10 TV Shows That Recycled Their Sets

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With a few exceptions, television productions don’t typically enjoy the massive budgets of their big-screen counterparts, so producers often have to get creative when it comes to finding ways to save money. Which helps explain why a couple episodes of Star Trek look as if they were shot in Andy Griffith’s Mayberry. Here are 10 TV shows that borrowed their sets from other series.

1. THE ANDY GRIFFITH SHOW ON STAR TREK

In the Star Trek episodes "Miri" and "City on the Edge of Forever,” the exteriors of the fictional town of Mayberry from The Andy Griffith Show were reused. The town set was redressed as a ghost town when the crew of the Enterprise finds a planet inhabited solely by children in “Miri,” then used it again as a New York City backdrop when Kirk and Spock travel back in time to the 1930s for “City on the Edge of Forever.” If you look closely, you can even see the sign for Floyd's Barbershop from The Andy Griffith Show in the background of a Star Trek episode.

2. SCRUBS ON THE OFFICE


The Office's Jim and Pam pay a visit to Scrubs' Sacred Heart Hospital.

Screen grab via NBC/YouTube.

In the season five finale of The Office, Jim and Pam discover that they are going to have a baby. The hospital set used for the episode was the same set used for Scrubs’s Sacred Heart Hospital. Both NBC TV shows filmed at North Hollywood Medical Center in Los Angeles, California, which was a real working hospital until 1998, when it was decommissioned and repurposed as a closed set for Scrubs. Unfortunately, North Hollywood Medical Center was demolished in 2011 and is now the site of a new apartment complex.

You might recognize the North Hollywood Medical Center from a number of other TV shows, too; The Sopranos, Freaks and Geeks, Six Feet Under, and Chuck all used it as a location. It was also the primary filming location for Adult Swim's Childrens Hospital.

3. THE WEST WING ON SMALLVILLE

    In “Hourglass,” a first season episode of Smallville, Lex Luthor has a vision of himself as the President of the United States, sitting in the Oval Office. Instead of building an entirely new set for the shot, producers flew Michael Rosenbaum, who played Luthor, from the set of Smallville in Vancouver to the set of The West Wing in Los Angeles to film the vision.

    4. THE BRADY BUNCH ON MANNIX AND MISSION: IMPOSSIBLE


    Mission: Impossible takes on Chez Brady.

    Image courtesy of YouTube.

      It’s very strange to see the iconic home from The Brady Bunch used for other TV shows, but it happened a few times during the 1970s with some Paramount productions. The Brady Bunch living room, patio, and backyard were recycled for “One for the Lady” and “The Danford File,” two episodes of Mannix, while the family living room was also redressed and redecorated for a violent meeting in the “Double Dead” episode of Mission: Impossible.

      5. ROSEANNE ON MIKE & MOLLY

        If Molly’s home on Mike & Molly looks familiar, that's because it’s the same living room set from Roseanne, only refurbished. Production designers and set dressers transformed the Conners' living room set into something more modern for Mike & Molly.

        6. GILMORE GIRLS ON PRETTY LITTLE LIARS

        Although a few years separate Gilmore Girls and Pretty Little Liars, both young adult dramas filmed on the same Warner Bros. backlot in Burbank, California. A number of the landmarks, buildings, and houses in Gilmore Girls’s Stars Hollow were redressed for Rosewood, the town in which Pretty Little Liars takes place. For example, the high school Rory Gilmore attended before she transferred to the prestigious Chilton Preparatory School was recycled as Rosewood City Hall, and Taylor’s Olde Fashioned Soda Shoppe was reused as Lucky Leon's Cupcakes on Pretty Little Liars.

        7. SAVED BY THE BELL ON THAT’S SO RAVEN

        Parts of Saved by The Bell’s Bayside High School set were repurposed for That’s So Raven, where the featured school was also known as Bayside High. Michael Poryes, who worked as a writer on Saved by The Bell and was the creator of That’s So Raven for the Disney Channel, may have had a little something to do with that crossover.

