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What 1967 Thought 2001 Would Look Like

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Walter Cronkite, 1967, sitting in the living room of the Home of the 21st Century: "We could watch a football game, or a movie, shown in full color on our big 3D color screen. The sound would come from these globe-like speakers." His vision is reasonably correct, though the football game I watched yesterday wasn't in 3D, nor do my speakers look like globes. But conceptually it's spot-on -- right down to the ability for me to select what program I want to watch from a console. Granted, the console is an assemblage of remote controls and apps rather than a bunch of unlabeled dials, but still.

In 1967, CBS aired a program called The 21st Century, in which Walter Cronkite explored a vision of the future as seen through a late-60s lens. The March 12, 1967 episode featured the home, and the episode is written up in glorious detail by Matt Novak over at Paleofuture (a Smithsonian joint). The entire series is a fascinating bit of retrofuturism. Here's a snippet from Novak's writeup of that "home" episode:

The living room of the future is a place of push-button luxury and a mid-century modern aesthetic. The sunken living room may feature inflatable furniture and disposable paper kids’ chairs, but Cronkite assures us that there’s no reason the family of the future couldn’t have a rocking chair — to remind us that “both the present and the future are merely extensions of the past.”

Once inside we might find ourselves in a glass enclosure where the lint and dirt we’ve accumulated during our trip is removed electrostatically. Now we step into the living room. What will the home of the 21st century look like inside? Well, I’m sitting in the living room of a mock-up of the home of the future, conceived by Philco-Ford and designed by Paul McCobb. This is where the family of the 21st century would entertain guests. This room has just about everything one would want: a big (some might say too big) full color 3D television screen, a stereo sound system that could fill the room with music, and comfortable furniture for relaxed conversation.

If that living room looks familiar it may be because it’s the same house from the Internet-famous short film “1999 A.D.” produced in 1967 (often mistakenly dated as 1969, which would make the moon landing stuff less impressive) and starring a young Wink Martindale.

Here's the living room clip:

And a view of the home office, looking a little like my own (except with more knobs):

For much more, check out Novak's full article for analysis, clips, transcripts, and stills. It's great writing, and the video is fascinating partly for what it gets right and wrong...but also for its oddly soothing retro tone. You can also watch the whole episode via the A/V Geeks.

See also: Inside Monsanto's House of the Future, 1957, How People of the '70s Pictured Space Colonies of the Future, and Here's Your Jetpack.

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James Cameron is Making a Documentary to Reassess the Accuracy of Titanic
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20th Century Fox

While making the 1997 blockbuster Titanic, James Cameron was a stickler for the details. The writer-director wanted his homage to the tragic ocean liner to be as historically accurate as possible, so he organized dives to the site, solicited experts to analyze his script, and modeled the set off photographs and plans from the Titanic's builders. He even recreated the ocean liner’s original furnishings, right down to the light fixtures. Now, 20 years after the film’s release, E! News reports that Cameron will scrutinize the film’s authenticity in an upcoming National Geographic documentary.

Titanic: 20th Anniversary is slated to air in December 2017. It will feature Cameron and a team of experts who, together, will evaluate the film's accuracy using new historical and scientific insights about the ship's fateful sinking on April 15, 1912.

"When I wrote the film, and when I set out to direct it, I wanted every detail to be as accurate as I could make it, and every harrowing moment of the ship's final hours accounted for," Cameron said in a statement. "I was creating a living history; I had to get it right out of respect for the many who died and for their legacy. But did I really get it right? Now, with National Geographic and with the latest research, science, and technology, I'm going to reassess."

It's not the first time Cameron has revisited his Oscar-winning epic; in 2012, the director made some tweaks to the film for its 3-D re-release after receiving some criticism from renowned astrophysicist Neil deGrasse Tyson.

“Neil deGrasse Tyson sent me quite a snarky email saying that, at that time of year, in that position in the Atlantic in 1912, when Rose is lying on the piece of driftwood and staring up at the stars, that is not the star field she would have seen," Cameron explained. “And with my reputation as a perfectionist, I should have known that and I should have put the right star field in." So he changed it.

In the case of Titanic: 20th Anniversary, Cameron and his team will give viewers an updated interpretation of the Titanic’s sinking, and reexamine the wreck using new underwater footage, computer-generated simulation, and research. They’ll also scrutinize some of the film’s most famous scenes, and provide biographical context about the filming process.

We’re sure fans, historians, and, of course, Kate and Leo, will approve.

[h/t Mashable]

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6 Eponyms Named After the Wrong Person
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Salmonella species growing on agar.

Having something named after you is the ultimate accomplishment for any inventor, mathematician, scientist, or researcher. Unfortunately, the credit for an invention or discovery does not always go to the correct person—senior colleagues sometimes snatch the glory, fakers pull the wool over people's eyes, or the fickle general public just latches onto the wrong name.

