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Tear Out This Line: How Reagan’s Most Famous Words Almost Got Silenced

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“Behind me stands a wall that encircles the free sectors of this city, part of a vast system of barriers that divides the entire continent of Europe.”

It was June 1987. After an economic summit in Venice, President Ronald Reagan was invited by the West German government to stop in Berlin for a few hours on his way home and speak near the Brandenburg Gate and the Berlin Wall.

“…General Secretary Gorbachev, if you seek peace, if you seek prosperity for the Soviet Union and Eastern Europe, if you seek liberalization, come here to this gate,” Reagan challenged.

“Mr. Gorbachev, open this gate!”

“Mr. Gorbachev, tear down this wall!”

That last line is probably the most famous and lasting thing that Reagan ever said, and if he had listened to any one of the dozens of aides and advisors and cabinet members that pleaded with him before the morning of June 12, it might have died on the vine and never made it into the speech.

Get Used to It

After the invite from the West Germans, Peter Robinson, a speechwriter and special assistant to the President who wrote more than 300 of his speeches, spent a day and a half in Berlin with the White House advance team to get some ideas for Reagan’s remarks.

He met the top American diplomat in Berlin, who only had suggestions for what the President shouldn’t say. There should be no “chest-thumping,” he said, and no knocking on the Soviets. And he certainly shouldn’t say anything to get people riled up about the Berlin Wall. The people of West Berlin, he claimed, had gotten used to the wall after living with it for so long.

Robinson also had dinner with a group of locals, hosted by friends of friends. After small talk and wine, Robinson asked his dining companions about what the diplomat had said. Had they really gotten used to the wall? Could they ever?

One man explained that his sister lived only 20 miles away on the other side of the wall, but it had prevented him for seeing her for some 20 years. How could he get used to that?

Another man said that every morning on his walk to work he passed one of the wall’s guard towers. He and the soldier in the tower were from the same country, he said, spoke the same language and had the same history. Yet they stood on opposite sides of a wall meant to separate them and their worlds. How could he get used to that?

Then the hostess, worked up from the conversation and red in the face, pounded her fist on the table. If Gorbachev was serious about glasnost and perestroika, she said, he’d have to prove it. He’d have to get rid of the wall.

It’s About Sending a Message

Robinson was inspired. Back in the White House, he took an idea to Anthony Dolan, the head speechwriter. He wanted to adapt the hostess’ comment for the speech and have Reagan issue a call for the wall to come down. Dolan and Tom Griscom, director of White House communications, were both on board, so Robinson got started on a draft.* He hit a few rough patches, and that one line was a sticking point. He tried, "Herr Gorbachev, bring down this wall.” Then, "Herr Gorbachev, take down this wall.” Then other mutant versions. At the end of a week, he had something on paper and the draft was sent to the president.

The next week the speechwriters sat with Reagan and went over all the speeches he’d be giving on the trip. Asked about the Berlin speech, Reagan only offered that he liked it.

Robinson pushed him for more, he writes in recollections of his White House years. "Mr. President," he said, "I learned on the advance trip that your speech will be heard not only in West Berlin but throughout East Germany." The speech, he said, might even be broadcast on the radio as far away as Moscow. "Is there anything you'd like to say to people on the other side of the Berlin Wall?" he asked.

"Well," Reagan said, “there’s that passage about tearing down the wall. That wall has to come down. That's what I'd like to say to them.”

In and Out

Robinson went back to work tweaking the speech, especially the part about the wall. At one point, he took it out and replaced it with a challenge to open the Brandenburg Gate, all in German.

Dolan objected.

"Since the audience will be German,” Robinson protested, “the President should deliver his big line in German."

“When you're writing for the President of the United States, give him his big line in English,” Dolan replied, and forced the line back in before circulating it for review.

Higher-ups from the State Department, members of the National Security Council, and the diplomat in Berlin that Robinson had consulted all fired off objections and sent alternate drafts, all of them missing the challenge to tear down the wall. At one point, Robinson had to defend his version of the speech, in person, from then-deputy national security adviser Colin Powell.

“After listening to Powell recite all the arguments against the speech in his accustomed forceful manner, however, I heard myself reciting all the arguments in favor of the speech in an equally forceful manner,” Robinson writes. “I could scarcely believe my own tone of voice. Powell looked a little taken aback himself.”

