Glen Hansard and Markéta Irglová star in John Carney's Once.
Glen Hansard and Markéta Irglová star in John Carney's Once.
Fox Searchlight

15 Harmonious Facts About Once

Glen Hansard and Markéta Irglová star in John Carney's Once.
Glen Hansard and Markéta Irglová star in John Carney's Once.
Fox Searchlight

A decade before Damien Chazelle was attempting to bring back the classic Hollywood musical with La La Land, Dublin-born writer/director John Carney gathered up a handful of his musician (read: non-actor) friends and spent 17 days and $150,000 filming an indie musical dramedy that reinvigorated the genre and turned the film’s stars, Glen Hansard and Markéta Irglová, into Oscar winners. To celebrate the 10th anniversary of Once’s release in U.S. theaters, here are 15 things you might not have known about the musical hit.

1. JOHN CARNEY OUTLINED THE FILM IN FIVE MINUTES.

Once tells the story of an aspiring musician (Glen Hansard) who, when he’s not fixing vacuum cleaners, is busking for loose change in the streets of Dublin. One evening, his music catches the attention of a female flower-seller (Markéta Irglová) who has a vacuum in need of fixing and some musical chops of her own. The two form a fast friendship that flirts with possible romance; their relationship plays out via the film’s music, which acts as a sort of narrator. To a certain degree, the film—which was written and directed by John Carney, a former member of Hansard’s band The Frames—has some autobiographical elements.

The idea for the story came to Carney in 2004, when he was sitting in a café and missing his girlfriend, an actress who was living in London after landing a role that required her to relocate. In just five minutes, he wrote the outline for what would become Once, and told The Guardian that “it never changed … I was sitting there thinking, ‘Where has the Dublin I knew gone?’ The city has shed a lot of its greatness. It has lost its soul. I was seeing all these new immigrants in Dublin and identifying with them. I decided I wanted one character who was a Dubliner and one who was not.”

2. IT WAS ORIGINALLY ENVISIONED AS A VEHICLE FOR CILLIAN MURPHY.


John Carney originally envisioned Cillian Murphy as the star of Once.

Photo by Pascal Le Segretain/Getty Images

Considering how integral Hansard’s music is to the narrative of Once, it’s hard to imagine anyone else in the film’s lead. But Carney originally developed the project as a starring vehicle for Cillian Murphy, with whom he had worked on 2001’s On the Edge.

“I originally wanted Cillian Murphy for the role,” Carney told CHUD.com. “I know Cillian, and he can sing. He’s quite a good singer. I thought I’d do the usual thing where you get a good actor who can half sing and train that voice, but then it became clear to everybody on the film that we should do it the other way around, that we should get somebody who could really sing and half act and I’ll trust that I would be able to do something magical with that.”

Other sources state that it was Murphy who opted not to do the project, either because he wasn’t comfortable working opposite an inexperienced non-actor like Irglová (“It’s a real risk for an actor to be in a movie with a non-actor,” Irglová, who was 19 at the time, told The New York Times) and/or because he wasn’t sure he could pull of Hansard’s songs.

“Cillian doesn't like me saying this,” Hansard told the Independent, “but he had reservations about some of my songs. They were quite hard to sing, quite raging. But, then, the character was pretty dark.”

3. GLEN HANSARD REALLY HAD TO BE CONVINCED TO ACT IN THE FILM.

Though Hansard had a small role as Outspan Foster in Alan Parker’s The Commitments, he didn’t consider himself an “actor” and wasn’t particularly interested in becoming one. But Once would be full of his music and, as Carney told The New York Times, “He sells the songs better than anybody.”

Still, as Hansard told CHUD.com, “I was terrified, for a few reasons. I didn’t want to suck for [John’s] sake, and I didn’t want to suck for my own. I’m a reasonably confident person behind a guitar, but in front of a camera is a whole other ball game. I needed him to tell me the truth—are we rubbish, are we going to pull it off, is it going to work? Because if it isn’t, let’s just pack it in.” Eventually, Hansard relented and agreed to step in front of the camera, on the condition: if he sucked, Carney would can him right away.

