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20 Things You Might Not Know About Jurassic Park

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So far 30 million people have watched the Jurassic World trailer on YouTube. Here's a look back at the original.

1. Spielberg found out about Jurassic Park while working on ER.

When director Steven Spielberg and author Michael Crichton were working on a screenplay that would eventually become the television series ER, Spielberg asked the writer about the plans for his next book. Crichton told him about Jurassic Park, and Spielberg immediately tapped Universal to buy the film rights in May 1990—before the book was even published. He was so excited that he began storyboarding scenes from the book, even though there was no screenplay written yet.

2. Jurassic Park almost took a backseat to Schindler's List

Though excited about Jurassic Park, Spielberg wanted to direct his dream project—Schindler’s List—first. But MCA/Universal President Sid Scheinberg would only greenlight Spielberg’s Holocaust film if the director agreed to make his dinosaur picture first. Both films were released in 1993; Jurassic Park in June, and Schindler's List at the end of the year. 

3. Chip Kidd is behind that iconic logo.

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Most books that lead to movies end up taking the film’s poster as their cover art, but for Jurassic Park, it was the other way around: The iconic logo on the poster was adapted from designer Chip Kidd’s T. rex skeleton drawing used for the original novel.

4. A King Kong Ride inspired Spielberg's original plan for building the dinosaurs.  

The logistics of Spielberg’s original plans to bring the dinosaurs to life were inspired by the Universal Studios “King Kong Encounter” ride. Disney Imagineer Bob Gurr designed Kong as a full-size animatronic with an inflatable balloon-like skin surrounding a wire frame. Unfortunately, the plans to build all of Jurassic Park's dinosaurs as similarly full-size animatronics proved too costly.

5. In order to pull off the dinosaurs, Spielberg had to get creative. 

Because the dinosaurs couldn’t be life-size animatronic recreations, Spielberg had to think a little differently—so he assembled a group of special effects legends to create his vision for Jurassic Park: 

Stan Winston and his team, which created the exoskeleton from The Terminator, would build and operate the live-action dinosaur robots. Some creations, including the T. Rex, were full dinosaurs, but most were just the upper half—including the head and torso of certain dinosaurs—while others were the just bottom half, including the legs and claws. Here's footage of the 7.5-foot-tall Brachiosaurus puppet, which included just the head and neck:

Michael Lantieri, special effects supervisor on Indiana Jones and the Last Crusade and the two Back to the Future sequels, would supervise the interactive elements on-set. For instance, in the final scene when the CGI T. rex throws a CGI raptor into a practical T. rex skeleton, Lantieri was responsible for making sure the skeleton reacted, in a realistic manner, to the yet-to-be-included CGI elements.

Phil Tippett, who received an Oscar for his special effects work on Return of the Jedi, would use his “Go-Motion” technique—an updated method of using miniatures and stop-motion animation to add motion blur to each frame for smoother and more lifelike movement—for dinosaurs in wide shots.

Finally, Dennis Muren, who had previously supervised special effects on the Star Wars films and Spielberg classics like E.T. and Indiana Jones and the Temple of Doom, would lead the effects team at Industrial Light and Magic (ILM) in seamlessly combining all of the effects elements in post-production.

6. Jurassic Park broke new CG ground.

Spielberg wasn’t 100 percent happy with the wide test shots of the dinosaurs—they just weren't photorealistic enough. So Muren and his ILM team, spurred by their revolutionary experience in designing and incorporating fully computer-generated characters into films like The Abyss and Terminator 2: Judgment Day, showed Spielberg an early CGI dino test of a group of Gallimimus skeletons running through a field. Spielberg was in awe of the ease of movement and realism of the effects, but he was still wary that they wouldn’t hold up under intense scrutiny—and he didn’t want to scrap Tippett’s practical animation talents altogether. So the director urged Muren and ILM to go further. When they came back with a CG test of a fully rendered T. rex walking across a field in broad daylight, the director decided to go full CGI for some shots.

7. One Ian Malcolm line was inspired by a member of the effects team.

While viewing Muren’s complete CGI test with Spielberg and the other members of the effects team, Tippett said, “I think I’m extinct.” Spielberg incorporated Tippet's comment into the film in an exchange between Sam Neill's Alan Grant and Jeff Goldblum’s Ian Malcolm:

Dr. Grant: "I think we're out of a job."
Malcolm: "Don't you mean extinct?"

But instead of leaving the production and wasting the animal motion research he had done, Tippett served as a consultant, helping the CG animators create realistic movements in their digital creations.

8. To create realistic dinosaurs, effects artists had to get into character.

The digital artists took video of themselves acting like the Gallimimus herd for reference before they animated the stampede scene; it helped them create more realistic instinctive behavior. Meanwhile, Stan Winston's crew built raptor suits ... and got into them:

Combined, all of Jurassic Park's CG dinos have just 6 minutes of screen time, while total dinosaur effects shots make up only 14 minutes of the 127 minute film.

9. Other big names were up for roles in the film.

Casting is everything: Other possible candidates for the roles in the film included William Hurt and Harrison Ford as Alan Grant, Christina Ricci as Lex, Sean Connery as John Hammond, and Robin Wright or Juliette Binoche as Ellie Sattler.

10. Jurassic Park brought Richard Attenborough out of retirement.

Richard Attenborough, who plays InGen CEO John Hammond, was on a 15 year hiatus from acting when Spielberg approached him about taking a role in Jurassic Park. Attenborough had been directing—in fact, his film Gandhi beat Spielberg’s E.T. for Best Director and Best Picture at the 55th Academy Awards—but said he agreed to end the semi-retirement because Spielberg had “the charm of the devil.” 

11. A huge hurricane hit the set during production. 

Jurassic Park shot on location in 1992 on Hawaii’s Kauai Island. Hurricane Iniki—the most powerful hurricane to hit Hawaii in recorded history—hit during filming. Attenborough apparently slept through the worst of it. When asked by cast members how that was possible, he replied that it was nothing—after all, he had survived the London Blitz during World War II!

12. Jeff Goldblum liked to read his lines out loud on set.

In 2011, Ariana Richards—who played Lex—recounted a fun Jeff Goldblum story to Interview magazine: Between scenes, she was sitting in a helicopter with Joey Mazzello (who played Tim) and Goldblum, who had his script in his hands. "I was struck by the fact that he wasn't studying it like most people I'd been around that were actors, who'd study quietly [and] kind of unobtrusively," she said. "He was speed-reading them out loud!" That’s chaos—just like Ian Malcolm would want it.

13. Spielberg had paleontologists serve as consultants on the film...

Famed paleontologist Jack Horner was used during production to ensure the dinosaurs exhibited scientifically accurate behavior, and Robert T. Bakker—also a paleontologist—gave animators information about the dinosaur's physical characteristics. In the forward of his 1995 novel Raptor Red, Bakker had nothing but praise for the animators creating the dinos. "The artists ... wanted the latest info on all the species they were reconstructing. They wanted everything to be right. They'd been calling me once a week for months, checking on teeth of T. rex and skin of Triceratops. I'd sent them dozens of pages of dino-details." He told Popular Mechanics in 2012 that the dinosaur artists working on Jurassic Park were "better animal morphologists than most tenured professors."

14. ...but he didn't always take their advice.

Still, Spielberg insisted on using dramatic license when it came to some of his prehistoric stars’ appearances. Take, for example, those T. rex teeth. Bakker sent over diagrams of the chompers—which, in reality, were banana-shaped— but "the powers that be didn't like the real tooth shape," Bakker told Popular Mechanics. "The CGI rex and the robot had their fangs sharpened."

The most famous example is probably Spielberg's Velociraptor, which more closely resembles the Deinonychus. A major source for Crichton’s book was Gregory Paul’s Predatory Dinosaurs of the World, which labeled the Velociraptor as a Deinonychus subspecies; real Velociraptors weighed less than 50 pounds and had feathers.

But in a bit of good fortune, a new, much bigger species called the Utahraptor was discovered during Jurassic Park’s production. In the forward of Raptor Red, Bakker wrote about a call from Dr. James Kirkland, who was part of the team that discovered Utahraptor:

"Jim!" I yelled. "You just found the giant raptor Spielberg made up for his movie." Jim thought I was daft. He didn't know about the other phone call I had gotten about giant raptors that morning. It was from one of the special effects artists in the Jurassic Park skunkworks ... the artists were suffering anxiety about what was to become the star of the movie—a raptor species that had never been documented by a real fossil. ... Just before Jim called, I'd listened to one artist complain that Spielberg had invented a raptor that didn't exist. ... He wanted hard facts, fossil data. "Yeah, a giant raptor's possible—theoretically. But you don't have any bones." But now Jim's Utahraptor gave him bones.

That dinosaur, discovered in January 1992, was almost exactly the same size as Jurassic Park's big female.

15. Only one robotic dinosaur actually made it to the Hawaii set.

Winston’s team worked from highly detailed drawings to create their robots—first making small-scale and full-scale clay models based on the drawings and then constructing the remote-controlled skeletons that would move underneath the robo-dino’s latex skin. Here's a mini-documentary from the Stan Winston School on the construction of the T. Rex, which, according to the crew, was as dangerous as a real dinosaur:

And check out some behind-the-scenes rehearsal footage of the animatronic dino in action:

According to Entertainment Weekly, only one of Winston’s machines was used on location: the sickly Triceratops that the characters come across while on their tour. All of the other robots, including the one used for the famous T. rex attack or the raptors in the kitchen sequence, were used on sets and sound stages.

16. It took many different animals to create the T. Rex's roar.

The sound design of the T. rex's roar was reportedly a composite of tiger, alligator, and baby elephant sounds. The deadly Dilophosaurus roar was created by combining howler monkeys, hawk screeches, rattlesnake hisses, and swan calls.

17. Grant and Lex probably would have been T. rex food.

Even though the T. rex could have hunted based on smell, at the time Jurassic Park was made, it wasn't known for sure whether the giant dinosaur’s vision was based on movement. Since some reptiles are known to exhibit the trait, consultant Jack Horner didn’t object to having Spielberg include it in the film. More recent research suggests, however, that T. rex probably had pretty excellent vision. Oops.

18. Robert Muldoon's weapon of choice was a SPAS-12.

Game warden Robert Muldoon, portrayed by actor Bob Peck, uses a folding stock variant of the Franchi SPAS-12 combat shotgun to hunt the Velociraptors in the film. The firearm—which gets its name from “Sporting Purpose Automatic Shotgun"—was a dual mode shotgun that cycled between semi-automatic mode at 4 rounds per second and pump-action mode for low pressure ammunition; it was manufactured from 1979 to 2000. Its effectiveness was limited to close range fire, but even then, this gun didn't help Muldoon. Clever girl.

19. One iconic moment was inspired by listening to Earth, Wind & Fire.

The idea for the rippling water and rattling mirror in the tour vehicle caused by the approaching Tyrannosaurus was inspired by Spielberg listening to Earth, Wind & Fire with the bass turned up at full volume in his car. On set, special effects supervisor Michael Lantieri plucked a guitar string underneath the cups to create the ripples; a vibrating motor above the windshield made the mirror shake.

20. After filming wrapped, another famous director took the reins so Spielberg could start work on Schindler's List.

Spielberg and his crew completed filming on Jurassic Park on November 30, 1992—12 days ahead of schedule—but he had to quickly shift gears and concentrate on shooting and completing his next film, Schindler’s List, which would go into production in March 1993. Because of the tight shooting schedule on that film and the extensive post-production needed for Jurassic Park, he handed over some post-production responsibilities to friend and frequent collaborator, George Lucas, who owned ILM. Lucas was given a “Special Thanks” credit in the final film.

Sources: Entertainment Weekly (2); Popular Mechanics; Raptor Red; Stan Winston School's Making Of Videos; Vanity Fair; Cinefantastique Online; Jurassic Park production notes (via Lost-World.com); "Making of Jurassic Park" documentary.

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15 Incredible Facts About Pigeons
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Though they're often described as "rats with wings" (a phrase popularized by the movie Stardust Memories), pigeons are actually pretty cool. From homing instincts to misleading rump feathers, here are 15 things you might not know about these avian adventurers.

1. THEY MIGHT BE THE FIRST DOMESTICATED BIRD.

The common city pigeon (Columba livia), also known as the rock pigeon, might be the first bird humankind ever domesticated. You can see them in art dating back as far as 4500 BCE in modern Iraq, and they've been a valuable source of food for thousands of years.

2. THEY WON OVER CHARLES DARWIN—AND NIKOLA TESLA.

Pigeon-breeding was a common hobby in Victorian England for everyone from well-off businessmen to average Joes, leading to some fantastically weird birds. Few hobbyists had more enthusiasm for the breeding process than Charles Darwin, who owned a diverse flock, joined London pigeon clubs, and hobnobbed with famous breeders. Darwin's passion for the birds influenced his 1868 book The Variation of Animals and Plants Under Domestication, which has not one but two chapters about pigeons (dogs and cats share a single chapter).

Nikola Tesla was another great mind who enjoyed pigeons. He used to care for injured wild pigeons in his New York City hotel room. Hands down, Tesla's favorite was a white female—about whom he once said, "I loved that pigeon, I loved her as a man loves a woman and she loved me. When she was ill, I knew and understood; she came to my room and I stayed beside her for days. I nursed her back to health. That pigeon was the joy of my life. If she needed me, nothing else mattered. As long as I had her, there was a purpose in my life." Reportedly, he was inconsolable after she died.

3. THEY UNDERSTAND SPACE AND TIME.

In a 2017 Current Biology study, researchers showed captive pigeons a series of digital lines on a computer screen for either two or eight seconds. Some lines were short, measuring about 2.3 inches across; others were four times longer. The pigeons were trained to evaluate either the length of the line or how long it was displayed. They found that the more time a line was displayed, the longer in length the pigeon judged it to be. The reverse was true too: If the pigeons encountered a longer line, they thought it existed in time for a greater duration. Pigeons, the scientists concluded, understand the concepts of both time and space; the researchers noted "similar results have been found with humans and other primates."

It's thought that humans process those concepts with a brain region called the parietal cortex; pigeon brains lack that cortex, so they must have a different way of judging space and time.

4. THEY CAN FIND THEIR WAY BACK TO THE NEST FROM 1300 MILES AWAY.

A pigeon flying in front of trees.
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The birds can do this even if they've been transported in isolation—with no visual, olfactory, or magnetic clues—while scientists rotate their cages so they don't know what direction they're traveling in. How they do this is a mystery, but people have been exploiting the pigeon's navigational skills since at least 3000 BCE, when ancient peoples would set caged pigeons free and follow them to nearby land.

Their navigational skills also make pigeons great long-distance messengers. Sports fans in ancient Greece are said to have used trained pigeons to carry the results of the Ancient Olympics. Further east, Genghis Khan stayed in touch with his allies and enemies alike through a pigeon-based postal network.

5. THEY SAVED THOUSANDS OF HUMAN LIVES DURING WORLD WARS I AND II.

Pigeons' homing talents continued to shape history during the 20th century. In both World Wars, rival nations had huge flocks of pigeon messengers. (America alone had 200,000 at its disposal in WWII.) By delivering critical updates, the avians saved thousands of human lives. One racing bird named Cher Ami completed a mission that led to the rescue of 194 stranded U.S. soldiers on October 4, 1918.

