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10 TV Shows That Recycled Their Sets

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With a few exceptions, television productions don’t typically enjoy the massive budgets of their big-screen counterparts, so producers often have to get creative when it comes to finding ways to save money. Which helps explain why a couple episodes of Star Trek look as if they were shot in Andy Griffith’s Mayberry. Here are 10 TV shows that borrowed their sets from other series.

1. THE ANDY GRIFFITH SHOW ON STAR TREK

In the Star Trek episodes "Miri" and "City on the Edge of Forever,” the exteriors of the fictional town of Mayberry from The Andy Griffith Show were reused. The town set was redressed as a ghost town when the crew of the Enterprise finds a planet inhabited solely by children in “Miri,” then used it again as a New York City backdrop when Kirk and Spock travel back in time to the 1930s for “City on the Edge of Forever.” If you look closely, you can even see the sign for Floyd's Barbershop from The Andy Griffith Show in the background of a Star Trek episode.

2. SCRUBS ON THE OFFICE


The Office's Jim and Pam pay a visit to Scrubs' Sacred Heart Hospital.

Screen grab via NBC/YouTube.

In the season five finale of The Office, Jim and Pam discover that they are going to have a baby. The hospital set used for the episode was the same set used for Scrubs’s Sacred Heart Hospital. Both NBC TV shows filmed at North Hollywood Medical Center in Los Angeles, California, which was a real working hospital until 1998, when it was decommissioned and repurposed as a closed set for Scrubs. Unfortunately, North Hollywood Medical Center was demolished in 2011 and is now the site of a new apartment complex.

You might recognize the North Hollywood Medical Center from a number of other TV shows, too; The Sopranos, Freaks and Geeks, Six Feet Under, and Chuck all used it as a location. It was also the primary filming location for Adult Swim's Childrens Hospital.

3. THE WEST WING ON SMALLVILLE

    In “Hourglass,” a first season episode of Smallville, Lex Luthor has a vision of himself as the President of the United States, sitting in the Oval Office. Instead of building an entirely new set for the shot, producers flew Michael Rosenbaum, who played Luthor, from the set of Smallville in Vancouver to the set of The West Wing in Los Angeles to film the vision.

    4. THE BRADY BUNCH ON MANNIX AND MISSION: IMPOSSIBLE


    Mission: Impossible takes on Chez Brady.

    Image courtesy of YouTube.

      It’s very strange to see the iconic home from The Brady Bunch used for other TV shows, but it happened a few times during the 1970s with some Paramount productions. The Brady Bunch living room, patio, and backyard were recycled for “One for the Lady” and “The Danford File,” two episodes of Mannix, while the family living room was also redressed and redecorated for a violent meeting in the “Double Dead” episode of Mission: Impossible.

      5. ROSEANNE ON MIKE & MOLLY

        If Molly’s home on Mike & Molly looks familiar, that's because it’s the same living room set from Roseanne, only refurbished. Production designers and set dressers transformed the Conners' living room set into something more modern for Mike & Molly.

        6. GILMORE GIRLS ON PRETTY LITTLE LIARS

        Although a few years separate Gilmore Girls and Pretty Little Liars, both young adult dramas filmed on the same Warner Bros. backlot in Burbank, California. A number of the landmarks, buildings, and houses in Gilmore Girls’s Stars Hollow were redressed for Rosewood, the town in which Pretty Little Liars takes place. For example, the high school Rory Gilmore attended before she transferred to the prestigious Chilton Preparatory School was recycled as Rosewood City Hall, and Taylor’s Olde Fashioned Soda Shoppe was reused as Lucky Leon's Cupcakes on Pretty Little Liars.

        7. SAVED BY THE BELL ON THAT’S SO RAVEN

        Parts of Saved by The Bell’s Bayside High School set were repurposed for That’s So Raven, where the featured school was also known as Bayside High. Michael Poryes, who worked as a writer on Saved by The Bell and was the creator of That’s So Raven for the Disney Channel, may have had a little something to do with that crossover.