4. GUY’S GIRLFRIEND IS THE DIRECTOR’S GIRLFRIEND.

In a montage, there are flashback scenes of Guy and his ex-girlfriend. In real life, Guy’s girlfriend was Carney’s girlfriend.

5. THE SCRIPT AND THE MUSIC WERE WRITTEN IN CONCERT WITH EACH OTHER.

“It was a very collaborative process,” Carney said of the music-writing for Once. “I liked being able to work with the songwriter of the musical. In the classic musicals, the songs were already there, and you couldn’t really touch it and you wrote a story around these songs. I liked that I knew Glen and I could communicate with him and say, what do you think about this as a theme, and he would mull it over and come back with a lyric or a title, or with a song that he had written ages ago. It was very much a song here, a scene here, and we would bounce off ideas with the skeleton of the story in place—guy meets girl, he’s broken hearted, she’s this, they come together.”

The songs were written by me and Mar—some before filming, some during, some afterwards,” Hansard told Reverse Shot. “John showed us the script, and we all talked about it for a few weeks. He had a very particular aesthetic, and the fact that he chose us to be in the film made it easier for us to write what he wanted. He would say, ‘I want a song for the scene where Mar walks down the street, and it has to be a certain tone, and we would work on that while we were acting so the whole thing was organic and collaborative.’ But we were definitely working towards John’s agenda."

6. A LOT OF IT IS IMPROVISED, MOSTLY FOR PRACTICAL REASONS.

Because neither Hansard nor Irglová were trained actors, Carney let the actors improvise in order to encourage the most natural performances. “There was a lot of self-deprecation from John on the set,” Hansard told Reverse Shot. “He would say a line he had written was bullsh*t, and ask us to get the idea across in a believable way. It needed to be loose, though, because neither of us had acted before, and it would have made me very stiff if I had had to learn a complete script verbatim. I have no problem behind a guitar, but whenever there was dialogue I was a wreck.”

Irglová echoed Hansard’s concerns, admitting that, “Scripted dialogue was very hard for me because of the language problem. The scene where the characters meet was written out, and I would have never have spoken that way."

7. A LOT OF IT WAS SHOT WITHOUT PERMITS.

An indie film in the truest sense of the word, The Washington Post wrote that, “The movie was shot guerrilla-style on the Dublin streets: no permits, no lighting, no production designers, no wardrobe, no paid extras, no location scouts, no production trailers—just a tiny crew using natural light, a couple of Sony-HD cameras and real places and people, including Hansard's friends and mother. There were no rehearsals, and pre-production largely consisted of viewing sessions of independent films and musicals: Singin' in the Rain, A Woman Under the Influence, a Roman Polanski box set, [and] Francois Truffaut's The 400 Blows."

8. A THEATRICAL RELEASE WASN’T PART OF THE ORIGINAL PLAN FOR THE FILM.

The fact that the film became a hit was as much a surprise to its makers as it was to anyone—especially as they hadn’t even intended to release it in theaters. According to The New York Times, the plan was to have a limited theatrical run in Dublin, but then go straight to DVD in most other markets, and to allow Hansard and the other featured musicians to sell copies of the film as part of their concert swag. Before that, it made a few film festival appearances, which is where one of Sundance’s programmers saw it. Though Once had been rejected by other major fests like Toronto, the Sundance Film Festival invited Carney and company to be a part of the 2007 event, where the film won the Audience Award and was nominated for the Grand Jury Prize. And just like that, Fox Searchlight decided to scoop up the theatrical rights for $500,000.

9. CARNEY PREDICTED THE MOVIE’S OSCAR WIN.

After filming the scene where Hansard and Irglová sing “Falling Slowly” in a music store, Hansard recalled that, “John said, joking, 'And the Oscar for Best Song goes to …' and we all started laughing because of the ridiculousness of the budget we were working on and the way we were shooting this film. We just laughed.”

Following the announcements of the 2008 Academy Award nominations in early January, Hansard called Carney and “said 'Man I remembered last night what you said and I can't believe it, and none of us even dared go there in our heads but my God!'"

