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Clockwise (l to r): DC Comics, Nobrow Press, Drawn & Quarterly, Dark Horse Comics, Papercutz, American Mythology Productions
Clockwise (l to r): DC Comics, Nobrow Press, Drawn & Quarterly, Dark Horse Comics, Papercutz, American Mythology Productions

12 Comics to Get Your Kids on Free Comic Book Day

Clockwise (l to r): DC Comics, Nobrow Press, Drawn & Quarterly, Dark Horse Comics, Papercutz, American Mythology Productions
Clockwise (l to r): DC Comics, Nobrow Press, Drawn & Quarterly, Dark Horse Comics, Papercutz, American Mythology Productions

Every year, comic book shops around the world celebrate Free Comic Book Day with in-store events, creator signings, cosplay, and (of course) free comics. This year’s events will be held on Saturday, May 6, and most shops will have up to 50 different free comics spanning a wide range of genres for all types of readers. Free Comic Book Day is an especially great opportunity to introduce the joy of comics to young readers. Below is a list of some of the free comics you and your kids (from early readers up to teenagers) can try to snag at your local comic shop (get there early!). You can see a full list of what will be available here.

1. BUFFY: THE HIGH SCHOOL YEARS

Buffy the Vampire Slayer
Dark Horse Comics

What is it?

Joss Whedon and Dark Horse Comics team up to bring us more adventures of Buffy's early years as a 16-year-old who is still getting the hang of taking out vampires. Unlike most Buffy comics that stick pretty close to the tone of the Whedon-directed TV program, this FCBD comic is a little lighter and more cartoony in style. It also includes a Plants vs. Zombies backup story based on the popular video game.

Who’s it for?

Of course hardcore Buffy fans will be interested in this, but it is intended for younger, pre-teen readers as opposed to more standard Buffy fare, which is usually a bit darker and more sophisticated.

2. DC SUPERHERO GIRLS

DC Superhero Girls
DC Comics

What is it?

To accompany a new toy line and an animated YouTube series, DC has been putting out a series of graphic novels about a superhero high school featuring cute teen versions of their most popular female heroes (and anti-heroes) like Wonder Woman, Supergirl, Harley Quinn, and Poison Ivy. As the show begins its second season, a third graphic novel is soon to be released. This comic previews a story from that book, Summer Olympus.

Who’s it for?

These are made to appeal to young girls—the toys are designed to look like Barbie dolls—and the lighthearted, school-oriented nature of the stories is appropriate for early readers.

3. BOOM! STUDIOS SUMMER BLAST

Boom! Studios Summer Blast
Boom! Studios

What is it?

Boom! Studios has hit a sweet spot with their fantasy and adventure comics for teen and pre-teen girls. This is thanks mostly to the success of their supernatural summer camp series Lumberjanes, and their Free Comic Book Day sampler has excerpts from three series that should have a similar appeal. The first is a new story from David Petersen’s popular Mouse Guard, a long-running fantasy adventure series about medieval mice. The second is from a new series about Brave Chef Brianna, who is trying to start her own restaurant in a place called Monster City. And the third, Coady and the Creepies, is firmly in the Lumberjanes domain as it features an all-girl punk rock band, one of whom is secretly a ghost.

Who’s it for?

A lot of Boom! Studios books aim for the type of readers that enjoy Cartoon Network shows like Adventure Time, so this is going to be a good choice for boys and especially girls ages 12 and up.

4. BAD MACHINERY

Bad Machinery
Oni Press

What is it?

John Allison had a recent hit adapting his webcomic Giant Days into a popular new monthly comic for Boom! Studios, but over at Oni Press, his other webcomic, Bad Machinery, is now in its seventh collected volume. Both comics are related in that they are spin-offs of Allison’s last long-running webcomic Scary Go Round, but where Giant Days focuses on the daily lives of three university-age young women, Bad Machinery is about a group of boarding school kids solving surreal mysteries around town.

