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11 Original Songs That Were Cut From Their Movies

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Maybe they didn't fit the tone of the film they were supposed to appear in. Maybe the director just couldn't find a place for them. Whatever the reason, these 11 songs never made it into the movies they were intended for.

1. "Wise Man" from Django Unchained

Audiences were excited when Frank Ocean told GQ that he had written an original song for Quentin Tarantino's Django Unchained, but were perplexed when it didn't appear on the film's final soundtrack. Tarantino told Fuse magazine that while the song was "fantastic," he couldn't figure out where to put it. "I could have thrown it in quickly just to have it, but that's not why he wrote it and not his intention. So I didn't want to cheapen his effort," Tarantino said. Ocean eventually released "Wise Man" on his own Tumblr with the comment "django was ill without it."

2. "Come What May" from Romeo + Juliet

Baz Lurhmann had originally planned to put the original love ballad "Come What May" in his 1996 Romeo + Juliet (the title even comes from the Macbeth line "Come what come may), but it didn't make the final version. So he repurposed it for use in his 2001 musical Moulin Rouge!, where it became the film's only original song. However, that also left composers David Baerwald and Kevin Gilbert out of the Oscar race despite the song's popularity—the award can only be given out to songs written specifically for the movie in which they appear.

3. "The Jitterbug" from The Wizard of Oz

The Wizard of Oz originally included a scene where, in the Haunted Forest, Dorothy and her three companions encounter a Jitterbug sent by the Wicked Witch. The bug forces them to dance the jitterbug until they are completely tired out, at which point the flying monkeys capture them. There are a number of stories about why the song (which was later included in some stage productions and on later releases) was recorded but then cut. Some say it was part of an early draft that featured more music; others say that producers were worried that using the jitterbug would date the film too much. The scene is still referenced in the final film—the Wicked Witch tells one of the flying monkeys that she has sent "a little insect to take the fight out of them."

4. "I'll Cry Instead" from A Hard Day's Night

"I'll Cry Instead" was originally written for the famous "breakout" scene in A Hard Day's Night, where the Beatles escape from their hordes of fans. But director Richard Lester replaced it with "Can't Buy Me Love," thinking the latter was more upbeat and in keeping with the scene. "I'll Cry Instead" still appeared on the soundtrack album, and a later re-release of the film included a prologue with a photo montage set to it.

5. "Hey Bulldog" from Yellow Submarine

Another Beatles song cut from its film, "Hey Bulldog" was removed because producers thought the animated movie was already too long. The deleted sequence shows the Beatles using a player piano to defeat a four-headed Blue Meanie dog and his owner. It was included in the European release of the movie, as well as a later re-issue.

6. "Be Careful What You Pack" from Coraline

Indie pop duo They Might Be Giants wrote a whole soundtrack for the stop-motion animation adaptation of Neil Gaiman's "Coraline," but ultimately only one song—"Other Father Song"—made it into the final version. Band member John Flansburgh said in an interview that their soundtrack was cut because producers "basically wanted the music to be more creepy" and "we never really found a rhythm to work with them." One of the cut songs, called "Be Careful What You Pack," has already been released on one of the band's albums and they say there are plans to put out more of the missing songs.

7. "Human Again" from Beauty and the Beast

"Human Again" featured the supporting characters cleaning the castle before the climactic ballroom scene, while dreaming about what they would do when the curse was lifted and they became humans (Lumiere the candelabra will have "a mademoiselle on each arm," for example). It also featured one of the only solos for the Wardrobe character. But the song was cut over concerns about the film's timeline and was replaced with "Something There." Composers Howard Ashman and Alan Menken saved the song and used it in the Broadway musical based on the movie and it was eventually animated and released in a special edition DVD.

8. "Proud of your Boy" from Aladdin

Aladdin didn't just lose a song when "Proud of your Boy" was dropped—it lost an entire character. Originally, the movie was supposed to feature a scene where Aladdin, having escaped the police, returns home to his mother and realizes how ashamed she is of him. After she goes to sleep, Aladdin sings about wanting to redeem himself to make his mother proud. According to the documentary above (which includes a demo of the song), the song was a favorite of Ashman's, who died during production of the movie due to complications of AIDS.

For more deleted Disney songs, check out this list from TheFW.com.

