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"Heroes" by David Bowie

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Written by David Bowie and Brian Eno (1977)

Performed by David Bowie

The Music

In the summer of 1977, David Bowie was living in Berlin and working on a new album. One evening, he saw his producer Tony Visconti sitting on a bench near the Berlin Wall with a young German woman. “Tony was married at the time,” Bowie recalled, “I think the marriage was in the last few months, and it was very touching because I could see that he was very much in love with this girl. It was that relationship which sort of motivated the song.”

The song, “Heroes,” about a love that defies borders, was the title track of a landmark Bowie record, part of what later came to be called “the Berlin trilogy.” Bowie’s relationship with the Berlin Wall took an even more poignant turn in 1987, when he performed “Heroes” on a stage near the west side of the wall. He remembered, “There were thousands on the other side that had come close to the wall. So it was like a double concert, where the wall was the division. And we would hear them cheering and singing along from the other side. God, even now I get choked up. It was breaking my heart. I’d never done anything like that in my life, and I guess I never will again. When we did 'Heroes' it really felt anthemic, almost like a prayer.”

Note: On January 8, Bowie’s 66th birthday, he surprised the world by announcing his first new album in ten years. The lead-off single, “Where Are We Now?” has several lyrical references to the streets and sites of Berlin, fueling speculation that the album, due in March, may pick up the thread of the trilogy.

The History

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On August 13, 1961, the Communist government of East Germany ordered workers to begin building a wall through Berlin. Within two weeks, the wall had blocked nearly a hundred miles of border between the East and West sections of the city. Made of barbed wire, it was christened by the East German leaders as an “Anti-Fascist Protection Rampart” that would shield its population from the corrupting capitalist influences of West Germany. 

But there was a more pressing—though unspoken—reason for the wall. Since 1949, over 3 million East Germans had given up on Communism and defected to the west side of Berlin in search of better lives. Despite the propaganda about anti-fascism, the wall was essentially built to plug that population leak. In time it would come to represent something bigger—the Cold War wedge between Western nations and Eastern Bloc countries.

Two Berlins

How did East and West Germany become divided in the first place? With the defeat of the Nazis and the Axis powers at the end of World War II, Allied leaders met to determine Germany’s future. Shortly after, the country was split into four separate zones. The eastern part went to the Soviet Union, while the west was occupied by the United States, Great Britain, and France.

But the modern city of Berlin was an uneasy fit for the Russians. Leader Nikita Krushchev later complained that it “stuck like a bone in the Soviet throat.” As early as 1948, a Soviet blockade aimed to starve the western influence out of the city. The response by the United States and its allies was the “Berlin Airlift,” where planes flying overhead supplied sectors of the city with over two million tons of food, fuel, and goods. The Soviets called off their blockade the following year.

A decade later, as Russia continued to watch the best minds—engineers, doctors, teachers—flee East Berlin, they made noise again about ousting the Western occupiers. Conferences, summits and negotiations between Russia and the Allied countries followed, but led nowhere. Then, in 1961, after mass defections (in the first 12 days of August, over 18,000 East Germans crossed over), Krushchev authorized the government to shut down the border for good.

Checkpoints and Death Strips

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Before the wall was built, Berliners from both sides could move around the city freely, to shop and go to movies and so on. Trains and subways regularly crossed the border. After the wall was up, that freedom disappeared. There were only three passages through the border: Checkpoint Charlie, Checkpoint Bravo, and Checkpoint Alpha. Patrolled by East German soldiers, these checkpoints were mainly for diplomats and officials, who were thoroughly screened and questioned. It was nearly impossible for ordinary citizens to pass through these checkpoints.

But the checkpoints didn’t stop defectors from finding ways through, under and over the wall. As time passed, East Germany bolstered the crude barbed wire wall with one made of concrete—12-foot tall, 4-foot wide and topped with a pipe that made climbing over it nearly impossible. And for those still brave enough to attempt escape, they had to deal with the so-called “Death Strips.” In front of the wall on the East German side, there were strips of soft sand (to show footprints), floodlights, attack dogs, trip-wire machine guns, and soldiers instructed to shoot escapees on sight. From 1961 to 1989, around 170 people were killed trying to defect. But over 5000 succeeded in crossing the border (by means of everything from hot air balloons to underground sewer pipes).