        8. GROWING PAINS ON HANGIN’ WITH MR. COOPER

          For the pilot episode of Hangin’ with Mr. Cooper in 1992, producers reused the Seaver family’s living room set from Growing Pains, which had been canceled earlier that same year. Both TV shows filmed on the Warner Bros. lot in Burbank, California. Alan Thicke, who played Dr. Jason Seaver on Growing Pains, even dropped by to wish Mark Curry good luck while filming the pilot for Hangin’ with Mr. Cooper.

          9. ROBINSONS: LOST IN SPACE ON BATTLESTAR GALACTICA

            Although a network didn’t pick it up for series, the pilot episode for Robinsons: Lost In Space featured sets that would later appear on many episodes of Battlestar Galactica. In 2003, John Woo directed the pilot episode for the reboot of the classic ‘60s sci-fi TV show for The WB. While the pilot never aired and eventually was dropped, producers of Battlestar Galactica bought the spaceship sets for the Jupiter 2 from Lost In Space and reused them for the Battlestar Pegasus set.

            10. DEAD LIKE ME ON STARGATE SG-1


            Mandy Patinkin and Jasmine Guy hang out at Der Waffle Haus in Dead Like Me (2003).

            Photo © Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved.

              The characters on Dead Like Me gather at a diner called Der Waffle Haus. The same diner set was once used in Stargate SG-1. In the eighth season episode “Threads,” Daniel Jackson finds himself in a strange diner that closely resembles Der Waffle Haus. Jackson also sits at the booth where the Dead Like Me characters usually sit, and orders waffles as a nod to Bryan Fuller’s cult TV show.

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              25 Incisive Facts About Jaws
              MCA/Universal Home Video
              MCA/Universal Home Video

              Daah dun, daah dun, daah dun, dun dun, dun dun, dun dun. Today is the 43rd anniversary of Steven Spielberg’s original blockbuster, Jaws. Here are 25 fascinating facts you may not have known about the Oscar-winning shark flick.

              1. THE BOOK COULD HAVE BEEN CALLED SOMETHING ELSE.

              The film is adapted from author Peter Benchley’s bestselling novel of the same name, which Benchley based on a series of shark attacks that occurred off the coast of New Jersey in 1916 and after an incident where a New York fisherman named Frank Mundus caught a 4,500-pound shark off the coast of Montauk in 1964. Other title ideas Benchley had before settling on Jaws were “The Stillness in the Water,” “The Silence of the Deep,” “Leviathan Rising,” and “The Jaws of Death."

              2. THE BOOK’S AUTHOR MAKES A CAMEO IN THE MOVIE.

              Benchley himself can be seen in a cameo in the film as the news reporter who addresses the camera on the beach. Benchley had previously worked as a news reporter for the Washington Post before penning Jaws.

              Steven Spielberg also makes a cameo in the movie: His voice is the Amity Island dispatcher who calls Quint’s boat, the Orca, with Sheriff Brody’s wife on the line.

              3. STEVEN SPIELBERG GOT THE DIRECTING JOB BECAUSE OF DUEL.

              Spielberg was chosen to direct Jaws by producers Richard Zanuck and David Brown (who had also worked with the then-28-year-old director on his 1974 film The Sugarland Express) because of his film Duel, which featured a maniacal trucker terrorizing a mild-mannered driver. The producers thought the movie was thematically similar to the story for Jaws, making Spielberg a great fit.

              4. THERE’S NOT A LOT OF JAWS IN JAWS.


              MCA/Universal Home Video

              The shark doesn’t fully appear in a shot until one hour and 21 minutes into the two-hour film. The reason it isn’t shown is because the mechanical shark that was built rarely worked during filming, so Spielberg had to create inventive ways (like Quint’s yellow barrels) to shoot around the non-functional shark.

              5. IT TOOK A VERY LONG TIME TO MAKE.

              Jaws was marred with so many technical problems (including the shark not working and shooting in the Atlantic Ocean) that the originally scheduled 65-day shoot ballooned into 159 days, not counting post-production.

