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11 Gay Book Characters Turned Straight for the Movie Version

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Adapted screenplays may follow books very closely, or may be completely different. When characters are gay or lesbian - or have had some significant same-sex experiences - screenwriters sometimes sidestep those facets of their stories entirely when it comes to the big screen.

1. Corporal Fife, The Thin Red Line

The third chapter in James Jones' World War II novel, originally published in 1962, depicts a green-behind-the ears Corporal Fife bunking in a shelter tent next to Private Bead, a fellow member of Charlie Company, during a rainy night. (The two are played by Adrien Brody and Nick Stahl, respectively, in Terrence Malick's 1998 film adaptation.) It's a pretty in-depth exploration of one of the realities of war that American mothers and housewives at the time maybe didn't want to face: Their men had needs.

Jones writes:

What could a guy do? Nothing, that was what ... Unless guys helped each other out now and then. It was either that, or find yourself a queer cook or baker someplace, or it was nothing. Guys could help each other out, Bead supposed.

“Well, what do you say?” he said cheerfully. “Shall we help each other out?” I’ll do it to you if you’ll do it to me.”

Bead, finding that he was not rebuffed, now became more confident in his voice and in his salesmanship. Apparently it made no difference to him and did not worry him that he was suggesting something homosexual ... As he started to crawl over to Fife’s side of the little tent he stopped and said: “I just dont want you to think I’m no queer, or nothing like that.”

“Well, dont you get the idea I am, either,” Fife had answered.

2. Justin McLeod, The Man Without a Face


Photo courtesy of Giant Bomb

The title character in Mel Gibson's directorial debut, also played by Gibson, was originally gay in Isabelle Holland's 1972 novel. "The fact that the (McLeod) character was gay was prohibitive in selling the book," Holland's book agent Lisa Callamaro told the Los Angeles Times in 1993.

3. Pussy Galore, Goldfinger

Photo courtesy of The Times UK

Ian Fleming's seventh 007 book has Pussy Galore running an outfit of lesbian cat burglars. In the third James Bond film of the same name, actress Honor Blackman's Bond girl has a far more suppressed sexual orientation. (Her character's hair is also switched from brunette to blonde.) Although in both the novel and the movie, Bond has no issue proving his own heterosexuality by forcing himself on her in a barn. Fleming's novel suggests his super spy holds enough sexual prowess to make any gay woman hop the fence.

4. Don Birnam, The Lost Weekend

Photo courtesy of Watch the Academies)

Billy Wilder's character study of Don Birnam, a failed writer turned alcoholic, swept the Academy Awards in 1946, winning Best Picture, Director (Wilder), Actor (Ray Milland) and Screenplay (Wilder, Charles Brackett). But author Charles Jackson didn't connect the boozing to a losing career in publishing. In his ranty novel, Birnam tormented himself over memories from his adolescence.

Excerpted from "Part Two: The Wife" in Jackson's novel:

When, at what time, had he deliberately ignored the responsibility and opportunity that beckoned him? Oh, he could put his finger on a dozen such moments ... Some were more revealing than others; one he would never forget.

What went on between them in the carriage-sheds back of the Presbyterian Church, several afternoons a week, in the backseat of an abandoned carriage that hadn’t been used for years—used for anything but this …

5.  Paul Varjak, Breakfast at Tiffany's

Photo courtesy of The Skinny Stiletto

Screenwriter George Axelrod updated Truman Capote's WWII-Era novella to fit into 1961 Manhattan. "Nothing really happened in the book," the scribe has been widely quoted. "All we had was this glorious girl—a perfect part for Audrie Hepburn. What we had to do was devise a story, get a central romantic relationship, and make the hero a red-blooded heterosexual."

George Peppard's leading man in Blake Edwards' silver screen classic was hardly the same love interest on celluloid as he was in Capote's text. In section 16 of the novella, Holly Golightly (played by Audrey Hepburn on film) referred to him as a "Maude"—which was understood in the gay underworld at the time as slang for male prostitute.