Tear Down This Wall!

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In 1987, President Reagan gave a speech in Berlin where he famously urged Russian leader Gorbachev to “Tear down this wall!” It was an important moment in Cold War history, and as a verbal gauntlet, played a part in bringing about the end of the division between East and West Berlin.

That end came on November 9, 1989, when the East German government announced that “permanent relocations can be done through all border checkpoints.” The wall was inundated with people from both sides, crossing over freely, hugging, kissing, and singing in celebration. Some brought hammers and picks, chipping away at the wall. All those pieces eventually became collectible items. East and West Germany reunified into a single state a year later.

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One of Michael Jackson's 'Billie Jean' Gloves Can Be Yours (For the Right Price)
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Samir Hussein, Getty Images

Three things usually come to mind when people recall Michael Jackson's stratospheric fame in the 1980s: His music videos were events unto themselves; he toted around a chimp named Bubbles (who once bit Quincy Jones's daughter Rashida); and Jackson was often seen wearing a single white sequined glove.

There's no official count on how many gloves Jackson owned and wore during his career, but one performance-used mitt is now up for sale via GWS Auctions and their Legends of Hollywood & Music Auction. Used by Jackson during his 1997 HIStory tour, the Swarovski crystal-covered glove is unique in that Jackson had it made for his left hand, as he wanted to keep the wedding ring—courtesy of his marriage to nurse Debbie Rowe—visible on his right. (Though wedding rings are traditionally worn on the left hand, Jackson was known to wear his on the right.)

A white glove worn by Michael Jackson during his 1997 HIStory tour
GWS Auctions

According to Jackson associate John Kehe, Jackson allegedly got the idea for the glove in 1980, when he was touring a production company and saw a film editor at a control panel wearing a white cotton glove. Jackson himself wrote in his autobiography, Moonwalk, that he had been wearing a single glove since the 1970s. Either way, it was Jackson's performance of "Billie Jean" during a television appearance for Motown's 25th anniversary in May 1983 that cemented the accessory in the eyes of the public. That particular glove sold for $350,000 in 2009.

The HIStory glove will be up for auction March 24; pre-bids currently have it in excess of $5000. The Legends of Music and Hollywood Auction is also set to feature a prescription pill bottle once owned by Frank Sinatra and a hairbrush used by Marilyn Monroe.

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The Stories Behind 10 Johnny Cash Songs
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Johnny Cash, who was born on this day in 1932, once wrote, “I love songs about horses, railroads, land, judgment day, family, hard times, whiskey, courtship, marriage, adultery, separation, murder, war, prison, rambling, damnation, home, salvation, death, pride, humor, piety, rebellion, patriotism, larceny, determination, tragedy, rowdiness, heartbreak and love. And Mother And God."

That sums the Cash discography up pretty well. He covers at least 20 of those themes in the 10 songs below. Here are the backstories behind some of the Man in Black's most famous songs—and maybe a little insight into why he loved those topics so much.


In the song, Cash explains that he always wears black to performances and public appearances because of social injustices, “just so we’re reminded of the ones who are held back.” It’s a great story, but it’s not 100 percent true. In 2002, he told Larry King that black was his signature color simply because he felt most comfortable in it, although he preferred light blue in summer. “You walk into my clothes closet. It’s dark in there,” he said.

Rolling Stone wrote that the inky wardrobe was also helpful when it came to hiding dirt and dust in the early touring days.


Cash didn’t always wear black. In the video above, he’s dressed in bright yellow, accessorized with a powder blue cape.

Sound a little off-brand? It was. In the early ‘80s, Cash felt that Columbia, his record label, was ignoring him and failing to promote his music properly. He decided to record a song so awful that it would force Columbia to cut his contract early. The plan worked, but it came at a price. “He was kind of mocking and dismantling his own legacy,” daughter Rosanne later said. Here’s a sampling of the lyrics, in case the video is too painful to watch: “I put your brain in a chicken last Monday, he’s singing your songs and making lots of money, and I’ve got him signed to a 10-year recording contract.”