At that year’s Oscar ceremony, Hansard and Irglová took home the Oscar for Best Achievement in Music Written for Motion Pictures, Original Song.

10. WE NEVER LEARN THE LEAD CHARACTERS’ NAMES.

One of Once’s most remarkable achievements is its intimacy; the way the film is acted and shot makes the viewer feel like part of the action. One way Carney extended the relatability of these characters was by never giving them names; they’re simply known as Guy and Girl in the credits.

11. GUY AND GIRL WERE SUPPOSED TO DO THE DEED.


Will they or won't they?
Photo courtesy Fox Searchlight.

    According to The New York Times, the film’s title originally referred to a scene in which Guy and Girl would sleep together—but only once. (Get it?) Though Carney wrote the scene, the actors didn’t think it rang true to the unique nature of the characters’ relationship (Irglová called it “so predictable”), so Carney scrapped it. In his mind, that changed the meaning of the title, too, which he said was a nod to the many people he had met in bars over the years: “They say, ‘Once I do this, then it’ll be great.’ But they never do it. It’s a great Irish tradition of vacillating."

    12. STEVEN SPIELBERG LOVED IT.

      Once was a huge hit with audiences, including a handful of very high-powered moviegoers. Steven Spielberg mentioned the movie to USA Today, saying that, “A little movie called Once gave me enough inspiration to last the rest of the year.”

      13. THE SIMPSONS PAID TRIBUTE TO IT.

      In what might be the greatest pop culture compliment, The Simpsons paid tribute to Once by reuniting Hansard and Irglová for a 2009 episode that recreated the film.

      14. IT WAS TURNED INTO A TONY AWARD-WINNING STAGE PRODUCTION.

      In 2012, Once began a new life on the Broadway stage, with Steve Kazee and Cristin Milioti stepping into the roles made famous by Hansard and Irglová. The play was a bona fide smash, winning eight of its 11 Tony Award nominations.

      15. HANSARD WASN’T THRILLED ABOUT ITS MOVE TO BROADWAY.

        In an interview with the Independent, Hansard admitted that he wasn’t totally thrilled with the idea of turning the film into a play: “True, I didn't like the idea of it becoming a musical—I feared overexposure would kill it—but I suppose it helps me stand up and be in the world. And if I am remembered for that one song, well, there are worse fates."

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        Glen Hansard and Markéta Irglová star in John Carney's Once.
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        25 Incisive Facts About Jaws
        MCA/Universal Home Video
        MCA/Universal Home Video

        Daah dun, daah dun, daah dun, dun dun, dun dun, dun dun. Today is the 43rd anniversary of Steven Spielberg’s original blockbuster, Jaws. Here are 25 fascinating facts you may not have known about the Oscar-winning shark flick.

        1. THE BOOK COULD HAVE BEEN CALLED SOMETHING ELSE.

        The film is adapted from author Peter Benchley’s bestselling novel of the same name, which Benchley based on a series of shark attacks that occurred off the coast of New Jersey in 1916 and after an incident where a New York fisherman named Frank Mundus caught a 4,500-pound shark off the coast of Montauk in 1964. Other title ideas Benchley had before settling on Jaws were “The Stillness in the Water,” “The Silence of the Deep,” “Leviathan Rising,” and “The Jaws of Death."

        2. THE BOOK’S AUTHOR MAKES A CAMEO IN THE MOVIE.

        Benchley himself can be seen in a cameo in the film as the news reporter who addresses the camera on the beach. Benchley had previously worked as a news reporter for the Washington Post before penning Jaws.

        Steven Spielberg also makes a cameo in the movie: His voice is the Amity Island dispatcher who calls Quint’s boat, the Orca, with Sheriff Brody’s wife on the line.

        3. STEVEN SPIELBERG GOT THE DIRECTING JOB BECAUSE OF DUEL.

        Spielberg was chosen to direct Jaws by producers Richard Zanuck and David Brown (who had also worked with the then-28-year-old director on his 1974 film The Sugarland Express) because of his film Duel, which featured a maniacal trucker terrorizing a mild-mannered driver. The producers thought the movie was thematically similar to the story for Jaws, making Spielberg a great fit.