6. Rorschach, Watchmen

Photo courtesy of Hero Complex

Writer Alan Moore and artist Dave Gibbons' archetypical Batman character had a soft spot for his partner in crime, Nite Owl, although it was never explicit (it is, however, the subject of much fan speculation). In the movie version, there simply was no time for the love that dare not speak its name, even though it was only whispered in the comics at best.

7. Ruth Jamison, Fried Green Tomatoes

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Fannie Flagg's 1987 novel Fried Green Tomatoes at the Whistle Stop Cafe has a pretty clear-cut intimate relationship defined between Ruth and Idgie. The 1991 movie? Zilch. Flagg's screenplay has Ruth (Mary-Louise Parker) hung up on the deceased Buddy Threadgoode (Chris O'Donnell).

8. Ben, Ben-Hur

Photo courtesy of Home Theater Forum

As far as his Hollywood career went, Gore Vidal had a reputation for taking liberties with original source material. When it came to the chariot epic starring Charlton Heston, the historian made an exact effort at finding a romantic connection in Lew Wallace's 1880 manuscript between the title character and his friend Messala (Stephen Boyd in the 1959 film). According to a letter Vidal received from Heston, he and director William Wyler roundly rejected the loose interpretation from Lew Wallace's 1880 manuscript. Ben stayed as straight as they could make him in a sandal drama.

9. Brick Pollitt, Cat on a Hot Tin Roof

Photo courtesy of Cinema Nostalgia

Another Hollywood alcoholic inexplicably drowned in his own sorrows. Brick (Paul Newman) grieves the loss of his friend Skipper, who committed suicide, and won't sleep with his wife Maggie (Elizabeth Taylor). He just drinks whiskey on the rocks and leaves Maggie to wonder how she's "gone through this horrible transformation." But Tennessee Williams's play remains ambiguous, pushing its audience to raise questions about Brick's sexuality.

10. Celie Johnson, The Color Purple

Photo courtesy the Telegraph

Steven Spielberg's 1985 Oscar bait let Celie (Whoopi Goldberg) and Shug (Margaret Avery) steal a smooch which Goldberg characterized as "about love and tenderness ... It has nothing to do with lesbianism. It has to do with, her eyes are opened, now she understands." Alice Walker's epistolary novel takes the pair way further than a kiss.

11. Abraham Lincoln, Lincoln

Photo courtesy of Slate

This one's a bit of a stretch, but biographer Carl Sandburg famously wrote in 1926 that the 16th president had "a streak of lavender, and spots soft as May violets" in specific reference to the connection between Lincoln and his roommate Joshua Speed. The details of the Illinois boys' relationship have been highly contested for years, although Lincoln screenwriter Tony Kushner stated in an interview that, after the six years he spent working on the script for Steven Spielberg, "there is some reason to speculate that Lincoln might have been bisexual or gay."

Kushner left that part out. "I find it difficult to believe that Lincoln was [with] anybody," during that time, Kushner said, because the president was likely "ground to a pulp by the war and by the pressures of his job."

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20 Facts About Your Favorite Coen Brothers’ Movies
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Gramercy Pictures

Ethan Coen turns 60 years old today, if you can believe it. Since bursting onto the scene in 1984 with the cult classic Blood Simple, the younger half of (arguably) the most dynamic moviemaking sibling duo in Hollywood has helped create some of the most memorable and quirky films in cinematic history, from Raising Arizona to Fargo and The Big Lebowski to No Country For Old Men. To celebrate the monumental birthday of one of the great writer-directors of our time (though he’s mostly uncredited as a director), here are some facts about your favorite Coen brothers’s movies.

1. THE COENS THINK BLOOD SIMPLE IS “PRETTY DAMN BAD.”

Fifteen years after Blood Simple’s release, the Coens reflected upon their first feature in the 2000 book My First Movie. “It’s crude, there’s no getting around it,” Ethan said. “On the other hand, it’s all confused with the actual process of making the movie and finishing the movie which, by and large, was a positive experience,” Joel said. “You never get entirely divorced from it that way. So, I don’t know. It’s a movie that I have a certain affection for. But I think it’s pretty damn bad!”

