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Poincaré Takes Office, Coup in Mexico

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The First World War was an unprecedented catastrophe that killed millions and set the continent of Europe on the path to further calamity two decades later. But it didn’t come out of nowhere. With the centennial of the outbreak of hostilities coming up in 2014, Erik Sass will be looking back at the lead-up to the war, when seemingly minor moments of friction accumulated until the situation was ready to explode. He'll be covering those events 100 years after they occurred. This is the 56th installment in the series. (See all entries here.)

February 18, 1913: Poincaré Takes Office, Coup in Mexico

On February 18—one month after winning the French presidential election—center-right politician Raymond Poincaré took office in an inauguration ceremony at the Hôtel de Ville, an elegant chateau constructed between 1533 and 1628 to house the city government of Paris. In a sign of Poincaré’s popularity, his inauguration attracted thousands of enthusiastic spectators despite the frigid weather.

Poincaré’s presidency was an important factor in the lead-up to the First World War, for a number of reasons. Although he didn’t seek war with Germany, the new French president was increasingly pessimistic about the prospects for lasting peace in Europe. At the same time, he also planned to take a more active approach to the presidency (previously regarded as a mostly ceremonial position), especially in foreign policy, where he had the power to conclude treaties and appoint key diplomats.

Indeed, one of his first moves was replacing the French ambassador to St. Petersburg, Georges Louis, with Théophile Delcassé—a big name in French foreign policy who, as foreign minister from 1898 to 1905, helped to bring about the entente cordial ("friendly understanding") with Britain. Delcassé was known to be pro-Russian and anti-German, and his agenda as ambassador to St. Petersburg can be deduced from his own words during the Second Moroccan Crisis: “No durable arrangement can be concluded with Germany. Her mentality is such that one can no longer dream of living in lasting peace with her. Paris, London, and St. Petersburg should be convinced that war is, alas! inescapable and that it is necessary to prepare for it without losing a minute.”

Everyone recognized the significance of the appointment of Delcassé, described by Kaiser Wilhelm II as “the most dangerous man for Germany in France.” On February 21, 1913, the Belgian ambassador to France, Baron Guillaume, reported to the Belgian foreign office that “the news that M. Delcassé is shortly to be appointed Ambassador at Petersburg burst like a bomb here yesterday afternoon… He was one of the architects of the Franco-Russian alliance, and still more so of the Anglo-French entente." And on February 25, the French ambassador to Serbia, Léon Descos, told the French foreign ministry that his hosts thought Delcassé’s appointment would provide “…Slavism with the support needed to strengthen it in its struggle against the Teutonic powers.”

Meanwhile Poincaré wasted no time in moving to strengthen the French military. Among other things, the new president advocated increasing the size of the active-duty French army by extending the length of service for conscripts from two to three years. On February 20, in his first presidential address (read to the Chamber of Deputies by premier Aristide Briand), Poincaré laid the groundwork for the three-year service law: “No people can be really pacific unless it is always ready for war. We must turn toward our army and navy, and spare no effort or sacrifice to consolidate and strengthen them.”

Poincaré and Delcassé weren’t alone in thinking war probable and maybe even inevitable; other members of the French government were considering the same scenario, and pondering the most advantageous moment to fight. On February 20, 1913, the Russian ambassador to London, Count Aleksandr Benckendorff, sent a secret message advising Russian foreign minister Sergei Sazonov: “[France] has complete confidence in her army... and it may be that she regards conditions as more favorable today than they might be later.” Likewise, on February 24, Sir Henry Wilson, the British officer in charge of coordinating military planning with France, told London that top French generals were “of the opinion that it would be far better for France if a conflict were not too long postponed.”

Coup in Mexico

While Europe was fixated on the crisis resulting from the First Balkan War, the New World had problems of its own. Foremost was the ongoing Mexican Revolution, which began with the toppling of the dictator Porfirio Díaz (above) in 1910 and soon escalated into a complicated civil war lasting until 1920.

After two chaotic years in power, Díaz’s replacement, the beleaguered liberal reformist president Francisco Madero, was finally ousted on February 18, 1913, following 10 days of bloody street warfare in Mexico City (which then had a population of about half a million) known as “La Decena Tragica,” or “Ten Tragic Days.” The author of his downfall was General Victoriano Huerta, the military governor of Mexico City, who had previously sworn allegiance to Madero but betrayed him when he saw an opportunity to seize power for himself. On February 22, Madero and vice-president José María Pino Suárez were both murdered at Huerta’s command; public revulsion at the assassinations foreshadowed Huerta’s own downfall in July 1914.

