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20 Things You Might Not Know About Jurassic Park

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Universal Studios

So far 30 million people have watched the Jurassic World trailer on YouTube. Here's a look back at the original.

1. Spielberg found out about Jurassic Park while working on ER.

When director Steven Spielberg and author Michael Crichton were working on a screenplay that would eventually become the television series ER, Spielberg asked the writer about the plans for his next book. Crichton told him about Jurassic Park, and Spielberg immediately tapped Universal to buy the film rights in May 1990—before the book was even published. He was so excited that he began storyboarding scenes from the book, even though there was no screenplay written yet.

2. Jurassic Park almost took a backseat to Schindler's List

Though excited about Jurassic Park, Spielberg wanted to direct his dream project—Schindler’s List—first. But MCA/Universal President Sid Scheinberg would only greenlight Spielberg’s Holocaust film if the director agreed to make his dinosaur picture first. Both films were released in 1993; Jurassic Park in June, and Schindler's List at the end of the year. 

3. Chip Kidd is behind that iconic logo.

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Most books that lead to movies end up taking the film’s poster as their cover art, but for Jurassic Park, it was the other way around: The iconic logo on the poster was adapted from designer Chip Kidd’s T. rex skeleton drawing used for the original novel.

4. A King Kong Ride inspired Spielberg's original plan for building the dinosaurs.  

The logistics of Spielberg’s original plans to bring the dinosaurs to life were inspired by the Universal Studios “King Kong Encounter” ride. Disney Imagineer Bob Gurr designed Kong as a full-size animatronic with an inflatable balloon-like skin surrounding a wire frame. Unfortunately, the plans to build all of Jurassic Park's dinosaurs as similarly full-size animatronics proved too costly.

5. In order to pull off the dinosaurs, Spielberg had to get creative. 

Because the dinosaurs couldn’t be life-size animatronic recreations, Spielberg had to think a little differently—so he assembled a group of special effects legends to create his vision for Jurassic Park: 

Stan Winston and his team, which created the exoskeleton from The Terminator, would build and operate the live-action dinosaur robots. Some creations, including the T. Rex, were full dinosaurs, but most were just the upper half—including the head and torso of certain dinosaurs—while others were the just bottom half, including the legs and claws. Here's footage of the 7.5-foot-tall Brachiosaurus puppet, which included just the head and neck:

Michael Lantieri, special effects supervisor on Indiana Jones and the Last Crusade and the two Back to the Future sequels, would supervise the interactive elements on-set. For instance, in the final scene when the CGI T. rex throws a CGI raptor into a practical T. rex skeleton, Lantieri was responsible for making sure the skeleton reacted, in a realistic manner, to the yet-to-be-included CGI elements.

Phil Tippett, who received an Oscar for his special effects work on Return of the Jedi, would use his “Go-Motion” technique—an updated method of using miniatures and stop-motion animation to add motion blur to each frame for smoother and more lifelike movement—for dinosaurs in wide shots.

Finally, Dennis Muren, who had previously supervised special effects on the Star Wars films and Spielberg classics like E.T. and Indiana Jones and the Temple of Doom, would lead the effects team at Industrial Light and Magic (ILM) in seamlessly combining all of the effects elements in post-production.

6. Jurassic Park broke new CG ground.

Spielberg wasn’t 100 percent happy with the wide test shots of the dinosaurs—they just weren't photorealistic enough. So Muren and his ILM team, spurred by their revolutionary experience in designing and incorporating fully computer-generated characters into films like The Abyss and Terminator 2: Judgment Day, showed Spielberg an early CGI dino test of a group of Gallimimus skeletons running through a field. Spielberg was in awe of the ease of movement and realism of the effects, but he was still wary that they wouldn’t hold up under intense scrutiny—and he didn’t want to scrap Tippett’s practical animation talents altogether. So the director urged Muren and ILM to go further. When they came back with a CG test of a fully rendered T. rex walking across a field in broad daylight, the director decided to go full CGI for some shots.

