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11 Fascinating Facts About Twin Peaks: Fire Walk With Me

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New Line Cinema

At the moment, everyone has Twin Peaks on the brain, thanks the recent premiere of David Lynch and Mark Frost’s 18-episode revival of the cult classic mystery series on Showtime. Naturally, Twin Peaks fans everywhere have already binge-watched the original series in anticipation, but there’s one other big piece of the Twin Peaks puzzle that shouldn’t be left out: Fire Walk With Me, the 1992 prequel film directed by Lynch.

Lambasted by critics upon its release for its bleak and disorienting plot, Fire Walk With Me was for many years ignored by all but diehard fans. But critical reexaminations, deleted scenes, and a promise from Lynch himself that it’s ”very important” to the future of Twin Peaks have pushed it back into the public imagination. So, pour yourself a cup of coffee, cut a slice of cherry pie, and check out these facts about the film.

1. IT HAPPENED FAST.

By the spring of 1991, Twin Peaks—which had once been a ratings juggernaut for ABC—was flagging. The resolution of the Laura Palmer mystery left the show without its most popular storyline, and various time slot shifts led to further viewership drops. The show was canceled, but co-creator Lynch did not wait long to continue the franchise. Fire Walk With Me was announced only about a month after the show ended in June 1991. Financing from French company Ciby 2000 came quickly, and by May of the following year, the film was celebrating its premiere at the Cannes Film Festival.

2. ONE TWIN PEAKS STAR WAS REPLACED, WHILE ANOTHER WAS LEFT OUT ENTIRELY.

Though Fire Walk With Me is primarily the story of Laura Palmer’s last week alive, Lynch had big plans for the film, and intended to bring back numerous Twin Peaks actors to reprise their roles from the show. Among the biggest names Lynch asked to return were Lara Flynn Boyle (Donna Hayward) and Sherilyn Fenn (Audrey Horne). Both actresses declined due to scheduling conflicts with other projects. Because Donna was Laura’s best friend, and therefore integral to the story, the role was recast with future The West Wing star Moira Kelly. Audrey Horne was ultimately left out of the film altogether, though Fenn recalled later that something really could have been worked out.

“I was just doing Of Mice And Men. David was mad at me. I was going to do it. I was set to do it! I was like, ‘What am I supposed to do?’ And then they were going to have me do it in between that and whatever I was going to do next, but he wanted my hair to be cut, and there was this stupid thing where… [dismissively] Really, if they’d really wanted me, they could’ve figured it out. Not that they didn’t really want me to do it, but productions like to have you and just you, you know what I mean? The dates were completely conflicting, because I was supposed to be in Santa Ynez filming Of Mice And Men for eight weeks, so … that’s what happened."

3. KYLE MACLACHLAN WAS SUPPOSED TO HAVE A LARGER ROLE.

It wouldn’t feel like Twin Peaks without Kyle MacLachlan’s Special Agent Dale Cooper. Cooper was the heart of the TV series, so it made sense that he would return for the film, but in July of 1991, the film was put on hold when it was announced that MacLachlan, on the hunt for new acting challenges, would not return to the role. By August of that year, MacLachlan was back on board, but Lynch and co-writer Robert Engels had to rewrite the script to reduce his role. In a 2000 Observer interview, MacLachlan explained the changes:

“Without getting too specific about it, David and Mark [Frost] were only around for the first series [of Twin Peaks],” he said. “I fought and fought to try and get them back, but … I think we all felt a little abandoned. So I was fairly resentful when the film, Fire Walk With Me, came round. I wanted to have a meaningful discussion about some of [the early] scenes, and David was unwilling to do that, so I was not in those scenes; Chris Isaak was in them, instead of me.”

Clearly there are no bad feelings, as MacLachlan has returned to the role of Dale Cooper in a big way for the revival.

4. LYNCH HELPED COMPOSE THE MUSIC, AND EVEN PLAYED ON THE SOUNDTRACK.

Lynch reunited with Twin Peaks composer Angelo Badalamenti for Fire Walk With Me, and got more involved than usual in the composition. He composed lyrics to several songs for the soundtrack (including “Questions in a World of Blue,” which featured the return of Twin Peaks Roadhouse singer Julee Cruise), and music for others. One track, “A Real Indication,” features Lynch on percussion and Badalamenti himself on vocals.

