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12 Very Special 'Very Special Episodes'

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Some TV shows are custom-made for Very Special Episodes. With all those girls on the cusp of adulthood at the Eastland Academy on The Facts of Life, it was inevitable that at least one of them would lose their virginity before graduation, leading to a poignant, thought-provoking episode. But plenty of other hot-button issues were used as plot devices. From the creepy bicycle man on Diff'rent Strokes to Alex Keaton's alcoholic uncle, here are some of TV's most memorable teachable moments.

1. Diff’rent Strokes: “The Bicycle Man”

This episode was considered disturbing enough for Conrad Bain to present a parental warning at the beginning. Even the narrator who catches us up on the action from Part One of this two-parter sounds kinda creepy, setting the appropriately dark tone for Gordon Jump (loveable, bumbling “Big Guy” Mr. Carlson from WKRP in Cincinnati) to portray a bicycle store-owning pedophile.

Mr. Horton lures young boys to his store with free accessories for their rides as well as free pizza, ice cream and … wine. (Cue the ominous music.) Arnold and his friend Dudley fall prey to his tactics and soon they’re shirtless, playing Tarzan, and posing for Polaroids. No amount of “whatchoo talkin’ ‘bout” could lighten up the slimy feel of this episode, but at least Mr. Drummond called the cops on the creep.

2. All in the Family: “Edith’s 50th Birthday”

All in the Family certainly never shied away from controversial issues, but did we really need to see sweet, naïve Edith Bunker get sexually assaulted in her living room?

The writers had actually already covered this topic in Season 3, when Gloria was attacked while walking home from work. But that assault wasn’t shown, just talked about, which was disturbing enough. In this episode Edith is home alone one afternoon while Archie is next door at Mike and Gloria’s house preparing for Edith’s surprise birthday party. Edith answers the door and allows the man who identifies himself as a detective to enter. Unfortunately, the rapist he is searching the neighborhood for (whom he describes in detail as he advances on Edith) is actually himself. After a lengthy and excruciating exchange of banter during which Edith tries her best to discourage him they both smell smoke and run to the kitchen. The cake she had in the oven was burning. A seemingly hysterical Edith removes it from the stove and then shoves it square in her attacker’s face, which prompted deafening cheers from the studio audience.

Some 20 years after this episode aired, David Dukes, the respected Broadway actor who’d played the attacker, was regularly recognized (and demonized) on the street as “the man who tried to rape Edith Bunker!”

3. Family Ties: “Give Uncle Arthur a Kiss”

Arthur was an uncle by virtue of friendship rather than kin; he worked with Steven at the TV station and was a Keaton family friend. One day when 15-year-old Mallory is helping out at WKS, Arthur corners her while she’s alone and comments on how grown-up she’s becoming (always a skeevy red flag when it comes to “funny” uncles). He embraces her but the hug is a little too tight for Mallory’s liking, and when he pats her on the backside she is definitely uncomfortable, but unsure if Good Ol’ Uncle Arthur actually did anything wrong … or if she just misinterpreted his camaraderie?

There’s no confusion, though, the next day when—after apologizing for frightening her that way—he pulls her close for an open-mouthed kiss. Even more unsettling is that once Mallory clues her parents in on what’s going on, all they do is give Arthur a severe talking-to, threatening to involve the police only if he ever does something like that again.

4. Punky Brewster: “Cherie Lifesaver”

Henry, Punky’s guardian, is forced to discard his WWII-era refrigerator when it finally conks out for good. He sets it out in the backyard, but a sudden light snowfall prompts him to delay removing the door until later. The snow doesn’t deter Punky and her pals from playing hide-and-seek, and Cherie chooses the ancient fridge as her hiding spot. When Henry finds her later, of course she is unconscious and not breathing. Luckily that very day Punky’s class had been taught CPR at school, so Cherie is revived in the nick of time.

(Of course, by law in the U.S. all refrigerators sold after October 30, 1958 have been required to be open-able from the inside to prevent such a tragedy, but thanks to parsimonious consumers like Henry, kids were still occasionally found suffocated inside those old built-to-last models until the mid-1980s.)

5. Too Close for Comfort: “For Every Man There’s Two Women”

This was one of those episodes that was so lowbrow, some folks think they’d only imagined it. The Rush’s wacky tenant Monroe (played by Jm J. Bullock, as he was known then) was kidnapped en route to work by two women and then forced to have sex with them. But, because Monroe was a male and his attackers female (and of the bulky persuasion), the writers somehow thought it was OK to squeeze some cheap laughs out of a rape.

6. Little House on the Prairie: “Sylvia”

Frustrated folks that long for the simpler life of Yesteryear should stop and consider the realities of pioneer life … Take Walnut Grove, for example. If kids weren’t going blind, they were being orphaned or dying in fires. And then there was the case of the town’s sinister blacksmith, who spent his days off stalking young girls while wearing a mime mask.

Fifteen-year-old Sylvia Webb is being raised by a puritanical father who believes she’s inherently evil just because she hit puberty earlier than her classmates. He forces her to bind her burgeoning bosom and is outraged to find the neighborhood boys peeping at her while she dresses. Poor Sylvia eventually is attacked by the Stalker Blacksmith and ends up “with child.” Albert Ingalls, who professes to love her though he’s only 14 himself and his voice hasn’t finished changing, wants to marry her. Before the star-crossed teens can elope, though, Sylvia suffers a fatal fall from a hayloft.

7. Diff’rent Strokes: “Sam’s Missing”

As if Sam McKinney wasn’t emotionally scarred enough by having his mom change from Dixie Carter to Mary Ann Mobley without explanation, he was also kidnapped in Season Eight by a despondent father whose own son has died in an off-screen accident of some sort. The kidnapper threatens to kill Mr. Drummond and his new wife if Sam doesn’t stop acting traumatized and behave like his loving new son. Meanwhile, Kidnapper has convinced his gullible grieving wife that he’d found homeless Sam living on the street in a cardboard box. After a week with his “new” family, Sam is finally found and rescued, and apparently none the worse for his adventure.

8. Family Affair: “Christmas Came a Little Early”

Usually on Family Affair, Uncle Bill’s endlessly deep pockets solved any crisis, but even after calling in a top specialist of some sort, he was unable to offer any hope to a pre-Brady Bunch Eve Plumb. Eve played a terminally ill friend of Buffy’s, but only the adults knew of her dire prognosis. Realizing that Eve might not make it ‘til December, Uncle Bill decided that she should still have a Christmas, even if it was several weeks early. Using the excuse that he would be in Venezuela come December 25th, he bought a tree and gifts and dressed Mr. French up as Santa Claus and held the party in Eve’s family’s apartment. Afterward he confided to Mr. French that the children didn’t suspect that anything was amiss, but as he headed off for bed for the evening he hears heart-wrenching sobs coming from Buffy’s bedroom. He poked his head inside the door to see her clutching Mrs. Beasley and crying.

9. Family Ties: “Say Uncle”

When Elise’s brother Ned (played by Tom Hanks) pays a visit, his newly developed drinking problem is played for laughs at first—Alex encounters Ned late at night in the kitchen draining the last of the liquor and then watches him guzzle vanilla extract and a bottle of maraschino cherries. When he shows up sozzled for a job interview it’s still pretty funny (for the audience, at least). But when Ned turns into a mean drunk and smacks Alex in the face, things take a serious turn. Hanks turns in a heartbreaking performance when he phones Alcoholics Anonymous and slowly goes from clowning around to admitting his problem.

10. Mr. Belvedere: “The Counselor”

In an unusual twist, it wasn’t some tertiary character who was the subject of the Very Specialness in this episode, but series regular Wesley T. Owens. Wes goes off to a summer day camp under protest. When he fakes illness to avoid a nature hike, he is left in the care of Counselor Perry. Perry takes Wes scuba diving and then gets a little too touchy-feely when helping to dry him off. To encourage the boy to keep their “little secret” Perry gives Wesley an expensive pair of binoculars as a gift, but even so Wes is uneasy about being around the counselor…

11. Leave It to Beaver: “Beaver and Andy”

The normally light-hearted show about childhood innocence took a somber turn when Ward hired Andy, a recovering alcoholic, to paint the outside of the Cleaver house. In order to protect young Beaver from the harsh realities of Life, they only refer vaguely to Andy’s “problem.” So when Beav is home alone one sultry afternoon while Andy requests a drink (preferably something stronger than lemonade), the clueless youngster offers a bottle of the stuff that Uncle Billy sends them every Christmas. Andy relapses, and Mr. and Mrs. Cleaver are shocked to discover that Theodore was the enabler. Beaver then wonders aloud how he was supposed to know that what he did was wrong, since his folks never explained what Andy’s “trouble” was. You can watch the episode here.

12. And of course, this:

Were there any TV episodes that traumatized you as a child? Or that have stuck in your mind as being disturbing all these years later? It can be therapeutic to share, you know.

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25 Dapper Outfit Choices for Fashionable Pets
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Lavishing your furry friends with adorable attire is a benefit of pet ownership that they don't mention on the adoption forms. Whether you prefer practical clothing like sweaters and jackets or statement pieces like bow ties and tutus, these dapper duds are perfect for a howl-iday or "gotcha day" gift, or simply for saying, "Who's the cutest little pupper in pajamas? You are!"

1. CASHMERE DOG SWEATER; FROM $165

dog in sweater
Canine Styles

This classic cable-knit cashmere sweater is a sophisticated look for Fido or Finn. Get it from Canine Styles, a luxury dog emporium in New York City that has plenty of posh and preppy outfits.

Find It: Canine Styles

2. TOGGLE DOG COAT; $85

dog in coat
Canine Styles

This toggle coat (available in orange, navy, and tan) is as fashionable as it is warm. Made of Melton wool, it has Velcro closures to make getting dressed easy. It's great for long walks in the country.

Find It: Canine Styles

3. DOG TUXEDO; FROM $90

Dog in tuxedo
Etsy

This satin tuxedo is perfect for the canine members of your wedding party, though it will brighten up any other occasion as well. The custom, handmade outfit comes complete with a snappy bow tie.

Find It: Etsy

4. DOG BELLE DRESS; FROM $45

Dog Belle Dress
Etsy

The queen of your castle can feel like a Disney princess in her very own version of Belle's iconic yellow dress from Beauty and the Beast. This ball gown is made from yellow crepe satin with chiffon overlay on the bodice and features hand-painted gold detailing on the skirt. Enchanted rose not included.

Find It: Etsy

5. POODLE SKIRT OUTFIT FOR DOGS; $26

Rubies Pink Fifties Girl Pet Costume
Amazon

What if you could buy a 1950s poodle skirt for your poodle? This retro dress is comprised of a pink poodle skirt, striped bodice, and sequined belt, and comes with a bow headband.

Find It: Amazon

6. RIBBED CROCHET BUNNY SWEATER; $25

bunny in a sweater
Etsy

Your snuggle-bunny will look like a little fancy-pants in this ribbed crochet sweater. Choose from seven colors, including this dashing deep red.

Find It: Etsy

7. BESPOKE MONOGRAM DOG SWEATER; FROM $155

Dog in sweater
Ruby Rufus

Bespoke clothing isn't just for humans: British luxury dog clothing brand Ruby Rufus will make your pooch a custom monogram sweater made with 100 percent Italian cashmere. You can even order it in your dog's favorite color.

Find It: Ruby Rufus

8. HOT PINK DOG TUTU; $17

Dog in hot pink tutu
Etsy

Tutus look absolutely adorable on tiny humans and animals alike. If your pooch wants to get in touch with its inner ballerina, then grab this hot pink number from Etsy. Rave reviews are a sure thing.

Find It: Etsy

9. PINK DOG POLO SHIRT; $35

Dog Pink Polo Shirt
Canine Styles

This pink polo shirt is perfect for your preppy fur baby. It features not one but a veritable multitude of crocodiles. They'll be the most dapper dog at the country club.

Find It: Canine Styles

10. DOG BARN COAT WITH BROWN CORDUROY COLLAR; $85

Dog in barn coat
Canine Styles

When it's time for a walk, your dog will look effortlessly chic in this fancy barn coat. It comes in navy, cranberry, orange, hot pink, and loden and features convenient pockets for anyone with opposable thumbs.