2. KEVIN COSTNER AND RICHARD JENKINS AUDITIONED FOR RAISING ARIZONA.

Kevin Costner auditioned three times to play H.I., only to see Nicolas Cage snag the role. Richard Jenkins had his first of many auditions for the Coens for Raising Arizona. He also (unsuccessfully) auditioned for Miller's Crossing (1990) and Fargo (1996) before calling it quits with the Coens. In 2001, Joel and Ethan cast Jenkins in The Man Who Wasn't There, even though he had never auditioned for it.

3. THE BROTHERS TURNED DOWN BATMAN TO MAKE MILLER’S CROSSING.

After Raising Arizona’s success established them as more than one-hit indie film wonders, the Coens had some options with regard to what project they could tackle next. Reportedly, their success meant that they were among the filmmakers being considered to make Batman for Warner Bros. Of course, the Coens ultimately decided to go the less commercial route, and Tim Burton ended up telling the story of The Dark Knight on the big screen.

4. BARTON FINK AND W.P. MAYHEW WERE LOOSELY BASED ON CLIFFORD ODETS AND WILLIAM FAULKNER.

The Coens acknowledge that Fink and Odets had similar backgrounds, but they had different personalities: Odets was extroverted, for one thing. Turturro, not his directors, read Odets’ 1940 journal. The Coens acknowledged that John Mahoney (Mayhew) looks a lot like the The Sound and the Fury author.

5. THE COENS'S WEB OF DECEPTION IN FARGO GOES EVEN FURTHER THAN THE OPENING CREDITS. 

While the tag on the beginning of the movie reads “This is a true story. The events depicted in this film took place in Minnesota in 1987,” Fargo is, by no stretch of the imagination, a true story. During the film's press tour, the Coens admitted that while not pinpoint accurate, the story was indeed inspired by a similar crime that occurred in Minnesota, with Joel stating “In its general structure, the film is based on a real event, but the details of the story and the characters are fictional.”

However, any and all efforts to uncover anything resembling such a crime ever occurring in Minnesota come up empty, and in an introduction to the published script, Ethan pretty much admitted as much, writing that Fargo “aims to be both homey and exotic, and pretends to be true." 

6. THEY WANTED MARLON BRANDO TO PLAY JEFFREY LEBOWSKI.

According to Alex Belth, who wrote the e-book The Dudes Abide on his time spent working as an assistant to the Coens, casting the role of Jeffrey Lebowski was one of the last decisions made before filming. Names tossed around for the role included Robert Duvall (who passed because he wasn’t fond of the script), Anthony Hopkins (who passed since he had no interest in playing an American), and Gene Hackman (who was taking a break at the time). A second “wish list” included an oddball “who’s who," including Norman Mailer, George C. Scott, Jerry Falwell, Gore Vidal, Andy Griffith, William F. Buckley, and Ernest Borgnine.

The Coens’ ultimate Big Lebowski, however, was the enigmatic Marlon Brando, who by that time was reaching the end of his career (and life). Apparently, the Coens amused themselves by quoting some of their favorite Jeffrey Lebowski lines (“Strong men also cry”) in a Brando accent. The role would eventually go to the not-particularly-famous—albeit pitch-perfect—veteran character actor David Huddleston. In true Dude fashion, it all worked out in the end.

7. JOEL COEN WOOED FRANCES MCDORMAND ON THE SET OF BLOOD SIMPLE.

Coen and McDormand fell in love while making Blood Simple and got married a couple of years later, after production wrapped. McDormand told The Daily Beast about the moment when she roped him in. “I’d only brought one book to read to Austin, Texas, where we were filming, and I asked him if there was anything he’d recommend,” she said. “He brought me a box of James M. Cain and Raymond Chandler paperbacks, and I said, ‘Which one should I start with?’ And he said, ‘The Postman Always Rings Twice.’ I read it, and it was one of the sexiest f*ckin’ books I’ve ever read. A couple of nights later, I said, ‘Would you like to come over and discuss the book?’ That did it. He seduced me with literature. And then we discussed books and drank hot chocolate for several evenings. It was f*ckin’ hot. Keep it across the room for as long as you can—that’s a very important element.”

