The Time George Lucas Warned Congress About the Dangers of Altering Classic Movies

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Getty Images

Long before the “Special Editions” of the Star Wars trilogy littered George Lucas’s blockbuster franchise with computer-generated lounge singers and haunted fans with the question of "Who shot first?," the director appeared before a United States Senate subcommittee to warn Washington—and, in the process, the public at large—about the dangers of altering classic films.

Lucas and his directorial fraternity brother, Steven Spielberg, were in Washington in March of 1988 to push the country toward adopting the Berne Convention, which protects a work’s copyright across all the countries that participate in the agreement (there were 76 at the time), and defends an artist against having his or her work defaced or altered after it’s completed. This last part was of special concern to Lucas, and was the main driving force behind his trip to D.C.

The film industry’s renewed effort for copyright reform was born in opposition to the colorization and forced editing that classic films were enduring on television. This was highlighted by Ted Turner’s recent acquisition of classic film libraries, such as MGM and United Artists. Though it was seen as sacrilege among film historians, Turner sought to maximize his $1.2 billion investment in MGM by bringing the mostly black-and-white films into the modern age through colorization.

"The last time I checked, I owned the films that we're in the process of colorizing," Turner said in 1986. "I can do whatever I want with them, and if they're going to be shown on television, they're going to be in color."

The “moral rights” of the Berne Convention state that the artist “shall have the right to claim authorship of the work and to object to any derogatory action in relation to the said work which would be prejudicial to his honor or reputation." When Lucas stepped in front of the committee, he urged Washington to bring those rights to the United States.

“People who alter or destroy works of art and our cultural heritage for profit or as an exercise of power are barbarians,” he said. “[And] if the laws of the United States continue to condone this behavior, history will surely classify us as a barbaric society.”

Lucas even took a thinly veiled shot at Turner directly, saying, "There is nothing to stop American films, records, books, and paintings from being sold to a foreign entity or an egocentric gangster who would change our cultural heritage to suit his personal taste."

Lucas also had a prescient warning about the growing dangers of digital effects that could completely alter the content of classic movies: “[More] advanced technology will be able to replace actors with ‘fresher faces,’ or alter dialogue and change the movement of the actor's lips to match.”

The efforts of Lucas and Spielberg helped push the U.S. to adopt the Berne Convention the next year, but the country took a much narrower view of the "moral rights" aspect of the agreement [PDF], ignoring many of the director's most important points. The entire speech can be read over at Save Star Wars, but his point is clear: To Lucas, the alteration of classic films is akin to the destruction of culture and an act of barbarism. Of course, this was 1988—a mere nine years before the release of the Star Wars Trilogy Special Edition, which saw the addition of new characters, special effects, and entire scenes to the original films.

Since that time, Lucas has added numerous other changes to the first three Star Wars movies, with the last round of alterations coming in 2011, right before the director sold the franchise to Disney. To this day, the original versions of the first three Star Wars movies have not made their way to Blu-ray or any sort of legal digital download.

Though Lucas’s impassioned speech may seem hypocritical to some, his focus at the time was aimed at protecting artists from having their work changed without their permission. As the director himself, and the copyright holder of Star Wars, Lucas’s alterations fall well within an artist’s “moral rights.” Well, from a certain point of view.

11 Surprising Facts About Sylvester Stallone

Evening Standard/Hulton Archive/Getty Images
Evening Standard/Hulton Archive/Getty Images

As streetwise boxer Rocky Balboa (in eight films) and haunted Vietnam veteran John Rambo (in five films), the man born Michael Sylvester Gardenzio Stallone has made his brand of muscular melodrama a staple of the action film genre across five decades.

The latest Rambo chapter, Rambo: Last Blood, opens September 20. In the meantime, check out some of the more intriguing facts about the actor, from his modest beginnings as an accidental porn star to his peculiar rivalry with Richard Gere to his waylaid plans to run a pudding empire.

1. An errant pair of forceps gave Sylvester Stallone his distinctive look.

Many comedians have paid their bills over the decades by adopting Sylvester Stallone’s distinctive lip droop and guttural baritone voice. The facial feature was the result of some slight mishandling at birth. When Stallone was born on July 6, 1946 in Manhattan, the physician used a pair of forceps to deliver him. The malpractice left his lip, chin, and part of his tongue partially paralyzed due to a severed nerve. Stallone later said his face and awkward demeanor earned him the nickname “Sylvia” and authority figures telling him his brain was “dormant.” Burdened with low self-esteem, Stallone turned to bodybuilding and later performing as a way of breaking through what seemed to be a consensus of low expectations.

