowed working parents to sit down with their children and watch shows as a family. Again, he was convincing.

15. ONE OF HIS SWEATERS WAS DONATED TO THE SMITHSONIAN.

In 1984, Rogers donated one of his iconic sweaters to the Smithsonian’s National Museum of American History.

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15 Fun Facts About Army of Darkness
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On February 19, 1993, Army of Darkness—the third installment in Sam Raimi and Bruce Campbell's Evil Dead franchise—made its way into U.S. theaters. You probably know all about Ash’s boomstick, but on the occasion of the hilarious horror comedy's 25th anniversary, it's worth a closer look.

1. ARMY OF DARKNESS ISN'T THE ENTIRE TITLE.

The film’s title is stylized onscreen as Bruce Campbell vs. Army of Darkness. This phrasing was Sam Raimi’s homage to the defunct Hollywood tradition of putting stars’ names in movie titles (like Abbott and Costello Meet Frankenstein)—but the studio feared the long title would confuse moviegoers, so it was shortened for official purposes to just Army of Darkness.

2. EVEN THE SHORTER TITLE WASN'T RAIMI'S FIRST CHOICE.

Army of Darkness is the third installment of the Evil Dead series and the first to take place during the Middle Ages. Raimi’s original title for Army of Darkness was The Medieval Dead.

3. BRIDGET FONDA FINALLY GOT TO WORK WITH RAIMI.

Bridget Fonda makes a cameoas Ash’s girlfriend Linda during the beginning flashback sequence. She is the third actress in three films to play Linda (following actresses Betsy Baker and Denise Bixler). Fonda—a huge Evil Dead II fan—had originally auditioned to be in Raimi’s previous film, Darkman, but didn’t get the part.

4. ASH'S CAR HAD A LOT OF SCREEN EXPERIENCE.

The 1973 Oldsmobile Delta 88 allegedly appears in all of Sam Raimi’s films.

5. DARKMAN MADE ARMY OF DARKNESS POSSIBLE.

Raimi wanted to make Army of Darkness immediately following 1987’s Evil Dead II, but he struggled to find funding to finish his trilogy. The financial success of Raimi’s 1990 film, Darkman, eventually convinced Universal Studios to split the $12 million budget with executive producer Dino De Laurentiis.

6. A SUBTLE SCIENCE FICTION REFERENCE PLAYS A KEY ROLE.

The words Ash must utter to safely retrieve the Necronomicon (“Klaatu verata nikto”) are actually a variation on a phrase from the original version of The Day the Earth Stood Still. In that film, “Klaatu barada nitko” is the phrase one must say to stop the robot Gort from destroying Earth.

7. THE SKELETON DEADITES WERE AN HOMAGE.

Their design is a tribute to visual effects legend Ray Harryhausen.

8. THE STAY PUFT MARSHMALLOW MAN MAKES AN APPEARANCE.

Billy Bryan, the actor who portrays the second monster in the medieval pit, also portrayed the Stay Puft Marshmallow Man in Ghostbusters.

9. SAM RAIMI'S BROTHER WORE A LOT OF HATS.

Ted Raimi—who makes cameos in all of his brother’s films—appears as three different background characters in Army of Darkness. He is first seen as a sympathetic villager, then as a dying soldier during the final battle, and, finally, as an S-Mart employee in the last scene.

10. RAIMI HAD TO FIGHT FOR AN R-RATING.

In keeping with the gory first two films in the series, Army of Darkness received an NC-17 rating from the MPAA. It was subsequently bumped down to an R rating after the filmmakers pointed out that the ostensible gore in the film was happening to skeletons.

11. PLAYING EVIL ASH WAS TOUGH FOR CAMPBELL.

It took makeup artists three hours to get Campbell ready for shooting.

12. RAIMI STORYBOARDED EVERY SINGLE SHOT IN THE MOVIE HIMSELF.

About 25 shots in the final battle are taken from storyboards originally used in the 1948 Victor Fleming film Joan of Arc, which were brought to Raimi’s attention by visual effects supervisor William Mesa. Mesa got them from a friend, who got them from Fleming himself.

13. THERE'S AN EASTER EGG FOR TREKKIES.

Star Trek fans will recognize the location where Ash learns the “Klaatu verata nikto” incantation. The scene was shot at the iconic Vasquez Rocks in Agua Dulce, California, where the famous “Arena” episode from Star Trek was also shot. The movie also shot in the Bronson Canyon area of Griffith Park in Los Angeles that served as the Batcave for the 1960s Batman television show.

14. THE STUDIO CHANGED THE ENDING.

Bruce Campbell stars in 'Army of Darkness' (1992)
Universal Pictures

The original conclusion of the film—which Universal Studios deemed too negative—featured Ash taking too much potion to get back to the present day and waking up in a future, post-apocalyptic London. The ending can be seen on subsequent director’s cuts of home video versions of Army of Darkness.

15. EVEN AFTER YEARS OF TRYING, A SEQUEL NEVER MATERIALIZED.

Beginning in 2015, Bruce Campbell reprised his role as Ash in the Ash vs Evil Dead TV series. While fans of the Evil Dead franchise love it, Raimi spent years trying to get a sequel to Army of Darkness off the ground. On the commentary track for the first season of Ash vs. Evil Dead, Raimi even shared a few of the discarded ideas he had for the film.

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