7. One Ian Malcolm line was inspired by a member of the effects team.

While viewing Muren’s complete CGI test with Spielberg and the other members of the effects team, Tippett said, “I think I’m extinct.” Spielberg incorporated Tippet's comment into the film in an exchange between Sam Neill's Alan Grant and Jeff Goldblum’s Ian Malcolm:

Dr. Grant: "I think we're out of a job."
Malcolm: "Don't you mean extinct?"

But instead of leaving the production and wasting the animal motion research he had done, Tippett served as a consultant, helping the CG animators create realistic movements in their digital creations.

8. To create realistic dinosaurs, effects artists had to get into character.

The digital artists took video of themselves acting like the Gallimimus herd for reference before they animated the stampede scene; it helped them create more realistic instinctive behavior. Meanwhile, Stan Winston's crew built raptor suits ... and got into them:

Combined, all of Jurassic Park's CG dinos have just 6 minutes of screen time, while total dinosaur effects shots make up only 14 minutes of the 127 minute film.

9. Other big names were up for roles in the film.

Casting is everything: Other possible candidates for the roles in the film included William Hurt and Harrison Ford as Alan Grant, Christina Ricci as Lex, Sean Connery as John Hammond, and Robin Wright or Juliette Binoche as Ellie Sattler.

10. Jurassic Park brought Richard Attenborough out of retirement.

Richard Attenborough, who plays InGen CEO John Hammond, was on a 15 year hiatus from acting when Spielberg approached him about taking a role in Jurassic Park. Attenborough had been directing—in fact, his film Gandhi beat Spielberg’s E.T. for Best Director and Best Picture at the 55th Academy Awards—but said he agreed to end the semi-retirement because Spielberg had “the charm of the devil.” 

11. A huge hurricane hit the set during production. 

Jurassic Park shot on location in 1992 on Hawaii’s Kauai Island. Hurricane Iniki—the most powerful hurricane to hit Hawaii in recorded history—hit during filming. Attenborough apparently slept through the worst of it. When asked by cast members how that was possible, he replied that it was nothing—after all, he had survived the London Blitz during World War II!

12. Jeff Goldblum liked to read his lines out loud on set.

In 2011, Ariana Richards—who played Lex—recounted a fun Jeff Goldblum story to Interview magazine: Between scenes, she was sitting in a helicopter with Joey Mazzello (who played Tim) and Goldblum, who had his script in his hands. "I was struck by the fact that he wasn't studying it like most people I'd been around that were actors, who'd study quietly [and] kind of unobtrusively," she said. "He was speed-reading them out loud!" That’s chaos—just like Ian Malcolm would want it.

13. Spielberg had paleontologists serve as consultants on the film...

Famed paleontologist Jack Horner was used during production to ensure the dinosaurs exhibited scientifically accurate behavior, and Robert T. Bakker—also a paleontologist—gave animators information about the dinosaur's physical characteristics. In the forward of his 1995 novel Raptor Red, Bakker had nothing but praise for the animators creating the dinos. "The artists ... wanted the latest info on all the species they were reconstructing. They wanted everything to be right. They'd been calling me once a week for months, checking on teeth of T. rex and skin of Triceratops. I'd sent them dozens of pages of dino-details." He told Popular Mechanics in 2012 that the dinosaur artists working on Jurassic Park were "better animal morphologists than most tenured professors."

14. ...but he didn't always take their advice.

Still, Spielberg insisted on using dramatic license when it came to some of his prehistoric stars’ appearances. Take, for example, those T. rex teeth. Bakker sent over diagrams of the chompers—which, in reality, were banana-shaped— but "the powers that be didn't like the real tooth shape," Bakker told Popular Mechanics. "The CGI rex and the robot had their fangs sharpened."

The most famous example is probably Spielberg's Velociraptor, which more closely resembles the Deinonychus. A major source for Crichton’s book was Gregory Paul’s Predatory Dinosaurs of the World, which labeled the Velociraptor as a Deinonychus subspecies; real Velociraptors weighed less than 50 pounds and had feathers.