The objections continued, and the secretary of state made his displeasure known to the White House through both the chief of staff and his deputy just days before Reagan left for Europe. Up until the morning of the speech, people from all over the executive branch continued to plead for the line to be removed, but the president was set on it.

"We were in the limousine on the way to the Brandenburg Gate and he was reviewing the speech text one last time," deputy chief of staff Kenneth Duberstein recalled. “When he got to the section of the speech that was disputed by the State Department, he looked and me said, 'It's gonna drive the State Department boys crazy, but I'm gonna leave it in.'"

“Mr. Gorbachev,” Reagan said just a little while later. “Tear down this wall!”

*Chief speechwriter Anthony R. Dolan gives another account of the line's origins, attributing it directly to Reagan. He says that the president came up with it independently in a meeting with Dolan before Robinson’s draft circulated, but after Robinson had gone to Dolan with the idea, causing Dolan to tell him afterwards, "Can you believe it? He said just what you were thinking. He said it himself." Robinson takes issue with Dolan’s version of the events, and Dolan with Robinson’s objections. You can read their exchange in the Wall Street Journal here and here.

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13 Fantastic Museums You Can Visit for Free on Saturday
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On Saturday, September 23, museums and cultural institutions across the United States will open their doors to the public for free, as part of Smithsonian magazine’s annual Museum Day Live! event. Hundreds of museums are set to participate, ranging from world-famous institutions in major cities to tiny, local museums in small towns. While the full list of museums can be viewed, and tickets can be reserved, on the Smithsonian website, we’ve collected a small selection of the fantastic museums you can visit for free this Saturday.

1. NEWSEUM // WASHINGTON, D.C.

The Newseum in Washington, D.C. is an entire museum dedicated to the First Amendment. Celebrating freedom of religion, speech, press, assembly and petition, the museum features exhibits on civil rights, the Berlin Wall, and the history of news media in America. Their latest special exhibitions take a look back at the event of September 11, 2001 and go inside the FBI's crime-fighting tactics.

2. INTREPID SEA, AIR & SPACE MUSEUM // NEW YORK CITY, NEW YORK

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New York's Intrepid Sea, Air & Space Museum doesn’t just showcase America’s military and maritime history—it is a piece of that history. The museum itself is one of the Essex-class aircraft carriers built by the United States Navy during World War II. Visitors can explore its massive deck and interior, and view historic airplanes, a real World War II submarine, and a range of interactive exhibits. Normally, a ticket will set you back a whopping $33 (or $19 for New York City residents), but on Saturday, general admission is free with a Museum Day Live! ticket.

3. AUTRY MUSEUM OF THE AMERICAN WEST // LOS ANGELES, CALIFORNIA

Perfect for art lovers, history buffs, and cinephiles alike, the Autry Museum of the American West (named for legendary singing cowboy Gene Autry) offers up an eclectic mix of art, historical artifacts from the real American West, and Western film memorabilia and props.

4. MUSEUM OF ARTS AND SCIENCES // DAYTONA BEACH, FLORIDA

A massive art, science, and history museum located on a 90-acre nature preserve, the Museum of Arts and Sciences features the largest collection of Florida art anywhere in the world, as well as the largest collection of Coca-Cola memorabilia in all of Florida. Its diverse exhibits are alternately awe-inspiring, informative, and quirky, ranging from an exploration of 2000 years of sculpture art to an exhibition of 19th and 20th century advertising posters.

5. INTERNATIONAL MUSEUM OF THE HORSE AT THE KENTUCKY HORSE PARK // LEXINGTON, KENTUCKY

The International Museum of the Horse explores the history of—you guessed it!—the horse. That might sound like a narrow scope, but the museum doesn’t just display horse racing artifacts or teach you about modern horse breeds. Instead, it endeavors to tackle the 50-million-year evolution of the horse and its relationship with humans from ancient times to modern times.

6. THE PEGGY NOTEBAERT NATURE MUSEUM // CHICAGO, ILLINOIS

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The 160-year-old Peggy Notebaert Nature Museum is pulling out all the stops for this year’s Museum Day Live! In addition to their vast exhibits of animal specimens and cultural artifacts, the museum will be hosting a live animal feeding and a butterfly release throughout the day.

