Weekend Links: The World's Coolest Libraries

These pictures of the world’s coolest libraries will have you suffering from a serious case of shelf envy.

The “Where I Like to Read” series features authors discussing their favorite places to curl up with a book they didn’t write themselves. Responses range from “this beat up old ‘Grasshopper Lounge’ chair” to trains to “the most expensive piece of furniture I will ever own” – the final answer courtesy of John Green, co-host of the new Mental_Floss YouTube channel.

Subways around the world are reliably vibrant settings for photographers and the people and scenes they love to shoot, as this slideshow of contemporary subway images from international artists proves.

After the recent defeat of his proposed ban on the sale of sodas larger than sixteen ounces, New York City mayor Mike Bloomberg is at it again, aiming to curb rates of youth smoking by requiring retailers to keep all tobacco products out of sight.

Finished with your weekend reading a little early? The What Should I Read Next? website will cross-reference the name of an author or the title of a book that you like against its database of reader recommendations to find your potential new favorite book.

In the latest report from the Mars Curiosity Rover, “one of the whitest and brightest things we’ve seen” on the Red Planet—the chalky, mineral interior of a rock the size of a marble—might indicate the erstwhile presence of water.

The latest trailer for J. J. Abrams’ upcoming Star Trek: Into Darkness finally, finally starts to reveal what the second installment in the franchise reboot is actually about.

Game of Thrones Studio Tour Opening in Northern Ireland in 2020

Emilia Clarke stars in Game of Thrones
Emilia Clarke stars in Game of Thrones
Helen Sloan, HBO

In a move that only a super-popular series could pull off, it was announced last year that HBO’s Game of Thrones would be getting its own 110,000-square-foot tourist attraction in Northern Ireland (where much of the show has been filmed) featuring scenes, sets, and props from Westeros. And of course, fans were instantly interested.

While the initial plan was to open the attraction this year, that date has been pushed back and an expansion on the original concept has been added.

Linen Mill Studios in Banbridge, Ireland has partnered with Game of Thrones's creators to convert the studios into an exhibition. The sets were used for filming scenes in Winterfell and Castle Black, but the display will include props, costumes, live-action cosplayers, and set pieces representing all of the show’s locations.

While other interactive fan events have already been held, such as the display at SXSW and the Game of Thrones Live Concert Experience, this will be the most extensive and in-depth experience for diehard fans of the series.

When asked about the possibility of bringing a similar attraction to the U.S., Jeff Peters, HBO’s vice president for licensing and retail, told The New York Times that there were no set plans yet, but, “it’s possible. We get pitched all the time, and we’re open to a lot of different opportunities.”

[h/t The A.V. Club]

9 Original Star Wars Reviews

Star Wars © & TM 2015 Lucasfilm Ltd. All Rights Reserved.
Star Wars © & TM 2015 Lucasfilm Ltd. All Rights Reserved.

A long time ago (42 years, to be exact) in a galaxy just like this one, George Lucas was about to make cinematic history—whether he knew it or not. 

On May 25, 1977, moviegoers got their first glimpse of Star Wars, Lucas’s long-simmering space opera that would help define the concept of the Hollywood “blockbuster.” While we're still talking about the film today, and its many sequels and spinoffs, not every film critic would have guessed just how ingrained into the pop culture fabric Star Wars would become. While it charmed plenty of critics, some of the movie’s original reviews were less than glowing. Here are a few of our favorites (the good, the bad, and the Wookiee).