But in a bit of good fortune, a new, much bigger species called the Utahraptor was discovered during Jurassic Park’s production. In the forward of Raptor Red, Bakker wrote about a call from Dr. James Kirkland, who was part of the team that discovered Utahraptor:

"Jim!" I yelled. "You just found the giant raptor Spielberg made up for his movie." Jim thought I was daft. He didn't know about the other phone call I had gotten about giant raptors that morning. It was from one of the special effects artists in the Jurassic Park skunkworks ... the artists were suffering anxiety about what was to become the star of the movie—a raptor species that had never been documented by a real fossil. ... Just before Jim called, I'd listened to one artist complain that Spielberg had invented a raptor that didn't exist. ... He wanted hard facts, fossil data. "Yeah, a giant raptor's possible—theoretically. But you don't have any bones." But now Jim's Utahraptor gave him bones.

That dinosaur, discovered in January 1992, was almost exactly the same size as Jurassic Park's big female.

15. Only one robotic dinosaur actually made it to the Hawaii set.

Winston’s team worked from highly detailed drawings to create their robots—first making small-scale and full-scale clay models based on the drawings and then constructing the remote-controlled skeletons that would move underneath the robo-dino’s latex skin. Here's a mini-documentary from the Stan Winston School on the construction of the T. Rex, which, according to the crew, was as dangerous as a real dinosaur:

And check out some behind-the-scenes rehearsal footage of the animatronic dino in action:

According to Entertainment Weekly, only one of Winston’s machines was used on location: the sickly Triceratops that the characters come across while on their tour. All of the other robots, including the one used for the famous T. rex attack or the raptors in the kitchen sequence, were used on sets and sound stages.

16. It took many different animals to create the T. Rex's roar.

The sound design of the T. rex's roar was reportedly a composite of tiger, alligator, and baby elephant sounds. The deadly Dilophosaurus roar was created by combining howler monkeys, hawk screeches, rattlesnake hisses, and swan calls.

17. Grant and Lex probably would have been T. rex food.

Even though the T. rex could have hunted based on smell, at the time Jurassic Park was made, it wasn't known for sure whether the giant dinosaur’s vision was based on movement. Since some reptiles are known to exhibit the trait, consultant Jack Horner didn’t object to having Spielberg include it in the film. More recent research suggests, however, that T. rex probably had pretty excellent vision. Oops.

18. Robert Muldoon's weapon of choice was a SPAS-12.

Game warden Robert Muldoon, portrayed by actor Bob Peck, uses a folding stock variant of the Franchi SPAS-12 combat shotgun to hunt the Velociraptors in the film. The firearm—which gets its name from “Sporting Purpose Automatic Shotgun"—was a dual mode shotgun that cycled between semi-automatic mode at 4 rounds per second and pump-action mode for low pressure ammunition; it was manufactured from 1979 to 2000. Its effectiveness was limited to close range fire, but even then, this gun didn't help Muldoon. Clever girl.

19. One iconic moment was inspired by listening to Earth, Wind & Fire.

The idea for the rippling water and rattling mirror in the tour vehicle caused by the approaching Tyrannosaurus was inspired by Spielberg listening to Earth, Wind & Fire with the bass turned up at full volume in his car. On set, special effects supervisor Michael Lantieri plucked a guitar string underneath the cups to create the ripples; a vibrating motor above the windshield made the mirror shake.

20. After filming wrapped, another famous director took the reins so Spielberg could start work on Schindler's List.

Spielberg and his crew completed filming on Jurassic Park on November 30, 1992—12 days ahead of schedule—but he had to quickly shift gears and concentrate on shooting and completing his next film, Schindler’s List, which would go into production in March 1993. Because of the tight shooting schedule on that film and the extensive post-production needed for Jurassic Park, he handed over some post-production responsibilities to friend and frequent collaborator, George Lucas, who owned ILM. Lucas was given a “Special Thanks” credit in the final film.

Sources: Entertainment Weekly (2); Popular Mechanics; Raptor Red; Stan Winston School's Making Of Videos; Vanity Fair; Cinefantastique Online; Jurassic Park production notes (via Lost-World.com); "Making of Jurassic Park" documentary.