        8. GROWING PAINS ON HANGIN’ WITH MR. COOPER

          For the pilot episode of Hangin’ with Mr. Cooper in 1992, producers reused the Seaver family’s living room set from Growing Pains, which had been canceled earlier that same year. Both TV shows filmed on the Warner Bros. lot in Burbank, California. Alan Thicke, who played Dr. Jason Seaver on Growing Pains, even dropped by to wish Mark Curry good luck while filming the pilot for Hangin’ with Mr. Cooper.

          9. ROBINSONS: LOST IN SPACE ON BATTLESTAR GALACTICA

            Although a network didn’t pick it up for series, the pilot episode for Robinsons: Lost In Space featured sets that would later appear on many episodes of Battlestar Galactica. In 2003, John Woo directed the pilot episode for the reboot of the classic ‘60s sci-fi TV show for The WB. While the pilot never aired and eventually was dropped, producers of Battlestar Galactica bought the spaceship sets for the Jupiter 2 from Lost In Space and reused them for the Battlestar Pegasus set.

            10. DEAD LIKE ME ON STARGATE SG-1


            Mandy Patinkin and Jasmine Guy hang out at Der Waffle Haus in Dead Like Me (2003).

            Photo © Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved.

              The characters on Dead Like Me gather at a diner called Der Waffle Haus. The same diner set was once used in Stargate SG-1. In the eighth season episode “Threads,” Daniel Jackson finds himself in a strange diner that closely resembles Der Waffle Haus. Jackson also sits at the booth where the Dead Like Me characters usually sit, and orders waffles as a nod to Bryan Fuller’s cult TV show.

              tv

              13 Facts About Amadeus On Its 35th Anniversary

              Warner Home Video
              Warner Home Video

              Though much has been written about the life of Wolfgang Amadeus Mozart, the most entertaining look at the master composer's life might very well be Amadeus, Milos Forman's film about the artist's life (and rivalries), which was released on September 19, 1984.

              Here's a look back at the Oscar-winning biopic that not only brought renewed interest to Mozart's music in the 1980s, but inspired Austrian rocker Falco to write the chart-topping "Rock Me Amadeus." Poor Salieri never stood a chance.

              1. Amadeus began life as a Tony Award-winning play.

              Russian poet/playwright Alexander Pushkin wrote a short play in 1830 called Mozart and Salieri, and playwright Peter Shaffer—who was already a Tony winner for Equus—took inspiration from that to write his own play. Amadeus played in various theaters in London beginning in 1979, then premiered on Broadway in 1980 with Ian McKellen as Antonio Salieri, Tim Curry as Mozart, and Jane Seymour as Constanze, Mozart's wife. The production won five Tonys, including Best Play and Best Actor for McKellen, who beat out Curry for the award; the two leads had been nominated in the same category.

              2. Mark Hamill wanted the lead role, but Milos Forman wouldn't let him audition.

              In an attempt to circumvent any typecasting he might get after three blockbuster Star Wars films launched his career, Mark Hamill played the composer on Broadway for nine months in 1983. But when the time came for the movie to be made, Czech director Miloš Forman couldn’t get the space cowboy image out of his head. “Miloš Forman told me, ‘Oh no, you must not play the Mozart because the people not believing the Luke Spacewalker as Mozart,’” Hamill said in a 1986 interview. “He was very upfront about it, and I appreciated that rather than getting my hopes up that it was possible I’d be playing the role.”

              3. Kenneth Branagh legitimately thought he had landed the lead role.

              A young Kenneth Branagh was an early contender for the part of Mozart. In his autobiography, he wrote that he thought he had the part in the bag until Forman informed him they were casting Americans for the leads. Other actors who auditioned for the Mozart role included Tim Curry and Mel Gibson. Though Mozart was a rock star in his day, actual rock star Mick Jagger was also turned down after his audition.