              6. AMITY ISLAND WAS ACTUALLY MARTHA’S VINEYARD.

              To create the fictional town of Amity, the production shot on location in Edgartown and Menemsha on Martha’s Vineyard in Massachusetts. Strict land ordinances kept the production from building anywhere—Quint’s shack was the one and only set built for the movie, while the defaced Amity Island billboard had to be constructed and taken down all in one day.

              7. THE SHARK WEIGHED MORE THAN A TON.

              The pneumatically-powered shark, designed and built by production designer Joe Alves, weighed in at 1.2 tons and measured 25 feet in length. Part of the reason that Martha’s Vineyard was chosen as a location was because the surrounding ocean bed had a depth of 35 feet for up to 12 miles offshore, which was perfect for scenes that required the mechanical shark rig to be rested on the shallow ocean floor.

              8. SPIELBERG TOOK INSPIRATION FROM HIS LEGAL COUNSEL.

              The director nicknamed the shark “Bruce” after his lawyer, Bruce Ramer, who also currently represents other celebrities like Demi Moore, Ben Stiller, and Clint Eastwood.

              9. SOME GOOD, OLD-FASHIONED ELBOW GREASE HELPED CREATE THE OPENING SCENE.

              The opening scene took three days to shoot. To achieve the jolting motions of the shark attacking the swimmer in the opening sequence, a harness with cables was attached to actress Susan Backlinie’s legs and was pulled by crewmembers back and forth along the shoreline. Spielberg told the crew not to let Backlinie know when she would be yanked back and forth, so her terrified reaction is genuine.

              Spielberg went on to spoof his own opening scene for Jaws in his 1979 World War II comedy 1941. The scene features Backlinie once again taking a skinny dip at the beach, but instead of being attacked by a shark she’s scooped up by a passing Japanese submarine.

              10. SOME EAVESDROPPING GOT ROY SCHEIDER THE LEAD.

              Scheider got the part of Chief Martin Brody after overhearing Spielberg talking to a friend at a Hollywood party about the scene where the shark leaps out of the water and onto Quint’s boat. Scheider was instantly enthralled, and asked Spielberg if he could be in the film. Spielberg loved Scheider from his role in The French Connection, and later offered the actor the part.

              11. RICHARD DREYFUSS WASN’T THE FIRST CHOICE TO PLAY HOOPER.

              Spielberg initially approached Jon Voight, Timothy Bottoms, and Jeff Bridges to play oceanographer Matt Hooper. When none of them could commit to the role, Spielberg’s friend George Lucas suggested Richard Dreyfuss, whom Lucas has directed in American Graffiti. Dreyfuss would later accept the part because he thought he was terrible in the title role of the film The Apprenticeship of Duddy Kravitz a year earlier.

              12. ROBERT SHAW WASN’T THE FIRST CHOICE TO PLAY QUINT.

              When actors Lee Marvin and Sterling Hayden—the first and second choices to play the grizzled fisherman Quint, respectively—both turned Spielberg down, producers Zanuck and Brown recommended English actor Robert Shaw, whom they had previously worked with on 1973's The Sting.

              13. A LOCAL MARTHA’S VINEYARD FISHERMAN WAS THE REAL QUINT.

              Shaw based his performance of Quint on Martha’s Vineyard native and fisherman Craig Kingsbury, a non-actor who appears in the film as Ben Gardner. Kingsbury helped Shaw with his accent and allegedly told Shaw old sea stories that the actor incorporated into his improvised dialogue as Quint.

              14. GREGORY PECK FORCED A SCENE TO BE CUT FROM THE MOVIE.

              In early drafts of the screenplay, Quint was originally introduced while causing a disturbance in a movie theater while watching John Huston’s 1958 adaptation of Moby Dick. The scene was shot, but actor Gregory Peck—who plays Captain Ahab in that movie—owned the rights to the film version of Moby Dick and wouldn’t let the filmmakers on Jaws use the footage, so the sequence was cut.