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25 Fascinating Facts About Breaking Bad
Ben Leuner/AMC
Ben Leuner/AMC

On January 10, 2008, Breaking Bad made its debut. Though it didn’t premiere to over-the-top ratings, over the course of five seasons, it morphed into a television phenomenon—thanks in large part to word of mouth and the increasing popularity of binge-watching. At its most basic level, it’s the story of a soft-spoken chemistry teacher who, after being diagnosed with lung cancer, risks everything he has worked for to make sure his family will be taken care of in the event of his death. But, like all great TV shows, the story is really not that simple. And it evolves over time, with each season somehow—and miraculously—managing to top the one before it.

Regularly cited as one of the greatest television series of all time (Rolling Stone ranked it number three on its list of the 100 best shows, right in between Mad Men and The Wire), here are 25 things you might not have known about Breaking Bad, in honor of its 10th anniversary.

1. LOTS OF NETWORKS PASSED ON IT, INCLUDING HBO.

In 2016, it was announced that Vince Gilligan is working on a limited series about Jim Jones for HBO. But the “It’s not TV” network wasn’t always so hot on Gilligan. In a 2011 interview, Gilligan shared that he pitched Breaking Bad to HBO, and that it was “the worst meeting I’ve ever had.”

"The trouble with Hollywood—movies and TV—is people will leave you dangling on the end of a meat hook for days or weeks or months on end,” Gilligan said. “That happened at HBO. Like the worst meeting I ever had … The woman we [were] pitching to could not have been less interested—not even in my story, but about whether I actually lived or died.”

HBO wasn’t the only network that ultimately said no to Walter White: Showtime, TNT, and FX all passed on Breaking Bad, too, for various reasons.

2. THE NETWORK REALLY WANTED MATTHEW BRODERICK TO STAR.

It’s impossible to imagine Breaking Bad with anyone other than Bryan Cranston in the lead role, but he wasn’t as well known when the series kicked off, and AMC wanted a star. They were particularly interested in casting either Matthew Broderick or John Cusack in the lead.

"We all still had the image of Bryan shaving his body in Malcolm in the Middle,” a former AMC executive told The Hollywood Reporter about their initial reluctance to cast Cranston. “We were like, 'Really? Isn't there anybody else?’” But Gilligan had worked with Cranston before, on an episode of The X-Files, and knew he had the chops to navigate the quirks of the part. The network brass watched the episode, and agreed.

"We needed somebody who could be dramatic and scary yet have an underlying humanity so when he dies, you felt sorry for him,” Gilligan said. “Bryan nailed it."

3. JESSE PINKMAN WASN’T SUPPOSED TO LIVE PAST SEASON ONE.

Aaron Paul in 'Breaking Bad'
Doug Hyun/AMC

While Breaking Bad ultimately ended up being largely about the tumultuous partnership between Walter White and Jesse Pinkman, Jesse wasn’t originally intended to be a major character. While it’s often stated that he was supposed to be killed off in episode nine, and that it was the 2007-2008 Writers Guild of America strike that saved him, Gilligan set the record straight in 2013, saying it became clear much earlier than that that Jesse’s character—and his relationship to Walter—was integral to moving the show forward.

“The writers’ strike, in a sense, didn’t save him, because I knew by episode two—we all did, all of us, our wonderful directors and our wonderful producers,” Gilligan said. “Everybody knew just how good [Aaron Paul is], and a pleasure to work with, and it became pretty clear early on that that would be a huge, colossal mistake to kill off Jesse.”

When asked during a Reddit AMA about how he would have felt if Jesse had been killed off in season one, Paul posited that, “My career would be over. And I would be a sobbing mess watching week to week on Breaking Bad.”

4. THE WRITERS STRIKE DID CHANGE THE STORY ARC FOR SEASON ONE, WHICH TURNED OUT TO BE A GOOD THING.

The Writers Strike did end up shortening the show’s first season, which forced Gilligan to cut two episodes that would have seen Walter’s transformation into Heisenberg happen much more quickly—and violently. Gilligan was glad it worked out the way it did.

“We had plotted out all our episodes before the show ever went on the air, and we didn't know how well the show would be received,” Gilligan told Creative Screenwriting. “Not knowing how the public would take to it, you tend to want to be a little more sensational. You want to really keep the show exciting and interesting and keep 'em watching. All of that to say that those last two episodes, because of that, would have been really big episodes, and would have taken the characters into a hugely different realm than that they were already in, and it would have been a hard thing to come back from, coming into season two.”