Find It: Canine Styles

11. WHITE PET NECK RUFF; $26

Pet Neck Ruff
Etsy

Your canine or kitty will look like their painting belongs in London's National Portrait Gallery with this Elizabethan neck ruff.

Find It: Etsy

12. CHICKEN SWEATER; $25

chicken wearing sweater
Etsy

Chickens can get cold when they're strutting around outside. A sweater (well, more like sweater vest) for your bird can also help prevent feather picking during molting season. Or, it can simply keep them warm while they stare pensively across a snowy landscape.

Find It: Etsy

13. PET CIRCLE SCARF; $15

dog in scarf
Etsy

An infinity scarf is a perfect burst of color on a dreary early morning walk. The proprietor of Mitten Made on Etsy originally designed this wool snood for her miniature Dachshund to help keep her warm during the long, cold winters in Michigan.

Find It: Etsy

14. FAB DOG TRAVEL RAINCOAT; FROM $18

Fab Dog Travel Raincoat
Chewy

This timeless yellow rain slicker will look great on any puppy when it's raining cats and dogs. It's made of 100 percent waterproof nylon shell that keeps fur dry. Bonus: It's perfect for an It Halloween costume.

Find It: Chewy

15. LACE CAT OR DOG COLLAR; FROM $10

cat in lace collar
Etsy

This handmade, white lace collar is a must-have for fancy felines. It's also embellished with a large rhinestone.

Find It: Etsy

16. FITWARM PENGUIN PAJAMAS FOR DOGS; FROM $10

Fitwarm Cute Penguin Xmas Dog Pajamas
Amazon

Keep your pupper warm on cold winter nights with these penguin PJs. They're great for doggie sleepovers or lazy weekends on the couch watching Netflix.

Find It: Amazon

17. PLAID CASHMERE DOG COAT; FROM $225

dog in plaid coat
Canine Styles

Your dog will look like a proper gentleman in this smart plaid peacoat. This fine garment is made of cashmere with a faux fur lining and leather buttons, and is a perfect shield against chill and fog.

Find It: Canine Styles

18. SATIN PET BOW TIE; FROM $8

Satin Bow Tie for Dog
Etsy

This satin doggie bow tie is perfect for any occasion. It comes in several colors and features a Velcro fastener that makes it easy to attach to a collar. Plus, 10 percent of every sale goes to charity: specifically to SPCA (Society for the Prevention of Cruelty to Animals) and Feeding Pets of the Homeless.

Find It: Etsy

19. RED DOG DRESS; FROM $34

dog in dress
Etsy

Your good boy or girl will look red carpet-ready in this elegant gown. The voluminous tulle skirt is to die for, and each bow is embellished with beads. Custom orders are also available.

Find It: Etsy

20. DOG TIE; FROM $13

Dog tie
Etsy

Your pooch will be ready to stun at any black tie event. This tie is designed like a collar, making it easy to dress your four-legged friend. This Etsy store gives back: 10 perfect of all sales are donated to an animal protection association.

Find It: Etsy

21. NAUTICAL DOG DRESS WITH MATCHING LEASH; $20

Dog sailor dress
BaxterBoo

Perfect for a day on the town or setting sail in a schooner, this is the sailor outfit you never knew your best furry friend needed. This vintage throwback also comes with a matching leash.

Find It: BaxterBoo

22. TARTAN FLANNEL PET BOW TIE; $5.50

tartan pet bow tie
Etsy

Your dog or cat will turn heads in this flannel tartan bow tie. It has a convenient elastic loop that slides over your pup's collar.

Find It: Etsy

23. PUCCI DOG SHIRT; $23

dog in Pucci dog shirt
Etsy

Only the fanciest dogs wear, err, Pucci. Grab this punny "designer" t-shirt for your pup. This high-quality cotton statement piece is perfect for small breeds.

Find It: Etsy

24. PINK POLKA DOT AND LACE DOG HARNESS DRESS; $20

Pink Polka Dot and Lace Designer Dog Harness Dress
BaxterBoo

This feminine pink polka dot dress is simply adorable. It features a convenient built-in harness and comes with a matching leash.