5. THE FIRST CUT WAS FIVE HOURS LONG.

The journey from announcing to premiering Fire Walk With Me took less than a year, and the production process itself was equally fast. In a little more than three months, Lynch managed to shoot half a million feet of film, an amazing amount for a final picture that runs just over two hours. Why so long? Well that’s in part due to the very large number of characters (including lots of Twin Peaks regulars) in the script. The first cut of the film came in at around five hours, which meant considerable trimming before the premiere.

6. THE RING AT THE CENTER OF THE PLOT HAS A WEIRD HISTORY.


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Fire Walk With Me features an intriguing new addition to Twin Peaks lore: a ring that seems to have magical properties, which passes from the murdered Teresa Banks to Laura Palmer through weird Lynchian dream logic. Its exact powers and origins are still unknown, but it’s been around for a very long time. In the 2016 book The Secret History of Twin Peaks, by Peaks co-creator Mark Frost, it’s revealed that the ring has been owned by, among others, Meriwether Lewis and Richard Nixon. In one of the film’s infamous deleted scenes, it’s revealed that Agent Cooper’s girlfriend Annie Blackburn (Heather Graham) was wearing the ring after escaping the Black Lodge at the end of season two of Twin Peaks, but it was later stolen from her finger by a hospital nurse.

7. THE CLIMACTIC SCENE HAS A CREEPY COINCIDENTAL CONNECTION TO A REAL MURDER.

Most of Fire Walk With Me was shot on location in Washington State, but because the film went over its allotted location shooting days, filming had to be completed in Los Angeles. The murder of Laura Palmer in a train car, originally set to be filmed in the Seattle area, was filmed on a soundstage on the last day of shooting, which also happened to be Halloween 1991. According to Frank Silva, who played the demonic Killer Bob, a real murder happened that same night near the location where the crew was originally supposed to film the scene.

"Five days after Halloween, in Seattle, they found the body of a girl off of Avenue 37 up toward the river, and the weird thing about it was that her name was Theresa Briggs," Silva told Fangoria. "Theresa Banks is the first girl who gets killed, and Bobby Briggs was one of the characters in the show. And when they did an autopsy, they discovered the murder had taken place five days earlier on Halloween night, the same night we were shooting the killing of Laura Palmer on the set in LA. It was really weird stuff. Art imitates life. Life imitates art."

8. LYNCH ORIGINALLY PLANNED TO MAKE MORE FILMS.

Though it functions largely as a Twin Peaks prequel, Fire Walk With Me also has elements of a sequel to the TV series, most notably when Annie appears in Laura’s dream (from the future, somehow transmitting into the past) to say “The good Dale is in the lodge and can’t leave. Write it in your diary.” If Laura wrote this information down, it means that someone in the future would have come across it in her diary (shredded to pieces but recovered by the Twin Peaks Sheriff's Department) and known that the Dale Cooper in Twin Peaks had been replaced by a doppelgänger, as revealed to the audience in the season two finale of the series. Lynch believed that Laura did, in fact, write Annie’s message in her diary.

“I had hopes of something coming out of that,” he said,” and I liked the idea of the story going back and forth in time.”

Lynch apparently planned a trilogy of Twin Peaks films, but the idea was abandoned after the poor reception to Fire Walk With Me.

9. IT WAS LITERALLY BOOED BY CRITICS.


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Most filmmakers only read the prior critical reception to their films, but Lynch actually got to hear it directly from critics. After the film premiered at Cannes in May of 1992, Lynch attended a press conference, where he was met with boos and hisses. Fire Walk With Me was critically panned at the time for being bleak, confusing, and deliberately devoid of much of the offbeat humor that made Twin Peaks what it was. Lynch, used to a mixed reception, took it in stride, but the press conference was still brutal.

“It was like I was made of broken glass, you know, when I went in there,” he later said. “And it really was not fun.”

The film has enjoyed a reappraisal in recent years, though, with critics such as Calum Marsh of The Village Voice naming it “Lynch’s masterpiece."

10. IT WAS BIG IN JAPAN.

Despite an icy critical reception and relatively poor box office performance in the United States, Fire Walk With Me was embraced in at least one part of the world: Japan. The Twin Peaks TV series didn’t arrive there until the show had nearly finished its American run, and it caught on like wildfire, with fans even staging mock Laura Palmer funerals in several cities. Fire Walk With Me premiered there in May of 1992, well before it got an American release, and ran in Japanese theaters all through the summer.