Written in just 20 minutes, Cash’s (arguably) greatest hit  was intended as a reminder to himself to stay faithful to his first wife, Vivian, while he was on the road opening for Elvis in the mid-1950s. "It was kind of a prodding to myself to 'Play it straight, Johnny,'" he once said. According to other interviews, that wasn’t the song’s only meaning: He also meant it as an oath to God. Although Sam Phillips from Sun Records said that he wasn’t interested in gospel songs, Johnny was able to sneak “I Walk the Line” past him with the story about being true to his wife.


In 1969, Johnny and June threw a party at their house in Hendersonville. As you might imagine, it was a veritable who’s-who of music: Bob Dylan, Graham Nash, Joni Mitchell, Kris Kristofferson, and Shel Silverstein. Everyone debuted a new song at the party—Dylan sang “Lay Lady Lay,” Nash did “Marrakkesh Express,” Kristofferson played “Me and Bobby McGee,” and Mitchell sang “Both Sides Now.” Silverstein, who was a songwriter in addition to an author of children’s books, debuted “A Boy Named Sue.”

When the party was over, June encouraged Johnny to take the lyrics to “Sue” on the plane the next day. They were headed to California to record the famous live At San Quentin album. Johnny wasn’t sure he could learn the lyrics fast enough, but he did—and the inmates went crazy for it. They weren’t the only ones: "A Boy Named Sue" quickly shot to the top of the charts. And not just the country charts—it held the #2 spot on the Billboard Hot 100 for three weeks.

The song was originally inspired by a male friend of Silverstein’s with a somewhat feminine name—Jean Shepherd, the author of A Christmas Story.


The story behind this one depends on who you believe. The Carter-Cash family has always maintained that June and guitar player Merle Kilgore co-wrote the song about June falling in love with Johnny despite being worried about his drug and alcohol problem.

But according to Johnny’s first wife, Vivian, June had nothing to do with “Ring of Fire.” “The truth is, Johnny wrote that song, while pilled up and drunk, about a certain private female body part,” Vivian wrote in her autobiography. She claims he gave June credit for writing the song because he thought she needed the money.

Either way, June’s sister Anita originally recorded the song. After Johnny had a dream that he was singing it with mariachi horns, he recorded it that way. 


“Ring of Fire” isn’t the only time Johnny had a dream that inspired a song. In his later years, Cash had a dream that he walked into Buckingham Palace and encountered Queen Elizabeth just sitting on the floor. When she saw him, the Queen said, “Johnny Cash, you’re like a thorn tree in a whirlwind!” Two or three years later, Cash remembered the dream, decided that the reference must be a biblical one, and wrote what he called “my song of the apocalypse”—“The Man Comes Around.”


This one is another early song inspired by Vivian. From the summer of 1951 through the summer of 1954, Cash was deployed in Germany with the Air Force. At the end of three years, he turned down the option to re-enlist, feeling homesick for his girl and his home. On the journey back from Germany, he penned “Hey Porter” about the excitement and relief he felt to finally be coming home.


After seeing Inside the Walls of Folsom Prison, Cash was inspired to write a song about it. Too bad that song already existed as “Crescent City Blues,” written by Gordon Jenkins.

Jenkins sued for copyright infringement in 1969 and received $75,000. Cash later admitted that he heard the song when he was in the Air Force, but borrowing the tune and some of the lyrics was subconscious; he never meant to rip Jenkins off. Oh, but the famous “I shot a man in Reno, just to watch him die” line—that was all Johnny.

9. "CRY! CRY! CRY!"

After Cash returned home from the Air Force and signed with Sun Records, he gave Sam Phillips “Hey Porter.” Phillips asked for a ballad for the B-side, so Cash went home and quickly wrote “Cry! Cry! Cry!” literally overnight. It became his first big hit—not bad for an afterthought.


Though “Get Rhythm” eventually became the B-side for “I Walk the Line,” Cash originally wrote it for Elvis. It might have been recorded by Presley, but when he went to RCA, Sam Phillips refused to let him take “Get Rhythm” with him.


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