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RIP Dave Brubeck: 5 Things You Might Not Know About the Jazz Legend

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Legendary jazz musician Dave Brubeck passed away this morning in Connecticut, one day short of his 92nd birthday. Here are five things you might not have known about the Kennedy Center Honoree, jazz standards composer, and leader of the Dave Brubeck Quartet.

1. His College Degree Came With a Catch

Brubeck enrolled at what's now University of the Pacific in 1938 with plans to study veterinary medicine. He eventually switched his major to music, though, and he tore through his classes until he had to enroll in keyboard instruction his senior year. At that point, Brubeck had to admit to his professor that he couldn't read a single note of music, even though he played jazz as well as anyone.

Brubeck's professor and dean informed him that they couldn't let a student graduate with a music degree if he couldn't read music. Brubeck shrugged off their worries by saying he didn't care about reading music; he just wanted to play jazz. Brubeck's other teachers protested that he was a very gifted musician even if he couldn't read music, so the dean cut a deal with the jazz man: Brubeck could graduate, but only if he promised never to teach music and embarrass the school by revealing his shortcoming. Brubeck later laughingly told the website JazzWax, "I kept that promise ever since, even when I was starving." He did learn to read music later in life.

2. He Narrowly Avoided the Battle of the Bulge

Brubeck served under General George Patton during World War II, and he nearly fought in the Battle of the Bulge. Before his unit was sent to the front lines, though, Brubeck and his fellow soldiers got a visit from a Red Cross show. The show needed volunteer pianists, and Brubeck signed up. He tickled the keys so dazzlingly that the Army pulled him out of his unit so he could form a jazz band to entertain the troops. He spent the rest of the war touring various camps with no fewer than three liberated pianos and an integrated band known as the Wolfpack.

3. He Was a Jazzy Diplomat

From the 1950s on, the Dave Brubeck Quartet toured the world on behalf of the State Department. Brubeck and his bandmates cultivated jazz fans in unlikely places such as Turkey, Iraq, and Pakistan. Brubeck became such an ambassador for Western life that the New Yorker later ran the joke, "Whenever (Secretary of State) John Foster Dulles visits a country, the State Department sends the Brubeck quartet in a few weeks later to repair the damage."

Brubeck's tunes may even have helped end the Cold War. When Ronald Reagan and Soviet leader Mikhail Gorbachev found themselves at an impasse during 1988 disarmament talks in Moscow, the Gipper called in the big guns: the Dave Brubeck Quartet. By the time Brubeck and his boys closed their set with "Take Five," even Gorbachev was drumming his fingers on the table in time with the tune. Brubeck quipped to the press, "I can't understand Russian, but I can understand body language." A breakthrough in the talks finally came the next day. Coincidence? Well, the song is pretty catchy.

4. He Could Pull Off a Whirlwind Courtship

When Brubeck went to college, he promised his mother that he'd go to at least one dance with a young lady. Since he didn't have much interest in going, he got a buddy to set him up with the smartest girl they could find. As Brubeck later reminisced, his reasoning was, "[I]f I've got to go to this dance, I'd at least want it to be interesting." They found a whip-smart coed named Iola Whitlock who agreed to be Brubeck's date.

You'd think a jazzman would be crazy about dancing, but Brubeck and Iola spent most of the evening chatting in his car. By the time the dance was over, the couple had decided to get engaged. Smart move by Brubeck: he and Iola have been married since 1942 and have six children. Iola serves as Brubeck's manager, lyricist, and occasional writing partner.

5. He Upstaged Duke Ellington on the Cover of Time

In 1954, the Dave Brubeck Quartet and Duke Ellington were touring the country and helping to turn jazz into a national phenomenon. The media paid attention, and Time dispatched a reporter to write a story about the tour. It was never quite clear which musician was going to be pictured on the cover, though. In the end, the editors gave Brubeck the nod, and he saw the first copy during the tour's stop in Denver.


Brubeck later told PBS that seeing himself on the cover rather than Ellington was a bit disturbing. He had long idolized Ellington, so he felt a little conflicted about stealing the spotlight from his hero. Brubeck modestly explained, "He was so much more important than I was...he deserved to be first."

This article originally appeared in 2010.

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Paw Enforcement: A History of McGruff the Crime Dog
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Jack Keil, executive creative director of the Dancer Fitzgerald Sample ad agency, was stuck in a Kansas City airport at three in the morning when he started thinking about Smokey Bear. Smokey was the furred face of forest fire prevention, an amiable creature who cautioned against the hazards of unattended campfires or errant cigarette butts. Everyone, it seemed, knew Smokey and heeded his words.

In 1979, Keil’s agency had been tasked with coming up with a campaign for the recently-instituted National Crime Prevention Council (NCPC), a nonprofit organization looking to educate the public about crime prevention. If Keil could create a Smokey for their mission, he figured he would have a hit. He considered an elephant who could stamp out crime, or a rabbit who was hopping mad about illegal activity.