2. sylvester Stallone attended college in Switzerland.

A publicity still of Sylvester Stallone from the 1981 film 'Victory' is pictured
Hulton Archive/Getty Images

Despite a tumultuous adolescence in which he was kicked out of several schools for misbehavior, Stallone eventually graduated high school while living with his mother in Philadelphia. He went on to attend American College, a university in Leysin, Switzerland, where he also worked as a gym teacher and dorm bouncer in addition to selling hamburgers on campus. It was there he became interested in theater—both acting and writing.

Stallone continued his education at the University of Miami before moving to New York with the hopes of breaking into the entertainment industry. While auditioning for parts, Stallone worked as a movie theater usher and cleaned lion cages at the zoo. He was fired from the theater for trying to scalp tickets to a customer. Unknown to Stallone, the customer was the theater owner.

3. Sylvester Stallone’s mother was an expert in “rumpology.”

Stallone’s parents separated while he was still a child. His father, a beauty salon owner named Francesco Stallone, was apparently prone to corporal punishment, and would cuff his young son for misbehavior. (Stallone was once caught swatting flies with a lead pipe on the hood of his father’s brand-new car.) His mother, Jackie Stallone—whom he once described as “half-French, half-Martian"—later grew interested in the study of rumpology, or the study of the buttocks to reveal personality traits and future events.

4. Sylvester Stallone had a small part in a porno.

Actor Sylvester Stallone is pictured during a promotional tour for the film 'Rambo' in Madrid, Spain in January 2008
Carlos Alvarez, Getty Images

While struggling to make it as an actor, Stallone was talked into making an appearance in Party at Kitty and Stud’s, a 1970 softcore adult film that was not as explicit as other sex features of the era but still required Stallone to appear in the nude. While he was initially hesitant to take the role, Stallone was sleeping in a bus shelter at the time. He took the $200 for two days of work. Following the success of Rocky in 1976, the film’s producers capitalized on their now-valuable footage and re-released it under the title The Italian Stallion. In 2010, a 35mm negative of the film and all worldwide rights to it were auctioned off on eBay for $412,100.

5. Sylvester Stallone wrote a novel.

In addition to his acting ambitions, Stallone decided to pursue a career in writing. After numerous screenplays, he wrote Paradise Alley, a novel about siblings who get caught up in the circus world of professional wrestling in Hell’s Kitchen. Stallone finished the novel before deciding to turn it into a screenplay. Paradise Alley was eventually produced in 1978. The book, which was perceived as a novelization, was published that same year.

6. Sylvester Stallone was not a fan of the Rambo cartoon series.

After the success of 1982’s First Blood and 1985’s Rambo: First Blood Part II, Stallone was confronted with a litany of Rambo merchandising. Speaking with the Chicago Tribune in 1986, he said he disliked that the psychologically-tortured war veteran was being used to peddle toys. “I couldn’t control it,” he said. “I tried to stop it, but I don’t own the licensing rights.”

On the subject of Rambo: The Force of Freedom, a 1986 animated series featuring a considerably softened-up version of the character, Stallone was resigned. “They’re going to make this Saturday morning TV cartoon show for kids with what they tell me is a softened version of Rambo doing good deeds. First of all, that isn’t Rambo, but more important, they tell me I can’t stop them because it’s not me they’re using. It’s a likeness of a character I played and don’t own.” The show lasted just one season.

7. Sylvester Stallone never planned on the Rocky series enduring as long as it has.

Through the years, Stallone has made some definitive declarations about the Rocky series, which has been extended to eight films including its two spin-off installments, 2015’s Creed and 2018’s Creed II. Speaking with movie critic Roger Ebert in 1979 shortly before the release of Rocky II, Stallone indicated Rocky III that would conclude the series. “There’ll never be a Rocky IV,” he said. "You gotta call it a halt.” In 1985, while filming Rocky IV, Stallone told Interview magazine that he was finished. “Oh, this is it for Rocky,” he said. “Because I don’t know where you go after you battle Russia.” In 1990, following the release of Rocky V, Stallone declared that “There is no Rocky VI. He’s done.” Upon the release of Rocky Balboa in 2006, Stallone once more declared he was finished. "I couldn't top this," he told People. "I would have to wait another 10 years to build up a head of steam, and by that point, come on."

Creed was released nine years later. Following Creed II, he posted a message on Instagram that served as a “final farewell” to the character. Several months later, in July 2019, Stallone told Variety that, “There’s a good chance Rocky may ride again” and explained an idea involving Rocky befriending an immigrant street fighter. It would be the ninth film in the series.