8. O BROTHER, WHERE ART THOU? WAS ORIGINALLY INSPIRED BY THE WIZARD OF OZ.

Joel Coen revealed as much at the 15th anniversary reunion. “It started as a 'three saps on the run' kind of movie, and then at a certain point we looked at each other and said, 'You know, they're trying to get home—let's just say this is The Odyssey. We were thinking of it more as The Wizard of Oz. We wanted the tag on the movie to be: 'There's No Place Like Home.’”

9. THE ACTORS IN FARGO WENT THROUGH EXTENSIVE TRAINING TO GET THEIR ACCENTS RIGHT.

Having grown up in Minnesota, the Coens were more than familiar with the idiosyncrasies of the “Minnesota nice” accent, but much of the cast—including Frances McDormand and William H. Macy—needed coaching to get the intricacies right. Actors were even given copies of the scripts with extensive pronunciation notes. According to dialect coach Larissa Kokernot, who also appeared as one of the prostitutes Gaear and Carl rendezvous with in Brainerd, the “musicality” of the Minnesota nice accent comes from a place of “wanting people to agree with each other and get along.” This homey sensibility, contrasted with the ugly crimes committed throughout the movie, is, of course, one of the major reasons why the dark comedy is such an enduring classic.

10. NICOLAS CAGE'S HAIR REACTED TO H.I.'S STRESS LEVEL IN RAISING ARIZONA.

Ethan claimed that Cage was "crazy about his Woody Woodpecker haircut. The more difficulties his character got in, the bigger the wave in his hair got. There was a strange connection between the character and his hair."

11. A PROP FROM THE HUDSUCKER PROXY INSPIRED THE MAN WHO WASN’T THERE.

A bit of set dressing from 1994’s The Hudsucker Proxy eventually led to 2001’s The Man Who Wasn’t There. In a barbershop scene, there’s a poster hanging in the background that featured a range of men’s hairstyles from the 1940s. The brothers liked the prop and kept it, and it’s what eventually served as the inspiration for The Man Who Wasn’t There.

12. GEORGE CLOONEY SIGNED ON TO O BROTHER, WHERE ART THOU? BEFORE EVEN READING THE SCRIPT.

The brothers visited George Clooney in Phoenix while he was making Three Kings (1999), wanting to work with him after seeing his performance in Out of Sight (1998). Moments after they put their script on Clooney’s hotel room table, the actor said “Great, I’m in.”

13. A SNAG IN THE MILLER’S CROSSING SCRIPT ULTIMATELY LED TO BARTON FINK.

Miller’s Crossing is a complicated beast, full of characters double-crossing each other and scheming for mob supremacy. In fact, it’s so complicated that at one point during the writing process the Coens had to take a break. It turned out to be a productive one: While Miller’s Crossing was on pause, the brothers wrote the screenplay for Barton Fink, the story of a writer who can’t finish a script.

14. INTOLERABLE CRUELTY IS THE FIRST COEN MOVIE THAT WASN’T THE BROTHERS’ ORIGINAL IDEA.

In 1995, the Coens rewrote a script originally penned by other screenwriters, Robert Ramsey, Matthew Stone, and John Romano. They didn’t decide to direct the movie, which became Intolerable Cruelty, until 2003.

15. THE LADYKILLERS WAS WRITTEN FOR BARRY SONNENFELD TO DIRECT.

The Coens effortlessly jump from crime thriller to comedy without missing a beat. So when they were commissioned to write a remake of the British black comedy The Ladykillers for director Barry Sonnenfeld, it seemed to fall in line with their cinematic sensibilities. When Sonnenfeld dropped out of the project, the Coens were hired to direct the film.

16. BURN AFTER READING MARKED THE FIRST TIME SINCE MILLER’S CROSSING THAT THE COENS DIDN’T WORK WITH THEIR USUAL CINEMATOGRAPHER, ROGER DEAKINS.