              4. Mozart's frequent collaborator Emanuel Schikaneder was played by another stage Mozart.

              Actor Simon Callow originated the role of Mozart at the Royal National Theater production of Amadeus in 1979, and though Forman told him his portrayal was "truly brilliant, fantastic, asshole and genius, funny, tragic, crazy, a baby and a god," the director wasn't prepared to give him the title role in the film. Instead, he cast Callow as Emanuel Schikaneder, the librettist who worked with Mozart on The Magic Flute and played the part of Papageno the bird catcher.

              5. The movie was shot without the use of light bulbs or other modern lighting devices.

              The Tyl Theatre in Prague was the original theater where Don Giovanni first premiered in October 1787, and the authenticity of the building was a huge boon for the production since it had hardly been updated since it was first built in 1783. “[The Tyl is] where the opera premiered. And he conducted the first performance. And none of the opera house had been touched since he was there," choreographer Twyla Tharp recalled in 2015. "We had fire everywhere. We could have burnt down the opera house. We had live fire in the chandelier. We were lighting people on stage, and these guys were whipping these torches around."

              Patrizia von Brandenstein—who became the first woman to win the Oscar for Best Art Direction with this movie—had nightmares about damaging the all-wooden opera house. "I thought, 'God will truly punish me if this place catches on fire,'" she said.

              6. Tom Hulce practiced piano for four to five hours a day.

              In order to look believable on camera, Hulce spent a month with a piano teacher before filming. Although he knew some basics—he could read music, and had played violin and sung in choirs as a child—he needed to look like a natural. "I spent four weeks, four to five hours a day learning to play,” Hulce told People in 1984. “The first two days were scales and exercises. The next day was a concerto." And for that scene at the masquerade ball when Mozart plays a tune while lying on his back? That was really Hulce.

              7. Tom Hulce's laugh is semi-historical, though he had trouble recreating it.

              Throughout the movie, Mozart has an infectious cackle—it comes out just as often when he’s giddy as when he’s uncomfortable. Though there are dubious historical reports that the real Mozart had such an obnoxious laugh, Hulce created the giggle after Forman asked him to come up with "something extreme." "I've never been able to make that sound except in front of a camera," Hulce later said. "When we did the looping nine months later, I couldn't find the laugh. I had to raid the producer's private bar and have a shot of whiskey to jar myself into it."

              8. Someone really did commission a requiem from Mozart—it just wasn't Salieri.

              The script clearly took some artistic liberties, including the plot line of the masked man who comes to Mozart pretending to be his dead father. This was not, as the movie portrays, Salieri. But in 1791, Austrian Count Franz von Walsegg—who had a penchant for commissioning music to pass off as his own at his twice-weekly concerts—approached Mozart and asked for a requiem for his beloved wife, who had died on Valentine’s Day.

              According to a famously censored document in which a teacher near Vienna, Anton Herzog, recorded firsthand accounts of von Walsegg’s court, the Count often rewrote these commissioned quartets and other scores in his own hand and didn’t give credit to the original composers. His staff musicians often laughed this off because it seemed to amuse the Count, and because the Count was also an amateur musician in his own right. Mozart’s “Requiem Mass in D minor,” the document alleges, was one such piece. And Mozart really did die later that year, in December, before completing the full mass. Salieri didn’t help him complete it though; Austrian composer and possible Mozart student Franz Süssmayr took that on.

              9. The actors felt intense jealousy, too.

              Salieri and Mozart were the 18th-century equivalent of frenemies: They were contemporaries in a competitive field, and though they needed each other’s support, they weren’t above petty jealousies and a little backstabbing. Hulce and F. Murray Abraham (who played Salieri) also felt those pressures. ''Tom and Meg [Tilly, the actress originally cast as Constanze] were very close,'' Abraham told The New York Times in 1984. ''They had these secret jokes and were always laughing together. I was pushed out, and I was resentful. I began to have very nasty feelings that were exactly like Salieri's feelings toward Mozart. When that correspondence between a film and real life occurs, it's a director's dream.''

              “Occasionally Murray and I would go out and drink this terrible sweet champagne that they have in Prague," added Hulce. "But at other times there was a rivalry between us, and I found myself suspicious of him.''