11. THE DELETED SCENES WERE KEPT HIDDEN FOR YEARS.

Because Lynch shot enough footage for a five-hour version of Fire Walk With Me, significant cuts were made to get the film down to a releasable length. This left many deleted scenes on the cutting room floor that gained interest from Peaks fans in the years after the film’s release. Even as the film made its way to various DVD releases, the deleted scenes were never made available due to rights issues with the original French investors who financed the film. Demand for these scenes ultimately grew so huge that a Facebook fan petition was started in 2011, and then, in 2014, the rights issues were finally resolved. The Twin Peaks: The Entire Mystery box set included the original series, Fire Walk With Me, and more than 90 minutes of deleted scenes featuring extended moments from the film and numerous Twin Peaks favorites who didn’t make the final cut. Among the familiar faces: Big Ed (Everett McGill) and Nadine Hurley (Wendy Robie), Dr. Jacoby (Russ Tamblyn), Lucy Moran (Kimmy Robertson), Pete Martell (Jack Nance), and Sheriff Harry S. Truman (Michael Ontkean).

Additional Sources:
Lynch on Lynch, by Chris Rodley
The Secret History of Twin Peaks, by Mark Frost
The Complete Lynch, by David Hughes

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25 Fascinating Facts About Breaking Bad
Ben Leuner/AMC
Ben Leuner/AMC

On January 10, 2008, Breaking Bad made its debut. Though it didn’t premiere to over-the-top ratings, over the course of five seasons, it morphed into a television phenomenon—thanks in large part to word of mouth and the increasing popularity of binge-watching. At its most basic level, it’s the story of a soft-spoken chemistry teacher who, after being diagnosed with lung cancer, risks everything he has worked for to make sure his family will be taken care of in the event of his death. But, like all great TV shows, the story is really not that simple. And it evolves over time, with each season somehow—and miraculously—managing to top the one before it.

Regularly cited as one of the greatest television series of all time (Rolling Stone ranked it number three on its list of the 100 best shows, right in between Mad Men and The Wire), here are 25 things you might not have known about Breaking Bad, in honor of its 10th anniversary.

1. LOTS OF NETWORKS PASSED ON IT, INCLUDING HBO.

In 2016, it was announced that Vince Gilligan is working on a limited series about Jim Jones for HBO. But the “It’s not TV” network wasn’t always so hot on Gilligan. In a 2011 interview, Gilligan shared that he pitched Breaking Bad to HBO, and that it was “the worst meeting I’ve ever had.”

"The trouble with Hollywood—movies and TV—is people will leave you dangling on the end of a meat hook for days or weeks or months on end,” Gilligan said. “That happened at HBO. Like the worst meeting I ever had … The woman we [were] pitching to could not have been less interested—not even in my story, but about whether I actually lived or died.”

HBO wasn’t the only network that ultimately said no to Walter White: Showtime, TNT, and FX all passed on Breaking Bad, too, for various reasons.

2. THE NETWORK REALLY WANTED MATTHEW BRODERICK TO STAR.

It’s impossible to imagine Breaking Bad with anyone other than Bryan Cranston in the lead role, but he wasn’t as well known when the series kicked off, and AMC wanted a star. They were particularly interested in casting either Matthew Broderick or John Cusack in the lead.

"We all still had the image of Bryan shaving his body in Malcolm in the Middle,” a former AMC executive told The Hollywood Reporter about their initial reluctance to cast Cranston. “We were like, 'Really? Isn't there anybody else?’” But Gilligan had worked with Cranston before, on an episode of The X-Files, and knew he had the chops to navigate the quirks of the part. The network brass watched the episode, and agreed.

"We needed somebody who could be dramatic and scary yet have an underlying humanity so when he dies, you felt sorry for him,” Gilligan said. “Bryan nailed it."

3. JESSE PINKMAN WASN’T SUPPOSED TO LIVE PAST SEASON ONE.

Aaron Paul in 'Breaking Bad'
Doug Hyun/AMC

While Breaking Bad ultimately ended up being largely about the tumultuous partnership between Walter White and Jesse Pinkman, Jesse wasn’t originally intended to be a major character. While it’s often stated that he was supposed to be killed off in episode nine, and that it was the 2007-2008 Writers Guild of America strike that saved him, Gilligan set the record straight in 2013, saying it became clear much earlier than that that Jesse’s character—and his relationship to Walter—was integral to moving the show forward.