Who’s it for?

These are smartly written comics with a decidedly British humor that will probably appeal to pre-teen readers. The Scooby-Doo-like mysteries are kind of wacky but often take a backseat to the snappy repartee between the large cast of quirky teens.

5. HILDA'S BACK

Hilda's Back
Nobrow Press

What is it?

Luke Pearson’s delightful Hilda series stars a precocious and adventurous young girl who lives in a world populated by magical creatures. Last year’s Hilda and the Stone Forest ended on a cliffhanger when Hilda woke up transformed into a troll, and this FCBD comic features a preview of the upcoming sequel. As a bonus, it also includes a preview of Jen Lee’s upcoming Garbage Night, about a group of teenage animals journeying across a desolate wasteland where humans have gone missing.

Who’s it for?

Hilda is one of the great all-ages comics right now (and is soon to become an animated series for Netflix). It’s great for early readers and older, but the subject matter of Garbage Night may skew closer to teenage readers.

6. TEENAGE MUTANT NINJA TURTLES: PRELUDE TO DIMENSION X

Teenage Mutant Ninja Turtles
IDW Publishing

What is it?

These guys need no introduction, though you may forget that the Ninja Turtles originated as a comic book back in 1984 before conquering every other possible medium out there. They’re still going pretty strong as an ongoing comic series, and this issue kicks off a big new story involving longtime antagonist Krang as well as a brand-new villain.

Who’s it for?

Probably boys, and probably in that pre-teen age range as there is a certain amount of inevitable ninja violence to be expected.

7. MIRACULOUS

Miraculous
Action Lab Entertainment

What is it?

The popular French animated series arrived in the U.S. last year and will debut its second season this June. To coincide with the show, Action Lab Entertainment is putting out a new graphic novel series based on the series. It’s about a teenage girl who has a crush on a boy she knows. She has a double life as a superhero named Ladybug who reluctantly accepts help from an unneeded sidekick named Cat Noir who, little does she know, is actually her crush.

Who’s it for?

Primarily for girls aged 8-12 who will appreciate this female hero who can take care of herself.

8. THE LOUD HOUSE

The Loud House
Papercutz

What is it?

Based on the hit Nickelodeon animated series, this new series of graphic novels from Papercutz follows the adventures of 11-year-old Lincoln in his full house with 10 sisters. The comics are written and drawn by the show’s creator and animation crew, so fans should have no reason to be let down.

Who’s it for?

Any kid with siblings will appreciate Lincoln’s plight. Like the show, these are written for kids in the 9-12 age range.

9. DRAWN & QUARTERLY PRESENTS: COLORFUL MONSTERS

Colorful Monsters
Drawn & Quarterly

What is it?

Drawn & Quarterly, the prestigious publisher of high-quality literary graphic novels, has built up a collection of wonderful international children’s comics over the years, many of which are sampled here. It includes reprints of famous works like Tove Jannson’s Moomin and Shigeru Mizuki’s Kitaro, plus brand new comics like Elise Gravel’s imaginative collection of sketches If Found…Please Return and Anouk Ricard’s hilarious ensemble comedy Anna & Froga.

Who’s it for?

These are all great comics for early readers, although the humor and storytelling may be a little subtle and culturally different than some kids are used to.

10. UNDERDOG

Underdog
American Mythology Productions

What is it?

“Speed of lightning, roar of thunder...” The latest character to be transported from the childhoods of adults to today’s comic book market is Underdog. The 1960s cartoon series with a memorable, rhyming catchphrase, “There’s no need to fear, Underdog is here,” was a fun send-up of Superman, and this comic should have the same appeal.

Who’s it for?

To be honest, probably parents who remember watching the show when they were kids, but that doesn’t mean younger readers won’t appreciate what we used to enjoy about this character.

11. KID SAVAGE

Kid Savage
Image Comics

What is it?