  1. "Star Wars is a fairy tale, a fantasy, a legend, finding its roots in some of our most popular fictions. The golden robot, lion-faced space pilot, and insecure little computer on wheels must have been suggested by the Tin Man, the Cowardly Lion, and the Scarecrow in The Wizard of Oz. The journey from one end of the galaxy to another is out of countless thousands of space operas. The hardware is from Flash Gordon out of 2001: A Space Odyssey, the chivalry is from Robin Hood, the heroes are from Westerns and the villains are a cross between Nazis and sorcerers. Star Wars taps the pulp fantasies buried in our memories, and because it's done so brilliantly, it reactivates old thrills, fears, and exhilarations we thought we'd abandoned when we read our last copy of Amazing Stories."
    —Roger Ebert, Chicago Sun-Times
  2. Star Wars is not a great movie in that it describes the human condition. It simply is a fun picture that will appeal to those who enjoy Buck Rogers-style adventures. What places it a sizable cut about the routine is its spectacular visual effects, the best since Stanley Kubrick’s 2001Star Wars is a battle between good and evil. The bad guys (led by Peter Cushing and an assistant who looks like a black vinyl-coated frog) control the universe with their dreaded Death Star."
    —Gene Siskel, Chicago Tribune
  3. "Star Wars is like getting a box of Cracker Jack which is all prizes. This is the writer-director George Lucas’s own film, subject to no business interference, yet it’s a film that’s totally uninterested in anything that doesn’t connect with the mass audience. There’s no breather in the picture, no lyricism; the only attempt at beauty is in the double sunset. It’s enjoyable on its own terms, but it’s exhausting, too: like taking a pack of kids to the circus. An hour into it, children say that they’re ready to see it again; that’s because it’s an assemblage of spare parts—it has no emotional grip. “Star Wars” may be the only movie in which the first time around the surprises are reassuring…. It’s an epic without a dream. But it’s probably the absence of wonder that accounts for the film’s special, huge success. The excitement of those who call it the film of the year goes way past nostalgia to the feeling that now is the time to return to childhood."
    —Pauline Kael, The New Yorker
  4. "The only way that Star Wars could have been interesting was through its visual imagination and special effects. Both are unexceptional ... I kept looking for an 'edge,' to peer around the corny, solemn comic-book strophes; he was facing them frontally and full. This picture was made for those (particularly males) who carry a portable shrine within them of their adolescence, a chalice of a Self that was Better Then, before the world's affairs or—in any complex way—sex intruded."
    —Stanley Kauffmann, The New Republic
  5. "There’s something depressing about seeing all these impressive cinematic gifts and all this extraordinary technological skills lavished on such puerile materials. Perhaps more important is what this seems to accomplish: the canonization of comic book culture which in turn becomes the triumph of the standardized, the simplistic, mass-produced commercial artifacts of our time. It’s the triumph of camp—that sentiment which takes delight in the awful simply because it’s awful. We enjoyed such stuff as children, but one would think there would come a time when we might put away childish things.”
    —Joy Gould Boyum, The Wall Street Journal
  6. "Star Wars … is the most elaborate, most expensive, most beautiful movie serial ever made. It’s both an apotheosis of Flash Gordon serials and a witty critique that makes associations with a variety of literature that is nothing if not eclectic: Quo Vadis?, Buck Rogers, Ivanhoe, Superman, The Wizard of Oz, The Gospel According to St. Matthew, the legend of King Arthur and the knights of the Round Table … The way definitely not to approach Star Wars, though, is to expect a film of cosmic implications or to footnote it with so many references that one anticipates it as if it were a literary duty. It’s fun and funny.”
    —Vincent Canby, The New York Times
  7. "Viewed dispassionately—and of course that’s desperately difficult at this point in time—Star Wars is not an improvement on Mr Lucas’ previous work, except in box-office terms. It isn’t the best film of the year, it isn’t the best science fiction ever to be translated to the screen, it isn’t a number of other things either that sweating critics have tried to turn it into when faced with finding some plausible explanation for its huge and slightly sinister success considering a contracting market. But it is, on the other hand, enormous and exhilarating fun for those who are prepared to settle down in their seats and let it all wash over them.”
    —Derek Malcolm, The Guardian
  8. "Strip Star Wars of its often striking images and its high-falutin scientific jargon, and you get a story, characters, and dialogue of overwhelming banality, without even a ‘future’ cast to them. Human beings, anthropoids, or robots, you could probably find them all, more or less like that, in downtown Los Angeles today. Certainly the mentality and values of the movie can be duplicated in third-rate non-science fiction of any place or period. O dull new world!”
    —John Simon, New York Magazine
  9. "Star Wars is somewhat grounded by a malfunctioning script and hopelessly infantile dialogue, but from a technical standpoint, it is an absolutely breathtaking achievement. The special effects experts who put Lucas' far-out fantasies on film—everything from a gigantic galactic war machine to a stunningly spectacular World War II imitation dogfight—are Oscar-worthy wizards of the first order. And, for his own part, Lucas displays an incredibly fertile imagination—an almost Fellini-like fascination with bizarre creatures.”
    —Kathleen Carroll, New York Daily News

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