Instead, eventual Academy Award-winner Emmanuel Lubezki acted as the director of photography. The Coens would work with Deakins again on every one of their films until 2013’s Inside Llewyn Davis.

17. IT TOOK SOME CONVINCING TO GET JAVIER BARDEM TO SAY “YES” TO NO COUNTRY FOR OLD MEN

Though it’s hard to imagine No Country for Old Men without Javier Bardem’s menacing—and Oscar-winning—performance as antagonist Anton Chigurh, he almost passed on the role. “It’s not something I especially like, killing people—even in movies,” Bardem said of his disdain for violence. “When the Coens called, I said, ‘Listen, I’m the wrong actor. I don’t drive, I speak bad English, and I hate violence.’ They laughed and said, ‘Maybe that’s why we called you.”’

18. PATTON OSWALT AUDITIONED FOR A SERIOUS MAN.

Patton Oswalt auditioned for the role of the obnoxious Arthur Gopnik in A Serious Man, a part that ultimately went to Richard Kind. Oswalt talked about his audition while appearing on Marc Maron’s WTF podcast, in which it was also revealed that Maron was being considered for the lead role of Larry Gopnik (the role that earned Michael Stuhlbarg his first, and so far only, Golden Globe nomination). 

19. THE CAT IN INSIDE LLEWYN DAVIS WAS “A NIGHTMARE.”

Ulysses, the orange cat who practically stole Inside Llewyn Davis away from Oscar Isaac, was reportedly a bit of a diva. "The cat was a nightmare,” Ethan Coen said on the DVD commentary. “The trainer warned us and she was right. She said, uh, "Dogs like to please you. The cat only likes to please itself.’ A cat basically is impossible to train. We have a lot of footage of cats doing things we don't want them to do, if anyone's interested; I don't know if there's a market for that."

20. THE COEN BROTHERS PROBABLY DON’T LOVE THE BIG LEBOWSKI AS MUCH AS YOU DO. 

We’re assuming the Coen Brothers are plenty fond of The Dude: after all, he doesn’t end up facing imminent death or tragedy, which is more than most of their protagonists have going for them. But in a rare Coen Brothers interview in 2009, Joel Coen flatly stated, “That movie has more of an enduring fascination for other people than it does for us.”

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10 Terrific Facts About Stephen King
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As if being one of the world's most successful and prolific writers wasn't already reason enough to celebrate, Stephen King is ringing in his birthday as the toast of Hollywood. As It continues to break box office records, we're digging into the horror master's past. Here are 10 things you might not have known about Stephen King, who turns 70 years old today.

1. STEPHEN KING AND HIS WIFE, TABITHA, OWN A RADIO STATION.

Stephen and Tabitha King own Zone Radio, a company that serves to head their three radio stations in Maine. One of them, WKIT, is a classic rock station that goes by the tagline "Stephen King's Rock Station."

2. HE'S A HARDCORE RED SOX FAN.

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Not only did he write a story about the Boston Red Sox—The Girl Who Loved Tom Gordon (who was a former Red Sox pitcher)—he also had a cameo in the Jimmy Fallon/Drew Barrymore movie Fever Pitch, which is about a crazed Sox fan. He plays himself and throws out the first pitch at a game.

In 2004, King and Stewart O'Nan, another novelist, chronicled their reactions to the season that finally brought the World Series title back to Beantown. It's appropriately titled Faithful: Two Diehard Boston Red Sox Fans Chronicle the Historic 2004 Season.

3. HE WAS HIT BY A CAR, THEN BOUGHT THE CAR THAT HIT HIM.

You probably remember that King was hit by a van not far from his summer home in Maine in 1999. The incident left King with a collapsed lung, multiple fractures to his hip and leg, and a gash to the head. Afterward, King and his lawyer bought the van for $1500 with King announcing that, "Yes, we've got the van, and I'm going to take a sledgehammer and beat it!"