              15. THE BOOK WAS VERY DIFFERENT FROM THE MOVIE.

              Early drafts of the screenplay featured a subplot where Hooper has an affair with Chief Brody’s wife, which was carted over from the book. Another detail left out of the movie from the book was that Mayor Vaughn was under pressure from the mafia, not local business owners, to keep Amity’s beaches open because of their real estate investments on the island.

              16. SPIELBERG ADDED AN OFFSCREEN IMPROV MOMENT.

              The scene where Brody’s son Sean mimics his father’s movements at the dinner table was based on a real thing that happened between Scheider and child actor Jay Mello in between takes. Spielberg loved the off-the-cuff moment so much that he re-staged it and put it in the movie.

              Another iconic moment was also a spontaneous one: Brody’s famous “You’re gonna need a bigger boat” line was entirely improvised by Scheider on the day of shooting.

              17.  ROBERT SHAW PUT HIS OWN SPIN ON THE INDIANAPOLIS SPEECH.


              MCA/Universal Home Video

              Quint’s U.S.S. Indianapolis speech wasn’t in the novel, and the backstory of Quint being a sailor on the ship first appeared in an uncredited rewrite of the script by playwright Howard Sackler. Later, writer-director (and Spielberg’s friend) John Milius expanded the characteristic into a multi-page monologue, which was then whittled down and spruced up by actor Robert Shaw (himself a playwright) on the day of shooting.

              18. SOME REAL SHARK FOOTAGE WAS USED.

              Zanuck demanded that real shark footage be used in the movie, and Spielberg used it sparingly. He hired experts Ron and Valerie Taylor to shoot underwater footage of 14-foot sharks off the coast of Australia. For scale, they hired a little person actor named Carl Rizzo to appear as Hooper in a mini shark cage in hopes that they could create the illusion of a shark attacking the character. After trying to get the right shot for about a week, the sharks would only swim around the cage. Then, during a take when Rizzo wasn’t in the cage, a shark became entangled in the cage’s bridle, causing it to thrash and roll around. This footage was included in the final film.

              19. DESPITE ALL THE BLOODY SHARK ATTACKS, THE MOVIE IS RATED PG.

              Jaws was initially rated R by the MPAA. But after some of the more gruesome frames of the shot showing the severed leg of the man attacked by the shark in the estuary were trimmed down, the film was given a PG-rating (the PG-13-rating wasn’t created until after Spielberg’s own film, Indiana Jones and the Temple of Doom, caused the MPAA to change the system in 1984). The poster for the film still reads that the movie “MAY BE TOO INTENSE FOR YOUNGER CHILDREN.”

              20. SPIELBERG DIDN’T DIRECT SOME OF THE FINAL SCENES.

              Spielberg didn’t direct the shot of the shark exploding. In fact, he had already returned to Los Angeles to begin post-production on the film after the film’s grueling shooting schedule and left the shot up to the production’s second unit.

              21. THE POSTER IMAGE CAME ABOUT BY CHANCE.

              The film’s iconic poster image was designed by artist Roger Kastel for the paperback edition of Benchley’s book. Kastel modeled the image of the massive shark emerging from the bottom of the frame after a great white shark diorama at the American Museum of Natural History. The female swimmer at the top was actually a model that Kastel was sketching at his studio for an ad in Good Housekeeping. He asked her to stay an extra half-hour and had her pose for the image by standing on a stool and pretending to swim.

              22. JAWS WAS HUGE.

              Jaws was the first movie released in more than 400 theaters in the United States, and the first movie to gross over $100 million at the box office. It was the highest grossing movie of all time until Star Wars was released two years later.

              23. SPIELBERG INCLUDED A NOD TO HIS PREVIOUS MOVIE.

              The faint roaring sound that is heard after the shark is blown up was also used by Spielberg in Duel, when that film’s villainous truck falls off a cliff.