Find It: BaxterBoo

25. PET SWEATER VEST; $6

pet sweater vest
Amazon

Your dog or cat will look like an erudite Oxford professor in this sweater vest. Note that the button on the pocket is shaped like a bone.

Find It: Amazon

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20 John Carpenter Quotes About Horror Movies
Amy Sussman/Getty Images for Tribeca Film Festival
Amy Sussman/Getty Images for Tribeca Film Festival

Though he’s made a variety of movies—from fantasy to science fiction films—John Carpenter will forever be known as a master of horror, thanks in large part to the role he played in reinventing the genre with 1978’s Halloween. To celebrate the award-winning filmmaker’s 70th birthday, we’ve gathered up 20 of his most memorable quotes about Hollywood.

1. ON THE DEFINITION OF HORROR

“Horror is a reaction; it's not a genre.”

—From a 2015 interview with Interview Magazine

2. ON THE RULES OF MOVIEMAKING

“I think the rules of filmmaking are essentially the same as they were since, I guess, The Birth Of A Nation. The way you make movies: long shot, close-up, camera movement, structure—it’s all the same. Not much has changed. But the technology of movies has vastly changed. From 35mm black-and-white to color, from nitrate film to safety film and now into digital—and yet we’re still breaking scenes into master shots and close-ups. The cinema narrative has not changed that much since the silent film.”

—From a 2015 interview with The A.V. Club

3. ON THE TWO TYPES OF HORROR STORIES

“There are two different stories in horror: internal and external. In external horror films, the evil comes from the outside, the other tribe, this thing in the darkness that we don’t understand. Internal is the human heart.”

—From a 2011 interview with Vulture

4. ON THE IMPORTANCE OF NIGHT OF THE LIVING DEAD

“One movie that showed me it was possible to make a low-budget horror movie was Night of the Living Dead (1968). When I saw that, I was like, 'Wow, that's really effective, but it's obviously low budget.' They didn't have any money but they actually made something cool. That was inspirational to me when I was in film school.”

—From a 2015 interview with Interview Magazine

5. ON THE TRUTH ABOUT HOLLYWOOD

“Film buffs who don't live in Hollywood have a fantasy about what it's like to be a director. Movies and the people who make movies have such glamor associated with them. But the truth is, it's not like that. It's very different. It's hard work. If you were suddenly catapulted into that situation—without any training—you would say after it was over: 'Oh, God! You're kidding! You mean, this is what it's like? This is what they put you through?' Yes, as a matter of fact, it is like this—and it's often worse. People have tried to describe the film business, but it's impossible to describe because it's so crazy. You must know your craft inside out and then pick up the rules as you go along.”

—From an essay for Santa Fe Studios

6. ON THE HORROR OF WATCHING HIS OWN MOVIES

“I don't watch my films. I've seen 'em enough after cutting them and putting the music on. I don't ever want to see them again.”

—From a 2012 interview with Entertainment Weekly

7. ON THE EMOTIONAL TOLL MAKING MOVIES CAN TAKE ON A DIRECTOR

“I’ve been feeling old for years and years, and I think the movie business did it to me. At one point I just did movie after movie, and it starts tearing you down physically—emotionally too, if you do one after another. The stress, the emotional exertion of dealing with others. I’ve worked with really great actors and really difficult actors. The difficult ones are no fun. And the style of the movies today have changed a great deal. To me, I’m not a big fan of handheld. That’s just my tastes. That’s a quick fix for low budget. Let the operator direct it! Walk around. That’s how you burn through the pages. And found footage—how many times do we need to do that?”

—From a 2014 interview with Deadline

8. ON WHAT MAKES A GOOD HORROR FILM

“There’s a very specific secret: It should be scary.”

—From a 2015 interview with The A.V. Club

9. ON THE PERCEPTION OF A MOVIEMAKER

“In England, I'm a horror movie director. In Germany, I'm a filmmaker. In the U.S., I'm a bum.”

—From The Films of John Carpenter

10. ON STANDING OUT

“I don't want to be in the mainstream. I don't want to be a part of the demographics. I want to be an individual. I wear each of my films as a badge of pride. That's why I cherish all my bad reviews. If the critics start liking my movies, then I'm in deep trouble.”

