The 14 Greatest Hoaxes of All Time

John Ueland
John Ueland

By Adam K. Raymond
Illustrations by John Ueland

Anyone can toilet paper a house or slip a whoopee cushion onto a chair. Pulling off a truly legendary prank is harder. To fool the media, crowds, and even the military, you need patience, planning, and more than a little genius. But when everything comes together into one big victimless laugh, it’s a thing of beauty. Here are history’s greatest hoaxes, each one proof that with effort and a little luck, you can fool a lot of the people, all of the time.

1. How April Fools’ Day Didn’t Get Its Name

As Joseph Boskin would tell you, the origins of April Fools’ are murky. In fact, the Boston University professor and pop culture historian was trying to say just that in a 1983 interview with reporter Fred Bayles. But each time Boskin told Bayles that no one is quite sure how the holiday started, the interviewer pushed him for a more concrete answer. Eventually, the academic got fed up with the aggressive questioning and decided to concoct a story worth printing.

Off the top of his head, Boskin began regaling Bayles with a tale from the days when Constantine ruled Rome. Jesters, he said, petitioned the emperor to allow one of their own the chance to rule for just one day. On April 1, Constantine relented. A jester, King Kugel—Boskin named him for the Jewish pudding dish—took over and proclaimed that April 1 would always serve as 24 hours of silliness.

Boskin later said he made the story so absurd that Bayles would have to catch on. No dice. The AP ran Bayles’s story about King Kugel, and soon Boskin was fielding calls from news outlets across the country. He initially kept up the ruse, but a few weeks later, the truth slipped out during one of his lectures about the media’s willingness to believe rumors. The editor of the school paper was in the class, and the campus Daily Free Press ran a headline declaring “Professor Fools AP.”

Once the truth was out, the AP was predictably embarrassed, but the story has a happy ending. Bayles, no longer an eager reporter, is now a professor of journalism at BU, where he can speak from personal experience about the media’s gullibility.

2. The Birth of the Bathtub!

December 20 gets no respect. On the calendar, it’s just another winter day best known for not being Christmas. But in 1917, writer H. L. Mencken set out to change that. When readers of the New York Evening Mail opened the paper in late December, they found Mencken’s 1,800-word essay “A Neglected Anniversary,” detailing the arrival of the bathtub in the United States. Mencken meticulously cataloged the tub’s rocky debut in 1842, explaining how the bathroom fad had caught on only after Millard Fillmore installed one in the White House. By the 20th century, Mencken explained, the momentous anniversary had fallen into obscurity. “Not a plumber fired a salute,” he lamented. “Not a governor proclaimed a prayer.”

There’s a good reason why. Mencken had made the whole thing up. The humorist figured everyone would see through the ruse, and he later wrote that the article was “harmless fun” meant to distract readers from World War I. “It never occurred to me it would be taken seriously,” he wrote.

But printing the piece in the Evening Mail gave Mencken’s little joke extra credibility, and he was stunned by how the story snowballed. Within a few years, it had been referenced in “learned journals” and cited “on the floor of Congress.” The tale became so pervasive that the Boston Herald ran an article in 1926 debunking it under the headline "The American Public Will Swallow Anything." Three weeks later, the same paper cited Mencken’s bathtub origin tale as fact.

Mencken tried to set the record straight, but his efforts were futile. People were more interested in hearing about President Fillmore’s tub than hearing the truth. Even today, the nugget resurfaces from time to time: In 2008, the story was featured in a Kia ad, which hailed Fillmore as “best remembered as the first president to have a running water bathtub.” Poor guy can’t even be remembered for something he actually did.