              24. IT ORIGINALLY ENDED JUST LIKE MOBY DICK.

              The original ending in the script had the shark dying of harpoon injuries inflicted by Quint and Brody à la Moby Dick, but Spielberg thought the movie needed a crowd-pleasing finale and came up with the exploding tank as seen in the final film. The dialogue and foreshadowing of the tank were then dropped in as they shot the movie.

              25. THE MAIN THEME MUSIC IS EASY TO PLAY.

              The sole music notes played for composer John Williams’s Jaws theme are E and F. Jaws marked the second time Williams worked with Spielberg after his film The Sugarland Express, and Williams has composed the music for every Spielberg movie since with the exception of 1985's The Color Purple and 2015's Bridge of Spies.

              Additional Sources:
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              20 Things You Might Not Know About Garfield
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              Everyone’s favorite lazy, lasagna-loving cat made his debut 40 years ago, but Garfield is still just as popular today. The comic strip spawned a TV show plus a number of video games, feature films, books, and, of course, holiday specials—not to mention one very memorable car window craze. We sat down with Garfield creator Jim Davis to nail down a solid list of 20 things you might not know about the wisecracking feline.

              1. JIM DAVIS ORIGINALLY INTENDED TO FOCUS THE STRIP ON JON.


              Courtesy of Jim Davis

              “I ran some early ideas at a local paper,” Jim Davis tells Mental Floss, “to see how I felt about it and I called the strip Jon. It was about him, but he had this wise cat who, every time, came back zinging him. He always had the great payoff. At the time, I worked for T.K. Ryan—the cartoonist for Tumbleweeds—and I showed it to him and told him how every time I got to the punch line the cat zings him. And T.K. said, 'Well, what does that tell you, Jim?'" he laughs. “The strip must be about the cat. Go with it.”

              2. JON WAS A CARTOONIST IN THE VERY FIRST COMIC STRIP, BUT IT WAS NEVER REALLY MENTIONED AGAIN.

              “I didn’t want to tread on the fact that Jon’s a cartoonist because my biggest fear was getting a little too inside," Davis says. "That it would be a little too easy for me to write. I didn’t want to lose the readers just for my own enjoyment, or for a handful of peers. Also, I purposely gave him a job right off the top for the reason that The Adventures of Ozzie and Harriet never explained what Ozzie did for a living. Nobody ever knew because he was always in the house with Harriet and Ricky and David. Just hanging around. So I thought I would give Jon a job right off the top to avoid being asked what he does for a living in interviews.”

              3. GARFIELD WAS NAMED AFTER DAVIS'S GRANDFATHER, JAMES A. GARFIELD DAVIS ...

              ... who was named after President James A. Garfield. That’s quite a connection. Now just imagine a fat, wisecracking, lasagna-eating cat as the President of the United States of America. (Sounds like a dead-ringer for William Howard Taft!)

              4. GARFIELD IS SET IN DAVIS'S HOMETOWN OF MUNCIE, INDIANA, BUT THAT'S ALSO MOSTLY LEFT UNSAID.


              Courtesy of Jim Davis

              “I would like for readers in Sydney, Australia to think that Garfield lives next door,” Davis says. “Dealing with eating and sleeping, being a cat, Garfield is very universal. By virtue of being a cat, really, he’s not really male or female or any particular race or nationality, young or old. It gives me a lot more latitude for the humor for the situations.” The farm that Davis grew up on reportedly had 25 cats, several of which he based the Garfield character on.

              5. DAVIS MAINTAINS COMPLETE CONTROL OVER GARFIELD'S FINAL PRODUCT, BUT HE NO LONGER DRAWS THE DAILY COMIC STRIP.

              “I’m sitting here working on the writing right now,” he says. “I see gags and I work with assistants on the strip and stuff like that. We do roughs and it all filters through me so that it has one voice. We all get together occasionally in the same room and draw and work on shapes of fingers and gestures and expressions and things like that so that if any one of us draws it, you can’t tell which one did it.”