        4. THERE’S NOT A LOT OF JAWS IN JAWS.


        MCA/Universal Home Video

        The shark doesn’t fully appear in a shot until one hour and 21 minutes into the two-hour film. The reason it isn’t shown is because the mechanical shark that was built rarely worked during filming, so Spielberg had to create inventive ways (like Quint’s yellow barrels) to shoot around the non-functional shark.

        5. IT TOOK A VERY LONG TIME TO MAKE.

        Jaws was marred with so many technical problems (including the shark not working and shooting in the Atlantic Ocean) that the originally scheduled 65-day shoot ballooned into 159 days, not counting post-production.

        6. AMITY ISLAND WAS ACTUALLY MARTHA’S VINEYARD.

        To create the fictional town of Amity, the production shot on location in Edgartown and Menemsha on Martha’s Vineyard in Massachusetts. Strict land ordinances kept the production from building anywhere—Quint’s shack was the one and only set built for the movie, while the defaced Amity Island billboard had to be constructed and taken down all in one day.

        7. THE SHARK WEIGHED MORE THAN A TON.

        The pneumatically-powered shark, designed and built by production designer Joe Alves, weighed in at 1.2 tons and measured 25 feet in length. Part of the reason that Martha’s Vineyard was chosen as a location was because the surrounding ocean bed had a depth of 35 feet for up to 12 miles offshore, which was perfect for scenes that required the mechanical shark rig to be rested on the shallow ocean floor.

        8. SPIELBERG TOOK INSPIRATION FROM HIS LEGAL COUNSEL.

        The director nicknamed the shark “Bruce” after his lawyer, Bruce Ramer, who also currently represents other celebrities like Demi Moore, Ben Stiller, and Clint Eastwood.

        9. SOME GOOD, OLD-FASHIONED ELBOW GREASE HELPED CREATE THE OPENING SCENE.

        The opening scene took three days to shoot. To achieve the jolting motions of the shark attacking the swimmer in the opening sequence, a harness with cables was attached to actress Susan Backlinie’s legs and was pulled by crewmembers back and forth along the shoreline. Spielberg told the crew not to let Backlinie know when she would be yanked back and forth, so her terrified reaction is genuine.

        Spielberg went on to spoof his own opening scene for Jaws in his 1979 World War II comedy 1941. The scene features Backlinie once again taking a skinny dip at the beach, but instead of being attacked by a shark she’s scooped up by a passing Japanese submarine.

        10. SOME EAVESDROPPING GOT ROY SCHEIDER THE LEAD.

        Scheider got the part of Chief Martin Brody after overhearing Spielberg talking to a friend at a Hollywood party about the scene where the shark leaps out of the water and onto Quint’s boat. Scheider was instantly enthralled, and asked Spielberg if he could be in the film. Spielberg loved Scheider from his role in The French Connection, and later offered the actor the part.

        11. RICHARD DREYFUSS WASN’T THE FIRST CHOICE TO PLAY HOOPER.

        Spielberg initially approached Jon Voight, Timothy Bottoms, and Jeff Bridges to play oceanographer Matt Hooper. When none of them could commit to the role, Spielberg’s friend George Lucas suggested Richard Dreyfuss, whom Lucas has directed in American Graffiti. Dreyfuss would later accept the part because he thought he was terrible in the title role of the film The Apprenticeship of Duddy Kravitz a year earlier.

        12. ROBERT SHAW WASN’T THE FIRST CHOICE TO PLAY QUINT.

        When actors Lee Marvin and Sterling Hayden—the first and second choices to play the grizzled fisherman Quint, respectively—both turned Spielberg down, producers Zanuck and Brown recommended English actor Robert Shaw, whom they had previously worked with on 1973's The Sting.

        13. A LOCAL MARTHA’S VINEYARD FISHERMAN WAS THE REAL QUINT.

        Shaw based his performance of Quint on Martha’s Vineyard native and fisherman Craig Kingsbury, a non-actor who appears in the film as Ben Gardner. Kingsbury helped Shaw with his accent and allegedly told Shaw old sea stories that the actor incorporated into his improvised dialogue as Quint.

        14. GREGORY PECK FORCED A SCENE TO BE CUT FROM THE MOVIE.

        In early drafts of the screenplay, Quint was originally introduced while causing a disturbance in a movie theater while watching John Huston’s 1958 adaptation of Moby Dick. The scene was shot, but actor Gregory Peck—who plays Captain Ahab in that movie—owned the rights to the film version of Moby Dick and wouldn’t let the filmmakers on Jaws use the footage, so the sequence was cut.

        15. THE BOOK WAS VERY DIFFERENT FROM THE MOVIE.

        Early drafts of the screenplay featured a subplot where Hooper has an affair with Chief Brody’s wife, which was carted over from the book. Another detail left out of the movie from the book was that Mayor Vaughn was under pressure from the mafia, not local business owners, to keep Amity’s beaches open because of their real estate investments on the island.

        16. SPIELBERG ADDED AN OFFSCREEN IMPROV MOMENT.

        The scene where Brody’s son Sean mimics his father’s movements at the dinner table was based on a real thing that happened between Scheider and child actor Jay Mello in between takes. Spielberg loved the off-the-cuff moment so much that he re-staged it and put it in the movie.

        Another iconic moment was also a spontaneous one: Brody’s famous “You’re gonna need a bigger boat” line was entirely improvised by Scheider on the day of shooting.

        17.  ROBERT SHAW PUT HIS OWN SPIN ON THE INDIANAPOLIS SPEECH.


        MCA/Universal Home Video

        Quint’s U.S.S. Indianapolis speech wasn’t in the novel, and the backstory of Quint being a sailor on the ship first appeared in an uncredited rewrite of the script by playwright Howard Sackler. Later, writer-director (and Spielberg’s friend) John Milius expanded the characteristic into a multi-page monologue, which was then whittled down and spruced up by actor Robert Shaw (himself a playwright) on the day of shooting.

        18. SOME REAL SHARK FOOTAGE WAS USED.

        Zanuck demanded that real shark footage be used in the movie, and Spielberg used it sparingly. He hired experts Ron and Valerie Taylor to shoot underwater footage of 14-foot sharks off the coast of Australia. For scale, they hired a little person actor named Carl Rizzo to appear as Hooper in a mini shark cage in hopes that they could create the illusion of a shark attacking the character. After trying to get the right shot for about a week, the sharks would only swim around the cage. Then, during a take when Rizzo wasn’t in the cage, a shark became entangled in the cage’s bridle, causing it to thrash and roll around. This footage was included in the final film.

        19. DESPITE ALL THE BLOODY SHARK ATTACKS, THE MOVIE IS RATED PG.

        Jaws was initially rated R by the MPAA. But after some of the more gruesome frames of the shot showing the severed leg of the man attacked by the shark in the estuary were trimmed down, the film was given a PG-rating (the PG-13-rating wasn’t created until after Spielberg’s own film, Indiana Jones and the Temple of Doom, caused the MPAA to change the system in 1984). The poster for the film still reads that the movie “MAY BE TOO INTENSE FOR YOUNGER CHILDREN.”

        20. SPIELBERG DIDN’T DIRECT SOME OF THE FINAL SCENES.

        Spielberg didn’t direct the shot of the shark exploding. In fact, he had already returned to Los Angeles to begin post-production on the film after the film’s grueling shooting schedule and left the shot up to the production’s second unit.

        21. THE POSTER IMAGE CAME ABOUT BY CHANCE.

        The film’s iconic poster image was designed by artist Roger Kastel for the paperback edition of Benchley’s book. Kastel modeled the image of the massive shark emerging from the bottom of the frame after a great white shark diorama at the American Museum of Natural History. The female swimmer at the top was actually a model that Kastel was sketching at his studio for an ad in Good Housekeeping. He asked her to stay an extra half-hour and had her pose for the image by standing on a stool and pretending to swim.

        22. JAWS WAS HUGE.

        Jaws was the first movie released in more than 400 theaters in the United States, and the first movie to gross over $100 million at the box office. It was the highest grossing movie of all time until Star Wars was released two years later.

        23. SPIELBERG INCLUDED A NOD TO HIS PREVIOUS MOVIE.

        The faint roaring sound that is heard after the shark is blown up was also used by Spielberg in Duel, when that film’s villainous truck falls off a cliff.

        24. IT ORIGINALLY ENDED JUST LIKE MOBY DICK.

        The original ending in the script had the shark dying of harpoon injuries inflicted by Quint and Brody à la Moby Dick, but Spielberg thought the movie needed a crowd-pleasing finale and came up with the exploding tank as seen in the final film. The dialogue and foreshadowing of the tank were then dropped in as they shot the movie.

        25. THE MAIN THEME MUSIC IS EASY TO PLAY.

        The sole music notes played for composer John Williams’s Jaws theme are E and F. Jaws marked the second time Williams worked with Spielberg after his film The Sugarland Express, and Williams has composed the music for every Spielberg movie since with the exception of 1985's The Color Purple and 2015's Bridge of Spies.

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        Glen Hansard and Markéta Irglová star in John Carney's Once.
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        20 Things You Might Not Know About Garfield
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        iStock

        Everyone’s favorite lazy, lasagna-loving cat made his debut 40 years ago, but Garfield is still just as popular today. The comic strip spawned a TV show plus a number of video games, feature films, books, and, of course, holiday specials—not to mention one very memorable car window craze. We sat down with Garfield creator Jim Davis to nail down a solid list of 20 things you might not know about the wisecracking feline.

        1. JIM DAVIS ORIGINALLY INTENDED TO FOCUS THE STRIP ON JON.


        Courtesy of Jim Davis

        “I ran some early ideas at a local paper,” Jim Davis tells Mental Floss, “to see how I felt about it and I called the strip Jon. It was about him, but he had this wise cat who, every time, came back zinging him. He always had the great payoff. At the time, I worked for T.K. Ryan—the cartoonist for Tumbleweeds—and I showed it to him and told him how every time I got to the punch line the cat zings him. And T.K. said, 'Well, what does that tell you, Jim?'" he laughs. “The strip must be about the cat. Go with it.”

        2. JON WAS A CARTOONIST IN THE VERY FIRST COMIC STRIP, BUT IT WAS NEVER REALLY MENTIONED AGAIN.

        “I didn’t want to tread on the fact that Jon’s a cartoonist because my biggest fear was getting a little too inside," Davis says. "That it would be a little too easy for me to write. I didn’t want to lose the readers just for my own enjoyment, or for a handful of peers. Also, I purposely gave him a job right off the top for the reason that The Adventures of Ozzie and Harriet never explained what Ozzie did for a living. Nobody ever knew because he was always in the house with Harriet and Ricky and David. Just hanging around. So I thought I would give Jon a job right off the top to avoid being asked what he does for a living in interviews.”

        3. GARFIELD WAS NAMED AFTER DAVIS'S GRANDFATHER, JAMES A. GARFIELD DAVIS ...

        ... who was named after President James A. Garfield. That’s quite a connection. Now just imagine a fat, wisecracking, lasagna-eating cat as the President of the United States of America. (Sounds like a dead-ringer for William Howard Taft!)

        4. GARFIELD IS SET IN DAVIS'S HOMETOWN OF MUNCIE, INDIANA, BUT THAT'S ALSO MOSTLY LEFT UNSAID.


        Courtesy of Jim Davis

        “I would like for readers in Sydney, Australia to think that Garfield lives next door,” Davis says. “Dealing with eating and sleeping, being a cat, Garfield is very universal. By virtue of being a cat, really, he’s not really male or female or any particular race or nationality, young or old. It gives me a lot more latitude for the humor for the situations.” The farm that Davis grew up on reportedly had 25 cats, several of which he based the Garfield character on.

        5. DAVIS MAINTAINS COMPLETE CONTROL OVER GARFIELD'S FINAL PRODUCT, BUT HE NO LONGER DRAWS THE DAILY COMIC STRIP.

        “I’m sitting here working on the writing right now,” he says. “I see gags and I work with assistants on the strip and stuff like that. We do roughs and it all filters through me so that it has one voice. We all get together occasionally in the same room and draw and work on shapes of fingers and gestures and expressions and things like that so that if any one of us draws it, you can’t tell which one did it.”

        6. HE REGRETS AT LEAST ONE LICENSED GARFIELD ITEM.

        According to Slate, Garfield merchandise brings in $750 million to $1 billion annually. Davis’s creation has been adapted and licensed more times than anyone could probably count, and of all of those items, there's one that Davis isn't thrilled with. “A few years ago there was a Zombie Garfield,” he says. “It was really gnarly and I thought, 'Oh, this will be fun.' So I did it and it sold okay. It was really interesting. But then I looked at it later and I go, ‘It did nothing for the character’s advancement.’ I figured I just did it because it was cool and everybody was doing it at the time. I just didn’t have a warm, fuzzy feeling after doing it. But those T-shirts go away," he laughs.

        7. GARFIELD HOLDS THE GUINNESS WORLD RECORD FOR BEING THE WORLD'S MOST WIDELY SYNDICATED COMIC STRIP.

        Garfield is syndicated in more than 2500 newspapers and journals. The cat also has more than 16 million fans on Facebook. That’s one seriously popular feline.

        8. GARFIELD'S CHARACTER DESIGN HAS CHANGED MANY TIMES OVER THE YEARS.

        There's one constant, though: The fat cat has always been—and will always be—fat. “If he lost weight, that would effectively end Garfield as we know it,” Davis says. “Garfield sends a healthy message in that he’s not perfect. He knows that and he’s cool with that. He’s happy with himself. If everybody were, there would probably be fewer disorders of all natures. He’s not perfect. In fact, he’s the imperfection in all of us underneath. I think that makes him probably easier to identify with than a slim, athletic character in the comics.”

        9. DAVIS REALLY ENJOYED SCARING KIDS WITH GARFIELD'S HALLOWEEN ADVENTURE.

        "It was such a challenge to try to think of something that could be scary, but fortunately we got to work with animation—we could marry scary sounds with scary music and scary images, and set the stage for a scary experience," Davis says. "Even down to the use of the actor’s voice. C. Lindsay Workman [who voices the old man that tells Garfield and Odie about the vengeful ghost pirates] was just a great character actor. I think we took our time to build to a scary scene where the ghost pirates invaded the house to look for the buried treasure. We tried to throw as many elements together as possible to create a situation where, at least for a few minutes, it could create a scary situation for the young viewers."

        10. CREATING THE GHOST PIRATES IN THE HALLOWEEN TV SPECIAL WAS MUCH MORE DIFFICULT THAN YOU MIGHT THINK.

        “We did it in our own art department (here at Paws, Inc.) because we wanted to make it just right,” the Garfield creator told us. “It was done with a white, chalky pencil on a rough texture so that everything would be really grainy. Back then, we animated on real film, so in order to get that glow we did what’s called a double burn. We exposed the film twice to overexpose the ghosts, and that gave it that eerie glow. We were totally in control of the process and the results turned out very well.”

        11. IN 2011, A FULL-LENGTH STAGE MUSICAL CALLED GARFIELD LIVE WAS STAGED IN MUNCIE.

        The musical was supposed to start touring the United States in September 2010, but was delayed until January 2011, when it premiered in Muncie. Davis wrote Garfield Live, while Michael Dansicker and Bill Meade handled the music and lyrics.

        12. DAVIS LOVED THE CASTING OF BILL MURRAY AS THE VOICE OF GARFIELD IN 2004'S GARFIELD: THE MOVIE.


        Muncie Magazine

        “It was because of Bill Murray’s attitude [that he was cast],” Davis tells us. “It wasn’t really so much his voice. It was the fact that he embodies the attitude that Garfield has always displayed in the strip. Lorenzo [Music] obviously wasn’t a choice since he passed away years ago, and when the producers said, ‘Bill Murray would like to do the voice,’ I thought, ‘Oh, cool.’ My biggest concern about doing a CGI Garfield with live action was that people wouldn’t buy into the fact that this was our Garfield—the Garfield we’d known all these years. But I thought that as soon as they heard Bill Murray’s voice they’d get it. There will be that emotional tag going with his voice. That will establish the fact that, ‘Yes, this character has attitude.’”

        13. THERE'S A GREAT LINK BETWEEN GARFIELD VOICE ACTOR LORENZO MUSIC AND BILL MURRAY.

        Lorenzo Music provided the voice of Garfield in all of the cat’s TV specials from 1982 to 1991, as well as during the 1988 to 1994 run of Garfield and Friends. Music also provided the voice of Peter Venkman in The Real Ghostbusters. Murray, of course, played Venkman in the Ghostbusters films and would, in 2004, provide the voice of Garfield in Garfield: The Movie. “I didn’t know about the relationship with Ghostbusters until years later."

        14. THE MACY'S PARADE ONCE CITED SHAMU THE WHALE AS THE PARADE'S LARGEST BALLOON, BUT DAVIS SAYS GARFIELD WAS LARGER.

        “In the Macy’s Thanksgiving Day Parade, they had published that their biggest balloon ever, by volume of gas, was Shamu the Whale with over 18,000 cubic feet," Davis says. "The fact is that the Garfield balloon was filled with 18,907 cubic feet of helium. So we just confirmed that the Garfield balloon, in fact, was the largest one by volume of gas.”

        15. THERE ARE ONLY THREE COUNTRIES IN THE WORLD WHERE GARFIELD IS NOT NAMED GARFIELD.

        “In Sweden, Garfield is known as Gustav,” the Garfield creator says. “There are only three countries in the whole world where he’s not Garfield and they’re all in the Nordics.” The other two are Norway and Finland.

        16. THE STUCK ON YOU GARFIELD PLUSH WITH SUCTION CUPS WAS THE RESULT OF A MISUNDERSTANDING.


        Amazon

        In the 1990s, it wasn't unusual to see a number of cars with little Garfield plushes stuck to the windows with suction cups. But that wasn't the original design—or the intended use. “I designed the first Stuck on You doll with Velcro on the paws, thinking that people would stick it on curtains,” Davis says. “It came back as a mistake with suction cups. They didn’t understand the directions. So I stuck it on a window and said, 'If it’s still there in two days, we’ll approve this.' Well, they were good suction cups and we released it like that. It never occurred to me that people would put them on cars.”

        17. THE GARFIELD COMIC STRIP BOOKS HAVE BEEN HUGE HITS.

        “The 11 Garfield comic strip books have all been number one on the New York Times Bestseller List,” Davis says. “At one time there were seven on the list simultaneously. At that point, they changed the way the list was done because other publishing houses were complaining that their authors couldn’t get on the list because of Garfield. Garfield at Large (1980) was number one for two solid years. Over 100 weeks.” The title of every compilation book is a reference to either food or Garfield’s weight.

        18. STEVEN SPIELBERG AND STEPHEN KING ARE AMONG THE MANY CELEBRITIES WHO OWN ORIGINAL GARFIELD STRIPS.

        They both contacted Davis personally for the strips; the cartoonist happily obliged.

        19. DESPITE GARFIELD BEING INSANELY POPULAR FOR DECADES, DAVIS IS STILL MOSTLY ANONYMOUS.


        Muncie Magazine

        “Being a cartoonist, you really enjoy a lot of anonymity,” he says. “You take a half-dozen of the biggest cartoonists and walk them down any street, nobody would notice them. They only know their characters. So I just hide behind Garfield. The only time anyone knows the name or spots me is if I’m out on book tour and I’m meant to do publicity. We don’t suffer any of the kind of attention problems that I think people do on TV or in movies. It’s not a big deal. I’m sitting here in the countryside of East Central Indiana, so it’s pretty quiet.”

        20. DAVIS'S FATHER'S FAVORITE COMIC STRIP WASN'T GARFIELD.

        Davis's father and namesake, who passed away in 2016, liked Garfield but preferred another comic strip: Beetle Bailey. “Nobody else knew that until today,” Davis tells us.

        This article originally appeared in 2014.

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