CLOSE

7 People Who Hated Pride and Prejudice

It is a truth universally acknowledged that few books are as beloved as Jane Austen’s Pride and Prejudice, which was published on January 28, 1813. It appears on best-loved literature lists across the globe, is a fixture in high school classrooms, and has spawned a rabid fan base and countless film and television adaptations.

The story of how Miss Elizabeth Bennet’s disdain for the wealthy, prideful Fitzwilliam Darcy turned to love has never been out of print, and has sold more than 20 million copies since its first appearance more than 200 years ago. Austen’s family, however, probably didn’t see much of that success: She sold the novel’s copyright to her publisher for £110 (just over $10,000 in today's dollars) and died just a few years later, in 1817. Though the novel was reviewed positively and was well-received by the upper classes at the time, it was no widespread sensation. It wasn’t until the 20th century that the book and its author were rediscovered and lifted to the rarefied place in the English literature pantheon they hold today.

Since then, few books have been reinvented as much and as often as Pride and Prejudice: In addition to the straightforward adaptations for film and stage, the story has been re-set in 20th century London (Bridget Jones’s Diary), in Bollywood (Bride and Prejudice), at a Mormon university (Pride and Prejudice: A Latter-Day Comedy), in modern-day Israel, around New York’s rock scene, during a zombie apocalypse, and put to music (Jane Austen’s Pride and Prejudice: A Musical).

It’s been re-told from Darcy’s perspective (Darcy’s Story), shifted to America (Darcy on the Hudson), and, of course, transformed into soft-core Regency-era erotica (Pride & Prejudice: Hidden Lusts; Pride and Prejudice: The Wild and Wanton Edition). It’s been expanded in hundreds of pieces of published fan fiction, from best-selling crime novelist P.D. James’ Death Comes To Pemberley to Mrs. Darcy Versus the Aliens, which is exactly what it sounds like. In 2009, Sir Elton John’s Rocket Pictures even talked about producing Pride and Predator, a mash-up pairing Regency England with the be-mandibled aliens of the Predator movies (regrettably, it doesn’t seem to have panned out).

But despite how beloved Pride and Prejudice is, there have been plenty of people who hated it. Here are seven of them.

1. CHARLOTTE BRONTË

In 1848, 41 years after Austen’s death, Charlotte Brontë picked up Pride and Prejudice on the recommendation of friend and literary critic George Henry Lewes. Brontë, author of the grim “romance” Jane Eyre, wasn’t backwards about coming forward with her criticism: “Why do you like Miss Austen so very much? I am puzzled on that point,” she wrote, explaining that she got the book after Lewes talked it up. “And what did I find? An accurate, daguerreotyped portrait of a commonplace face; a carefully-fenced, high-cultivated garden with neat borders and delicate flowers; but no glance of a bright, vivid physiognomy, no open country, no fresh air, no blue hill, no bonny beck. I should hardly like to live with her ladies and gentlemen in their elegant but confined houses.”

Two years later, Brontë took up the theme again, in a letter to another friend: “[A]nything like warmth or enthusiasm, anything energetic, poignant, heartfelt, is utterly out of place in commending these works: all such demonstrations the authoress would have met with a well-bred sneer, would have calmly scorned as outré or extravagant. She does her business of delineating the surface of the lives of genteel English people curiously well ... [But] She no more, with her mind’s eye, beholds the heart of her race than each man, with bodily vision, sees the heart in his heaving breast. Jane Austen was a complete and most sensible lady, but a very incomplete and rather insensible (not senseless) woman.”

2. WINSTON CHURCHILL

It's a little too strong to say that Winston Churchill hated Pride and Prejudice, as Britain’s beloved Prime Minister seems to have found some comfort in the book as the Second World War ground on. But he did have some mild complaint about it: “What calm lives they had, those people! No worries about the French Revolution or the crashing struggle of the Napoleonic Wars. Only manners controlling natural passion as far as they could, together with cultural explanations of any mischances.”