“We're not just doing those two episodes coming into season two,” he added. “We threw those out completely and we're starting somewhere else. We're building more slowly than we otherwise would have built. I think that's really good, because I know we've all had our favorite shows that were really interesting up to a certain point, but maybe they just go too far, and then there's no going back from it. To me, the trick is to do as little as possible with the characters, and yet keep them as interesting as possible. It's a real balancing act.”

5. THE DEA HELPED OUT, AND EVEN TAUGHT BRYAN CRANSTON AND AARON PAUL HOW TO COOK METH.

Because of the subject matter, the show’s creators thought it was only right to inform the Drug Enforcement Administration (DEA) what they were making—and welcome their help. “We informed them—with all due respect and consideration—that we’re doing this show, and ‘Would you like to be a part of it in a consultancy in order to make sure that we get it right?’” Cranston told High Times. “They had the choice to say, ‘We don’t want anything to do with it.’ But they saw that it might be in their best interest to make sure that we do it correctly. So DEA chemists came onboard as consultants and taught Aaron Paul and me how to make crystal meth.”

6. THE SCIENCE IS SOUND, BUT NOT PERFECT. AND THAT WAS INTENTIONAL.

Vince Gilligan and Bryan Cranston on the set of 'Breaking Bad'
Doug Hyun/AMC

Dr. Donna Nelson, a chemistry professor at the University of Oklahoma, began serving as a science advisor on the show midway through the first season, and was tasked with making sure the show got its science right—or, at least as “right” as is safe.

“I don’t think there’s any popular show that gets it 100 percent right, but that’s not the goal,” Nelson told Mental Floss in 2013. “The goal is not to be a science education show; the goal is to be a popular show. And so there’s always going to be some creative license taken, because they want to make the show interesting.”

Of course—particularly with a show about drug-making—you don’t want to give viewers a primer on how to start their own meth empires. “In the case of Walter White, his trademark is the blue meth,” Nelson said. “In reality, it wouldn’t be blue; it would be colorless. But this isn’t a science education show. It’s a fantasy. And Vince Gilligan did a fantastic job of getting most of the science right. And I am just thrilled with that. I think Vince Gilligan is a genius, and you can quote me on that!”

7. THAT ICONIC BLUE METH IS ROCK CANDY.

Whenever you see Walter and Jesse’s signature blue meth, what you’re actually seeing is blue rock candy. More specifically: blue rock candy from The Candy Lady, a boutique candy store in Albuquerque. (They have a whole line of Breaking Bad-inspired treats, which they sell under The Bad Candy Lady line.)

8. GUS FRING’S ROLE WAS SUPPOSED TO BE MUCH SMALLER.

Initially, Giancarlo Esposito wasn’t interested in taking on the role of Gus Fring, which was a much smaller part in the beginning. “I had not seen Breaking Bad, but my manager at the time told me it was his favorite show,” Esposito told TIME. “My wife said I should I try it, but it was a guest spot and I’ve done a lot of guest spots. I wanted to develop a character. But I did one episode and then I agreed to do two more with the caveat that I wanted to be part of a filmmaking family.”

When Gilligan offered him another seven episodes for season three, Esposito countered that he wanted a bigger role. “There was some negotiating and I ended up doing 12,” Esposito said. “I wanted to create a character who became intrinsic to the show. And at some point, I realized that I had slid into the Breaking Bad family. Vince told me that I changed the game and raised the bar for the show. And I’m proud of that, but I could only do that because of the depth of the writing and due to the chemistry between Bryan Cranston and myself. And their writing inspired me to think, to create someone who was polite, threatening and poignant.”

9. GIANCARLO ESPOSITO CHANNELED HIS INNER EDWARD JAMES OLMOS.

Giancarlo Esposito in 'Breaking Bad'
Ursula Coyote/AMC

In the mid-1980s, Giancarlo Esposito made a few guest appearances on Miami Vice. The experience clearly had an effect on him, as he used Edward James Olmos’s character from that series, Lieutenant Martin Castillo, as a model for Gus Fring.