A pioneering but dysfunctional “first family in space” crash lands on a primitive planet, and their only chance of survival is the help of a native wildling. This is the latest adventure series from writer Joe Kelly, co-creator of Cartoon Network’s Ben 10, and inspired by the old Hanna-Barbera adventure series like Jonny Quest and Herculoids. The first full volume of this series is now on sale, and this Free Comic Book Day sampler presents the first chapter.

Who’s it for?

This is pretty safely in the all-ages category with pre-teen boys being the main target.

12. DISNEY DESCENDANTS

Descendents
Tokyopop

What is it?

Descendants is the surprise made-for-Disney Jr. hit movie about the teenage children of Disney villains like Maleficent and the Evil Queen who are sent to prep school with all the “good” children of characters like Belle and Sleeping Beauty. The manga adaption of the movie from TokyoPop is excerpted here in the FCBD sampler.

Who’s it for?
If you have a daughter in the 6-12 age range they probably already know about Descendants and will want to read this.

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Deadpool Fans Have a Wild Theory About Who Cable Really Is
Twentieth Century Fox Film Corporation
Twentieth Century Fox Film Corporation

Deadpool 2 is officially in theaters and ruling the box office just like its predecessor did back in 2015. But this installment is about more than just crude jokes and over-the-top action scenes; it also includes the debut of a longtime Marvel character that fans have been clamoring to see on the big screen since 2000’s X-Men hit theaters: Cable.

But the Cable in Deadpool 2 isn’t quite the one fans have gotten used to in the books—for starters, his powers and backstory are reined in considerably. While it’s easy to assume that’s by design, so that audiences can better relate to the character (which is played by Josh Brolin), some fans have speculated that the changes are because, well, this character isn’t really Cable at all; instead, Screen Rant has a theory that this version of the character is actually none other than an older Wolverine from the future.

So how can Wolverine be Cable? Well, it’s actually quite easy, considering that Wolverine was Cable in Marvel’s Ultimate Universe comics, which was a series of books in the 2000s that completely reimagined the regular Marvel Universe. In this reality, a grizzled, aged Wolverine takes on the Cable nickname and travels back in time to prevent a takeover of Earth from the villain Apocalypse.

We were already introduced to Apocalypse in 2016’s X-Men: Apocalypse, and while he was defeated in the end, Screen Rant theorizes that he could return like he does in the Ultimate X-Men comics: by inhabiting the body of Nathaniel Essex, a.k.a. Mister Sinister. Essex was already name-dropped in Apocalypse and Deadpool 2, so it stands to reason that there might be some larger story on the horizon for him.

This would, of course, lead to more X-Men movies down the road, with Cable revealing his true nature and teaming with a crew of mutants that includes the classic X-Men cast as well as their younger selves to battle a newly formed Apocalypse. It’d also allow the character of Wolverine to live on in Brolin, leaving Hugh Jackman to enjoy a retired life without claws.

Obviously this is just one fan theory based on a comic storyline from over a decade ago. It would also have to ignore a whole host of continuity problems—including the events of Logan. But having a twist with Cable actually being Wolverine from the future (and likely from a different reality) is the type of headache-inducing madness the comics are known for.

[h/t: Screen Rant]

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8 Things You Might Not Know About Hi and Lois
King Features Syndicate
King Features Syndicate

A comics page staple for nearly 65 years, Mort Walker and Dik Browne’s Hi and Lois is a celebration of the mundane. Married couple Hiram “Hi” Flagston, wife Lois, and their four children balance work, school, and family dynamics, all of it with few punchlines but plenty of relatable situations. This four-panel ode to suburbia might appear simple, but it still has a rich history involving a beef with The Flintstones, broken noses, and one very important candy bar wrapper.