6. TWO PIGEONS ALMOST DISTRACTED FROM THE DISCOVERY OF EVIDENCE OF THE BIG BANG.

In 1964, scientists in Holmdel, New Jersey, heard hissing noises from their antenna that would later prove to be signals from the Big Bang. But when they first heard the sound, they thought it might be, among other things, the poop of two pigeons that were living in the antenna. "We took the pigeons, put them in a box, and mailed them as far away as we could in the company mail to a guy who fancied pigeons," one of the scientists later recalled. "He looked at them and said these are junk pigeons and let them go and before long they were right back." But the scientists were able to clean out the antenna and determine that they had not been the cause of the noise. The trap used to catch the birds (before they had to later be, uh, permanently removed) is on view at the Smithsonian Air & Space Museum.

7. YOU CAN TRAIN THEM TO BE ART SNOBS …

Japanese psychologist Shigeru Watanabe and two colleagues earned an Ig Nobel Prize in 1995 for training pigeons, in a lab setting, to recognize the paintings of Claude Monet and Pablo Picasso and to distinguish between the painters. The pigeons were even able to use their knowledge of impressionism and cubism to identify paintings of other artists in those movements. Later, Watanabe taught other pigeons to distinguish watercolor images from pastels. And in a 2009 experiment, captive pigeons he'd borrowed were shown almost two dozen paintings made by students at a Tokyo elementary school, and were taught which ones were considered "good" and which ones were considered "bad." He then presented them with 10 new paintings and the avian critics managed to correctly guess which ones had earned bad grades from the school's teacher and a panel of adults. Watanabe's findings indicate that wild pigeons naturally categorize things on the basis of color, texture, and general appearance.

8. … AND TO DISTINGUISH WRITTEN WORDS.

In a 2016 study, scientists showed that pigeons can differentiate between strings of letters and actual words. Four of the birds built up a vocabulary of between 26 and 58 written English words, and though the birds couldn't actually read them, they could identify visual patterns and therefore tell them apart. The birds could even identify words they hadn't seen before.

9. FLUFFY PIGEON FEET MIGHT ACTUALLY BE PARTIAL WINGS.

A white pigeon with curly feathers and fluffy feet.
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A few pigeon breeds have fuzzy legs—which hobbyists call "muffs"—rather than scaly ones. According to a 2016 study, the DNA of these fluffy-footed pigeons leads their hind legs to take on some forelimb characteristics, making muffed pigeon legs look distinctly wing-like; they're also big-boned. Not only do they have feathers, but the hindlimbs are somewhat big-boned, too. According to biologist Mike Shapiro, who led the study, "pigeons' fancy feathered feet are partially wings."

10. SOME PIGEONS DISTRACT FALCONS WITH WHITE RUMP FEATHERS.

In a life-or-death situation, a pigeon's survival could depend upon its color pattern: Research has shown that wild falcons rarely go after pigeons that have a white patch of feathers just above the tail, and when the predators do target these birds, the attacks are rarely successful.

To figure out why this is, Ph.D. student Alberto Palleroni and a team tagged 5235 pigeons in the vicinity of Davis, California. Then, they monitored 1485 falcon-on-pigeon attacks over a seven-year span. The researchers found that although white-rumped pigeons comprised 20 to 25 percent of the area's pigeon population, they represented less than 2 percent of all the observed pigeons that were killed by falcons; the vast majority of the victims had blue rumps. Palleroni and his team rounded up 756 white- and blue-rumped pigeons and swapped their rump feathers by clipping and pasting white feathers on blue rumps, and vice versa. The falcons had a much easier time spotting and catching the newly blue-rumped pigeons, while the pigeons that received the white feathers saw predation rates plummet.

Close observation revealed that the white patches distract birds of prey. In the wild, falcons dive-bomb other winged animals from above at high speeds. Some pigeons respond by rolling away in midair, and on a spiraling bird, white rump feathers can be eye-catching, which means that a patch of them may divert a hungry raptor's focus long enough to make the carnivore miscalculate and zip right past its intended victim.