              6. HE REGRETS AT LEAST ONE LICENSED GARFIELD ITEM.

              According to Slate, Garfield merchandise brings in $750 million to $1 billion annually. Davis’s creation has been adapted and licensed more times than anyone could probably count, and of all of those items, there's one that Davis isn't thrilled with. “A few years ago there was a Zombie Garfield,” he says. “It was really gnarly and I thought, 'Oh, this will be fun.' So I did it and it sold okay. It was really interesting. But then I looked at it later and I go, ‘It did nothing for the character’s advancement.’ I figured I just did it because it was cool and everybody was doing it at the time. I just didn’t have a warm, fuzzy feeling after doing it. But those T-shirts go away," he laughs.

              7. GARFIELD HOLDS THE GUINNESS WORLD RECORD FOR BEING THE WORLD'S MOST WIDELY SYNDICATED COMIC STRIP.

              Garfield is syndicated in more than 2500 newspapers and journals. The cat also has more than 16 million fans on Facebook. That’s one seriously popular feline.

              8. GARFIELD'S CHARACTER DESIGN HAS CHANGED MANY TIMES OVER THE YEARS.

              There's one constant, though: The fat cat has always been—and will always be—fat. “If he lost weight, that would effectively end Garfield as we know it,” Davis says. “Garfield sends a healthy message in that he’s not perfect. He knows that and he’s cool with that. He’s happy with himself. If everybody were, there would probably be fewer disorders of all natures. He’s not perfect. In fact, he’s the imperfection in all of us underneath. I think that makes him probably easier to identify with than a slim, athletic character in the comics.”

              9. DAVIS REALLY ENJOYED SCARING KIDS WITH GARFIELD'S HALLOWEEN ADVENTURE.

              "It was such a challenge to try to think of something that could be scary, but fortunately we got to work with animation—we could marry scary sounds with scary music and scary images, and set the stage for a scary experience," Davis says. "Even down to the use of the actor’s voice. C. Lindsay Workman [who voices the old man that tells Garfield and Odie about the vengeful ghost pirates] was just a great character actor. I think we took our time to build to a scary scene where the ghost pirates invaded the house to look for the buried treasure. We tried to throw as many elements together as possible to create a situation where, at least for a few minutes, it could create a scary situation for the young viewers."

              10. CREATING THE GHOST PIRATES IN THE HALLOWEEN TV SPECIAL WAS MUCH MORE DIFFICULT THAN YOU MIGHT THINK.

              “We did it in our own art department (here at Paws, Inc.) because we wanted to make it just right,” the Garfield creator told us. “It was done with a white, chalky pencil on a rough texture so that everything would be really grainy. Back then, we animated on real film, so in order to get that glow we did what’s called a double burn. We exposed the film twice to overexpose the ghosts, and that gave it that eerie glow. We were totally in control of the process and the results turned out very well.”

              11. IN 2011, A FULL-LENGTH STAGE MUSICAL CALLED GARFIELD LIVE WAS STAGED IN MUNCIE.

              The musical was supposed to start touring the United States in September 2010, but was delayed until January 2011, when it premiered in Muncie. Davis wrote Garfield Live, while Michael Dansicker and Bill Meade handled the music and lyrics.

              12. DAVIS LOVED THE CASTING OF BILL MURRAY AS THE VOICE OF GARFIELD IN 2004'S GARFIELD: THE MOVIE.


              Muncie Magazine

              “It was because of Bill Murray’s attitude [that he was cast],” Davis tells us. “It wasn’t really so much his voice. It was the fact that he embodies the attitude that Garfield has always displayed in the strip. Lorenzo [Music] obviously wasn’t a choice since he passed away years ago, and when the producers said, ‘Bill Murray would like to do the voice,’ I thought, ‘Oh, cool.’ My biggest concern about doing a CGI Garfield with live action was that people wouldn’t buy into the fact that this was our Garfield—the Garfield we’d known all these years. But I thought that as soon as they heard Bill Murray’s voice they’d get it. There will be that emotional tag going with his voice. That will establish the fact that, ‘Yes, this character has attitude.’”