Huerta’s coup received assistance from co-conspirators including Félix Díaz, the nephew of the ex-dictator Porfirio Díaz, and the U.S. ambassador to Mexico, Henry Lane Wilson. This kind of meddling was a common theme of U.S. foreign policy in Latin America throughout this period: 1900-1925 saw repeated U.S. interventions across the Caribbean and Central America, including decades-long military occupations of Cuba, Haiti, the Dominican Republic, and Nicaragua. U.S. interventions generally aimed to protect American commercial and financial interests, prop up friendly regimes threatened by strikes and rebellions, and quell border disputes.

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As the largest country in the region and the only one bordering the U.S., Mexico’s descent into anarchy understandably absorbed the attention of the American public well into the First World War, culminating in the Punitive Expedition which tried and failed to catch Pancho Villa between 1916 and 1917. In fact, German diplomats hoped to use the unstable situation to distract U.S. policy makers and keep America out of the war – but their (rather unrealistic) efforts backfired badly with the Zimmerman Telegram affair in 1917.

See previous installment, next installment, or all entries.

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13 Fantastic Museums You Can Visit for Free on Saturday
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On Saturday, September 23, museums and cultural institutions across the United States will open their doors to the public for free, as part of Smithsonian magazine’s annual Museum Day Live! event. Hundreds of museums are set to participate, ranging from world-famous institutions in major cities to tiny, local museums in small towns. While the full list of museums can be viewed, and tickets can be reserved, on the Smithsonian website, we’ve collected a small selection of the fantastic museums you can visit for free this Saturday.

1. NEWSEUM // WASHINGTON, D.C.

The Newseum in Washington, D.C. is an entire museum dedicated to the First Amendment. Celebrating freedom of religion, speech, press, assembly and petition, the museum features exhibits on civil rights, the Berlin Wall, and the history of news media in America. Their latest special exhibitions take a look back at the event of September 11, 2001 and go inside the FBI's crime-fighting tactics.

2. INTREPID SEA, AIR & SPACE MUSEUM // NEW YORK CITY, NEW YORK

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New York's Intrepid Sea, Air & Space Museum doesn’t just showcase America’s military and maritime history—it is a piece of that history. The museum itself is one of the Essex-class aircraft carriers built by the United States Navy during World War II. Visitors can explore its massive deck and interior, and view historic airplanes, a real World War II submarine, and a range of interactive exhibits. Normally, a ticket will set you back a whopping $33 (or $19 for New York City residents), but on Saturday, general admission is free with a Museum Day Live! ticket.

3. AUTRY MUSEUM OF THE AMERICAN WEST // LOS ANGELES, CALIFORNIA

Perfect for art lovers, history buffs, and cinephiles alike, the Autry Museum of the American West (named for legendary singing cowboy Gene Autry) offers up an eclectic mix of art, historical artifacts from the real American West, and Western film memorabilia and props.

4. MUSEUM OF ARTS AND SCIENCES // DAYTONA BEACH, FLORIDA

A massive art, science, and history museum located on a 90-acre nature preserve, the Museum of Arts and Sciences features the largest collection of Florida art anywhere in the world, as well as the largest collection of Coca-Cola memorabilia in all of Florida. Its diverse exhibits are alternately awe-inspiring, informative, and quirky, ranging from an exploration of 2000 years of sculpture art to an exhibition of 19th and 20th century advertising posters.

5. INTERNATIONAL MUSEUM OF THE HORSE AT THE KENTUCKY HORSE PARK // LEXINGTON, KENTUCKY

The International Museum of the Horse explores the history of—you guessed it!—the horse. That might sound like a narrow scope, but the museum doesn’t just display horse racing artifacts or teach you about modern horse breeds. Instead, it endeavors to tackle the 50-million-year evolution of the horse and its relationship with humans from ancient times to modern times.

6. THE PEGGY NOTEBAERT NATURE MUSEUM // CHICAGO, ILLINOIS

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The 160-year-old Peggy Notebaert Nature Museum is pulling out all the stops for this year’s Museum Day Live! In addition to their vast exhibits of animal specimens and cultural artifacts, the museum will be hosting a live animal feeding and a butterfly release throughout the day.