11. DODOS WERE RELATED TO TODAY'S PIGEONS.

Two blue and green Nicobar pigeons.
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Though most of this list focuses on the rock pigeon, there are 308 living species of pigeons and doves. Together, they make up an order of birds known as the columbiformes. The extinct dodo belonged to this group as well.

Flightless and (somewhat) docile, dodos once inhabited Mauritius, an island near Madagascar. The species had no natural predators, but when human sailors arrived with rats, dogs, cats, and pigs, it began to die out, and before the 17th century came to a close, the dodo had vanished altogether. DNA testing has confirmed that pigeons are closely related to the dodo, and the vibrant Nicobar pigeon (above) is its nearest genetic relative. A multi-colored bird with iridescent feathers, this near-threatened creature is found on small islands in the South Pacific and off Asia. Unlike the dodo, it can fly.

12. AT ONE POINT, MORE THAN ONE-QUARTER OF ALL THE BIRDS LIVING IN THE U.S. MAY HAVE BEEN PASSENGER PIGEONS.

Wild/feral rock pigeons reside in all 50 states, which makes it easy to forget that they're invasive birds. Originally native to Eurasia and northern Africa, the species was (most likely) introduced to North America by French settlers in 1606. At the time, a different kind of columbiform—this one indigenous—was already thriving there: the passenger pigeon (Ectopistes migratorius). As many as 5 billion of them were living in America when England, Spain, and France first started colonizing, and they may have once represented anywhere from 25 to 40 percent of the total U.S. bird population. But by the early 20th century, they had become a rare sight, thanks to overhunting, habitat loss, and a possible genetic diversity issue. The last known passenger pigeon—a captive female named Martha—died on September 1, 1914.

13. THEY'RE REALLY GOOD AT MULTITASKING.

According to one study, they're more efficient multitaskers than people are. Scientists at Ruhr-Universitat Bochum put together a test group of 15 humans and 12 pigeons and trained all of them to complete two simple jobs (like pressing a keyboard once a light bulb came on). They were also put in situations wherein they'd need to stop working on one job and switch over to another. In some trials, the participants had to make the change immediately. During these test runs, humans and pigeons switched between jobs at the same speed.

But in other trials, the test subjects were allowed to complete one assignment and then had to wait 300 milliseconds before moving on to the next job. Interestingly, in these runs, the pigeons were quicker to get started on that second task after the period ended. In the avian brain, nerve cells are more densely packed, which might enable our feathered friends to process information faster than we can under the right circumstances.

14. PIGEONS PRODUCE FAKE "MILK."

Only mammals produce genuine milk, but pigeons and doves (along with some other species of birds) feed their young with something similar—a whitish liquid filled with nutrients, fats, antioxidants, and healthy proteins called "crop milk." Both male and female pigeons create the milk in the crop, a section of the esophagus designed to store food temporarily. As is the case with mammal milk, the creation of crop milk is regulated by the hormone prolactin. Newly-hatched pigeons drink crop milk until they're weaned off it after four weeks or so. (And if you've ever asked yourself, "Where are all the baby pigeons?" we have the answer for you right here.)

15. ONE STUDY SUGGESTS THAT, GIVEN THE RIGHT CONDITIONS, THEY'RE AS GOOD AT IDENTIFYING CANCER AS DOCTORS.

We've already established that pigeons are excellent at differentiating between artists and words, but a 2015 study revealed they can also distinguish between malignant and benign growths in the right conditions. Researchers at University of California Davis Medical Center put 16 pigeons in a room with magnified biopsies of potential breast cancers. If the pigeons correctly identified them as either benign or malignant, they got a treat, According to Scientific American.

"Once trained, the pigeons' average diagnostic accuracy reached an impressive 85 percent. But when a "flock sourcing" approach was taken, in which the most common answer among all subjects was used, group accuracy climbed to a staggering 99 percent, or what would be expected from a pathologist. The pigeons were also able to apply their knowledge to novel images, showing the findings weren't simply a result of rote memorization."

Mammograms proved to be more of a challenge, however; the birds could memorize signs of cancer in the images they were trained on but could not identify the signs in new images.

No matter how impressive their results, "I don't anticipate that pigeons, no matter how good they become at pathology or radiology, will be playing a role in actual patient care—certainly for the foreseeable future," study co-author Richard M. Levenson told Scientific American. "There are just too many regulatory barriers—at least in the West."

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10 Wild Facts About Westworld
John P. Johnson, HBO
John P. Johnson, HBO

The hit HBO show about an android farm girl finding sentience in a fake version of the old West set in a sci-fi future is back for a second season. So grab your magnifying glass, study up on Lewis Carroll and Shakespeare, and get ready for your brain to turn to scrambled eggs. 

The first season saw Dolores (Evan Rachel Wood) and her robotic compatriots strive to escape bondage as the puppet playthings of a bored society that kills and brutalizes them every day, then repairs them each night to repeat the process for paying customers. The Maze. The Man in Black. The mysteries lurking in cold storage and cantinas. Wood described the first season as a prequel, which means the show can really get on the dusty trail now. 

Before you board the train and head back into the park, here are 10 wild facts about the cerebral, sci-fi hit. (Just beware of season one spoilers!)

1. IT’S NOT THE FIRST TV ADAPTATION OF THE MOVIE.

Though Westworld, the 1973 film written and directed by Michael Crichton, was a hit, its 1976 sequel Futureworld was a flop. Still, the name and concept had enough cachet for CBS to move forward with a television concept in 1980. Beyond Westworld featured Delos head of security John Moore (Jim McMullan) battling against the villainous mad scientist Simon Quaid (James Wainwright), who wants to use the park’s robots to, what else, take over the whole world. It would be a little like if the HBO show focused largely on Luke Hemsworth’s Ashley Stubbs, which just might be the spinoff the world is waiting for.

2. THE ORIGINAL GUNSLINGER HAS A CAMEO.

Ed Harris and Eddie Rouse in 'Westworld'
JOHN P. JOHNSON, HBO

The HBO series pays homage to the original film in a variety of ways, including echoing elements from the score to create that dread-inducing soundscape. It also tipped its ten-gallon hat to Yul Brynner’s relentless gunslinger from the original film by including him in the storage basement with the rest of the creaky old models.

3. QUENTIN TARANTINO, ARNOLD SCHWARZENEGGER, AND MANY OTHERS COULD HAVE REBOOTED IT.

Speaking of Brynner’s steely, murderous resolve: His performance as the robo-cowboy was one of the foundations for Arnold Schwarzenegger’s turn as the Terminator. Nearly 20 years later, in 2002, Schwarzenegger signed on to produce and star in a reboot of the sci-fi film from which he took his early acting cues. Schwarzenegger never took over the role from Brynner because he served as Governor of California instead, and the reboot languished in development hell.

Warner Bros. tried to get Quentin Tarantino on board, but he passed. They also signed The Cell director Tarsem Singh (whose old West would have been unbelievably lush and colorful, no doubt), but it fell through. A few years later, J.J. Abrams—who had met with Crichton about a reboot back in 1996—pitched eventual co-creators Jonathan Nolan and Lisa Joy on doing it as a television series. HBO bought it, and the violent delights finally made it to our screens.

4. IT COSTS $40,000 A DAY TO VISIT THE PARK. (AND THAT’S THE CHEAP PACKAGE.)

Thandie Newton and Angela Sarafyan in 'Westworld'
HBO

In season one, Logan (Ben Barnes) revealed that he’s spending $40,000 a day to experience Westworld. That’s in line with the 1973 movie, where park visitors spent $1000 a day, which lands near $38,000 once adjusted for inflation. Then again, we’re talking about 2052 dollars, so it might still be pricey, but not exorbitant in 2018 terms. But a clever Redditor spotted that $40,000 is the minimum you’d pay; according to the show’s website, the Gold Package will set you back $200,000 a day.