“The writers’ strike, in a sense, didn’t save him, because I knew by episode two—we all did, all of us, our wonderful directors and our wonderful producers,” Gilligan said. “Everybody knew just how good [Aaron Paul is], and a pleasure to work with, and it became pretty clear early on that that would be a huge, colossal mistake to kill off Jesse.”

When asked during a Reddit AMA about how he would have felt if Jesse had been killed off in season one, Paul posited that, “My career would be over. And I would be a sobbing mess watching week to week on Breaking Bad.”

4. THE WRITERS STRIKE DID CHANGE THE STORY ARC FOR SEASON ONE, WHICH TURNED OUT TO BE A GOOD THING.

The Writers Strike did end up shortening the show’s first season, which forced Gilligan to cut two episodes that would have seen Walter’s transformation into Heisenberg happen much more quickly—and violently. Gilligan was glad it worked out the way it did.

“We had plotted out all our episodes before the show ever went on the air, and we didn't know how well the show would be received,” Gilligan told Creative Screenwriting. “Not knowing how the public would take to it, you tend to want to be a little more sensational. You want to really keep the show exciting and interesting and keep 'em watching. All of that to say that those last two episodes, because of that, would have been really big episodes, and would have taken the characters into a hugely different realm than that they were already in, and it would have been a hard thing to come back from, coming into season two.”

“We're not just doing those two episodes coming into season two,” he added. “We threw those out completely and we're starting somewhere else. We're building more slowly than we otherwise would have built. I think that's really good, because I know we've all had our favorite shows that were really interesting up to a certain point, but maybe they just go too far, and then there's no going back from it. To me, the trick is to do as little as possible with the characters, and yet keep them as interesting as possible. It's a real balancing act.”

5. THE DEA HELPED OUT, AND EVEN TAUGHT BRYAN CRANSTON AND AARON PAUL HOW TO COOK METH.

Because of the subject matter, the show’s creators thought it was only right to inform the Drug Enforcement Administration (DEA) what they were making—and welcome their help. “We informed them—with all due respect and consideration—that we’re doing this show, and ‘Would you like to be a part of it in a consultancy in order to make sure that we get it right?’” Cranston told High Times. “They had the choice to say, ‘We don’t want anything to do with it.’ But they saw that it might be in their best interest to make sure that we do it correctly. So DEA chemists came onboard as consultants and taught Aaron Paul and me how to make crystal meth.”

6. THE SCIENCE IS SOUND, BUT NOT PERFECT. AND THAT WAS INTENTIONAL.

Vince Gilligan and Bryan Cranston on the set of 'Breaking Bad'
Doug Hyun/AMC

Dr. Donna Nelson, a chemistry professor at the University of Oklahoma, began serving as a science advisor on the show midway through the first season, and was tasked with making sure the show got its science right—or, at least as “right” as is safe.

“I don’t think there’s any popular show that gets it 100 percent right, but that’s not the goal,” Nelson told Mental Floss in 2013. “The goal is not to be a science education show; the goal is to be a popular show. And so there’s always going to be some creative license taken, because they want to make the show interesting.”

Of course—particularly with a show about drug-making—you don’t want to give viewers a primer on how to start their own meth empires. “In the case of Walter White, his trademark is the blue meth,” Nelson said. “In reality, it wouldn’t be blue; it would be colorless. But this isn’t a science education show. It’s a fantasy. And Vince Gilligan did a fantastic job of getting most of the science right. And I am just thrilled with that. I think Vince Gilligan is a genius, and you can quote me on that!”

7. THAT ICONIC BLUE METH IS ROCK CANDY.

Whenever you see Walter and Jesse’s signature blue meth, what you’re actually seeing is blue rock candy. More specifically: blue rock candy from The Candy Lady, a boutique candy store in Albuquerque. (They have a whole line of Breaking Bad-inspired treats, which they sell under The Bad Candy Lady line.)

8. GUS FRING’S ROLE WAS SUPPOSED TO BE MUCH SMALLER.

Initially, Giancarlo Esposito wasn’t interested in taking on the role of Gus Fring, which was a much smaller part in the beginning. “I had not seen Breaking Bad, but my manager at the time told me it was his favorite show,” Esposito told TIME. “My wife said I should I try it, but it was a guest spot and I’ve done a lot of guest spots. I wanted to develop a character. But I did one episode and then I agreed to do two more with the caveat that I wanted to be part of a filmmaking family.”