7. OGDEN MUSEUM OF SOUTHERN ART // NEW ORLEANS, LOUISIANA

The Ogden Museum of Southern Art aims to teach visitors about the rich culture and diverse visual arts of the American South. Right now, visitors can view a collection of William Eggleston's photographs and check out the museum's 10th annual invitational exhibition of ceramic teacups and teapots.

8. BALTIMORE MUSEUM OF INDUSTRY // BALTIMORE, MARYLAND

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Located in a 19th century oyster cannery on the Baltimore waterfront, the Baltimore Museum of Industry tells the story of American manufacturing from garment making to video game design. Visitors this weekend can meet video game designers and create custom games at the museum’s interactive “Video Game Wizards” exhibit.

9. SYLVAN HEIGHTS BIRD PARK // SCOTLAND NECK, NORTH CAROLINA

You can meet 2000 birds from around the world this weekend at the 18-acre Sylvan Heights Bird Park. Visitors to the massive garden can walk through aviaries displaying birds from every continent except Antarctica, including ducks, geese, swans, and exotic birds from all over the world.

10. DELTA BLUES MUSEUM // CLARKSDALE, MISSISSIPPI

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Visitors to the Delta Blues Museum can learn about the unique American musical art form in “the land where blues began,” with audiovisual exhibits centered on blues and rock legend Don Nix, as well as Paramount Records illustrator Anthony Mostrom.

11. NATIONAL MUSEUM OF NUCLEAR SCIENCE & HISTORY // ALBUQUERQUE, NEW MEXICO

America’s only congressionally chartered museum dedicated to the story of the Atomic Age, the National Museum of Nuclear Science & History features exhibits on everything from nuclear medicine to representations of atomic power in pop culture. Adult visitors to the museum will delight in its impressively nuanced take on nuclear technology, while kids will love the museum’s outdoor airplane exhibit and hands-on science activities at Little Albert’s Lab.

12. MUSEUM OF THE MOUNTAIN MAN // PINEDALE, WYOMING

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Dedicated to the mountain men who explored and settled Wyoming in the 19th century, the Museum of the Mountain Man brings American folklore and legends to life. The museum features exhibits on the Rocky Mountain fur trade and tells the story of American folk legend and famed mountain man Hugh Glass (the man Leonardo DiCaprio won an Oscar playing in 2015's The Revenant).

13. BESH BA GOWAH ARCHAEOLOGICAL PARK AND MUSEUM // GLOBE, ARIZONA

Arizona’s Besh Ba Gowah Archaeological Park and Museum lets visitors connect with history firsthand. The museum is home to the ruins and artifacts of the Salado Indians who inhabited Arizona from the 13th century through the 15th century, and even lets visitors wander through an 800-year-old Salado pueblo.

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‘American Gothic’ Became Famous Because Many People Saw It as a Joke
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In 1930, Iowan artist Grant Wood painted a simple portrait of a farmer and his wife (really his dentist and sister) standing solemnly in front of an all-American farmhouse. American Gothic has since inspired endless parodies and is regarded as one of the country’s most iconic works of art. But when it first came out, few people would have guessed it would become the classic it is today. Vox explains the painting’s unexpected path to fame in the latest installment of the new video series Overrated.

According to host Phil Edwards, American Gothic made a muted splash when it first hit the art scene. The work was awarded a third-place bronze medal in a contest at the Chicago Art Institute. When Wood sold the painting to the museum later on, he received just $300 for it. But the piece’s momentum didn’t stop there. It turned out that American Gothic’s debut at a time when urban and rural ideals were clashing helped it become the defining image of the era. The painting had something for everyone: Metropolitans like Gertrude Stein saw it as a satire of simple farm life in Middle America. Actual farmers and their families, on the other hand, welcomed it as celebration of their lifestyle and work ethic at a time when the Great Depression made it hard to take pride in anything.

Wood didn’t do much to clear up the work’s true meaning. He stated, "There is satire in it, but only as there is satire in any realistic statement. These are types of people I have known all my life. I tried to characterize them truthfully—to make them more like themselves than they were in actual life."

Rather than suffering from its ambiguity, American Gothic has been immortalized by it. The country has changed a lot in the past century, but the painting’s dual roles as a straight masterpiece and a format for skewering American culture still endure today.

Get the full story from Vox below.

[h/t Vox]

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