4. AS A KID, HIS FRIEND WAS STRUCK AND KILLED BY A TRAIN.

King's brain seems to be able to create chilling stories at such an amazing clip, yet he's seen his fair share of horror in real life. In addition to the aforementioned car accident, when King was just a kid his friend was struck and killed by a train (a plot line that made it into his story "The Body," which was adapted into Stand By Me). While it would be easy to assume that this incident informed much of King's writing, the author claims to have no memory of the event:

"According to Mom, I had gone off to play at a neighbor’s house—a house that was near a railroad line. About an hour after I left I came back (she said), as white as a ghost. I would not speak for the rest of the day; I would not tell her why I’d not waited to be picked up or phoned that I wanted to come home; I would not tell her why my chum’s mom hadn’t walked me back but had allowed me to come alone.

"It turned out that the kid I had been playing with had been run over by a freight train while playing on or crossing the tracks (years later, my mother told me they had picked up the pieces in a wicker basket). My mom never knew if I had been near him when it happened, if it had occurred before I even arrived, or if I had wandered away after it happened. Perhaps she had her own ideas on the subject. But as I’ve said, I have no memory of the incident at all; only of having been told about it some years after the fact."

5. HE WROTE A MUSICAL WITH JOHN MELLENCAMP.

Theo Wargo/Getty Images

King, John Mellencamp, and T Bone Burnett collaborated on a musical, Ghost Brothers of Darkland County, which made its debut in 2012. The story is based on a house that Mellencamp bought in Indiana that came complete with a ghost story. Legend has it that three siblings were messing around in the woods and one of the brothers accidentally got shot. The surviving brother and sister jumped in the car to go get help, and in their panic, swerved off the road right into a tree and were killed instantly. Of course, the three now haunt the woods by Mellencamp's house.

6. HE PLAYED IN A BAND WITH OTHER SUCCESSFUL AUTHORS.

King played rhythm guitar for a band made up of successful writers called The Rock Bottom Remainders. From 1992 to 2012, the band "toured" about once a year. In addition to King, Amy Tan, Dave Barry, Mitch Albom, Barbara Kingsolver, Matt Groening and Ridley Pearson were just some of its other members.

7. HE'S A NATIVE MAINER.

A photo of Stephen King's home in Bangor, Maine.
By Julia Ess - Own work, CC BY-SA 3.0, Wikimedia Commons

King writes about Maine a lot because he knows and loves The Pine Tree State: he was born there, grew up there, and still lives there (in Bangor). Castle Rock, Derry, and Jerusalem's Lot—the fictional towns he has written about in his books—are just products of King's imagination, but he can tell you exactly where in the state they would be if they were real.

8. HE HAS BATTLED DRUG AND ALCOHOL PROBLEMS.

Throughout much of the 1980s, King struggled with drug and alcohol abuse. In discussing this time, he admitted that, "There's one novel, Cujo, that I barely remember writing at all. I don't say that with pride or shame, only with a vague sense of sorrow and loss. I like that book. I wish I could remember enjoying the good parts as I put them down on the page."

It came to a head when his family members staged an intervention and confronted him with drug paraphernalia they had collected from his trash can. It was the eye-opener King needed; he got help and has been sober ever since.

9. THERE WAS A RUMOR THAT HE WROTE A LOST TIE-IN NOVEL.

King was an avid Lost fan and sometimes wrote about the show in his Entertainment Weekly column, "The Pop of King." The admiration was mutual. Lost's writers mentioned that King was a major influence in their work. There was a lot of speculation that he was the man behind Bad Twin, a Lost tie-in mystery, but he debunked that rumor.

10. HE IS SURROUNDED BY WRITERS.

A photo of Stephen King's son, author Joe Hill
Joe Hill
Alberto E. Rodriguez/Getty Images

Stephen isn't the only writer in the King family: His wife, Tabitha King, has published several novels. Joe, their oldest son, followed in his dad's footsteps and is a bestselling horror writer (he writes under the pen name Joe Hill). Youngest child Owen has written a collection of short stories and one novella and he and his dad co-wrote Sleeping Beauties, which will be released later this month (Owen also married a writer). Naomi, the only King daughter, is a minister and gay activist.

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