8. Sylvester Stallone was offered the lead role in Beverly Hills Cop.

Actor Sylvester Stallone is pictured during production of the 1978 film 'Paradise Alley'
Central Press/Getty Images

In one of the more intriguing alternate casting decisions in Hollywood history, Stallone was originally offered the Axel Foley role in 1984’s Beverly Hills Cop. Not wishing to make a comedy, Stallone rewrote the script to focus more on the action, as Detroit cop Foley stampedes through Beverly Hills to find his friend’s killers. Stallone described his version as resembling “the opening scene from Saving Private Ryan on the beaches of Normandy” and said his climax involved a game of chicken between a Lamborghini and an oncoming train. Producers opted to go in another direction. It became one of Eddie Murphy’s biggest hits. Stallone would later use some of his ideas for a rogue cop in the 1986 film Cobra.

9. Sylester Stallone does not get along with Richard Gere.

While filming 1974’s The Lords of Flatbush, in which Stallone and then-unknown actor Richard Gere both played 1950s street toughs, the two actors apparently got off on the wrong foot. Stallone recalled that Gere drew his ire for being too physical during rehearsals—and worse, getting mustard on Stallone during a lunch break. Incensed, Stallone demanded the director choose one of them to stay and one of them to be fired. Gere was let go and replaced by Perry King.

10. Arnold Schwarzenegger once tricked sylvester stallone into starring in a box office bomb.

Actors Sylvester Stallone (L) and Arnold Schwarzenegger (R) are photographed during the premiere of 'The Expendables 2' in Hollywood, California in August 2012
Frazer Harrison, Getty Images

Stallone has often discussed his rivalry with Arnold Schwarzenegger, as the two action stars were believed to be the two biggest marquee attractions in the 1980s. Recalling his 1992 bomb Stop! Or My Mom Will Shoot, Stallone told a journalist in 2014 that he believed Schwarzenegger was to blame. “I heard Arnold wanted to do that movie and after hearing that, I said I wanted to do it,” he said. “He tricked me. He’s always been clever.”

11. sylvester Stallone wanted to create a pudding empire.

In 2005, shortly before Rocky Balboa resurrected his film career, Stallone embarked on a line of fitness supplements. His company, Instone, produced a pudding snack that was low-carb and high in protein. Stallone even appeared on Larry King to hawk the product. A legal dispute with a food scientist over the rights to the concoction dragged on for years and Instone eventually folded.

Highclere Castle—the Real-Life Downton Abbey—Is Available to Rent on Airbnb

Highclere Castle, used as the setting for Downton Abbey
Highclere Castle, used as the setting for Downton Abbey
Emily_M_Wilson/iStock via Getty Images

Have you ever wanted to spend a night in a castle? And not just any castle—the Downton Abbey castle, Highclere Castle? On November 26, one lucky couple will get the opportunity to relive the TV show and movie, when castle owners Lady and Lord Carnarvon will cordially invite one person and their guest of choice to spend the night in the castle, which is located in Hampshire, England—about 45 miles west of London. On October 1 (Airbnb reservations go live at noon BST) anyone with a verified profile, positive reviews, and passion for Downton Abbey can vie for the opportunity. Even though the castle has 300 rooms, they are only making one bedroom available, for $159.

Upon arrival, the royals will host cocktails with the guests in the saloon. Visitors will hear stories from more than 300 years of Highclere Castle history (construction on the castle began in 1679, and has been in the Carnarvon family ever since).

“I am passionate about the stories and heritage of Highclere Castle and I am delighted to be able to share it with others who have a love of the building and its history,” Lady Carnarvon said in the Airbnb listing.

The Earl and Countess will host a dinner for the guests in the state dining room, and afterwards have coffee in the library. Before bed, the guests’ butler will escort them to their gallery bedroom. The next morning, guests will receive a complimentary breakfast, a private tour of the 100,000-square foot castle and 1000-acre grounds, and a special gift from the Carnarvons. (Airbnb will also make a donation to The International Federation of Red Cross and Red Crescent Societies.)

It should be noted the castle doesn’t have Wi-Fi or central air, but it does have fireplaces and central heat. There are a few rules guests must follow, though: all newspapers must be ironed; one butler per person; cocktail dress is required at dinner; gossip is restricted to downstairs; the listing is midweek because, as the Dowanger once said, “What is a weekend?”

If you don’t win the opportunity to stay at Highclere, all is not lost: you can tour the castle year-round.

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