—From an essay for Santa Fe Studios

11. ON MAINTAINING CONTROL

“My years in the business have taught me not to worry about what you can’t control.”

—From a 2007 interview with MovieMaker Magazine

12. ON HIS FAVORITE MOVIES

“I have two different categories of favorite films. One is the emotional favorites, which means these are generally films that I saw when I was a kid; anything you see in your formative years is more powerful, because it really stays with you forever. The second category is films that I saw while I was learning the craft of motion pictures.”

—From a 2011 interview with Rotten Tomatoes

13. ON BEING STUCK IN THE 1980S

“Well, They Live was a primal scream against Reaganism of the '80s. And the '80s never went away. They're still with us. That's what makes They Live look so fresh—it's a document of greed and insanity. It's about life in the United States then and now. If anything, things have gotten worse.”

—From a 2012 interview with Entertainment Weekly

14. ON THE IMPORTANCE OF INSTINCT

“I think every director depends primarily on his instincts. That’s what’s got him where he is, what’s going to carry him through the good times and the bad. I generally go with what I instinctually think I can do well.”

—From a 2011 interview with Vulture

15. ON BEING TYPECAST AS A DIRECTOR

“I haven't just made horror. I've made all sorts of movies. There have been fantasy movies, thrillers, horrors, science fiction. In terms of the ultimate reward, listen, man, when I was a kid, when I was 8 years old, I wanted to be a movie director, and I got to be a movie director. I lived my f*cking dream, you can't get better than that. That's the ultimate.”

—From a 2015 interview with Interview Magazine

16. ON THE REALITY OF MONSTERS

“Monsters in movies are us, always us, one way or the other. They’re us with hats on. The zombies in George Romero’s movies are us. They’re hungry. Monsters are us, the dangerous parts of us. The part that wants to destroy; the part of us with the reptile brain. The part of us that’s vicious and cruel. We express these in our stories as these monsters out there.”

—From a 2011 interview with the Buenos Aires Herald

17. ON MOVIES AS A SENSORY EXPERIENCE

“A movie’s not just the pictures. It’s the story and it’s the perspective and it’s the tempo and it’s the silence and it’s the music—it’s all the stuff that’s going on. All the sensory stuff. Sometimes you can get a lot of suspense going in a non-horror film. It all depends. But, look, if there was one secret way of doing a horror movie then everybody would be doing it.”

—From a 2015 interview with The A.V. Club

18. ON THE UNIVERSAL LANGUAGE OF HORROR

"Horror is a universal language; we're all afraid. We're born afraid, we're all afraid of things: death, disfigurement, loss of a loved one. Everything that I'm afraid of, you're afraid of and vice versa. So everybody feels fear and suspense. We were little kids once and so it's taking that basic human condition and emotion and just f*cking with it and playing with it. You can invent new horrors."

—From a 2015 interview with Interview Magazine

19. ON THE REMAKE TREND

“It’s a brand new world out there in terms of trying to get advertising. There’s so much going on that if you come up with a movie that people have never heard of they don’t pay attention to it—no matter how good it is. So it becomes, 'Let’s remake something that maybe rings a bell and that you’ve heard of before.' That way, you’re already ahead. I’m flattered, but I understand what’s going on. They’re picking everything to remake. I think they’ve just run down the list of other titles and have finally got to mine.”

—From a 2007 interview with MovieMaker Magazine

20. ON THE LASTING INFLUENCE OF HALLOWEEN

“I didn’t think there was any more story [to Halloween], and I didn’t want to do it again. All of my ideas were for the first Halloween—there shouldn’t have been any more! I’m flattered by the fact that people want to remake them, but they remake everything these days, so it doesn’t make me that special. But Michael Myers was an absence of character. And yet all the sequels are trying to explain that. That’s silliness—it just misses the whole point of the first movie, to me. He’s part person, part supernatural force. The sequels rooted around in motivation. I thought that was a mistake. However, I couldn’t stop them from making sequels. So my agents said, ‘Why don’t you become an executive producer and you can share the revenue?’ But I had to write the second movie, and every night I sat there and wrote with a six-pack of beer trying to get through this thing. And I didn’t do a very good job, but that was it. I couldn’t do any more."

—From a 2014 interview with Deadline

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