              10. It was shot almost entirely on location in Prague—while under surveillance from the Secret Police.

              During filming in 1983, Czechoslovakia was under Communist rule. The production team was often followed around by the secret police, and Forman and the cast spoke about their fears that a Fourth of July prank—the unfurling of the American flag in the concert hall and the singing of "The Star-Spangled Banner" by the large cast and crew—would lead to their arrests for inciting rebellion. Many suspected that their hotel rooms had been bugged during the six months they spent filming the movie.

              Forman, who was considered a traitor for becoming an American citizen and not returning to the Soviet-controlled area, had previously had one of his movies banned in the country (then called the Czech Socialist Republic). According to Twyla Tharp, in order to shoot in red territory, Forman had to make certain concessions. "Miloš had to sign an agreement that he would go to his hotel every night for the year that he was there and that his driver would be his best friend from the old days," Tharp told The Hollywood Reporter. "And everybody knew what would happen to his best friend if something untoward politically happened around Miloš, because Miloš was a sort of local hero and he was dangerous to the authorities."

              11. A teenage Cynthia Nixon had a small but pivotal role.

              At age 17, Nixon played Lorl, the maid employed by Salieri to spy on Mozart. Though she was an experienced child actor at that point, she was also trying to finish her schooling. Thus, she and her parents were cautious of the time she'd need to be abroad for filming. "When I was cast in Amadeus with Miloš Forman, which was shooting in Europe," Nixon said in 2014, "I said, 'I want to be in your film so much, but I have a request: If I don’t shoot for two days in a row, you have to send me home.' They agreed."

              12. The distributor made a promotional video depicting Mozart as a modern rock star.

              Since the movie wasn't financed by a major studio with lots of promotional dollars behind it, the distributor, Orion Pictures, decided to get creative. And what better way to promote a rock star in the age of MTV than with a music video featuring David Lee Roth and cuts of Bruce Springsteen, Van Halen, KISS, Michael Jackson, David Bowie, and Madonna dancing along to Mozart's "Symphony No. 25 in G minor"?

              13. The movie was a huge hit.

              The film nearly tripled its $18 million budget at the box office, which was particularly impressive considering it opened in a limited 25 theaters and didn’t have a wide release until several months later. The movie also swept the Academy Awards—of its 11 nominations, it won eight, including Best Picture and Best Director. And, just as on Broadway, Salieri won the Best Actor statuette over Mozart, with Abraham beating out Hulce.

              Pod Search, a Search Engine for Podcasts, Can Help You Find Your Next Binge-Listen

              Milkos/iStock via Getty Images
              Milkos/iStock via Getty Images

              Having too many options definitely seems like the best problem to have when it comes to picking your next top podcast obsession, but that doesn’t make it any less overwhelming. To streamline the hunt, try Pod Search—a website and mobile app that has all the information you need in order to choose a winner.

              As Lifehacker reports, the user-friendly site is organized in several different ways, depending on how you’d like to operate your search. You can browse its list of about 30 categories, which range from “Storytelling” to “Crime & Law,” and each has a set of subcategories so you can get even more specific. If you trust the opinions of the general public, you can choose an already-popular podcast from the “Top Podcasts” tab. Or, if you like to be the first to recommend the next big thing to your friends, you can pick a program from the list of new podcasts.

              Pod Search also has a handy tool called MyPodSearch which will pretty much do all the work of choosing the perfect podcast for you. All you have to do is check whichever categories interest you and add any additional keywords you’d like (which is optional), and MyPodSearch will deliver a list of podcasts personalized for your tastes. This is great for people who have wide-ranging interests, a proclivity for indecision, or both.

              Each podcast has its own landing page with a description, audio samples, places you can listen, website and social media links for the podcast, and a list of other podcasts from the same producers. You can also create an account and bookmark podcasts for the future—so, hypothetically, you could have MyPodSearch create a personalized list for you, bookmark them all, and then have a binge-listening itinerary that’ll last you until next year.

              [h/t Lifehacker]

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