3. Sherlock Holmes Finds the Missing Link

Ever since Darwin published On the Origin of Species, scientists have been looking for the missing link—a transitional fossil that would seal the argument for human evolution. In 1912, an amateur geologist and archaeologist named Charles Dawson found it. The skull he pulled from a gravel pit in Piltdown, England, seemed to conclusively fit the part, and the discovery rocked the scientific community. Skeptics claimed the fossil was exactly what it looked like: a human skull cobbled together with an ape jaw to fool gullible scientists. In the ensuing excitement, believers shouted down deniers, and in December 1912, the Geological Society of London hosted a ceremony where Dawson presented his fossil, the Piltdown Man.

The doubters continued doubting until 1917, when researchers discovered a similar fossil nearby. The Piltdown faithful were thrilled: the new find, Piltdown II, seemingly legitimized the old one.

But the Piltdown Man’s scientific legitimacy gradually eroded over the next few decades. Other early human skulls began popping up in China and Africa, and each had an apelike skull with a human jaw: the opposite of the Piltdown combo.

The jig was finally up in 1953. After conducting tests on the skull, anthropologist Joseph Weiner and geologist Kenneth Oakley determined Piltdown Man was no man at all. Rather, he was a combination of man (the skull), orangutan (the jaw), and chimp (the teeth). What’s more, fluorine dating showed that the bones were no more than 100,000 years old, certainly not new but not missing-link ancient. The head looked older only because the hoax’s perpetrator had stained it with iron and chromic acid.

While the hoax was eventually exposed, the prankster behind the caper is still at large. Dawson is the most likely culprit, but literary sleuths have turned their suspicions to another man: Sherlock Holmes’s creator, Sir Arthur Conan Doyle. Not only was Conan Doyle a member of Dawson’s archaeological society and a frequent visitor to the Piltdown site, he hinted in his novel The Lost World that faking bones is no tougher than forging a photograph—the ultimate smoking gun! If only Holmes were on the case.

4. Italy’s Secret Pasta Gardens

Where does spaghetti come from? On April 1, 1957, the BBC news program Panorama tackled the question with a segment about a Swiss town’s robust spaghetti crop, brought on by a warm spring and the disappearance of the spaghetti weevil. “For those who love this dish, there’s nothing like real homegrown spaghetti,” anchor Richard Dimbleby said.

Viewers ate it up. On April 2 the BBC was flooded with hundreds of phone calls from people eager to grow their own noodles, then a rare treat for British diners. Keeping the whimsy going, the BBC instructed anyone interested in a pasta-bearing tree to “Place a sprig of spaghetti in a tin of tomato sauce and hope for the best.”

5. The World’s Worst Bestseller

Everyone knows you can’t judge a book by its cover. But the aphorism got an extra dose of validity in 1969, when Penelope Ashe, a bored Long Island housewife, wrote the trashy sensation Naked Came the Stranger.

As part of her book tour, Ashe appeared on talk shows and made the bookstore rounds. But Ashe wasn’t what her book jacket claimed. The author was as fictional as the novel she supposedly wrote—and both were the work of Mike McGrady, a Newsday columnist disgusted with the lurid state of the modern bestseller. Instead of complaining, he decided to expose the problem by writing a book of zero redeeming social value and even less literary merit. He enlisted the help of 24 Newsday colleagues, tasking each with a chapter, and instructed them that there should be “an unremitting emphasis on sex.” He also warned that “true excellence in writing will be quickly blue-penciled into oblivion.” Once McGrady had the smutty chapters in hand (which included acrobatic trysts in tollbooths, encounters with progressive rabbis, and cameos by Shetland ponies), he painstakingly edited the prose to make it worse. In 1969, an independent publisher released the first edition of Naked Came the Stranger, with the part of Penelope Ashe played by McGrady’s sister-in-law.

To the journalist’s dismay, his cynical ploy worked. The media was all too fascinated with the salacious daydreams of a “demure housewife” author. And though The New York Times wrote, “In the category of erotic fantasy, this one rates about a C,” the public didn’t mind. By the time McGrady revealed his hoax a few months later, the novel had already moved 20,000 copies. Far from sinking the book’s prospects, the press pushed sales even higher. By the end of the year, there were more than 100,000 copies in print, and the novel had spent 13 weeks on the Times’s bestseller list. As of 2012, the tome had sold nearly 400,000 copies, mostly to readers who were in on the joke. But in 1990, McGrady told Newsday he couldn’t stop thinking about those first sales: “What has always worried me are the 20,000 people who bought it before the hoax was exposed.”