9. "Ain't It The Truth" from Cabin in the Sky

Lena Horne recorded a performance of the song "Ain't It The Truth" for the 1943 film adaptation of the Broadway musical Cabin in the Sky, but she said it was censored from the final version because the scene took place with her in a bubble bath. There had been plenty of white actresses filmed in similar situations, leading to charges of racism. The cut scene, bubble bath and all, was eventually released a few years later in Studio Visit, a revue centered around a film lot tour, as well as the compilation That's Entertainment III. A second version of the song by Louis Armstrong was also cut from the film, which left the trumpet player without a featured song.

10. "Scandalous!" (and others) from Batman

Prince- Scandalous (Batman Soundtrack 1989) from Vladlen Puzach on Vimeo.

Batman is notable for being one of the few movies to have two separate soundtracks, one with the original score by Danny Elfman and the other with music by Prince. According to director Tim Burton's memoir, Burton on Burton, he had been using existing Prince songs as placeholders for two scenes in the movie (the Joker's museum raid and the parade) and asked the studio to contact Prince to get original music. Prince ended up loving the movie and wrote an entire album's worth of material, prompting Warner Brothers to push for those songs to be used (according to Burton, they also pitched bringing on Michael Jackson to do a love theme). Burton ended up only using two Prince tracks, although Elfman says he integrated elements of the others into the score, so Prince released the full collection on his own. The Prince soundtrack went to number one on the Billboard charts and it spawned a number of hits, including "Batdance" and "Scandalous!," although it's now regarded as one of his lesser outings.

11. "Let's Go West Again" from Annie Get Your Gun

"Let's Go West Again" was originally supposed to appear in the stage version of Annie Get Your Gun, but was cut because it didn't work with the script. Producers tried to insert it into the 1950 film version and even had star Betty Hutton record it, but they too decided to cut it. There's even a version of Judy Garland performing the cut song on her own version of the soundtrack—Garland was originally hired to play Annie and had recorded all of the songs, but was fired because of a feud with the producers.

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8 Gonzo Facts About Hunter S. Thompson
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Hunter S. Thompson in Gonzo: The Life and Work of Hunter S. Thompson (2008)
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Like any real-life legend, there are many myths surrounding the life and work of Hunter S. Thompson. But in Thompson’s case, most of those stories—particularly the more outlandish ones—are absolutely true. The founder of the “Gonzo journalism” movement is one of the most fascinating figures of the 20th century. In celebration of what would have been his 80th birthday, here are some things you might not have known about the eccentric writer.

1. HE WAS NAMED AFTER A FAMOUS SCOTTISH SURGEON.

Hunter S. Thompson was reportedly named after one of his mother’s ancestors, a Scottish surgeon named Nigel John Hunter. But Hunter wasn't just your run-of-the-mill surgeon. In a 2004 interview with the Independent, Thompson brought along a copy of The Reluctant Surgeon, a Biography of Nigel John Hunter, a biography of his namesake, which read: "A gruff Scotsman, Hunter has been described as the most important naturalist between Aristotle and Darwin, the Shakespeare of medicine and the greatest man the British ever produced. He was the first to trace the lymphatic system. He performed the first human artificial insemination. He was the greatest collector of anatomical specimens in history. He prescribed the orthopaedic shoe that allowed Lord Byron to walk."

When pressed about what that description had to do with him, Thompson responded: "Well, I guess that might be the secret of my survival. Good genes."

2. HE MISSED HIS HIGH SCHOOL GRADUATION … BECAUSE HE WAS IN JAIL.

Just a few weeks before he was set to graduate from high school, at the age of 17, Thompson was charged as an accessory to robbery and sentenced to 60 days in jail. 

“One night Ralston Steenrod, who was in the Athenaeum with Hunter, was driving, and Hunter and another guy he knew were in the car,” Thompson’s childhood friend Neville Blakemore recalled of the incident. “As they were driv­ing through Cherokee Park, the other guy said, ‘Stop. I want to bum a ciga­rette from that car.’ People used to go park and neck at this spot. And the guy got out and apparently went back and mugged them. The guy who was mugged got their license number and traced the car, and within a very short time they were all three arrested.

“Just before this Hunter had been blamed for a nighttime gas-station rob­bery,” Blakemore added, “and before that he and some friends got arrested for buying booze under­age at Abe's Liquor Store on Frankfort Avenue by the tracks. So Hunter had a record, and he was already on probation. He was given an ultimatum: jail or the military. And Hunter took the Air Force. He didn't graduate with his class.”

3. IT WAS A FELLOW JOURNALIST WHO COINED THE TERM “GONZO.”

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While covering the 1968 New Hampshire primary, Thompson met fellow writer and editor Bill Carodoso, editor of The Boston Globe Sunday Magazine, which is where Thompson first heard him use the word “Gonzo.” “It meant sort of ‘crazy’ or ‘off-the-wall,’” Thompson said in Anita Thompson’s Ancient Gonzo Wisdom: Interviews with Hunter S. Thompson. Two years later, in June 1970, Thompson wrote an article for Scanlan’s Monthly entitled “The Kentucky Derby Is Decadent and Depraved,” which became a game-changing moment in journalism because of its offbeat, slightly manic style that was written with first-person subjectivity.

Among the many fellow journalists who praised Thompson for the piece was Cardoso, who sent a letter to Thompson that “said something like, ‘Forget all the sh*t you’ve been writing, this is it; this is pure Gonzo.’ Gonzo. Yeah, of course. That’s what I was doing all the time. Of course, I might be crazy.” Thompson ran with the word, and would use it himself for the first time a year later, in Fear and Loathing in Las Vegas.

4. HE TYPED OUT FAMOUS NOVELS TO LEARN THE ART OF WRITING.

In order to get the “feel” of being a writer, Thompson used to retype his favorite novels in full. “[H]is true model and hero was F. Scott Fitzgerald,” Louis Menand wrote in The New Yorker. “He used to type out pages from The Great Gatsby, just to get the feeling, he said, of what it was like to write that way, and Fitzgerald’s novel was continually on his mind while he was working on Fear and Loathing in Las Vegas, which was published, after a prolonged and agonizing compositional nightmare, in 1972.”

"If you type out somebody's work, you learn a lot about it,” Thompson told Charlie Rose in 1997. “Amazingly it's like music. And from typing out parts of Faulkner, Hemingway, Fitzgerald—these were writers that were very big in my life and the lives of the people around me—so yeah, I wanted to learn from the best I guess."

5. HE RAN FOR SHERIFF IN COLORADO.

In 1970, Thompson ran for sheriff of Pitkin County, Colorado on what he called the Freak Power ticket. Among his political tactics: shaving his head so that he could refer to his opponent as his “long-haired opponent,” promising to eat mescaline while on duty, and campaigning to rename Aspen “Fat City” to deter "greed heads, land-rapers, and other human jackals from capitalizing on the name 'Aspen.'" Unfortunately, he lost.

6. HE STOLE A MEMENTO FROM ERNEST HEMINGWAY.

In 1964, three years after Ernest Hemingway committed suicide at his cabin in Ketchum, Idaho, Thompson traveled to the late author’s home in order to write “What Lured Hemingway to Ketchum?” While there, according to his widow, Hunter “got caught up in the moment” and took “a big pair of elk horns over the front door.” Last year, more than a decade after Thompson’s death, Anita returned the antlers to the Hemingway family—which is something she and Hunter had always planned to do. “They were warm and kind of tickled … they were so open and grateful, there was no weirdness,” Anita said.

7. HE ONCE USED THE INSIDE OF MUSICIAN JOHN OATES’ COLORADO CABIN AS HIS PERSONAL PARKING SPACE.

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Earlier this month, musician John Oates—the latter half of Hall & Oates—shared a story about his ranch in Woody Creek, Colorado, just outside of Aspen, which is currently on the market for $6 million. In an interview with Colorado Public Radio, Oates recalled how when he first purchased the cabin, there was a red convertible parked inside. “I happened to ask the real estate agent who owned the convertible, and he said ‘your neighbor Hunter Thompson,’” Oates said. “Why is he keeping his car in a piece of property he doesn’t own? The real estate agent looked at me and said ‘It’s Woody Creek, you’ll figure this out. It’s a different kind of place.’” After sending several letters to his neighbor to retrieve his vehicle, Oates took matters into his own hands and deposited the car on Thompson’s lawn. Oates said that the two became friends, but never mentioned the incident.