1. SALMONELLA (OR SMITHELLA?)

In 1885, while investigating common livestock diseases at the Bureau of Animal Industry in Washington, D.C., pathologist Theobald Smith first isolated the salmonella bacteria in pigs suffering from hog cholera. Smith’s research finally identified the bacteria responsible for one of the most common causes of food poisoning in humans. Unfortunately, Smith’s limelight-grabbing supervisor, Daniel E. Salmon, insisted on taking sole credit for the discovery. As a result, the bacteria was named after him. Don’t feel too sorry for Theobald Smith, though: He soon emerged from Salmon’s shadow, going on to make the important discovery that ticks could be a vector in the spread of disease, among other achievements.

2. AMERICA (OR COLUMBIANA?)

An etching of Amerigo Vespucci
Henry Guttmann/Getty Images

Florentine explorer Amerigo Vespucci (1451–1512) claimed to have made numerous voyages to the New World, the first in 1497, before Columbus. Textual evidence suggests Vespucci did take part in a number of expeditions across the Atlantic, but generally does not support the idea that he set eyes on the New World before Columbus. Nevertheless, Vespucci’s accounts of his voyages—which today read as far-fetched—were hugely popular and translated into many languages. As a result, when German cartographer Martin Waldseemüller was drawing his map of the Novus Mundi (or New World) in 1507 he marked it with the name "America" in Vespucci’s honor. He later regretted the choice, omitting the name from future maps, but it was too late, and the name stuck.

3. BLOOMERS (OR MILLERS?)

A black and white image of young women wearing bloomers
Hulton Archive/Getty Images

Dress reform became a big issue in mid-19th century America, when women were restricted by long, heavy skirts that dragged in the mud and made any sort of physical activity difficult. Women’s rights activist Elizabeth Smith Miller was inspired by traditional Turkish dress to begin wearing loose trousers gathered at the ankle underneath a shorter skirt. Miller’s new outfit immediately caused a splash, with some decrying it as scandalous and others inspired to adopt the garb.

Amelia Jenks Bloomer was editor of the women’s temperance journal The Lily, and she took to copying Miller’s style of dress. She was so impressed with the new freedom it gave her that she began promoting the “reform dress” in her magazine, printing patterns so others might make their own. Bloomer sported the dress when she spoke at events and soon the press began to associate the outfit with her, dubbing it “Bloomer’s costume.” The name stuck.

4. GUILLOTINE (OR LOUISETTE?)

Execution machines had been known prior to the French Revolution, but they were refined after Paris physician and politician Dr. Joseph-Ignace Guillotin suggested they might be a more humane form of execution than the usual methods (hanging, burning alive, etc.). The first guillotine was actually designed by Dr. Antoine Louis, Secretary of the Academy of Surgery, and was known as a louisette. The quick and efficient machine was quickly adopted as the main method of execution in revolutionary France, and as the bodies piled up the public began to refer to it as la guillotine, for the man who first suggested its use. Guillotin was very distressed at the association, and when he died in 1814 his family asked the French government to change the name of the hated machine. The government refused and so the family changed their name instead to escape the dreadful association.

5. BECHDEL TEST (OR WALLACE TEST?)

Alison Bechdel
Alison Bechdel
Steve Jennings/Getty Images

The Bechdel Test is a tool to highlight gender inequality in film, television, and fiction. The idea is that in order to pass the test, the movie, show, or book in question must include at least one scene in which two women have a conversation that isn’t about a man. The test was popularized by the cartoonist Alison Bechdel in 1985 in her comic strip “Dykes to Watch Out For,” and has since become known by her name. However, Bechdel asserts that the idea originated with her friend Lisa Wallace (and was also inspired by the writer Virginia Woolf), and she would prefer for it to be known as the Bechdel-Wallace test.

6. STIGLER’S LAW OF EPONYMY (OR MERTON’S LAW?)

Influential sociologist Robert K. Merton suggested the idea of the “Matthew Effect” in a 1968 paper noting that senior colleagues who are already famous tend to get the credit for their junior colleagues’ discoveries. (Merton named his phenomenon [PDF] after the parable of talents in the Gospel of Matthew, in which wise servants invest money their master has given them.)

Merton was a well-respected academic, and when he was due to retire in 1979, a book of essays celebrating his work was proposed. One person who contributed an essay was University of Chicago professor of statistics Stephen Stigler, who had corresponded with Merton about his ideas. Stigler decided to pen an essay that celebrated and proved Merton’s theory. As a result, he took Merton’s idea and created Stigler’s Law of Eponymy, which states that “No scientific discovery is named after its original discoverer”—the joke being that Stigler himself was taking Merton’s own theory and naming it after himself. To further prove the rule, the “new” law has been adopted by the academic community, and a number of papers and articles have since been written on "Stigler’s Law."

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