When Gilligan offered him another seven episodes for season three, Esposito countered that he wanted a bigger role. “There was some negotiating and I ended up doing 12,” Esposito said. “I wanted to create a character who became intrinsic to the show. And at some point, I realized that I had slid into the Breaking Bad family. Vince told me that I changed the game and raised the bar for the show. And I’m proud of that, but I could only do that because of the depth of the writing and due to the chemistry between Bryan Cranston and myself. And their writing inspired me to think, to create someone who was polite, threatening and poignant.”

9. GIANCARLO ESPOSITO CHANNELED HIS INNER EDWARD JAMES OLMOS.

Giancarlo Esposito in 'Breaking Bad'
Ursula Coyote/AMC

In the mid-1980s, Giancarlo Esposito made a few guest appearances on Miami Vice. The experience clearly had an effect on him, as he used Edward James Olmos’s character from that series, Lieutenant Martin Castillo, as a model for Gus Fring.

“Eddie did very little and he was very convincing,” Esposito told the Toronto Sun. “I also thought he was a bit flat, but he did very, very little in playing [Castillo] and I thought it was really effective. Juxtaposed to Philip Michael [Thomas] and Don [Johnson], who were at times a bit full of themselves but were doing a little bit of acting, Eddie was just doing his job. And I wanted Gus to be in that mode."

10. GILLIGAN GOT SOME HELP FROM THE WALKING DEAD CREW FOR FRING’S FINAL EPISODE.

Fring’s final sendoff is one of the most memorable visual images from the entire series—and they were able to enlist the help of some true gore experts. “Indeed we did have great help from the prosthetic effects folks at The Walking Dead,” Gilligan told The New York Times. “And I want to give a shout-out to Greg Nicotero and Howard Berger, and KNB EFX, those two gentlemen and their company, because their shop did that effect. And then that was augmented by the visual effects work of a guy named Bill Powloski and his crew, who digitally married a three-dimensional sculpture that KNB EFX created with the reality of the film scene. So you can actually see into and through Gus’s head in that final reveal. It’s a combination of great makeup and great visual effects. And it took months to do."

11. YES, AARON PAUL DOES SAY “BITCH” A LOT—BUT PROBABLY NOT AS MUCH AS YOU THINK.

While any Jesse Pinkman impression ends with a “bitch,” by one calculation, Paul uses the word a total of 54 times throughout the series. Which, considering there are 62 episodes, seems a little on the low side.

12. PAUL RELEASED A “YO, BITCH” APP.

Aaron Paul in 'Breaking Bad'
AMC

Even if that above number seems underwhelming, Pinkman’s favorite add-on became so synonymous with Paul that, in 2014, the actor released an app called Yo, Bitch.

13. WALTER’S BOSS AT THE CAR WASH IS A CHEMIST IN REAL LIFE.

Marius Stan, who played Bogdan, Walter’s boss at the car wash, wasn’t a familiar face to many of the show’s viewers. That’s because the series was his (and his eyebrows’) acting debut. In real life, rather coincidentally, he has a PhD in chemistry and, according to a Reddit AMA, is a “Senior Computational Energy Scientist at Argonne National Lab—which is one of the national laboratories under the U.S. Dept. of Energy—and a Senior Fellow at the University of Chicago, the Computation Institute."

14. WALTER WHITE’S ALTER EGO IS A NOD TO A REAL PERSON.

Walter White’s drug kingpin alter ego, Heisenberg, is a nod to Werner Heisenberg, a Nobel Prize-winning physicist who developed the principle of uncertainty.

15. HEISENBERG’S SIGNATURE HAT WAS A MATTER A PRACTICALITY. 

Bryan Cranston in 'Breaking Bad'
Frank Ockenfels 3/AMC

Heisenberg’s porkpie hat came to identify Walter White’s dark side, but it originated from a very practical place. “Bryan kept asking me, after he shaved his head, ‘Can I have a hat?’ because his head was cold,” Kathleen Detoro, the show’s costume designer, explained. “So I would ask Vince and he kept saying no; Jesse wore the hats. Finally, Vince said, ‘I think there’s a place …’ It was Bryan asking for a hat, me asking Vince, and then Vince figuring out where in the story it makes sense: It’s when he really becomes Heisenberg.” (If you want to buy your own Heisenberg hat, it was made by Goorin.)