6. Bipedal Beavers, Unicorns, and Other Moon Monsters

Much like submarines, submarine sandwiches, and the U.S. Constitution, the ethics of journalism were still evolving in the early 19th century. One rule that hadn’t totally sunk in yet: Don’t ply your readers with outright fabrications. The newspapers of the day routinely manufactured stories to generate sales, but none was as outrageous as the New York City rag The Sun’s “Great Moon Hoax,” a series of six articles published in 1835 about the discovery of civilization on the moon.

The articles claimed that a British astronomer named John Herschel had used a powerful new telescope to spot plants, unicorns, bipedal beavers, and winged humans there. The articles even went a step further, claiming that our angelic moon brethren collected fruit, built temples from sapphire, and lived in total harmony. The hoax was debunked immediately. Soon after the first installment ran in The Sun, its uptown competition, the New York Herald, slammed the story under the headline "The Astronomical Hoax Explained."

But the American public preferred a universe dotted with angels, unicorns, and bedazzled architecture. The story created such a buzz that papers around the world rushed to reprint it, while a theater company in New York worked out a dramatic staging. Before long, The Sun was making extra coin selling pamphlets of the whole series and lithographic prints that depicted life on the moon. It took five years for the story’s writer, Richard Adams Locke, to finally confess to making it all up. As he wrote in the New World, his intention was to satirize “theological and devotional encroachments upon the legitimate province of science.” But in all this, the thing we can’t believe is that no New York team has embraced the moon beaver as its mascot.

7. A Math Whiz Horse!

Is a hoax still a hoax if the perpetrator doesn’t know it? Wilhelm von Osten would likely say no. At the turn of the 20th century, the German math teacher was determined to prove the intelligence of animals. After trying (and failing) to teach a cat and a bear how to add, he finally found a sufficiently studious beast. With years of training, a horse named Hans could add, subtract, multiply, and read German.

Von Osten held regular displays of his star pupil’s intelligence. Hans would calculate sums and convert fractions by tapping a hoof to indicate numbers. He became a national sensation, made headlines in the United States, and earned the nickname Clever Hans. To prove that the horse’s skills were real, Von Osten allowed a group of experts to examine his equine genius. They found nothing fishy, and Germany embraced Hans as a marvel until psychology student Oskar Pfungst came along.

Unsatisfied with the work of the experts, Pfungst examined Hans and figured out how the horse was doing its calculator act. Von Osten was sending him subconscious signals. Each time Hans was presented with a math question, he’d tap away until a subtle cue on his owner’s face told him to stop. The cues were so subtle that Von Osten didn’t even know he was giving them. Indeed, the horse got problems right only when they were simple enough for Von Osten to solve, and his percentages plummeted when he wasn’t allowed to face his master. When Pfungst exposed the truth, Von Osten denied it, insisting that Hans really was clever, and he continued to parade his horse before happy crowds. Today, animal psychologists know to write off these cues as the “Clever Hans effect.”

8. The Supergroup That Never Got To Rock

Music fans got exciting news in 1969 when Rolling Stone reviewed the first album by the Masked Marauders, a supergroup featuring Bob Dylan, Mick Jagger, John Lennon, and Paul McCartney. Due to legal issues with their respective labels, the stars’ names wouldn’t appear on the album cover, but the review extolled the virtues of Dylan’s new “deep bass voice” and the record’s 18-minute cover songs. One of the album’s highlights was an extended jam between bass guitar and piano, with Paul McCartney playing both parts! The writer earnestly concluded, “It can truly be said that this album is more than a way of life; it is life.” For anyone paying attention, the absurd details added up to a clear hoax. The man behind the gag, editor Greil Marcus, was fed up with the supergroup trend and figured that if he peppered his piece with enough fabrication, readers would pick up on the joke.