3. RALPH WALDO EMERSON

Ralph Waldo Emerson, having read both Persuasion and Pride and Prejudice, bemoaned the fact that all anyone in the books seemed to care about was money and marriage: “I am at a loss to understand why people hold Miss Austen’s novels at so high a rate, which seems to me vulgar in tone, sterile in artistic invention, imprisoned in their wretched conventions of English society, without genius, wit or knowledge of the world. Never was life so pinched and so narrow ... Suicide is more respectable.”

4. VIRGINIA WOOLF

The Mrs. Dalloway writer, in a 1932 letter to a friend, had faint praise for Austen: “Whatever ‘Bloomsbury’ may think of Jane Austen, she is not by any means one of my favourites. I’d give all she ever wrote for half what the Brontës wrote—if my reason did not compel me to see that she is a magnificent artist.”

5. D.H. LAWRENCE

D.H. Lawrence, author of Lady Chatterley’s Lover (published in 1928), intensely disliked the England Jane Austen represented both in her novels and personally. In 1930, he wrote, “This again, is the tragedy of social life today. In the old England, the curious blood-connection held the classes together. The squires might be arrogant, violent, bullying and unjust, yet in some ways, they were at one with the people, part of the same blood-stream. We feel it in Defoe or Fielding. And then, in the mean Jane Austen, it is gone. Already this old maid typifies 'personality' instead of character, the sharp knowing in apartness instead of togetherness, and she is, to my feeling, English in the bad, mean snobbish sense of the word, just as Fielding is English in the good generous sense.”

6. MADAME ANNE LOUISE GERMAINE DE STAËL

This French-speaking Swiss writer, a great patron of the literary salon who lived contemporaneously with Jane Austen (they even died in the same year), pronounced Pride and Prejudice "vulgaire."

7. MARK TWAIN

It was that great American man of letters, Mark Twain, who had the meanest thing to say about poor, dead Jane Austen and her books: “I often want to criticize Jane Austen, but her books madden me so that I can’t conceal my frenzy from the reader; and therefore I have to stop every time I begin. Every time I read Pride and Prejudice I want to dig her up and beat her over the skull with her own shin bone!”

Many thanks to Gary Dexter’s fabulous Poisoned Pens: Literary Invective from Amis to Zola for corralling a number of these quotes.

All images courtesy of Getty Images, unless otherwise noted.

This article originally ran in 2013.

nextArticle.image_alt|e
ABAYOMI aDESHIDA/AFP/Getty Images
arrow
literature
5 Things You Should Know About Chinua Achebe
ABAYOMI aDESHIDA/AFP/Getty Images
ABAYOMI aDESHIDA/AFP/Getty Images

Often referred to as the “father of African literature,” author Chinua Achebe was born in Ogidi, Nigeria on this day in 1930. Though he passed away in 2013, Google is celebrating what would be his 87th birthday with a Google Doodle. Here are five things you should know about the award-winning writer.

1. HE HAD PLANNED TO BE A DOCTOR.

Though he was always an avid reader and began learning English at the age of eight, Chinua Achebe hadn’t always planned to become a beacon of the literary world. After studying at Nigeria’s prestigious Government College (poet Christopher Okigbo was one of his classmates), Achebe earned a scholarship to study medicine at University College in lbadan. One year into the program he realized that writing was his true calling and switched majors, which meant giving up his scholarship. With financial help from his brother, Achebe was able to complete his studies.

2. JOYCE CARY’S MISTER JOHNSON INSPIRED HIM TO WRITE, BUT NOT IN THE WAY YOU MIGHT THINK.

While storytelling had long been a part of Achebe’s Igbo upbringing in Nigeria, that was only part of what inspired him to write. While in college, he read Mister Johnson, Irish writer Joyce Cary’s tragicomic novel about a young Nigerian clerk whose happy-go-lucky demeanor infects everyone around him. While TIME Magazine declared it the “best book ever written about Africa,” Achebe disagreed.