16. THE WHITES’ HOUSE HAS BECOME A TOURIST ATTRACTION—AND LOTS OF PIZZA HAS BEEN THROWN ON THE ROOF.

Though Walter White and his family live at 308 Negra Arroyo Lane, the home that you see in exterior shots is actually located at 3828 Piermont Drive NE, a private home in Albuquerque that has become a pretty major tourist attraction. Many fans, caught up in the excitement of seeing the home where Walter White managed to hurl the world’s largest pizza onto the roof in one swift move, have attempted to recreate that scene—leaving the home’s owner with a regular mess.

In 2015, Gilligan appealed to the show’s fan base to refrain from throwing pizza onto the home’s roof. “There is nothing original, or funny, or cool about throwing a pizza on this lady’s roof,” Gilligan said. “It’s been done before—you’re not the first.”

“And if I catch you doing it, I will hunt you down,” added Jonathan Banks, in true Mike Ehrmantraut fashion.

17. CRANSTON MANAGED TO GET THAT PIZZA THROW IN ONE TAKE.

Speaking of that infamous pizza scene: It really was Cranston who threw it, and he managed to do it in one take. Gilligan called it a “one-in-a-million shot.”

18. TUCO GAVE JESSE A CONCUSSION.

A fight scene between Jesse and Tuco (Raymond Cruz) turned serious when Cruz ended up accidentally knocking Paul unconscious. “Yeah, Raymond Cruz who played Tuco gave me a concussion during the episode ‘Grilled,’ where Tuco takes Walt and Jesse to his shack in the middle of nowhere where we meet the famous Uncle Tio,” Paul said in a Reddit AMA. “Tuco takes Jesse and he throws him through the screen door outside, and if you watch it back you'll notice that my head gets caught inside the wooden screen door and it flips me around and lands me on my stomach and the door splinters into a million pieces. Raymond just thought I was acting so he continued and kicked me in the side and picked me up over his shoulder and threw me against the house, but in reality I was pretty much unconscious ... I kept pleading to him, saying ‘stop.’ The next thing I know I guess I blacked out and I woke up to a flashlight in our eyes and it was our medic. And then I hopped up acting like nothing wrong, but it appeared like I was drunk, and I kept saying, ‘Let's finish the scene’ but then my eye started swelling shut so they took me to the hospital. Just another fun day on the set of Breaking Bad!”

19. JANE’S DEATH WAS THE HARDEST SCENE FOR PAUL TO SHOOT.

When asked about the hardest scene to shoot during a Reddit AMA, Paul said that it was Jane’s death. “I honestly think the hardest scene for me to do was when Jesse woke up and found Jane lying next to him dead,” Paul said. “Looking at Jane through Jesse's eyes that day was very hard and emotional for all of us. When that day was over, I couldn't be happier that it was over because I really, truly felt I was living those tortured moments with Jesse.”

The scene was hard on Cranston, too, who reportedly spent 15 minutes crying after filming was complete.

20. MIKE’S DEATH WAS HARD FOR EVERYONE.

Jonathan Banks in 'Breaking Bad'
Frank Ockenfels/AMC

When asked about filming his final scene, Jonathan Banks shared that, “The crew on the set that day all wore black armbands all day long. There are a lot of friends on that crew. It was an emotional day to say the least on set—a lot of tears. Tough day, brother.”

21. JESSE’S TEETH STILL BOTHER GILLIGAN.

When asked about whether he had any regrets about the show or any of its storylines, Gilligan admitted to one: "One thing that sort of troubled me, looking back over the entirety of the show: Jesse's teeth were a little too perfect. There were all the beatings he took, and, of course, he was using meth, which is brutal on your teeth. He'd probably have terrible teeth in real life."

22. WARREN BUFFET RESPECTS WALTER WHITE’S BUSINESS ACUMEN.

Warren Buffet was a fan of the series, and even showed up to its fifth season premiere. On the red carpet, he expressed admiration of Walter White’s entrepreneurship, calling him "a great businessman," and saying that, "he’s my guy if I ever have to go toe-to-toe with anyone."

23. THERE ARE 62 EPISODES IN TOTAL—A NUMBER THAT HAS A SPECIAL MEANING. 

The cast of 'Breaking Bad'
Frank Ockenfels/AMC

Over the course of five seasons, Breaking Bad produced a total of 62 episodes—which is no arbitrary number. The 62nd element on the periodic table is Samarium, which is used to treat a range of cancers, including lung cancer.