They didn’t. After reading the review, fans were desperate to get their hands on the Masked Marauders album. Rather than fess up, Marcus dug in his heels and took his prank to the next level. He recruited an obscure San Francisco band to record a spoof album, then scored a distribution deal with Warner Bros. After a little radio promotion, the Masked Marauders’ self-titled debut sold 100,000 copies. For its part, Warner Bros. decided to let fans in on the joke after they bought the album. Each sleeve included the Rolling Stone review along with liner notes that read, “In a world of sham, the Masked Marauders, bless their hearts, are the genuine article.”

9. Virginia Woolf Ships Out

Before Virginia Woolf and E. M. Forster were literary titans and before John Maynard Keynes was the father of modern economics, they were part of a crowd of friends that informally called themselves the Bloomsbury Group. Comprising writers, artists, and thinkers, the group basically functioned as a fraternity for geniuses. So it’s fitting that the group’s lasting legacy is a piece of tomfoolery.

In 1910, the HMS Dreadnought was the fiercest, strongest ship in the Royal Navy. To the poet William Horace de Vere Cole, it seemed like the perfect place for the Bloomsbury Group to stage a high-concept prank. Cole, Woolf, her brother Adrian Stephen, and three pals decided to sneak aboard the Dreadnought, disguised as the emperor of Abyssinia and his entourage. Why risk the wrath of the Royal Navy? Because it was funny! The group sent a phony telegram to the ship’s commander, letting him know that a delegation was en route, then they simply showed up at the ship.

Amazingly, it worked. Dressed in caftans, turbans, and gold chains and with their faces painted black, the “Abyssinians” were welcomed aboard the Dreadnought with an honor guard, a red carpet, and a naval band. Despite the intentionally amateurish costumes, including at least one moustache that began falling off in the rain, the Abyssinians stayed in character for the entire tour. When they spoke, it was either to exclaim “Bunga, bunga!” in excitement or ramble in an invented language of Latin, Swahili, and gobbledygook. At one point, they were forced to decline a meal, relaying through Stephen, who was acting as translator, that the food had not been prepared to their specifications. In reality, they didn’t eat because they were afraid their makeup would come off.

The tour ended without the crew suspecting a thing. But then someone called reporters. British papers had a field day with the story. Sailors were heckled with cries of “Bunga, bunga” in the streets, and King Edward himself made his displeasure with the incident known. In the face of such humiliation, the navy was forced to take action. According to contemporary accounts, the navy got its revenge by caning two of the male hoaxers. Woolf was spared the lash because she was a woman, even though a lady’s mere presence on the ship was one of the greatest sources of the navy’s embarrassment.
Eventually, though, the Royal Navy developed a sense of humor about the incident. When the Dreadnought rammed and sank a German submarine during World War I, its crew received a congratulatory telegram from superiors. The text? “BUNGA BUNGA.”

10. A Bordello of Barks

Joey Skaggs is a professional prankster who plays the media like his instrument. He’s made waves posing as an outraged gypsy hell-bent on renaming the gypsy moth. He launched Walk Right!—a fictional group dedicated to enforcing proper walking etiquette through militant tactics. But perhaps the best illustration of his life’s work is the brothel for dogs that he opened in 1976. The prank started when Skaggs ran an ad in The Village Voice offering dog owners a chance to buy their pets a night with alluring companions, including Fifi, the French poodle. To Skaggs’s surprise, he began getting calls from people wanting to drop $50 for his service.

It didn’t take much for the media to bite, and when reporters showed up with questions, Skaggs reeled them in by staging a night at his “cathouse for dogs.” The stunt worked; TV stations issued breathless reports of the wanton acts of canine carnality. The ASPCA launched an investigation, a veterinarian publicly condemned the brothel, and the New York Health Department raised concerns about Skaggs’s licensing.

Skaggs eventually admitted the whole thing was a goof, but not everyone believed him. To this day, a television producer for WABC New York argues that the brothel was real and that Skaggs’s hoax claims are just a clumsy attempt to cover his trail. Of course, WABC has good reason to insist that Skaggs was running a genuine poodle prostitution ring: The station won an Emmy for its coverage of the story.

11. MIT Blows Up Harvard!

MIT students derive great pleasure from tormenting their rivals at Harvard. Our favorite prank of theirs occurred during the 1982 Harvard-Yale football game when a weather balloon emblazoned with the letters “MIT” began emerging from the ground near the 50-yard line. In the preceding days, a group of MIT students had snuck into Harvard Stadium and wired a vacuum motor to blow air into the balloon until it exploded, proving once again why you don’t mess with engineers.

12. Greasing the Wheels

Back in the late 19th century, college teams took trains to get to road games, and Auburn took full advantage of the situation. For a few seasons, students ran grease along the train tracks before Georgia Tech games, making it impossible for the train to stop anywhere near the station. Year after year, the poor football team ended up lugging its gear a number of miles back to the station, giving the players more of a warm-up than they bargained for and tilting the games in Auburn’s favor.

13. Card Talk

Tricking opposing fans into holding up placards that spell out a hidden message is a prank older than time. It was perfected with the Great Rose Bowl Hoax of 1961, during which students altered the placards given to University of Washington fans so that the giant banner they formed read “Caltech” on live television. The math and science school, which sits just a few miles from the Rose Bowl, wasn’t even involved in the game.

14. The Elusive Northwest Tree-Dwelling Octopus

According to the species’s official website, the Pacific Northwest tree octopus is native to the rainforests of Washington State’s Olympic Peninsula. It spends most of its time frolicking on treetops and snacking on frogs and rodents. But today, the arboreal cephalopod faces extinction thanks to rampant predation by the Sasquatch.

That last detail gives away the joke to most people. But not everyone is so discerning. The octopus’s meticulous creator—known online as Lyle Zapato—doesn’t just throw hoaxes onto the web—he brilliantly links back to dozens of external sites listing everything from short stories about tree octopuses to videos of a baby tree octopus hatching to recipes for cooking them. And he throws in just enough legitimate links to throw readers off his scent. In fact, every statement is laboriously cross-referenced; most Wikipedia pages would be lucky to have this many sources.

Taken together, Zapato’s labyrinth of sites can trick even savvy web surfers into thinking this tree-dwelling octopus exists. A 2006 study by the University of Connecticut showed that 25 out of 25 web-proficient middle-schoolers fell for the hoax. Even when researchers told them that tree octopuses don’t exist, the students couldn’t identify the clues on the site to prove that it wasn’t factual. The plight of the Pacific Northwest tree octopus is just one of Zapato’s many causes; he maintains an elaborate site dedicated to promoting the Bureau of Sasquatch Affairs and one that alleges that the nation of Belgium doesn’t exist (the deceptive branding of Belgian waffles fits into his conspiracy theory). Of course, whether you look at it as art or entertainment, Zapato’s handiwork is a reminder not to believe everything you read on the Internet.

9 Facial Reconstructions of Famous Historical Figures

A facial reconstruction of King Richard III unveiled by the Richard III Society in 2013
A facial reconstruction of King Richard III unveiled by the Richard III Society in 2013
Dan Kitwood/Getty Images

Why look at a painting of a historical figure when you can come face to face with one? Forensic facial reconstruction using scans of skeletal remains allows researchers to create 3D models of the face through a combination of science, history, and artistic interpretation. The results may be somewhat subjective, but they’re fascinating anyway. Here are nine facial reconstructions of famous people.