“Eddie did very little and he was very convincing,” Esposito told the Toronto Sun. “I also thought he was a bit flat, but he did very, very little in playing [Castillo] and I thought it was really effective. Juxtaposed to Philip Michael [Thomas] and Don [Johnson], who were at times a bit full of themselves but were doing a little bit of acting, Eddie was just doing his job. And I wanted Gus to be in that mode."

10. GILLIGAN GOT SOME HELP FROM THE WALKING DEAD CREW FOR FRING’S FINAL EPISODE.

Fring’s final sendoff is one of the most memorable visual images from the entire series—and they were able to enlist the help of some true gore experts. “Indeed we did have great help from the prosthetic effects folks at The Walking Dead,” Gilligan told The New York Times. “And I want to give a shout-out to Greg Nicotero and Howard Berger, and KNB EFX, those two gentlemen and their company, because their shop did that effect. And then that was augmented by the visual effects work of a guy named Bill Powloski and his crew, who digitally married a three-dimensional sculpture that KNB EFX created with the reality of the film scene. So you can actually see into and through Gus’s head in that final reveal. It’s a combination of great makeup and great visual effects. And it took months to do."

11. YES, AARON PAUL DOES SAY “BITCH” A LOT—BUT PROBABLY NOT AS MUCH AS YOU THINK.

While any Jesse Pinkman impression ends with a “bitch,” by one calculation, Paul uses the word a total of 54 times throughout the series. Which, considering there are 62 episodes, seems a little on the low side.

12. PAUL RELEASED A “YO, BITCH” APP.

Aaron Paul in 'Breaking Bad'
AMC

Even if that above number seems underwhelming, Pinkman’s favorite add-on became so synonymous with Paul that, in 2014, the actor released an app called Yo, Bitch.

13. WALTER’S BOSS AT THE CAR WASH IS A CHEMIST IN REAL LIFE.

Marius Stan, who played Bogdan, Walter’s boss at the car wash, wasn’t a familiar face to many of the show’s viewers. That’s because the series was his (and his eyebrows’) acting debut. In real life, rather coincidentally, he has a PhD in chemistry and, according to a Reddit AMA, is a “Senior Computational Energy Scientist at Argonne National Lab—which is one of the national laboratories under the U.S. Dept. of Energy—and a Senior Fellow at the University of Chicago, the Computation Institute."

14. WALTER WHITE’S ALTER EGO IS A NOD TO A REAL PERSON.

Walter White’s drug kingpin alter ego, Heisenberg, is a nod to Werner Heisenberg, a Nobel Prize-winning physicist who developed the principle of uncertainty.

15. HEISENBERG’S SIGNATURE HAT WAS A MATTER A PRACTICALITY. 

Bryan Cranston in 'Breaking Bad'
Frank Ockenfels 3/AMC

Heisenberg’s porkpie hat came to identify Walter White’s dark side, but it originated from a very practical place. “Bryan kept asking me, after he shaved his head, ‘Can I have a hat?’ because his head was cold,” Kathleen Detoro, the show’s costume designer, explained. “So I would ask Vince and he kept saying no; Jesse wore the hats. Finally, Vince said, ‘I think there’s a place …’ It was Bryan asking for a hat, me asking Vince, and then Vince figuring out where in the story it makes sense: It’s when he really becomes Heisenberg.” (If you want to buy your own Heisenberg hat, it was made by Goorin.)

16. THE WHITES’ HOUSE HAS BECOME A TOURIST ATTRACTION—AND LOTS OF PIZZA HAS BEEN THROWN ON THE ROOF.

Though Walter White and his family live at 308 Negra Arroyo Lane, the home that you see in exterior shots is actually located at 3828 Piermont Drive NE, a private home in Albuquerque that has become a pretty major tourist attraction. Many fans, caught up in the excitement of seeing the home where Walter White managed to hurl the world’s largest pizza onto the roof in one swift move, have attempted to recreate that scene—leaving the home’s owner with a regular mess.