1. IT’S A SPINOFF OF BEETLE BAILEY.

Beetle Bailey creator Mort Walker had been drawing that military-themed strip for four years when a friend of his named Lew Schwartz approached him in 1954 with a new idea: Why not create a strip about a nuclear family? Around the same time, the Korean War was ending, and Walker had sent Beetle home on furlough to visit his sister, Lois. Drawing a line between the two, Walker decided to pursue the suburbia idea using Lois as connective tissue. Hi and Lois was born: The two strips would see their respective characters visit one another over the years.

2. A CANDY BAR HELPED DEFINE THE STRIP’S LOOK.

Already working on Beetle Bailey, Walker decided to limit his work on Hi and Lois to writing. He wanted to collaborate with an artist, and so both he and his syndicate, King Features, went searching for a suitable partner. Walker soon came across ads for both Lipton’s tea and Mounds candy bars that had the same signature: Dik Browne. Coincidentally, a King Features executive named Sylvan Byck saw a strip in Boy’s Life magazine also signed by Browne. The two agreed he was a talent and invited Browne to work on the strip.

3. HI ORIGINALLY HAD A BROKEN NOSE.

As an artist, Walker had plenty of input into the style of Hi and Lois: Browne would later recall that trying to merge his own approach with Walker’s proved difficult. “When you draw a character like Hi, for instance, you immediately set the style for the whole strip,” he said. “You have already dictated what a tree will look like or how a dog will look, just by sketching that one head.” In his earliest incarnation, Hi had a broken, upturned nose to make him seem virile, puffed on a pipe, and wore a vest. Through trial and error, the two artists eventually settled on the softer lines the strip still uses today, an aesthetic some observers refer to as the “Connecticut school style” of cartooning.

4. EDITORS WERE WARY AT FIRST.

When Hi and Lois debuted on October 18, 1954, only 32 papers carried the strip. The reason, Walker later explained, had to do with concerns that he was spreading himself too thin. At the time, cartoonists rarely worked on two strips at once. Between Hi and Lois and Beetle Bailey, there was fear that the quality of one or both would suffer. Editors were also worried that having two artists on one project would dilute the self-expression of both. Walker stuck to his intentions—to make Hi and Lois a strip about the small pleasures of suburban life—and newspapers slowly came on board. By 1956, 131 papers were running the strip.

5. TRIXIE MAY HAVE SAVED THE STRIP.

With readers a little slow to respond to Hi and Lois, Walker had an idea: At the time, it was unusual for characters who don’t normally speak—like Snoopy—to express themselves with thought balloons. Walker decided to have baby Trixie think “out loud,” giving readers insight into her perspective. Shortly after Trixie began having a voice, Hi and Lois took off.

6. CHIP IS THE ONLY CHARACTER TO HAVE AGED.

Like most comic strip casts, the Hi and Lois family has found a way to stop the aging process. Baby Trixie is eternally in diapers; the parents seem to hover around 40 without any wrinkles. But oldest son Chip has been an exception. Roughly eight years old when the strip debuted, he’s currently 16, a nod to Walker's need for a character who can address teenage issues like driving, school, and dating.

7. IT LED TO HAGAR THE HORRIBLE.

Browne might be more well-known for his Hägar the Horrible, a strip about a beleaguered Viking. That strip, which debuted in 1973, was the result of Browne’s sons advising their father that Hi and Lois was really Walker’s brainchild and that Browne should consider a strip that could be a “family business.” By 1985, Hägar was in 1500 newspapers, while Hi and Lois was in 1000. Following Browne’s death in 1989, his son Chris continued the strip.

8. IT ALSO HAD A BONE TO PICK WITH THE FLINTSTONES.

The Flintstones, Hanna-Barbera’s modern stone-age family, premiered in primetime in 1960, but not exactly the way the animation studio had intended. Fred and Wilma were initially named Flagstone, not Flintstone, and the series was to be titled Rally ‘Round the Flagstones. But Walker told executives he felt the name was too close to the Flagstons of Hi and Lois fame. Sensing a possible legal issue, they agreed.

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