1. Richard III

In 2012, King Richard III’s skeleton was found below a parking lot in Leicester, England, where in 1485 he was hurriedly buried after dying in battle. A reconstruction (above) shows a young man, only 32 years old, with a gentle, approachable face. It’s a far cry from the child-murdering villain portrayed by Shakespeare and other writers. One thing they said does seem accurate, however: The skeleton had a curved spine from scoliosis, suggesting that Richard’s humpback may have been real.

2. Bach

J.S. Bach’s bust has sat on innumerable pianos for centuries, but he only posed for one portrait in his lifetime. So this reconstruction of his face—which was taken from a bronze cast of his skull—offers an interesting glimpse into the man beneath the 18th century wig. You get the same thick neck, underbite, and stern brow you see in the painting, but the reconstruction’s friendly, confused stare lacks the soul of the real man … and his music, for that matter.

3. Shakespeare

Apparently, no one knows anything about Shakespeare for sure—his hair color, his sexual orientation, how he spelled his name, whether he liked his wife, etc. Some people aren’t even sure whether he wrote his plays or not. So this rendering, taken from a death mask found in Germany, is bound to be controversial. But if it is Shakespeare, it’s pretty intriguing. It shows a man who suffered from cancer and had a sad, soulful face.

4. Dante

Maybe it’s because The Divine Comedy dealt with the ugliness of sin that Dante Alighieri is usually depicted as unattractive, with a pointy chin, buggy eyes, and enormous hooked nose. But a reconstruction done from measurements of the skull taken in 1921—the only time the remains have been out of the crypt—reveals a much more attractive Dante. The face has a rounder chin, pleasant eyes, and smaller nose than previously thought. It’s a face with character.

5. King Henri IV

The mummified head of France’s King Henri IV was lost after the French Revolution until a few years ago, when it showed up in a tax collector’s attic. In his day, Henri was beloved by everyone except the Catholic fundamentalists who murdered him in 1610. The hard-living king looks a bit old for his 56 years, but there’s a twinkle in his eyes. What the model cannot show, however, was how much the king stank—apparently he smelled of ”garlic, feet and armpits.”

6. Cleopatra’s Sister

Cleopatra hated her half-sister Arsinoe IV so much she had her dragged out of the temple of Artemis and murdered. In 2013, researchers said they had discovered what may be Arisone’s body, based on the shape of the tomb, carbon dating, and other factors. The resulting facial reconstruction shows a petite teenager of European and African blood. And yeah, maybe this is closer to what Arsinoe would look like if she were trapped in The Sims, but since Cleopatra’s remains are long gone, this may be the closest we get to knowing what she looked like.

7. King Tut

King Tutankhamun, whose famous sarcophagus has traveled far more than the “boy king” did in his 19-year lifetime, had buckteeth, a receding chin, and a slim nose, according to 3D renderings of his mummy. His weird skull shape is just within range of normal and was probably genetic—his father, Akhenaten, had a similarly shaped head. Tut’s body also had a broken leg, indicating he may have died from falling off a horse or chariot.

8. Copernicus

Nicolaus Copernicus, who challenged the belief that the sun revolved around the earth, died in 1543 at age 70. When his body was found in 2006 in a Polish church and confirmed by matching DNA to strands of his hair left in a book, the Polish police used their forensic laboratory to make this portrait. They made sure to include Copernicus’s broken nose and the scar above his left eye. Who knew that the Father of Astronomy looked so much like the actor James Cromwell?

9. Santa Claus

The remains of St. Nicholas, i.e. Santa Claus, have been in a church in Bari, Italy, since they were stolen from Turkey in 1087. This reproduction, taken from measurements of his skull, reveal that St. Nicholas had a small body—he was only 5’6”—and a huge, masculine head, with a square jaw and strong muscles in the neck. He also had a broken nose, like someone had beaten him up. This is consistent with accounts of St. Nicholas from the time: It turns out that Santa Claus had quite a temper.

A version of this list was first published in 2013.

11 Fun Facts About Them!

Joan Weldon and James Arness star in Them! (1954).
Joan Weldon and James Arness star in Them! (1954).
Warner Home Video

In the 1950s, Elvis was king, hula hooping was all the rage, and movie screens across America were overrun with giant arthropods. Back then, Tarantula (1955), The Deadly Mantis (1957), and other “big bug” films starring colossal insects or arachnids enjoyed a surprising amount of popularity. What kicked off this creepy-crawly craze? An eerie blockbuster whose impossible premise reflected widespread anxieties about the emerging atomic age. Grab a Geiger counter and let’s explore 1954's Them!.

1. Them!'s primary scriptwriter once worked for General Douglas MacArthur.

When World War II broke out, the knowledge Ted Sherdeman had gained from his career as a radio producer was put to good use by Uncle Sam, landing him a position as a radio communications advisor to General MacArthur. However, the fiery conclusion of the war left Sherdeman with a lifelong disdain for nuclear weapons. In an interview he revealed that upon hearing about the 1945 bombing of Hiroshima, he “just went over to the curb and started to throw up."

Shifting his focus from radio to motion pictures, Sherdeman later joined Warned Bros. as a staff producer. One day he was given a screenplay that really made his eyes bug out. George Worthing Yates, best known for his work on the Lone Ranger serials, had decided to take a stab at science fiction and penned an original script about giant, irradiated ants attacking New York City. "The idea appealed to me very much,” Sherdeman told Cinefantastique, "because, aside from man, ants are the only creatures in the world that plan to wage war, and nobody trusted the atomic bomb at that time.” (His statement about animal combat is debatable: chimpanzee gangs will also take organized, warlike measures in order to annex their rivals’ territories.)

Although he loved the basic concept, Sherdeman felt that the script needed something more. Screenwriter Russell S. Hughes was asked to punch up the script, but died of a heart attack after completing the first 50 pages. With some help from director Gordon Douglas, Sherdeman took it upon himself to finish the screenplay. Thus, Them! was born.

2. Two main ants were built for the movie.

Them! brought its spineless villains to life using a combination of animatronics and puppetry, courtesy of an effects artist by the name of Dick Smith. He constructed two fully functional mechanical ants for the production, with the first of these being a 12-foot monster filled with gears, levers, motors, and pulleys. Operating the big bug was a job that required a small army of technicians who’d pull sophisticated cables to control the ant’s limbs off-camera. These guys worked in close proximity and often crashed into each other as a result, prompting Douglas to call them “a comedy team.”

The big insect mainly appears in long shots, and for close-ups, Smith built the front three quarters of a second large-scale ant and mounted it onto a camera crane. During scenes that required swarms of ants, smaller, non-motorized models were used. Blowing wind machines moved the little units’ heads around in a lifelike manner.

3. Them! features the Wilhelm Scream.

Fifty-nine minutes in, the ants board a ship and one of them grabs a sailor, who unleashes the so-called "Wilhelm Scream." You can also hear it when James Whitmore’s character is killed, and the sound bite rings out once again during the movie’s climax. Them! was among the first movies to reuse this distinctive holler, which was originally recorded three years earlier for the 1951 western Distant Drums. Since then, it’s become something of an inside joke for sound recording specialists. The scream has appeared in Titanic (1997), Toy Story (1995), Reservoir Dogs (1992), Batman Returns (1992), the Star Wars saga (1977-present), all three The Lord of the Rings movies (2001-2003), and countless other films.

4. Leonard Nimoy makes an appearance.

In one brief scene, future Star Trek star Leonard Nimoy plays an Army man who receives a message about an alleged “ant-shaped UFO” sighting over Texas. He then proceeds to poke fun at the Lone Star State, because, as everybody knows, insectile space vessels are highly illogical.

5. Many different sounds were combined to produce the screeching ant cries.

Throughout the movie, the monsters announce their presence with a haunting wail. Douglas’s team created this unforgettable shriek by mixing assorted noises, including bird whistles, which were artificially pitched up by sound technicians.