In 2015, Gilligan appealed to the show’s fan base to refrain from throwing pizza onto the home’s roof. “There is nothing original, or funny, or cool about throwing a pizza on this lady’s roof,” Gilligan said. “It’s been done before—you’re not the first.”

“And if I catch you doing it, I will hunt you down,” added Jonathan Banks, in true Mike Ehrmantraut fashion.

17. CRANSTON MANAGED TO GET THAT PIZZA THROW IN ONE TAKE.

Speaking of that infamous pizza scene: It really was Cranston who threw it, and he managed to do it in one take. Gilligan called it a “one-in-a-million shot.”

18. TUCO GAVE JESSE A CONCUSSION.

A fight scene between Jesse and Tuco (Raymond Cruz) turned serious when Cruz ended up accidentally knocking Paul unconscious. “Yeah, Raymond Cruz who played Tuco gave me a concussion during the episode ‘Grilled,’ where Tuco takes Walt and Jesse to his shack in the middle of nowhere where we meet the famous Uncle Tio,” Paul said in a Reddit AMA. “Tuco takes Jesse and he throws him through the screen door outside, and if you watch it back you'll notice that my head gets caught inside the wooden screen door and it flips me around and lands me on my stomach and the door splinters into a million pieces. Raymond just thought I was acting so he continued and kicked me in the side and picked me up over his shoulder and threw me against the house, but in reality I was pretty much unconscious ... I kept pleading to him, saying ‘stop.’ The next thing I know I guess I blacked out and I woke up to a flashlight in our eyes and it was our medic. And then I hopped up acting like nothing wrong, but it appeared like I was drunk, and I kept saying, ‘Let's finish the scene’ but then my eye started swelling shut so they took me to the hospital. Just another fun day on the set of Breaking Bad!”

19. JANE’S DEATH WAS THE HARDEST SCENE FOR PAUL TO SHOOT.

When asked about the hardest scene to shoot during a Reddit AMA, Paul said that it was Jane’s death. “I honestly think the hardest scene for me to do was when Jesse woke up and found Jane lying next to him dead,” Paul said. “Looking at Jane through Jesse's eyes that day was very hard and emotional for all of us. When that day was over, I couldn't be happier that it was over because I really, truly felt I was living those tortured moments with Jesse.”

The scene was hard on Cranston, too, who reportedly spent 15 minutes crying after filming was complete.

20. MIKE’S DEATH WAS HARD FOR EVERYONE.

Jonathan Banks in 'Breaking Bad'
Frank Ockenfels/AMC

When asked about filming his final scene, Jonathan Banks shared that, “The crew on the set that day all wore black armbands all day long. There are a lot of friends on that crew. It was an emotional day to say the least on set—a lot of tears. Tough day, brother.”

21. JESSE’S TEETH STILL BOTHER GILLIGAN.

When asked about whether he had any regrets about the show or any of its storylines, Gilligan admitted to one: "One thing that sort of troubled me, looking back over the entirety of the show: Jesse's teeth were a little too perfect. There were all the beatings he took, and, of course, he was using meth, which is brutal on your teeth. He'd probably have terrible teeth in real life."

22. WARREN BUFFET RESPECTS WALTER WHITE’S BUSINESS ACUMEN.

Warren Buffet was a fan of the series, and even showed up to its fifth season premiere. On the red carpet, he expressed admiration of Walter White’s entrepreneurship, calling him "a great businessman," and saying that, "he’s my guy if I ever have to go toe-to-toe with anyone."

23. THERE ARE 62 EPISODES IN TOTAL—A NUMBER THAT HAS A SPECIAL MEANING. 

The cast of 'Breaking Bad'
Frank Ockenfels/AMC

Over the course of five seasons, Breaking Bad produced a total of 62 episodes—which is no arbitrary number. The 62nd element on the periodic table is Samarium, which is used to treat a range of cancers, including lung cancer.

24. THE FINAL DEATH TOLL IS PRETTY IMPRESSIVE.

Though you may have underestimated the number of times Jesse uttered “bitch,” you might be surprised by how many people were killed throughout the show’s entire run: 270. (BuzzFeed created a thorough breakdown of some of the most memorable ones.)