              13. THERE'S A GREAT LINK BETWEEN GARFIELD VOICE ACTOR LORENZO MUSIC AND BILL MURRAY.

              Lorenzo Music provided the voice of Garfield in all of the cat’s TV specials from 1982 to 1991, as well as during the 1988 to 1994 run of Garfield and Friends. Music also provided the voice of Peter Venkman in The Real Ghostbusters. Murray, of course, played Venkman in the Ghostbusters films and would, in 2004, provide the voice of Garfield in Garfield: The Movie. “I didn’t know about the relationship with Ghostbusters until years later."

              14. THE MACY'S PARADE ONCE CITED SHAMU THE WHALE AS THE PARADE'S LARGEST BALLOON, BUT DAVIS SAYS GARFIELD WAS LARGER.

              “In the Macy’s Thanksgiving Day Parade, they had published that their biggest balloon ever, by volume of gas, was Shamu the Whale with over 18,000 cubic feet," Davis says. "The fact is that the Garfield balloon was filled with 18,907 cubic feet of helium. So we just confirmed that the Garfield balloon, in fact, was the largest one by volume of gas.”

              15. THERE ARE ONLY THREE COUNTRIES IN THE WORLD WHERE GARFIELD IS NOT NAMED GARFIELD.

              “In Sweden, Garfield is known as Gustav,” the Garfield creator says. “There are only three countries in the whole world where he’s not Garfield and they’re all in the Nordics.” The other two are Norway and Finland.

              16. THE STUCK ON YOU GARFIELD PLUSH WITH SUCTION CUPS WAS THE RESULT OF A MISUNDERSTANDING.


              Amazon

              In the 1990s, it wasn't unusual to see a number of cars with little Garfield plushes stuck to the windows with suction cups. But that wasn't the original design—or the intended use. “I designed the first Stuck on You doll with Velcro on the paws, thinking that people would stick it on curtains,” Davis says. “It came back as a mistake with suction cups. They didn’t understand the directions. So I stuck it on a window and said, 'If it’s still there in two days, we’ll approve this.' Well, they were good suction cups and we released it like that. It never occurred to me that people would put them on cars.”

              17. THE GARFIELD COMIC STRIP BOOKS HAVE BEEN HUGE HITS.

              “The 11 Garfield comic strip books have all been number one on the New York Times Bestseller List,” Davis says. “At one time there were seven on the list simultaneously. At that point, they changed the way the list was done because other publishing houses were complaining that their authors couldn’t get on the list because of Garfield. Garfield at Large (1980) was number one for two solid years. Over 100 weeks.” The title of every compilation book is a reference to either food or Garfield’s weight.

              18. STEVEN SPIELBERG AND STEPHEN KING ARE AMONG THE MANY CELEBRITIES WHO OWN ORIGINAL GARFIELD STRIPS.

              They both contacted Davis personally for the strips; the cartoonist happily obliged.

              19. DESPITE GARFIELD BEING INSANELY POPULAR FOR DECADES, DAVIS IS STILL MOSTLY ANONYMOUS.


              Muncie Magazine

              “Being a cartoonist, you really enjoy a lot of anonymity,” he says. “You take a half-dozen of the biggest cartoonists and walk them down any street, nobody would notice them. They only know their characters. So I just hide behind Garfield. The only time anyone knows the name or spots me is if I’m out on book tour and I’m meant to do publicity. We don’t suffer any of the kind of attention problems that I think people do on TV or in movies. It’s not a big deal. I’m sitting here in the countryside of East Central Indiana, so it’s pretty quiet.”

              20. DAVIS'S FATHER'S FAVORITE COMIC STRIP WASN'T GARFIELD.

              Davis's father and namesake, who passed away in 2016, liked Garfield but preferred another comic strip: Beetle Bailey. “Nobody else knew that until today,” Davis tells us.

              This article originally appeared in 2014.

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