7. OGDEN MUSEUM OF SOUTHERN ART // NEW ORLEANS, LOUISIANA

The Ogden Museum of Southern Art aims to teach visitors about the rich culture and diverse visual arts of the American South. Right now, visitors can view a collection of William Eggleston's photographs and check out the museum's 10th annual invitational exhibition of ceramic teacups and teapots.

8. BALTIMORE MUSEUM OF INDUSTRY // BALTIMORE, MARYLAND

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Located in a 19th century oyster cannery on the Baltimore waterfront, the Baltimore Museum of Industry tells the story of American manufacturing from garment making to video game design. Visitors this weekend can meet video game designers and create custom games at the museum’s interactive “Video Game Wizards” exhibit.

9. SYLVAN HEIGHTS BIRD PARK // SCOTLAND NECK, NORTH CAROLINA

You can meet 2000 birds from around the world this weekend at the 18-acre Sylvan Heights Bird Park. Visitors to the massive garden can walk through aviaries displaying birds from every continent except Antarctica, including ducks, geese, swans, and exotic birds from all over the world.

10. DELTA BLUES MUSEUM // CLARKSDALE, MISSISSIPPI

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Visitors to the Delta Blues Museum can learn about the unique American musical art form in “the land where blues began,” with audiovisual exhibits centered on blues and rock legend Don Nix, as well as Paramount Records illustrator Anthony Mostrom.

11. NATIONAL MUSEUM OF NUCLEAR SCIENCE & HISTORY // ALBUQUERQUE, NEW MEXICO

America’s only congressionally chartered museum dedicated to the story of the Atomic Age, the National Museum of Nuclear Science & History features exhibits on everything from nuclear medicine to representations of atomic power in pop culture. Adult visitors to the museum will delight in its impressively nuanced take on nuclear technology, while kids will love the museum’s outdoor airplane exhibit and hands-on science activities at Little Albert’s Lab.

12. MUSEUM OF THE MOUNTAIN MAN // PINEDALE, WYOMING

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Dedicated to the mountain men who explored and settled Wyoming in the 19th century, the Museum of the Mountain Man brings American folklore and legends to life. The museum features exhibits on the Rocky Mountain fur trade and tells the story of American folk legend and famed mountain man Hugh Glass (the man Leonardo DiCaprio won an Oscar playing in 2015's The Revenant).

13. BESH BA GOWAH ARCHAEOLOGICAL PARK AND MUSEUM // GLOBE, ARIZONA

Arizona’s Besh Ba Gowah Archaeological Park and Museum lets visitors connect with history firsthand. The museum is home to the ruins and artifacts of the Salado Indians who inhabited Arizona from the 13th century through the 15th century, and even lets visitors wander through an 800-year-old Salado pueblo.

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‘American Gothic’ Became Famous Because Many People Saw It as a Joke
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In 1930, Iowan artist Grant Wood painted a simple portrait of a farmer and his wife (really his dentist and sister) standing solemnly in front of an all-American farmhouse. American Gothic has since inspired endless parodies and is regarded as one of the country’s most iconic works of art. But when it first came out, few people would have guessed it would become the classic it is today. Vox explains the painting’s unexpected path to fame in the latest installment of the new video series Overrated.

According to host Phil Edwards, American Gothic made a muted splash when it first hit the art scene. The work was awarded a third-place bronze medal in a contest at the Chicago Art Institute. When Wood sold the painting to the museum later on, he received just $300 for it. But the piece’s momentum didn’t stop there. It turned out that American Gothic’s debut at a time when urban and rural ideals were clashing helped it become the defining image of the era. The painting had something for everyone: Metropolitans like Gertrude Stein saw it as a satire of simple farm life in Middle America. Actual farmers and their families, on the other hand, welcomed it as celebration of their lifestyle and work ethic at a time when the Great Depression made it hard to take pride in anything.

Wood didn’t do much to clear up the work’s true meaning. He stated, "There is satire in it, but only as there is satire in any realistic statement. These are types of people I have known all my life. I tried to characterize them truthfully—to make them more like themselves than they were in actual life."

Rather than suffering from its ambiguity, American Gothic has been immortalized by it. The country has changed a lot in the past century, but the painting’s dual roles as a straight masterpiece and a format for skewering American culture still endure today.

Get the full story from Vox below.

[h/t Vox]

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