25. IN 2016, A METH COOK NAMED WALTER WHITE WAS WANTED BY THE AUTHORITIES.

In 2016, a 55-year-old man named Walter White rose to the top of Tuscaloosa, Alabama’s most wanted list for manufacturing and selling meth. Though White wasn’t a teacher, there have been other real-life stories that mirrored Walter White’s descent into the criminal underworld: In 2012, a chemistry teacher named William Duncan was arrested for selling meth; in 2011, Irina Kristy, a 74-year-old math professor, was arrested for running a meth lab.

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7 Things You Might Not Know About Audrey Hepburn
Hulton Archive, Getty Images
Hulton Archive, Getty Images

Though she’ll always be known as the little-black-dress-wearing big-screen incarnation of Holly Golightly from Breakfast at Tiffany’s, there’s probably a lot you don’t know about Audrey Hepburn, who passed away in Switzerland on January 20, 1993.

1. HER FIRST ROLE WAS IN AN EDUCATIONAL FILM.

Though 1948’s Dutch in Seven Lessons is classified as a “documentary” on IMDb, it’s really more of an educational travel film, in which Hepburn appears as an airline attendant. If you don’t speak Dutch, it might not make a whole lot of sense to you, but you can watch it above anyway.

2. GREGORY PECK WAS AFRAID SHE’D MAKE HIM LOOK LIKE A JERK.

Hepburn was an unknown actress when she was handed the starring role of Princess Ann opposite Gregory Peck in 1953’s Roman Holiday. As such, Peck was going to be the only star listed, with Hepburn relegated to a smaller font and an “introducing” credit. But Peck insisted, “You've got to change that because she'll be a big star and I'll look like a big jerk.” Hepburn ended up winning her first and only Oscar for the role (Peck wasn’t even nominated).

3. SHE’S AN EGOT.

In 1954, the same year she won the Oscar for Roman Holiday, Hepburn accepted a Tony Award for her title role in Ondine on Broadway. Hepburn is one of only 12 EGOTs, meaning that she has won all of the four major creative awards: an Emmy, Grammy, Oscar, and Tony. Unfortunately, the honor came to Hepburn posthumously; her 1994 Grammy for the children’s album Audrey Hepburn’s Enchanted Tales and her 1993 Emmy for Gardens of the World with Audrey Hepburn were both awarded following her passing in early 1993.

4. TRUMAN CAPOTE HATED HER AS HOLLY GOLIGHTLY.

Blake Edwards’s Breakfast at Tiffany’s may be one of the most iconic films in Hollywood history, but it’s a miracle that the film ever got made at all. Particularly if you listened to Truman Capote, who wrote the novella upon which it was based, and saw only one actress in the lead: Marilyn Monroe. When asked what he thought was wrong with the film, which downplayed the more tawdry aspects of the fact that Ms. Golightly makes her living as a call girl (Hepburn had told the producers, “I can’t play a hooker”), Capote replied, “Oh, God, just everything. It was the most miscast film I’ve ever seen. It made me want to throw up.”

5. HOLLY GOLIGHTLY’S LITTLE BLACK DRESS SOLD FOR NEARLY $1 MILLION.

Audrey Hepburn in 'Breakfast at Tiffany's'
Keystone Features, Getty Images

In 2006, Christie’s auctioned off the iconic Givenchy-designed little black dress that Hepburn wore in Breakfast at Tiffany’s for a whopping $923,187 (pre-auction numbers estimated that it would go for between $98,800 and $138,320). It was a record-setting amount at the time, until Marilyn Monroe’s white “subway dress” from The Seven Year Itch sold for $5.6 million in 2006.

6. SHE SANG “HAPPY BIRTHDAY” TO JFK IN 1963.

One year after Marilyn Monroe’s sultry birthday serenade to John F. Kennedy in 1962, Hepburn paid a musical tribute to the President at a private party in 1963, on what would be his final birthday.

7. THERE’S A RARE TULIP NAMED AFTER HER.

Photo of Audrey Hepburn
Hulton Archive, Getty Images

In 1990, a rare white tulip hybrid was named after the actress and humanitarian, and dedicated to her at her family’s former estate in Holland.

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