24. THE FINAL DEATH TOLL IS PRETTY IMPRESSIVE.

Though you may have underestimated the number of times Jesse uttered “bitch,” you might be surprised by how many people were killed throughout the show’s entire run: 270. (BuzzFeed created a thorough breakdown of some of the most memorable ones.)

25. IN 2016, A METH COOK NAMED WALTER WHITE WAS WANTED BY THE AUTHORITIES.

In 2016, a 55-year-old man named Walter White rose to the top of Tuscaloosa, Alabama’s most wanted list for manufacturing and selling meth. Though White wasn’t a teacher, there have been other real-life stories that mirrored Walter White’s descent into the criminal underworld: In 2012, a chemistry teacher named William Duncan was arrested for selling meth; in 2011, Irina Kristy, a 74-year-old math professor, was arrested for running a meth lab.

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7 Things You Might Not Know About Audrey Hepburn
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Hulton Archive, Getty Images

Though she’ll always be known as the little-black-dress-wearing big-screen incarnation of Holly Golightly from Breakfast at Tiffany’s, there’s probably a lot you don’t know about Audrey Hepburn, who passed away in Switzerland on January 20, 1993.

1. HER FIRST ROLE WAS IN AN EDUCATIONAL FILM.

Though 1948’s Dutch in Seven Lessons is classified as a “documentary” on IMDb, it’s really more of an educational travel film, in which Hepburn appears as an airline attendant. If you don’t speak Dutch, it might not make a whole lot of sense to you, but you can watch it above anyway.

2. GREGORY PECK WAS AFRAID SHE’D MAKE HIM LOOK LIKE A JERK.

Hepburn was an unknown actress when she was handed the starring role of Princess Ann opposite Gregory Peck in 1953’s Roman Holiday. As such, Peck was going to be the only star listed, with Hepburn relegated to a smaller font and an “introducing” credit. But Peck insisted, “You've got to change that because she'll be a big star and I'll look like a big jerk.” Hepburn ended up winning her first and only Oscar for the role (Peck wasn’t even nominated).

3. SHE’S AN EGOT.

In 1954, the same year she won the Oscar for Roman Holiday, Hepburn accepted a Tony Award for her title role in Ondine on Broadway. Hepburn is one of only 12 EGOTs, meaning that she has won all of the four major creative awards: an Emmy, Grammy, Oscar, and Tony. Unfortunately, the honor came to Hepburn posthumously; her 1994 Grammy for the children’s album Audrey Hepburn’s Enchanted Tales and her 1993 Emmy for Gardens of the World with Audrey Hepburn were both awarded following her passing in early 1993.

4. TRUMAN CAPOTE HATED HER AS HOLLY GOLIGHTLY.

Blake Edwards’s Breakfast at Tiffany’s may be one of the most iconic films in Hollywood history, but it’s a miracle that the film ever got made at all. Particularly if you listened to Truman Capote, who wrote the novella upon which it was based, and saw only one actress in the lead: Marilyn Monroe. When asked what he thought was wrong with the film, which downplayed the more tawdry aspects of the fact that Ms. Golightly makes her living as a call girl (Hepburn had told the producers, “I can’t play a hooker”), Capote replied, “Oh, God, just everything. It was the most miscast film I’ve ever seen. It made me want to throw up.”

5. HOLLY GOLIGHTLY’S LITTLE BLACK DRESS SOLD FOR NEARLY $1 MILLION.

Audrey Hepburn in 'Breakfast at Tiffany's'
Keystone Features, Getty Images

In 2006, Christie’s auctioned off the iconic Givenchy-designed little black dress that Hepburn wore in Breakfast at Tiffany’s for a whopping $923,187 (pre-auction numbers estimated that it would go for between $98,800 and $138,320). It was a record-setting amount at the time, until Marilyn Monroe’s white “subway dress” from The Seven Year Itch sold for $5.6 million in 2006.

6. SHE SANG “HAPPY BIRTHDAY” TO JFK IN 1963.

One year after Marilyn Monroe’s sultry birthday serenade to John F. Kennedy in 1962, Hepburn paid a musical tribute to the President at a private party in 1963, on what would be his final birthday.

7. THERE’S A RARE TULIP NAMED AFTER HER.

Photo of Audrey Hepburn
Hulton Archive, Getty Images

In 1990, a rare white tulip hybrid was named after the actress and humanitarian, and dedicated to her at her family’s former estate in Holland.

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