6. Sandy Descher had to sniff a mystery liquid during her signature scene.

Like Steven Spielberg’s Jaws, Them! has a deliberate pace and the massive insects don’t make an onscreen appearance until the half hour mark. Douglas took credit for this restrained approach, saying, “I told Ted, let’s tease [the audience] a little bit before you see the ant. Let’s build up to it."

So instead of showing off the big bugs, the opening scene follows a little girl as she wanders through the New Mexican desert, listlessly clutching her favorite doll. That stunning performance was delivered by child actress Sandy Descher. Later, in one of the most effective title drop scenes ever orchestrated, a vial of formic acid is held under her character’s nose. Suddenly recognizing the aroma, the traumatized youngster screams “Them! Them!” Descher never found out what sort of liquid was really sloshing around in that container.

“They used something that did smell quite strange. It wasn’t ammonia, it was something else,” she told an interviewer. Still, the mysterious brew had a beneficial effect on her performance. “They tried to create something different and it helped me a lot with that particular scene,” Descher said.

7. Them! was originally going to be filmed in 3D and in color.

To hear Douglas tell it, the insect models looked a lot scarier in person. “I put green and red soap bubbles in the eyes,” he once stated. “The ants were purple, slimy things. Their bodies were wet down with Vaseline. They scared the bejeezus out of you.” For better or for worse, though, audiences never got the chance to savor the bugs’ color scheme.

At first, Warner Bros. had planned on shooting the movie in color. Furthermore, to help Them! compete with Universal’s brand-new, three-dimensional monster movie, Creature From the Black Lagoon, the studio strongly considered using 3D cameras. But in the end, the higher-ups at Warner Bros. didn’t supply Douglas with the money he’d need to shoot it in this manner. Shortly before production started on Them!, the budget was greatly reduced, forcing the use of two-dimensional, black and white film.

8. The setting of the climactic scene was changes—twice.

Yates envisioned the final battle playing out in New York City’s world-famous subway tunnels. Hughes moved the action westward, conjuring up an epic showdown between human soldiers and the last surviving ants at a Santa Monica amusement park. Finally, for both artistic and budgetary reasons, Sherdeman set the big finale in the sewers of Los Angeles.

9. Warner Bros. encouraged theaters to use Them! as a military recruitment tool.

The film’s official pressbook advised theater managers who were screening Them!& to contact their nearest Armed Forces recruitment offices. “Since civil defense in the face of an emergency figures in the picture, make the most of it by inviting [a] local agency to set up a recruiting booth in the lobby,” the filmmakers advised. Also, the document suggested that movie houses post signs reading: “What would you do if (name of city) were attacked by THEM?! Prepare for any danger by enlisting in Civil Defense today!”

10. The movie was a surprise hit.

Studio head Jack L. Warner predicted that Them!, with its far-fetched plot, wouldn’t fare well at the box office. So imagine his surprise when it raked in more than $2.2 million—enough to make the picture one of the studio's highest-grossing films of 1954.

11. Them! landed Fess Parker the role of TV's Davy Crockett.

When Walt Disney went to see Them!, he had a specific objective in mind: Scout a potential Davy Crockett. At the time, Disney was developing a new television series that would chronicle the life and times of the iconic frontiersman, and James Arness, who plays an FBI agent in Them!, was on the short list of candidates for the role. Yet as the sci-fi thriller unfolded, it was actor Fess Parker who grabbed Disney’s attention. Director Gordon Douglas had hired Parker to portray the pilot who ends up in a psych ward after an aerial encounter with a gargantuan flying ant. And while his character only appears in one scene, the performance impressed Disney so much that the struggling actor was soon cast as Crockett.

By the Texan’s own admission, his good fortune may’ve been the product of bargain hunting. “Walt probably asked, ‘How much would Arness cost?’ and then ‘This fellow [Parker], we ought to be able to get him real economical,” Parker once said.

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