“My problem with Joyce Cary’s book was not simply his infuriating principal character, Johnson,” Achebe wrote in Home and Exile. “More importantly, there is a certain undertow of uncharitableness just below the surface on which his narrative moves and from where, at the slightest chance, a contagion of distaste, hatred, and mockery breaks through to poison his tale.” The book led Achebe to realize that “there is such a thing as absolute power over narrative,” and he was inspired to take control of it to tell a more realistic tale of his home.

3. HE DIDN’T THINK THAT WRITING COULD BE TAUGHT.

Though he studied writing, Achebe wasn’t all too sure that he learned much about the art in college. In an interview with The Paris Review, he recalled how the best piece of advice he had ever gotten was from one of his professors, James Welch, who told him, “We may not be able to teach you what you need or what you want. We can only teach you what we know.”

I thought that was wonderful. That was really the best education I had. I didn’t learn anything there that I really needed, except this kind of attitude. I have had to go out on my own. The English department was a very good example of what I mean. The people there would have laughed at the idea that any of us would become a writer. That didn’t really cross their minds. I remember on one occasion a departmental prize was offered. They put up a notice—write a short story over the long vacation for the departmental prize. I’d never written a short story before, but when I got home, I thought, Well, why not. So I wrote one and submitted it. Months passed; then finally one day there was a notice on the board announcing the result. It said that no prize was awarded because no entry was up to the standard. They named me, said that my story deserved mention. Ibadan in those days was not a dance you danced with snuff in one palm. It was a dance you danced with all your body. So when Ibadan said you deserved mention, that was very high praise.

I went to the lecturer who had organized the prize and said, You said my story wasn’t really good enough but it was interesting. Now what was wrong with it? She said, Well, it’s the form. It’s the wrong form. So I said, Ah, can you tell me about this? She said, Yes, but not now. I’m going to play tennis; we’ll talk about it. Remind me later, and I’ll tell you. This went on for a whole term. Every day when I saw her, I’d say, Can we talk about form? She’d say, No, not now. We’ll talk about it later. Then at the very end she saw me and said, You know, I looked at your story again and actually there’s nothing wrong with it. So that was it! That was all I learned from the English department about writing short stories. You really have to go out on your own and do it.

4. HE WAS WARY OF MACHINES.

Though typewriters, followed by computers, were ubiquitous, Achebe preferred a “very primitive” approach. “I write with a pen,” he told The Paris Review. “A pen on paper is the ideal way for me. I am not really very comfortable with machines; I never learned to type very well. Whenever I try to do anything on a typewriter, it’s like having this machine between me and the words; what comes out is not quite what would come out if I were scribbling. For one thing, I don’t like to see mistakes on the typewriter. I like a perfect script. On the typewriter I will sometimes leave a phrase that is not right, not what I want, simply because to change it would be a bit messy. So when I look at all this … I am a preindustrial man.”

5. HIS DEBUT NOVEL REMAINS ONE OF THE MOST TAUGHT PIECES OF AFRICAN LITERATURE.

Achebe’s status as the “father of African literature” is no joke, and it’s largely due to his debut novel, Things Fall Apart. Published in 1958, the book—which follows the life of Okonkwo, an Igbo leader and wrestling champion—has gone on to sell more than 10 million copies and has been translated into 50 different languages. Even today, nearly 60 years after its original publication, it remains one of the most taught and dissected novels about Africa.

nextArticle.image_alt|e
Brad Barket/Getty Images
arrow
literature
13 Fascinating Facts About Kurt Vonnegut
Brad Barket/Getty Images
Brad Barket/Getty Images

Best known as the eccentric author of Slaughterhouse-Five and Cat’s Cradle, Kurt Vonnegut filled his novels, plays, and short stories with irreverence, satire, and wry wit. He wrote about dystopian societies, disillusionment with war, and skepticism, particularly connecting with millions of readers in the 1960s counterculture. To celebrate what would have been Vonnegut’s 95th birthday, we compiled a list of facts about the beloved science fiction writer.