8. AT HIS FUNERAL, HIS ASHES WERE SHOT OUT OF A CANNON.

On February 20, 2005—at the age of 67—Thompson committed suicide. But Thompson wasn’t about to leave this world quietly. In August of that year, in accordance with his wishes, Thompson's ashes were shot into the air from a cannon while fireworks filled the sky.

“He loved explosions," his widow, Anita, told ESPN, which wrote that, “The private celebration included actors Bill Murray and Johnny Depp, rock bands, blowup dolls and plenty of liquor to honor Thompson, who killed himself six months ago at the age of 67.”

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15 Memorable Quotes from George A. Romero
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Hollywood has lost one of its most iconic horror innovators with the death of George A. Romero, who passed away on Sunday at the age of 77. “He died peacefully in his sleep, following a brief but aggressive battle with lung cancer, and leaves behind a loving family, many friends, and a filmmaking legacy that has endured, and will continue to endure, the test of time,” his manager, Chris Roe, said in a statement.

Though he rose to prominence as the master of zombie flicks, beginning with Night of the Living Dead, Romero honed his filmmaking skills on a far less frightening set: shooting bits for Mister Rogers’ Neighborhood.

“I still joke that 'Mr. Rogers Gets a Tonsillectomy' is the scariest film I’ve ever made,” Romero once said. “What I really mean is that I was scared sh*tless while I was trying to pull it off.” (Rogers returned the favor by being a longtime champion of Romero’s work—and even called Dawn of the Dead “a lot of fun.”)

It’s that high-spirited sense of fun that made Romero’s work so iconic—and kept the New York City native busy for nearly 50 years. To celebrate his life and career, here are 15 of his most memorable quotes on everything from the humanity of zombies to the horror of Hollywood producers.

ON THE IMPORTANCE OF HAVING A SENSE OF HUMOR

“For a Catholic kid in parochial school, the only way to survive the beatings—by classmates, not the nuns—was to be the funny guy.”

ON THE HOLLYWOOD WAY

“If I fail, the film industry writes me off as another statistic. If I succeed, they pay me a million bucks to fly out to Hollywood and fart.”

ON BEING PIGEONHOLED

“As a filmmaker you get typecast just as much as an actor does, so I'm trapped in a genre that I love, but I'm trapped in it!”

ON ZOMBIES AS A METAPHOR

“I also have always liked the monster within idea. I like the zombies being us. Zombies are the blue-collar monsters.”

ON FINDING OBJECTIVITY AS A FILMMAKER

“There are so many factors when you think of your own films. You think of the people you worked on it with, and somehow forget the movie. You can't forgive the movie for a long time. It takes a few years to look at it with any objectivity and forgive its flaws.”

ON THE REAL VALUE OF THE INTERNET

“What the Internet's value is that you have access to information but you also have access to every lunatic that's out there that wants to throw up a blog.”

ON THE HORROR OF DEALING WITH PRODUCERS

“I'll never get sick of zombies. I just get sick of producers.”

ON THE IMPORTANCE OF COLLABORATION

“Collaborate, don’t dictate.”

ON THE BEAUTY OF LOW-BUDGET MOVIEMAKING

“I don't think you need to spend $40 million to be creepy. The best horror films are the ones that are much less endowed.”

ON HUMANS BEING THE REAL VILLAINS

“My zombies will never take over the world because I need the humans. The humans are the ones I dislike the most, and they're where the trouble really lies.”

ON BEING IMMUNE TO TRENDS

“Somehow I've been able to keep standing and stay in my little corner and do my little stuff and I'm not particularly affected by trends or I'm not dying to make a 3-D movie or anything like that. I'm just sort of happy to still be around.”

ON THE HUMANITY OF HORROR

“My stories are about humans and how they react, or fail to react, or react stupidly. I'm pointing the finger at us, not at the zombies. I try to respect and sympathize with the zombies as much as possible.”

ON THE ENDURING APPEAL OF HORROR

“If one horror film hits, everyone says, 'Let's go make a horror film.' It's the genre that never dies.”

ON THE IMPORTANCE OF SURROUNDING ZOMBIES WITH STUPID PEOPLE

“A zombie film is not fun without a bunch of stupid people running around and observing how they fail to handle the situation.”

ON LIFE AFTER DEATH

“I'm like my zombies. I won't stay dead!”

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