A dog seemed to fit. Dogs bit things, and the NCPC was looking to take a bite out of crime. Keil sketched a dog reminiscent of Snoopy with a Keystone Cop-style hat.

Back at the agency, people loved the idea but hated the dog. In a week’s time, the cartoon animal would morph into McGruff, the world-weary detective who has raised awareness about everything from kidnapping to drug abuse. While he no longer looked like Snoopy, he was about to become just as famous.

In 1979, the public service advertising nonprofit the Ad Council held a meeting to discuss American paranoia. Crime was a hot button issue, with sensational reports about drugs, home invasions, and murders taking up the covers of major media outlets like Newsweek and TIME. Surveys reported that citizens were concerned about crime rates and neighborhood safety. Respondents felt helpless to do anything, since more law enforcement meant increased taxes.

To combat public perception, the Ad Council wanted to commit to an advertising campaign that would act as a preventive measure. Crime could not be stopped, but the feeling was that it could be dented with more informed communities. Maybe a clean park would be less inviting to criminals; people might need to be reminded to lock their doors.

What people did not need was a lecture. So the council enlisted Dancer Fitzgerald Sample to organize a campaign that promoted awareness in the most gentle way possible. Keil's colleagues weighed in on his dog idea; someone suggested that the canine be modeled after J. Edgar Hoover, another saw a Superman-esque dog that would fly in to interrupt crime. Sherry Nemmers and Ray Krivascy offered an alternative take: a dog wearing a trench coat and smoking a cigar, modeled in part after Peter Falk’s performance as the rumpled TV detective Columbo.

Keil had designs on getting Falk to voice the animated character, but the actor’s methodical delivery wasn’t suited to 30-second commercials, so Keil did it himself. His scratchy voice lent an authoritarian tone, but wasn't over-the-top.

The agency ran a contest on the back of cereal boxes to name the dog. “Sherlock Bones” was the most common submission, but "McGruff"—which was suggested by a New Orleans police officer—won out.

Armed with a look, a voice, and a name, Nemmers arranged for a series of ads to run in the fall of 1980. In the spots, McGruff was superimposed over scenes of a burglary and children wary of being kidnapped by men in weather-beaten cars. He advised people to call the police if they spotted something suspicious—like strangers taking off with the neighbor’s television or sofa—and to keep their doors locked. He sat at a piano and sang “users are losers” in reference to drug-abusing adolescents. (The cigar had been scrapped.)

Most importantly, the NCPC—which had taken over responsibility for McGruff's message—wanted the ads to have what the industry dubbed “fulfillment.” At the end, McGruff would advise viewers to write to a post office box for a booklet on how to prevent crime in their neck of the woods.

A lot of people did just that. More than 30,000 booklets went out during the first few months the ads aired. McGruff’s laconic presence was beginning to take off.

By 1988, an estimated 99 percent of children ages six to 12 recognized McGruff, putting him in Ronald McDonald territory. He appeared on the ABC series Webster, in parades, and in thousands of personal appearances around the country, typically with a local police officer under the suit. (The appearances were not without danger: Some dogs apparently didn't like McGruff and could get aggressive at the sight of him.)

As McGruff aged into the 1990s, his appearances grew more sporadic. The NCPC began targeting guns and drugs and wasn’t sure the cartoon dog was a good fit, so his appearances were limited to the end of some ad spots. By the 2000s, law enforcement cutbacks meant fewer cops in costume, and a reduced awareness of the crime-fighting canine. When Keil retired, an Iowa cop named Steve Parker took over McGruff's voice duties.

McGruff is still in action today, aiding in the NCPC’s efforts to raise awareness of elder abuse, internet crimes, and identity theft. The organization estimates that more than 4000 McGruffs are in circulation, though at least one of them failed to live up to the mantle. In 2014, a McGruff performer named John Morales pled guilty to possession of more than 1000 marijuana plants and a grenade launcher. He’s serving 16 years in prison.

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Animals
Watch a Panda Caretaker Cuddle With Baby Pandas While Dressed Up Like a Panda
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Some people wear suits to work—but at one Chinese nature reserve, a handful of lucky employees get to wear panda suits.

As Travel + Leisure reports, the People's Daily released a video in July of animal caretakers cuddling with baby pandas at the Wolong National Nature Reserve in China's Sichuan Province. The keepers dress in fuzzy black-and-white costumes—a sartorial choice that's equal parts adorable and imperative to the pandas' future success in the wild.

Researchers raise the pandas in captivity with the goal of eventually releasing them into their natural habitat. But according to The Atlantic, human attachment can hamper the pandas' survival chances, plus it can be stressful for the bears to interact with people. To keep the animals calm while acclimating them to forest life, the caretakers disguise their humanness with costumes, and even mask their smell by smearing the suits with panda urine and feces. Meanwhile, other keepers sometimes conceal themselves by dressing up as trees.

Below, you can watch the camouflaged panda caretakers as they cuddle baby pandas:

[h/t Travel + Leisure]

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