1. HE MET HIS FIRST WIFE IN KINDERGARTEN.

Born in Indianapolis, Indiana in 1922, Vonnegut met his future wife, Jane, in kindergarten. Although they dated as teenagers in high school, their relationship paused when Vonnegut went to Cornell University, dropped out to serve in World War II, and became a prisoner of war in Germany. After returning to the U.S., he married Jane in 1945. The couple had six children—three biological and three adopted—but divorced in 1971.

2. HIS MOTHER COMMITTED SUICIDE ON MOTHER'S DAY.

When Vonnegut was born, his parents were well-off. Kurt Sr., his father, was an architect and Edith, his mother, was independently wealthy from the brewery that her family owned. But due to Prohibition and the Great Depression, the family struggled to make ends meet, sold their home, and switched their son to a public school. Edith, who suffered from mental illness, became addicted to alcohol and prescription pills. In 1944, when Vonnegut came home from military training to celebrate Mother’s Day, he found Edith dead. She had committed suicide by overdosing on sleeping pills, and the 21-year-old Vonnegut soon went to Germany to fight in World War II. In an interview with The Paris Review, Vonnegut remembered his mother as being highly intelligent, cultivated, and a good writer. "I only wish she’d lived to see [my writing career]. I only wish she’d lived to see all her grandchildren," he said.

3. HE TURNED HIS PRISONER OF WAR EXPERIENCE INTO A BESTSELLING BOOK.


By United States Army [Public domain], via Wikimedia Commons

Because Vonnegut was flunking his classes at Cornell, he decided to drop out and join the army to fight in World War II. During the Battle of the Bulge, in 1944, German forces captured him, along with other American prisoners of war, in Dresden. Forced to work long hours in a malt-syrup factory, he slept in a subterranean slaughterhouse. In a letter he later wrote to his family, Vonnegut described the unsanitary conditions, sadistic guards, and measly food rations. After surviving the February 1945 Allied bombing of Dresden, in which tens of thousands of people were killed, Vonnegut was forced by his captors to remove jewelry from the corpses before cremating them. "One hundred thirty thousand corpses were hidden underground. It was a terribly elaborate Easter-egg hunt," he said in his Paris Review interview.

Later in 1945, Vonnegut got frostbite and was discharged from the army (he earned a Purple Heart). Over two decades later, in 1969, Vonnegut published the bestselling novel Slaughterhouse-Five, which gave readers a fictionalized account of his wartime imprisonment. He later said that only one person benefited from the raid in Dresden: him. "I got three dollars for each person killed. Imagine that," he said.

4. CONTRARY TO RUMORS, HE WASN’T FRAT BUDDIES WITH DR. SEUSS.

An urban legend suggests that Vonnegut and Theodor Geisel (a.k.a. Dr. Seuss) were college friends who spent time together in the same fraternity. But according to Snopes, the tale of Geisel and Vonnegut’s friendship is greatly exaggerated … that is, it’s false. The two authors probably never met, and they didn’t attend any of the same schools (plus, Geisel was 18 years older than Vonnegut). Geisel did, however, once visit a friend who belonged to Cornell’s Delta Upsilon fraternity. Geisel drew a mural on the wall of the fraternity’s basement, and Vonnegut saw his drawings at Cornell a decade later as a student.

5. HE HELD A SERIES OF ODD JOBS TO SUPPORT HIS FAMILY.

In 1947, Vonnegut began working in public relations for General Electric, an experience that he drew upon to write Cat’s Cradle. He wrote articles and short stories for magazines such as Collier’s and The Saturday Evening Post, and his first novel, Player Piano, was published in 1952. Vonnegut then briefly wrote for Sports Illustrated, managed a Saab car dealership in Massachusetts (the first in the U.S.), and worked as an English teacher.

6. HE ADOPTED HIS SISTER’S THREE KIDS.

In the late 1950s, Vonnegut’s sister, Alice, died of cancer and Alice’s husband died in a train accident within the span of a few days. Although Vonnegut already had three children with his wife, he adopted his sister’s three sons. Since he now had six children to support, Vonnegut spent even more time writing to earn money.