5. BEN BARNES BROKE HIS FOOT AND DIDN’T TELL ANYONE.

Once Upon a Time’s Eion Bailey was originally cast as Logan but had to quit due to a scheduling conflict, so Ben Barnes stepped in … then he broke his foot. The actor hid the injury for fear he’d lose the job, which is why he added a limp as a character detail. “I’m sort of hobbling along with this kind of cowboy-ish limp, which I then tried to maintain for the next year just so I could pretend it was a character choice,” Barnes said. “But really I had a very purple foot … So walking was the hardest part of shooting this for me.”

6. THE CO-CREATORS RICKROLLED FANS OBSESSED WITH UNCOVERING SPOILERS.

Eagle-eyed fans (particularly on Reddit) uncovered just about every major spoiler from the first season early on, which is why Nolan and Joy promised a spoiler video for anyone who wanted to know the entire plot of season two ahead of its premiere. They delivered, but instead of show secrets, the 25-minute video only offered a classy rendition of Rick Astley’s internet-infamous “Never Gonna Give You Up,” sung by Evan Rachel Wood with Angela Sarafyan on piano, followed by 20 minutes of a dog. It was a pitch-perfect response to a fanbase desperate for answers.

7. IT FEATURES AN ANCIENT GREEK EASTER EGG.

Amid the alternative rock tunes hammered out on the player piano and hat tips to classic western films, Westworld also referenced something from 5th century BCE Greece. Westworld, which is run by Delos Incorporated, is designed so that guests cannot die. Delos is also the name of the island where ancient Greeks made it illegal for anyone to die (or be born for that matter) on religious grounds. That’s not the only bit of wordplay with Greek either: Sweetwater’s main ruffian, Hector Escaton (Rodrigo Santoro), gets his last name from the Greek eschaton, meaning the final event in the divine design of the world. Fitting for a potentially sentient robot helping to bring about humanity’s destruction.

8. JIMMI SIMPSON FIGURED OUT HIS CHARACTER’S TWIST BECAUSE OF HIS EYEBROWS.

Evan Rachel Wood and Jimmi Simpson in 'Westworld'
HBO

In season one, the show’s many secrets were kept even from the main cast until the time they absolutely needed to know. Jimmi Simpson, who plays timid theme park neophyte William, had a hunch something was funny with his role because of a cosmetic change.

“I was with an amazing makeup artist, Christian, and he was looking at my face too much,” Simpson told Vanity Fair. “He had me in his chair, and he was just looking at my face, and then he said something about my eyebrows. ‘Would you be cool if we just took a couple hairs out of your eyebrows, made them not quite as arched?’” Guessing that they were making him look more like The Man in Black, Simpson said something to Joy, and she confirmed his hunch. “She looked kind of surprised I’d worked it out,” he said.

9. THE PLAYER PIANO MAY BE AN ALLUSION TO KURT VONNEGUT.

One of the show’s most iconic elements is its soundtrack of alternative rock songs from the likes of Radiohead, The Cure, and Soundgarden redone in a jaunty, old West style. In addition to adding a creepy sonic flavor to the sadistic vacation, they also may wink toward Kurt Vonnegut’s first novel, Player Piano, which deals with a dystopia of automation where machines do everything for humans, leading to an entrenched class struggle. The show’s resonant elements are clear, but Westworld also mentions that the world outside the theme park is one where there’s no unemployment and humans have little purpose. Like The Man In Black (Ed Harris), the protagonist of Player Piano also longs for real stakes in the struggle of life.

10. THERE ARE TWO JESSE JAMES CONNECTIONS.

Anthony Hopkins and Jeffrey Wright in 'Westworld'
HBO

Anthony Hopkins’s character Dr. Robert Ford is an invention for the new series, and he shares a name with the man who assassinated infamous outlaw Jesse James (a fact you may remember from the aptly named movie The Assassination of Jesse James by the Coward Robert Ford). The final episode of the first season flips the allusion when Ford is shot in the back of the head, which is exactly how the real-life Ford killed James.

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