7 Investigation Discovery Personalities on Why People Love True Crime

Investigation Discovery
Investigation Discovery

Investigation Discovery held its second annual IDCon last weekend in New York City. More than 300 true crime enthusiasts and ID Addicts (as they proudly call themselves) gathered in the Altman Building to take polygraph tests, snap photos in a “Notorious Headlines” photo booth, and, of course, see panels featuring their favorite Investigation Discovery personalities. All proceeds from the event’s ticket sales went to the Silver Shield Foundation, which provides educational support to the children of firefighters and police officers killed in the line of duty.

True crime has always been popular, but these days, you can’t turn on the TV or your favorite streaming service without finding some ripped-from-the-headlines offering. We decided to ask the hosts of Investigation Discovery’s most popular shows why people—and women especially—love true crime.

1. JOE KENDA // HOMICIDE HUNTER

Lieutenant Joe Kenda solved 92 percent of the homicide cases he worked on during his career in law enforcement in Colorado Springs, Colorado—many of which he’s covered on his Investigation Discovery show, which will air its seventh season this year. True crime resonates, he says, for a number of reasons. “Complex feelings and issues don’t have simple answers or motivations, they don’t,” Kenda tells Mental Floss. “I think people are tired of fiction, tired of made up stories. It attracts them to truth, to something that’s happened to real people.”

He also believes that people love mysteries and good storytelling. “For thousands of years, people have gathered around the fire and said, ‘Tell me a story,’” he says. “If you tell it well, they’ll ask you tell another one. If you can tell a story about real people involved in real things, that draws their interest more than something some Hollywood scriptwriter made up that always has the same components and the same ending. And then: Who buys mystery novels? Women do, for the most part. They always have. So now you have motion picture mysteries as opposed to printed mysteries. That’s part of it, too.”

2. TAMRON HALL // DEADLINE: CRIME

During a panel discussion about why people involved in crimes—whether they’re families of the victims or the perpetrators—choose to speak for ID shows, Tamron Hall took a moment to talk about why ID viewers tune in to true crime shows. “It reminds us of humanity and the tragedies that can happen, and the journey for these people,” she said. “I think all of you guys watch our shows and say, ‘But for the grace of God, this could happen to me.’ A lot of these [shows have] themes of, wrong place, wrong time. Wrong choice … It really is something that could happen to someone you know, and the way the way the network handles it, is just that way. This could happen to anyone we know, and possibly us at some point in time.”

3. GARRY MCFADDEN // I AM HOMICIDE

For McFadden—whose show, I Am Homicide, returns for its second season on June 6—the public’s love for true crime all boils down to mystery. “People love mystery, they love intrigue, they love excitement,” he says. “When you’ve got that all together, and you can watch it every day, you want it. When you’re talking about ID, you’re talking about something that people say, ‘I’m going to figure this out,’ or ‘I’m going to see how this ends.’ The best movies are about mystery.”

4. CHRIS HANSEN // KILLER INSTINCT

Chris Hansen has had a long career in crime journalism (who can forget To Catch a Predator?), and it’s something he was drawn to early in his life, thanks to a very famous—and still unsolved—case. “When I was about 14, Jimmy Hoffa was kidnapped from a restaurant that’s about a mile and a half from the house where I grew up,” he tells Mental Floss. “It was on the news and in the papers. I’d ride my bike up there and see the yellow tape, the FBI agents and local police, and the TV news correspondents, and I kind of got bitten by the bug.”

Hansen believes people love true crime because it takes them places they wouldn’t normally go. “We go to places so the viewers don’t have to,” he says. “They see things they wouldn’t normally see, and they hear things they wouldn’t normally hear. And I think there’s a fascination with that. And at the end of the day, it’s good storytelling, too. Voyeuristic isn’t the right term, but it does allow people to escape and to see this other side of life that’s fascinating, and I think it’s also this fascination with becoming an armchair detective. To walk through [cases] with detectives, sometimes retired, you get that hindsight and that experience and that knowledge that people are interested in hearing.”

5. TONY HARRIS // SCENE OF THE CRIME

“I don’t know that I have a great answer,” Tony Harris, who hosts Scene of the Crime and Hate in America, tells Mental Floss when asked about why people love true crime shows so much. “One of the easy things to say is that people love train wrecks. That’s an easy thing, and I think that’s simplistic.” More likely, he says, is that viewers prefer to watch true crime over something like the news cycle because most of the stories have a definitive end, where the killer is found and justice is done: “In most of the shows, we button it up.” But it also boils down to very good storytelling. “The producers on our shows do a really good job of getting you over the commercials so you’re still in the story when we rejoin,” he says. “And that’s just master storytelling. Some of my cases were adjudicated, some weren’t. But I think that’s the other thing—these teams really know how to tell stories.”

6. ROD DEMERY // MURDER CHOSE ME

Rod Demery is the new kid on the block on Investigation Discovery—the first season of his show, Murder Chose Me, aired this year, and it’s just been renewed for a second season—but he’s a seasoned detective who solved 99 percent of his homicide cases. And he has plenty of thoughts about why people love true crime. “It’s like a roller coaster,” he tells Mental Floss. “I think one of the other things is fantasy. I’m certainly not a psychologist or anything close to that, but I think everybody that watches this kind of stuff, they identify with a different person in there. When I watch it, I watch the police officer: ‘If I was that guy, I’d do this.’ Everybody can relate to a different part of it. Real life is always better than fiction.”

7. CANDICE DELONG // DEADLY WOMEN

DeLong—a retired FBI profiler who was famously part of the team that caught the Unabomber—just wrapped the 11th season of Deadly Women. She believes that the reason true crime, and ID in particular, resonates with women is because “the vast majority of victims of interpersonal violence are women and children,” she says. “And I think that’s why ID’s such a hit. I’d like to think that people watch these shows and go, ‘Oh, if I ever see that, I’m going to run.’ And I think that’s why so many women watch ID.”

In fact, every investigator Mental Floss spoke with said they hoped that watching true crime shows on Investigation Discovery would lead potential victims to think more critically about certain situations and to recognize warning signs—which is a good enough thing to tell people if they think your obsession with true crime shows is unsettling.

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Kit Harington Reveals Which Harry Potter Character He'd Want to Play in a Prequel

Kit Harington is clearly drawn to dark, brooding characters.

Winter is Coming reports that Harington, who is best known for his role as Jon Snow in the hard-hitting HBO series Game of Thrones, spoke on a panel at ACE Comic Con this past weekend. Though he was there to discuss his upcoming role as Dane Whitman, a.k.a. Black Knight, in the upcoming Marvel Studios film The Eternals, his involvement in—and love for—other franchises came up during the conversation.

The moderator of the panel surprised the audience by bringing up Harington’s love for the Harry Potter series, and, of course, asked him which Hogwarts house he aligns with. The 32-year-old actor responded, “I am a Gryffindor. I’ve thought very deeply about it.” Though Harington himself identifies with the lion-hearted, he does believe that Jon Snow would be a Hufflepuff because of his undying loyalty.

Harington was then asked which character he would want to play in a hypothetical Harry Potter prequel movie about the Marauders—a group of Gryffindors that included James Potter (Harry’s dad), Sirius Black, Remus Lupin, and Peter Pettigrew, who attended Hogwarts a generation before Harry and his friends. And who were often at odds with Slytherin Severus Snape.

Harington's response was immediate, and enthusiastic:

Severus Snape is the most tragic, wonderful, brilliant [character] ... He’s a character you hate, and then end up loving. He’s just phenomenal. I don’t think I’m right for him, so I’ll play Sirius. But, whoever gets to play Snape, that’s a great character.”

[h/t Winter Is Coming]

Disney's 10 Scariest Movies

Lynn-Holly Johnson, Bette Davis, and Kyle Richards in The Watcher in the Woods (1980).
Lynn-Holly Johnson, Bette Davis, and Kyle Richards in The Watcher in the Woods (1980).
Walt Disney Pictures

Disney: Known for catchy songs, cute animal sidekicks, brave Princesses … and occasionally scarring children for life. A lot of Disney’s more famously upsetting moments have to do with deathBambi’s mother and Mufasa’s father, for instance—but sometimes the studio goes plain horror movie with it. As Halloween approaches, here are 10 of Disney’s scariest movies.

1. Return to Oz (1985)

Return Oz establishes its “wait, what the hell am I watching?” cred early on, when Dorothy Gale—back in Kansas following her adventures in Oz—is shipped off to the doctor for a round of electroshock therapy to cure her insomnia and “delusions.” Dorothy is saved from her One Flew Over the Cuckoo’s Nest fate and whisked off to Oz again, where she finds that the Nome King and Princess Mombi—Nicol Williamson and Jean Marsh, who also played the doctor and head nurse—have destroyed the Emerald City and turned most of its inhabitants to stone. Playing Dorothy in her first feature film role is Fairuza Balk, who would go on to star in perpetual Halloween favorite The Craft. Return to Oz is the only film directed by legendary editor Walter Murch, most famous for his work on Apocalypse Now.

2. Something Wicked This Way Comes (1983)

The collected works of Ray Bradbury have been adapted into dozens of films, only a handful of which were written by the late author himself. The final feature film to be written by Bradbury is 1983’s Something Wicked This Way Comes, which in its first act is a typical, sweet—if somewhat dark—drama about two young boys growing up in a small town in the Midwest. Then a carnival rolls into town, and things get real messed up. Running the carnival is Mr. Dark (Jonathan Pryce), who grants the townspeople’s wishes in ways that … well, let’s just say they’re not very nice.

3. Mr. Boogedy (1986)

“Made-for-TV ‘80s movie about a gag gift salesman and his family” doesn’t scream terror, but Mr. Boogedy defies the odds to have some legitimately creepy moments. Granted, it’s not a subtle film: a family that moves into a dilapidated mansion in a town called called Lucifer Falls shouldn’t really expect to have an easy go of things. The mansion, believe it or not, is haunted by not one but three spirits: a widow, her child, and the eponymous Mr. Boogedy, who back in Colonial times sold his soul to Satan for a cloak that gives him magical powers. It’s Mr. Boogedy’s character design that gives the movie its biggest ick factor; the film’s makeup designer, Rick Stratton, would go on to win two Emmys. Mr. Boogedy’s cloak is eventually sucked into a possessed vacuum cleaner.

4. The Watcher in the Woods (1980)

Director John Hough’s The Watcher in the Woods isn’t only scary because it gives Bette Davis and current Real Housewives of Beverly Hills star (and then-child actress) Kyle Richards a decent chunk of shared screen time. Based on a 1976 novel, the film—like Mr. Boogedy—follows a family that moves into a mysterious house haunted by some mysterious presence. In The Watcher in the Woods, that presence is thought to be Karen, the long-disappeared daughter of the house’s owner, played by a collecting-those-paychecks Davis. Spoiler alert: There are actually two presences. One is Karen. The other is an alien. The original ending of The Watcher in the Woods actually showed the alien, but the effects were so bad that the premiere audience broke out laughing, causing Hough to reshoot the climactic final scene with the aliens as a vague blur of light.

5. The Adventures of Ichabod and Mr. Toad (1949)

Released in 1949, The Adventures of Ichabod and Mr. Toad is made up of two half-hour, kid-friendly literary adaptations, the first from The Wind in the Willows and the second from “The Legend of Sleepy Hollow.” Neither segment is particularly scary … up until the last few minutes of “Sleepy Hollow,” when the animators went all-out to make schoolteacher Ichabod Crane’s flight from the Headless Horseman a contender for Disney’s scariest scene. Clyde Geronimi, who with Jack Kinney directed the “Sleepy Hollow” sequence, would go on to co-direct Cinderella, Alice in Wonderland, Peter Pan, Lady and the Tramp, Sleeping Beauty, and 101 Dalmatians.

6. Pinocchio (1940)

Jiminy Cricket hopping around and The Blue Fairy singing “When You Wish Upon a Star” might be the most enduring images from Disney’s second-ever animated feature, but let’s not forget that Pinocchio could be scary when it needed to be. The film’s most potent bit of nightmare fuel comes in the scene where a bunch of children are magically transformed into terrified, crying donkeys so they could be sold away as slave labor. Looks like Disney had a taste for causing childhood trauma early on.

7. “The Skeleton Dance” (1929)

Spooky and cute: Why not both? The 1929 short “The Skeleton Dance” threads the needle deftly, with its depiction of a quartet of skeletons dancing around a graveyard maintaining the goofy tone that marks most of the early Disney shorts while still providing an ample dose of the shivers. “The Skeleton Dance” was drawn by Ub Iwerks, who several years earlier had designed Mickey Mouse.

8. Fantasia (1940)

Most of the segments in Disney’s Fantasia are markedly un-creepy—unless you consider ballet-dancing hippos disturbing, which makes a fair amount of sense—but with “Night on Bald Mountain,” Disney went full dark and stormy night. Set to the title song by composer Modest Mussorgsky, the film depicts the ancient Slavic deity Chernabog (whose name means “black god) calling all sorts of assorted demonic creatures to him before being driven away by the rising of the sun. Bela Lugosi served as a live-action reference for Chernabog, spending a day at Disney Studios striking a series of ominous poses. Nothing that Lugosi provided was ultimately used, as animator Bill Tylta was unimpressed by it.

9. The Black Cauldron (1985)

The Black Cauldron was an infamous failure for Disney, earning a mere $20 million domestically against a budget that made it, at the time, "the most expensive animated feature ever made.” With the film, Disney ditched the songs and lighthearted feel that marked its animated features up to that point in favor of a darker fantasy epic; notably, The Black Cauldron was the first Disney animated feature to earn a PG rating. Though it’s notoriously regarded as a flop, there’s one area in which The Black Cauldron is quite successful: making its villain, the Horned King, absolutely terrifying. Even the way he dies is nightmare-inducing: The magical black cauldron that the Horned King hoped would give him power to take over the world with an undead army instead melts his flesh off. It’s a bit more gruesome than the typically death-by-falling most Disney villains get.

10. Hocus Pocus (1993)

Initially released in 1993 to middling box office returns (Disney made the odd choice to release this Halloween-themed movie in July), director Kenny Ortega’s Hocus Pocus has gone on to achieve cult status. Omri Katz, since retired from acting, stars as Max Dennison, who with neighbor Allison and younger sister Dani must defeat the Sanderson sisters, a trio of witches who were hanged during the Salem witch trials. One of the witches was played by Sarah Jessica Parker, whose ancestor Esther Elwell was accused of being a witch in 17th-century Salem; she escaped execution when prosecution from witchcraft was done away with.

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