7. HE ATTEMPTED SUICIDE.

Although Slaughterhouse-Five made him a famous, bestselling author, Vonnegut struggled with depression in the midst of his literary success. After getting divorced in 1971, he lived alone in New York City and had trouble writing. His son became psychotic, and although he married his second wife in 1979 (and they adopted a daughter together), his depression got worse. In 1984, he tried to kill himself by overdosing on sleeping pills and alcohol, an experience he wrote about in 1991 in Fates Worse Than Death, a collection of essays.

8. HE GRADED ALL HIS BOOKS.

In an interview with Charlie Rose, Vonnegut discussed his grading system for his books (he also wrote about this system in Palm Sunday, a collection of his works published in 1981). He gave himself an A+ for his writing in Cat’s Cradle and Slaughterhouse-Five but wasn’t as generous with Happy Birthday, Wanda June or Slapstick, which both received Ds.

9. HE LOVED WATCHING CHEERS.

In 1991, while speaking to the press to promote his Showtime television show Vonnegut’s Monkey House, he extolled the virtues of the NBC show Cheers. "I’d rather have written Cheers than anything I’ve written," he said. Although he viewed television in general with skepticism, he made an exception for the long-running sitcom, calling it television’s one comic masterpiece: "Every time anybody opens his or her mouth on that show, it’s significant. It’s funny," he said.

10. HE TRIED TO STOP SMOKING BUT GAINED TOO MUCH WEIGHT.

A lifelong smoker, Vonnegut began smoking cigarettes as a young teenager. Interviews with the author described his chain-smoking, his preferred brand (Pall Mall), and his frequent coughing and wheezing. Vonnegut admitted that he quit smoking twice, but neither attempt succeeded long-term. "Once I did it cold turkey, and turned into Santa Claus. I became roly-poly. I was approaching 250 pounds," he told the Paris Review. The second time, his lack of smoking made him "unbearably opinionated" and curtailed his writing time. "I didn’t even write letters anymore. I had made a bad trade, evidently. So I started smoking again," he said.

11. THANKS TO CAT’S CRADLE, HE FINALLY GOT HIS MASTER'S DEGREE.

While studying anthropology as a young man at the University of Chicago, Vonnegut wrote his graduate thesis comparing 19th century Cubist painters to Native American artists. Vonnegut later explained that the faculty rejected his dissertation, and he dropped out of his master’s program there: "I left Chicago without writing a dissertation—and without a degree. All my ideas for dissertations had been rejected, and I was broke, so I took a job as a P.R. man for General Electric in Schenectady." But the quality of his novel Cat’s Cradle, published in 1963, persuaded University of Chicago faculty to accept the novel as his dissertation. So 20 years after he dropped out, Vonnegut finally earned his master’s degree in anthropology.

12. HE HAS OVER 210,000 TWITTER FOLLOWERS.

Although Vonnegut died in 2007 at 84 years old, his ideas live on in 140 characters or less. A Twitter account dedicated to the writer tweets his quotes several times a day to more than 215,000 followers. Examples of his tweets? "How embarrassing to be human," and "We could have saved the Earth but we were too damned cheap." Fittingly, the account follows just one person, @TheMarkTwain, for Vonnegut greatly admired the Tom Sawyer and Huckleberry Finn author.

13. THE VONNEGUT MEMORIAL LIBRARY CONTINUES HIS LEGACY.

Located in his birthplace of Indianapolis, The Kurt Vonnegut Memorial Library honors the writer’s achievements and keeps his legacy alive. Opened in 2010, the library displays signed copies of Vonnegut’s books as well as early rejection letters. Visitors can also see his drawings, examine family photos, and view his typewriter, cigarettes, and Purple Heart. The library works to fight censorship, a cause that Vonnegut strongly believed in, by giving free copies of Slaughterhouse-Five to students whose schools have banned the book. So it goes.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios