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11 Rejected Canadian Flag Designs

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Here's a fun fact: Canada didn't have an official national flag until February 15, 1965. A not-so-fun fact: choosing one caused a huge divide in both public and political opinions, and the matter had to be settled by cloture in the Canadian House of Commons. 

Until the red and white "Maple Leaf flag" we all know was adopted, Canada used the Canadian Red Ensign, which features a Union Flag and the Coat of Arms of Canada. But most Canadians weren't happy flying the Red Ensign. A poll in 1958 showed that 80% of the people wanted a distinct Canadian flag, and 60% of those would like that flag to bear a maple leaf. By the time Lester B. Pearson was elected Prime Minister in 1963, the "flag problem" was big enough to become a party platform. Pearson promised a new flag within two years. 

Since pretty much everyone agreed that the flag should have a maple leaf somewhere, that part wasn't really a problem. The debate was really over whether or not Canada should ditch the Union Flag in its new design, thereby minimizing ties to the United Kingdom and other Commonwealth countries like Australia. The debate went on for months, and even after Pearson forced Parliament to stay in session over the summer, an agreement couldn't be reached. A special flag committee was called; they would have 6 weeks to find a new design.

The committee dusted off the suggestion box and invited ordinary citizens to submit their vision of a brand new flag. Of the total 3541 submissions, 2136 bore maple leaves, 408 the Union Jack, 389 had a beaver, and 359 contained fleurs-de-lys. (Some managed to work in all four.) In the end, a simple red maple leaf design by Colonel George F. G. Stanley would win... but not before beating out some tough competitors.

1.

The biggest loser in the Great Canadian Flag Debate was the prime minister himself. Though Pearson had called for a new design and pressured Parliament to make a decision, his favored flag was voted against 14-0 in favor of Stanley's winning banner. The so-called Pearson Pennant was criticized intensely and the subject of hundreds of editorial cartoons and running jokes. An Alberta newspaper asked local readers to write in with their thoughts. One response: "I don't like the three maple leaves on the white background... the single maple leaf looks better. As I am only 10 [I] will have to look at it longer than Mr. Pearson."

2.

The description for this busy little number is as complicated as the design itself:

The top green strip portrays in the background the Rocky Mountains of the West and the Laurentians of the East....The second strip of yellow gold depicts the growing grain for which Canada is famous...The third strip describes untold numbers of rivers and thousands of lakes...the Atlantic, the Pacific and the Arctic....The coats of arms of the ten provinces which make up Canada are in the shape of an arc and depicts its beginning and origin. Even the shape of the arc has a meaning - freedom, better life and individualism for all those who want to make Canada their new country.

3.

"What the heck, let's turn it sideways. And let's put all the things on there, while we're at it."

4.

There's always someone who just can't be serious.

5.

I wish the committee had selected this flag, which comes without a description but looks like it might be saying "SOON."

6.

This aurora-inspired flag is one of the more interesting pieces received in that it ignores all of the conventional Canadian symbols in favor of a fascinating natural event. But it looks a bit like a wave, and also like a leaf, and it never garnered much support: this design didn't even make it to the semifinals.

7.

This is just one of hundreds of similar designs; if one sample had to sum up the majority of proposals sent in by the public, this would be the one.

8.

Canada geese, which are a nice change of pace.

9.

This looks something like a shoe company logo, but was apparently intended to "represent the unity of Canada."

10.

This one comes with a sternly-worded history lesson, and then multiple choices for reworking the design if that's not what the special flag committee had in mind.

[Indians were] here 20,000 years ago, getting along peacefully until the White races came and stole nearly all they own. THEY ARE THE TRUE CANADIANS . If you don't care [for] the Indian head, have a beaver, a Buffalo's head - or 4 maple leaves - in light green (spring) - dark green (summer) - yellow (fall) - red (winter): The Four Seasons. 1 maple leaf in each corner.

11.

This design was sent in by one Jennifer Robinson. An accompanying note indicates that the artist was 6 years old at the time of its rendering. The design was removed from the flag committee's files so it could be placed in the art holdings in the Canadian National Archives.

All images are from Library and Archives Canada and The Images of a Country.

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13 Great Facts About Bad Lieutenant
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Lionsgate Home Entertainment

Bad Lieutenant can be accused of many things, but one charge you can't level against it is false advertising. Harvey Keitel's title character, whose name is never given, is indeed a bad, bad lieutenant: corrupt, sleazy, drug-addled, irresponsible, and lascivious, all while he's on the job. (Imagine what his weekends must be like!)

Abel Ferrara's nightmarish character study was controversial when it was released 25 years ago today, and rated NC-17 for its graphic nudity (including a famous glimpse at Lil’ Harvey), unsettling sexual violence, and frank depiction of drug use. The film packs a wallop, no doubt. Here's some behind-the-scenes info to help you cope with it.

1. THE PLACID WOMAN WHO HELPS THE LIEUTENANT FREEBASE HEROIN WROTE THE MOVIE.

That's Zoë Tamerlis Lund, who starred in Abel Ferrara's revenge-exploitation thriller Ms. 45 (1981) more than a decade earlier, when she was 17 years old. She and Ferrara are credited together for writing Bad Lieutenant, though she always insisted that wasn't the case. "I wrote this alone," she said. "Abel is a wonderful director, but he's not a screenwriter. She said elsewhere that she "wrote every word of that screenplay," though everyone agrees the finished movie included a lot of improvisation. Lund was a fascinating, tragic character herself—a musical prodigy who became an enthusiastic and unapologetic user of heroin before switching to cocaine in the mid-1990s. She died of heart failure in 1999 at age 37.

2. CHRISTOPHER WALKEN WAS SUPPOSED TO STAR IN IT.

Christopher Walken had starred in Ferrara's previous film, King of New York (1990), and was set to play the lead in Bad Lieutenant before pulling out at almost the last minute. Ferrara was shocked. "[Walken] says, 'You know, I don't think I'm right for it.' Which is, you know, a fine thing to say, unless it's three weeks from when you're supposed to start shooting," Ferrara said. "It definitely caught me by surprise. It put me in terminal shock, actually." Harvey Keitel replaced him (though not without difficulty; see below), and the film's editor, Anthony Redman, thought Keitel was a better choice anyway. "Chris is too elegant for the part," he said. "Harvey is not elegant." 

3. HARVEY KEITEL'S INITIAL REACTION TO THE SCRIPT WAS NOT PROMISING.

"When we gave [Keitel] the script the first time, he read about five pages and threw it in the garbage," Ferrara said. Keitel's recollection was a little more diplomatic. As he told Roger Ebert, "I read a certain amount of pages and I put it down. I said, 'There's no way I'm gonna make this movie.' And then I asked myself, 'How often am I a lead in a movie? Read it, maybe I can salvage something from it …' When I read the part about the nun, I understood why Abel wanted to make it."

4. IT WAS ORIGINALLY SUPPOSED TO BE FUNNY.


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"It was always, in my mind, a comedy," Ferrara said. He cited the scene where the Lieutenant pulls the teenage girls over as a specific example of how Christopher Walken would have played it, and how Harvey Keitel changed it. "The lieutenant was going to end up dancing in the streets with the girls as the sun came up. They'd be wearing his gun belt and hat, and they'd have the radio on, you know what I mean? But oh my God, Harvey, he turned it into this whole other thing." Boy, did he. 

5. THAT SCENE WITH THE TEENAGE GIRLS HAD A REAL-LIFE ELEMENT THAT MADE IT EVEN CREEPIER.

One of the young women was Keitel's nanny. Ferrara: "I said, 'You sure you want to do this with your babysitter?' He says, 'Yeah, I want to try something.'"

6. MUCH OF IT WAS FILMED GUERRILLA-STYLE.

Like many indie-minded directors of low-budget films, Ferrara didn't bother with permits most of the time. "We weren't permitted on any of this stuff," editor Anthony Redman admitted. "We just walked on and started shooting." For the scene where a strung-out Lieutenant walks through a bumpin' nightclub, they sent Keitel through an actual, functioning club during peak operating hours.

7. A GREAT DEAL OF THE DIALOGUE AND ACTION WERE MADE UP ON THE FLY.

The script was only about 65 pages at first, which would have made for about a 65-minute movie. "It left a lot of room for improvisation," producer Randy Sabusawa said, "but the ideas were pretty distilled. They were there."

Script supervisor Karen Kelsall said supervising the script was a challenge. "Abel didn't stick to a script," she said. "Abel used a script as a way to get the money to make a movie, and then the script was kind of—we called it the daily news. It changed every day. It changed in the middle of scenes." Ferrara was unapologetic about the script's brevity. "The idea of wanting 90 pages ... is ridiculous."

8. AND THERE WERE EVEN MORE IDEAS THAT THEY DIDN'T USE.

Ferrara said a scene that epitomized the movie for him—even though he never got around to filming it—was one where the Lieutenant robs an electronics store, leaves, then gets a call about a robbery at the electronics store. He responds in an official capacity (they don't recognize him), takes a statement, walks out, and throws the statement in the garbage. "And that to me is the Bad Lieutenant, you know?" Ferrara said. 

9. THE BASEBALL PLAYOFF SERIES IS FICTIONAL.

The Mets have battled the Dodgers for the National League championship once, in 1988. (The Dodgers beat 'em and went on to win the World Series.) For the narrative Ferrara wanted—the Mets coming back from a 3-0 deficit to win the pennant—he had to make it up. He used footage from real Mets-Dodgers games (including Darryl Strawberry's three-run homer from a game in July 1991) and added fictional play-by-play. But the statistics were accurate: no team had ever been down by three in a best-of-seven series and then come back to win. (It's happened once since then, when the 2004 Red Sox did it.)

10. THEY HAD HELP FROM THE COP WHO SOLVED A SIMILAR CASE.

The disgusting crime at the center of the film (we won't dwell on it) was inspired by a real-life incident from 1981, which mayor Ed Koch called "the most heinous crime in the history of New York City." The street cop who solved it, Bo Dietl, advised Ferrara on the film and had an on-screen role as one of the detectives in our Lieutenant's circle of friends.

11. THEY DESECRATED THE CHURCH AS RESPECTFULLY AS THEY COULD.

Production designer Charles Lagola had his team cover the church’s altar and other surfaces with plastic wrap, then painted the graffiti and other defacements on the plastic.

12. IT WAS RATED NC-17 IN THEATERS, WITH AN R-RATED VERSION FOR HOME VIDEO.

Blockbuster and some of the other retail chains wouldn't carry NC-17 or unrated films, so sometimes studios would produce edited versions. (See also: Requiem for a Dream.) The tamer version of Bad Lieutenant was five minutes and 19 seconds shorter, with parts of the rape scene, the drug-injecting scene, and much of the car interrogation scene excised.

13. THE "SEQUEL" HAD NOTHING TO DO WITH IT, NOR DID FERRARA APPROVE OF IT.


First Look International

Movie buffs were baffled in 2009, when Werner Herzog directed Bad Lieutenant: Port of Call New Orleans, starring Nicolas Cage. It sounds like a sequel (or a remake), but in fact had no connection at all to the earlier film except that both were produced by Edward R. Pressman. Herzog said he'd never seen Ferrara's movie and wanted to change the title (Pressman wouldn't let him); Ferrara, outspoken as always, initially wished fiery death on everyone involved. Ferrara and Herzog finally met at the 2013 Locarno Film Festival in Switzerland, where Herzog initiated a conversation about the whole affair and Ferrara expressed his frustration cordially. 

Additional sources:
DVD interviews with Abel Ferrara, Anthony Redman, Randy Sabusawa, and Karen Kelsall.

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How Are Balloons Chosen for the Macy's Thanksgiving Day Parade?
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The balloons for this year's Macy’s Thanksgiving Day Parade range from the classics like Charlie Brown to more modern characters who have debuted in the past few years, including The Elf On The Shelf. New to the parade this year are Olaf from Disney's Frozen and Chase from Paw Patrol. does the retail giant choose which characters will appear in the lineup?

Balloon characters are chosen in different ways. For example, in 2011, Macy’s requested B. Boy after parade organizers saw the Tim Burton retrospective at the Museum of Modern Art. (The company had been adding a series of art balloons to the parade lineup since 2005, which it called the Blue Sky Gallery.) When it comes to commercial balloons, though, it appears to be all about the Benjamins.

First-time balloons cost at least $190,000—this covers admission into the parade and the cost of balloon construction. After the initial year, companies can expect to pay Macy’s about $90,000 to get a character into the parade lineup. If you consider that the balloons are out for only an hour or so, that’s about $1500 a minute.

Have you got a Big Question you'd like us to answer? If so, let us know by emailing us at bigquestions@mentalfloss.com.

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