10 Lost Treasures That Could Make You Very Rich

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iStock

You’ll need more than a map and a shovel to find these cultural gems. But trust us, it will be worth the effort.

1. Hitchcock's Missing Ending

Just a few years into his career, 24-year-old Alfred Hitchcock was already wearing a lot of hats. On 1923’s hastily produced The White Shadow, Hitchcock served as writer, set designer, assistant director, and even editor. Unfortunately, he didn’t reap much reward for all that effort. The film about twin sisters, one of whom was good while the other was—brace yourself—evil, quietly bombed at the box office. Before long, all known copies had disappeared.

That is, until 2011. In a twist straight out of one of his own films, three of the movie’s six reels turned up in New Zealand. The reels had been nestled safely in the New Zealand Film Archive’s holdings since 1989.

How did the British film stock end up on the other side of the world? Blame nitrate. In movies’ early days, reels of nitrate film circled the globe as a picture played in one country after another. Because the reels were incredibly flammable, transporting them was risky and expensive. And because New Zealand was often the end of the theatrical line, studios usually destroyed a film’s reels there rather than shipping them home.

One projectionist, Jack Murtagh, couldn’t bear to trash the art, so he built up a formidable collection of terrible films—including half of The White Shadow—in his garden shed. When he passed away, his grandson donated most of the shed’s contents to the Film Archive, where the reels sat patiently for nearly 22 years.

Surprisingly, the first half of The White Shadow held up quite well during its stay in Murtagh’s shed, but the last three reels remain lost—as do several of Hitchcock’s other early projects. Today, any one of those films would fetch millions of dollars on the market.

2. The Makings of a Very Pricey Omelet

A Carl Faberge Easter Egg on display in London in 2014
A Carl Faberge Easter Egg on display in London in 2014
Peter Macdiarmid/Getty Images

From 1885 until the Russian Revolution in 1917, Saint Petersburg’s House of Fabergé created 50 Imperial Easter Eggs as special commissions for the Tsar’s family. These baubles weren’t just encrusted with the world’s most precious stones and metals; each shell opened to reveal a “surprise”—anything from a ruby pendant to a tiny bejeweled train with working mechanics.

When Communists seized control of Russia, they didn’t have much use for these decadent symbols. In 1927, Joseph Stalin’s young regime was dangerously low on cash, so the Soviets decided to hold what amounted to an extended high-end yard sale. Foreign collectors snapped up the Fabergé offerings, and today only 10 of the 50 original eggs still reside at the Kremlin. Of the remaining 40, 32 are in museums or private collections. But eight have vanished entirely. Estimates value the missing Imperial eggs at as much as $30 million apiece! Whether they’re lost or residing in private collections, these Easter eggs are definitely worth finding.

3. The World Loses Its Cup

Two years before soccer’s governing body, FIFA, staged the first World Cup in 1930, it commissioned a trophy to match the quadrennial tournament’s prestige: a gold-plated silver cup atop a sculpture of the Greek goddess Nike. After every tournament, the victorious nation would hold onto the fancy hardware until the next Cup. As added incentive, the first nation to win the Cup three times would become the trophy’s permanent owner.

In 1970, Brazil accomplished that feat with a Pelé-led squad. FIFA held a design contest to create a new award, while the original trophy was sent to Rio de Janeiro for a quiet retirement. The Brazilian Football Confederation kept it displayed in a special cabinet fronted with bulletproof glass. Unfortunately, the cabinet’s wooden frame was less secure. In 1983, thieves burst into the confederation’s headquarters, overpowered a guard, and pried open the display to make off with the trophy. Although four men were later convicted for the heist, the trophy was never recovered.

While Pelé has appealed for the hardware’s return, police believe it was likely melted down for its precious metals. The trophy’s true whereabouts remain unknown, but fans can still enjoy a tangible symbol of Brazil’s futebol supremacy—in 1984, Kodak’s Brazilian division presented the country with a gold replica.

4. The Classic Novel No One's Read

Arthur Koestler
Arthur Koestler
Hulton Archive/Getty Images

When the Modern Library pegged Arthur Koestler’s 1940 novel, Darkness at Noon, as the eighth-best English-language novel of the 20th century, it was a curious choice. Not because the book is bad; the incredible account of a Communist revolutionary’s fall from grace, imprisonment, and interrogation gave the West a glimpse of the paranoia and repression that infected Stalin’s regime. No, praising Darkness at Noon as an English-language novel is odd because it was written in German.

Koestler penned the work in France while living with his companion, the British sculptor Daphne Hardy. The couple sent the German manuscript to Koestler’s publisher, but held onto one copy that Hardy had translated into English. With the Nazis advancing on Paris, Koestler and Hardy fled to Bordeaux, where Hardy took the manuscript and boarded a ship home to the United Kingdom. Soon after Hardy set sail, Koestler received terrible news: Her boat had been sunk by a torpedo. Having lost both his lover and the last remaining copy of his novel, Koestler attempted suicide, but failed—and before he could try again, the bereaved novelist learned that the reports had been erroneous.

The English translation of Darkness at Noon was published to great praise in London, but in the chaos of the early days of World War II, the German manuscript disappeared, leaving scholars with no clues about the original text of one of the 20th century’s greatest novels.

5. A Prehistoric Bird Flies the Coop

As any dinosaur-obsessed kid knows, Archaeopteryx is the link that proves that today’s birds are descendants of Jurassic dinos. But for all its fame, the Archaeopteryx is one rare creature—only 11 fossils are known to exist, and one of those is hopelessly lost.

In 1956, German quarry workers unearthed the “Maxberg specimen,” but the dino-bird sat in storage for two years as an anonymous slab of rock until quarry owner Eduard Opitsch loaned it to a geologist. Only then did paleontologists realize that the fossil was an Archaeopteryx. At the time, it was just the third known Archaeopteryx fossil, so the scientific community went nuts for it. Opitsch allowed the Maxberg Museum to display the specimen (hence the name) while he worked out a plan to sell it to the highest bidder. A German museum offered $10,000, but the notoriously cranky Opitsch balked at the idea of paying taxes on his windfall. In 1974, he simply took his Archaeopteryx and went home.

It’s unclear what exactly Opitsch did with one of the most important paleontological finds of the 20th century, but he refused to show his Archaeopteryx to anyone. According to one story, he kept the fossil under his bed. Others speculate that he buried the slab for safekeeping or secretly sold it to a collector. Whatever happened, the Archaeopteryx was nowhere to be found when Opitsch passed away in 1991. Fossil sleuths have been digging around for it ever since, but the Maxberg specimen seems to have flown away.

6. Wheeeeeere’s Johnny?

Johnny Carson at a microphone
Johnny Carson
Keystone Features/Getty Images

Host Johnny Carson’s three-decade stint at The Tonight Show is the stuff of late-night legend, but physical evidence of Carson’s first decade behind the desk is surprisingly scarce.

In the 1960s, archiving was not a priority; NBC would air an episode of The Tonight Show and then promptly erase the tape. While it sounds unthinkable now, it was standard business practice at the time. Though the show was making NBC millions, tapes cost $300 apiece (nearly $2000 in today’s money). Because each one could be erased and reused up to 50 times, watershed moments such as Carson’s debut show—when he was introduced by Groucho Marx—are lost forever. The network did save a few tapes for reruns, but more than 90 percent of Carson’s jokes aired just once.

There is some hope for Carson fanatics, though. Other lost recordings from the same era have turned up in recent years. In 2011, a tape of the 1967 broadcast of Super Bowl I (the holy grail of missing sports footage) was discovered in a Pennsylvania attic, so we may still get a chance to hear a young Ed McMahon bellow, “Heeeeeere’s Johnny!”

7. The Best Argument for Paying Ransoms

The Bishop of Ghent probably wished he’d stayed in bed on the morning of April 11, 1934. The Belgian clergyman awoke to learn that a burglar had broken into St. Bavo’s Cathedral and pilfered a section of “The Adoration of the Mystic Lamb,” a 15th-century altarpiece and national treasure painted by Flemish masters Hubert and Jan van Eyck. Because swiping the entire artwork would have been cumbersome—it measures 11.5 by 14.5 feet—the thief instead boosted two of the 20 panels, including “The Just Judges,” the bottom left section.

Shortly after the theft, ransom notes appeared demanding 1 million Belgian francs for the work’s return. The bishop agreed. He put down a 25,000-franc installment on the ransom, but he couldn’t get the full million. Instead, the police pressed the bishop to play hardball by offering another 225,000 francs and not a centime more.

The thief was not impressed, writing, “[W]e keep thinking that what we ask is not excessive or impossible to realize.” After the church rebuffed an offer to hand over the ransom on a payment plan, the thief dropped the correspondence and kept his prize.

Authorities believe the frustrated burglar was a stockbroker, amateur artist, and crime-novel buff named Arsène Goedertier. Just a few months after the theft, Goedertier allegedly made a deathbed confession. But he died before he could reveal the piece’s whereabouts. If Goedertier actually squirreled the panels away, he did a terrific job of hiding them. Although “The Just Judges” was replaced with a copy, the work’s fate remains one of the art world’s most elusive mysteries.

8. The Found Object That Got Lost

A woman looking at a replica of Duchamp's "Fountain"
A woman looking at a replica of Duchamp's "Fountain"
Dan Kitwood/Getty Images

French artist Marcel Duchamp shocked the world in 1917 when he unveiled a run-of-the-mill urinal as the sculpture “Fountain.” Eager to make the point that ordinary found objects could be art, he submitted the piece to an avant-garde Society of Independent Artists exhibit that promised to show the work of any artist who forked over a $6 fee. Duchamp signed the work “R. Mutt,” presumably so his fame from paintings such as “Nude Descending a Staircase (No. 2)” wouldn’t affect the piece’s reception. Still, he hoped his readymade idea would get a big showcase.

Unfortunately for Duchamp, not even his artist pals got the joke. The show’s board of directors dismissed the piece as vulgar, while a magazine essay decried it as “plagiarism, a plain piece of plumbing.” Forgetting its promise to exhibit any submitted work, the show refused to display “Fountain,” forcing Duchamp to convince journalists to write essays about the work to spread his message. Famed photographer Alfred Stieglitz snapped a picture of the piece, but the original disappeared shortly thereafter. Someone probably made the assumption that the stray urinal was trash and tossed it.

Years later, Duchamp began overseeing a painstaking re-creation of “Fountain” for collectors and museums. Today, more than a dozen of his meticulous replicas—absolutely identical to his original found object—exist and are priced at as much as $2.5 million when they hit the market. But Duchamp’s original is lost to the ages.

9. Lincoln's Speech That Wasn't Fit to Print

Contrary to what your history teacher said, Abraham Lincoln’s finest speech didn’t begin with the phrase “four score.” Instead, it was a thunderous antislavery oration delivered to the first convention of the Illinois Republican Party on May 29, 1856. Schoolchildren don’t recite these words for a simple reason: Nobody wrote them down.

It’s not clear how the text of the speech became lost, but the traditional explanation is that the speech was too powerful. Instead of transcribing Lincoln’s fiery words, entranced journalists forgot to take notes. The Chicago Democrat reported, “Abraham Lincoln for an hour and a half held the assemblage spellbound by the power of his argument, the intense irony of his invective, the brilliancy of his eloquence. I shall not mar any of its fine proportions by attempting even a synopsis of it.”

Some modern scholars have a different theory; they speculate that the speech was suppressed, not lost. Lincoln’s words may have been such an intense rebuke of slavery that their publication had the potential to shake a fragile nation. The speech’s reputation only grew as Lincoln’s national stature skyrocketed. Several “firsthand accounts” of the speech have surfaced over the years, only to be debunked, leaving historians hungrier than ever for an accurate transcript.

10. Russia and Prussia Get a Room

Guests at a reconstructed version of the Amber Room
Guests at a reconstructed version of the Amber Room
Oleg Nikishin/Getty Images for Montblanc

What do you give the tsar who has everything? In 1716, Prussian King Friedrich Wilhelm I needed to give Russia’s Peter the Great a gift magnificent enough to solidify the countries’ alliance against Sweden. Friedrich Wilhelm’s present swung for the diplomatic fences: a room with walls made from six tons of amber backed with gold leaf. At 180 square feet, the Amber Room lived up to its nickname, “The Eighth Wonder of the World.” Needless to say, the gift went over swimmingly. The room was installed in a palace near Saint Petersburg, where it instantly became one of Russia’s greatest treasures.

When the Nazis embarked on a massive art-looting binge more than two centuries later, the Amber Room posed a bit of problem. Unlike a canvas or a sculpture, there was no sneaky way to stash a very large, very famous room. Amber’s fragility made moving the entire chamber a dicey proposition, so the room’s caretakers attempted to hide its opulence behind a layer of wallpaper.

Given the room’s fame, this bluff didn’t stand a chance. Nazi soldiers located the Amber Room in October 1941 and shipped its panels to a castle in Königsberg, Germany. The reconstructed room was briefly on display in Königsberg before it was crated up as the war drew to a close. And nobody has seen it since!

Many scholars think the room was destroyed when Königsberg weathered heavy Allied bombings in 1944 or during the city’s surrender the following year. Others speculate that the Nazis tried to sneak the treasure out of the city on a boat that sank or buried it in a shallow lagoon off of the Baltic Sea. Art historians estimate the Amber Room would be worth as much as $250 million today, but nearly seven decades of treasure hunts haven’t turned up anything aside from a pair of small pieces. Still, if you’re itching to see what the room looked like, there’s a way. In 1979, Soviet craftsmen began using photographs to reconstruct the Amber Room in its pre-looting home; the project was completed in 2003, just in time for Saint Petersburg’s 300th birthday.

20 Surprising Facts About Pulp Fiction

Miramax
Miramax

On October 14, 1994, Quentin Tarantino's Pulp Fiction was released in theaters in America and a new Hollywood auteur was born. In addition to teaching Americans what a Quarter Pounder with Cheese is called in Europe, the film reignited the career of John Travolta (who received a Best Actor Oscar nomination for his work) and showed audiences a different side of Bruce Willis. In honor of the film's anniversary, here are 20 things you might not have known about Pulp Fiction.

1. THE FILM WAS RELEASED IN SOUTH KOREA, JAPAN, AND EVEN SLOVAKIA BEFORE IT ARRIVED IN AMERICA.

Tarantino’s film first played the Cannes Film Festival in May 1994. It was shown at other festivals around the world, from Munich to Locarno, before hitting American shores on September 23, 1994, at the New York Film Festival. The film was released in South Korea, Japan, and Slovakia before it officially opened in the U.S. on October 14, 1994. The feature rolled out across Asia and Europe throughout 1994 and 1995.

2. HONEY BUNNY WAS NAMED AFTER AN ACTUAL RABBIT.

Honey Bunny belonged to Linda Chen, who typed up Tarantino's handwritten script for Pulp Fiction. In lieu of payment, she asked Tarantino to watch her rabbit when she went on location; Tarantino wouldn't do it, and when the rabbit later died, he named Amanda Plummer's character after Chen's pet.

3. YOU CAN WATCH THE FILM CHRONOLOGICALLY ... KIND OF.

The narrative structure of the film plays out of sequence, but it’s easy enough to break it down into seven distinct sections (a prologue, an epilogue, two preludes, and three large segments) that can then be re-ordered into a chronological narrative (Hint: The first prelude, to the “Gold Watch” section, plays first. If that doesn’t help, here’s an infographic).

4. THE FILM CONTAINS 265 “F WORDS.”

Even that hefty number isn’t Tarantino’s highest (1992’s Reservoir Dogs used it 269 times). Still, the film was the big “f word” winner of 1994, as no other film released that year even came close to that amount of profanity.

5. VINCENT VEGA’S 1964 CHEVELLE MALIBU WAS STOLEN AFTER THE SHOOT.

John Travolta’s character in the film had a sweet ride—which, in real life, belonged to Tarantino—and it was such a hot rod that it was stolen soon after the film’s release. It wasn’t found for nearly two decades, when two cops happened on a pair of kids stripping an older car. After running the Vehicle Identification Number, they found it shared the number with a car in Oakland, which turned out to be Tarantino’s car.

6. THE MOVIE COST ONLY $8.5 MILLION TO MAKE.

Five million went to the actors’ salaries. It made that all back in its first week at the U.S. box office (the film pulled in $9.3 million the first weekend of release).

7. THE FILM WAS THE THIRD BIGGEST R-RATED EARNER OF 1994.

The film lost out on the title to True Lies ($146.2 million) and Speed ($121.2 million). The film’s earnings were strong enough to place it in the overall top 10 for the year, though 1994 was dominated by Forrest Gump, which made $329.6 million that year.

8. EVEN THOUGH THE FILM MADE OVER $100 MILLION, IT TOOK A LONG TIME TO GET THERE.

Even though Tarantino’s film ended up being a tremendous hit—especially considering that slim budget—it took some time to get there. The film was in release for 178 days before it finally pulled in 100 million domestic dollars. A little comparison? It took Harry Potter and the Deathly Hallows – Part 2 only two days.

9. VINCENT VEGA WAS WRITTEN FOR MICHAEL MADSEN ...

Tarantino specifically wrote a number of roles in the film for chosen actors (including Samuel L. Jackson, Harvey Keitel, Tim Roth, and Amanda Plummer), but nothing compared to his dedication to having Michael Madsen play Vince. Madsen, who knew of Tarantino’s plans and said he wanted to do the part, dropped out two weeks before the script was finished to star in Wyatt Earp.

10. ... WHICH COULD HAVE MADE HIM MR. BLONDE’S TWIN.

Tarantino has a long tradition of connecting characters in his various films—basically, the filmmaker is working with a number of sprawling family trees, and it’s always a treat to see how characters intersect—which would have made Madsen’s casting of Vince come with a surprising twist: it might have made him Mr. Blonde’s (Madsen’s character from Reservoir Dogs) twin, as it’s long been known that Vince and Blonde are brothers.

11. IT INSPIRED TOP GEAR’S STIG.

The mysterious, anonymous Stig was inspired by the mysterious, anonymous Gimp. The Gimp was even the original name for the Stig, until they couldn’t find a racing driver willing to use that name.

12. BUTCH WAS SUPPOSED TO BE A LOT YOUNGER.

Tarantino wrote the part as a young boxer, with Matt Dillon specifically in mind for the role, but when the actor took too much time considering the part, it was tweaked slightly to accommodate Bruce Willis (who was a little ticked that he wasn’t asked to play Vincent).

13. TARANTINO LOVES VINTAGE BOARD GAMES, AND IT SHOWS.

The filmmaker is an avid board game collector, which is why the film features Operation and The Game of Life. Tarantino convinced Travolta to come on board with an all-day Welcome Back, Kotter, Grease, and Saturday Night Fever board game marathon.

14. VINCENT’S PREFERRED READING MATERIAL IS REAL.

Vince loves reading pulp fiction books during his, ahem, private time, including Peter O’Donnell’s Modesty Blaise, a real pulp fiction novel based on O’Donnell’s '60s comic strip. Tarantino has long expressed interest in bringing that tale to the big screen, including giving his official license to the 2003 film (Quentin Tarantino Presents) My Name is Modesty.

15. DESPITE TARANTINO’S LOVE FOR UMA THURMAN, SHE WASN’T HIS FIRST PICK.

Other possible Mias? Isabella Rossellini, Julia Louis-Dreyfus, Meg Ryan, Alfre Woodard, Halle Berry, Daryl Hannah, Rosanna Arquette, Joan Cusack, and Michelle Pfeiffer. Tarantino’s original favorite was supposedly Pfeiffer.

16. THE ORIGINAL POSTER CAN FETCH YOU SEVERAL HUNDRED DOLLARS.

The first poster had Thurman smoking from a box of Lucky Strike cigarettes—but Miramax hadn’t licensed usage rights from Lucky Strikes, who threatened to sue. Rather than fight it, Miramax had the posters returned. Those that survived can now command big money.

17. JULES MAY HAVE BEEN WRITTEN FOR SAMUEL L. JACKSON, BUT HE ALMOST LOST THE PART.

Tarantino very much had Jackson in mind for the role of Jules, but when he auditioned Paul Calderon, he was so struck by the performance that he very nearly hired him. Jackson, desperate to get “his” role back, flew to Los Angeles and auditioned for Tarantino again.

18. CAPTAIN KOONS MIGHT HAVE A FAMOUS RELATIVE.

Well, famous in the Tarantino universe, anyway: It’s widely believed that Christopher Walken’s Captain Koons is a descendent of Django Unchained character Crazy Craig Koons, who is only mentioned by name in a Wanted poster.

19. ROBERT RODRIGUEZ DIRECTED PARTS OF THE FILM.

When Tarantino is on screen as Jimmie, someone else had to be behind the camera—and that someone was Robert Rodriguez. The pair later teamed up for a number of other projects, including From Dusk Till Dawn and Grindhouse.

20. TRAVOLTA DIDN’T REALLY INJECT THURMAN IN THAT SCENE.

The infamous scene in which Mia is stabbed with a very necessary adrenaline shot was stressful enough, so Tarantino took off some of the pressure: the needle was inserted, and then Travolta pulled it out. The scene was reversed in post-production so it looks as if Vincent Vega really is plunging that syringe into her. Movie magic!

Additional Sources: Short List; Box Office Mojo (1, 2)

This article originally ran in 2015.

Aaugh! 10 Facts About It's the Great Pumpkin, Charlie Brown

Warner Home Video
Warner Home Video

Lee Mendelson hadn’t planned on a career in animation. But when television sponsors saw the filmmaker’s documentary about cartoonist Charles Schulz, they asked if the two could team up to produce a Christmas special based on Schulz’s Peanuts strip. The result, A Charlie Brown Christmas, was seen by roughly half of all households watching television during its premiere on CBS on December 9, 1965.

Mendelson went on to produce other Peanuts primetime specials, but 1966’s It’s the Great Pumpkin, Charlie Brown remains one of the most endearing. As you prepare annual sympathy for poor ol' Chuck (“I got a rock”), check out some facts about naked composers, vomiting voice actors, and CBS’s bizarre ultimatum.

1. THE FUTURE OF ANIMATED PEANUTS SPECIALS DEPENDED ON IT.  


Warner Home Video

Mendelson and animator Bill Melendez had very high aspirations for A Charlie Brown Christmas. When they screened it prior to its premiere, however, they felt it didn’t live up to its potential—and CBS agreed. The network said it was the last Peanuts special they would buy. But after it delivered huge ratings, CBS changed their mind and asked for more. When the two delivered another hit—the baseball-themed Charlie Brown All-Stars—they thought they had earned the network’s confidence.

Instead, CBS told them they needed a special that could run every year, like A Charlie Brown Christmas. If Mendelson couldn’t provide it, they told him they might not pick up an option for a fourth show. Despite Schulz and his collaborators being annoyed by the network's abrasive attitude, they hammered out a story with a seasonal clothesline that could be rerun in perpetuity.   

2. THE VOICE OF VIOLET PUKED AFTER EVERY RECORDING SESSION.

It’s standard practice these days to use adult actors to mimic juvenile cartoon characters: adults are (presumably) better able to take direction and deliver a performance in line with the director’s wishes. But for many Peanuts specials, children were used to voice Charlie Brown, Lucy, Linus, and the rest. Anne Altieri, who portrayed both Violet and Frieda, was so nervous to be part of the show that she threw up every time she was done with a recording session.

3. IT WAS THE FIRST TIME LUCY SNATCHED THE FOOTBALL FROM CHARLIE BROWN.

In animated form, anyway. When Schulz, Mendelson, and Melendez were brainstorming scene ideas for the special, talk turned to the fact that Lucy’s habit of pulling the football away from Charlie Brown had never been seen in animation. They also decided it would be a good time to introduce Snoopy’s World War I Flying Ace. The joke had appeared in the strip, but Mendelson thought it would work even better in motion. He was right: the sequence with Snoopy in a doghouse dogfight is one of the most memorable in the Peanuts animated canon.

4. IT’S SECRETLY ABOUT SANTA.

The Great Pumpkin saga was adapted from Schulz’s newspaper strip, where he had conceived it as a metaphor for some of the hope (and disappointment) associated with Saint Nick. Schulz disliked the idea kids heard of a jolly fat man who delivered presents all over the world when he knew many families could only afford one or two gifts for the holidays. “The Great Pumpkin is really kind of a satire on Santa Claus,” he told Mendelson. “When [he] doesn’t come, Linus is crushed.”

5. THE MUSIC COMPOSER WAS FOUND NAKED BY COPS.


Warner Home Video

The jazzy scores of the early Peanuts specials were the work of composer Vince Guaraldi. When he was busy putting together “The Great Pumpkin Waltz” for the show, he decided to break for a shower. When he came out, he thought he heard noises outside and went to investigate, naked, and locked himself out in the process. Keyless, Guaraldi tried climbing a ladder to a second-floor window when cops spotted him. “Don’t shoot,” he said. “I’m the Great Pumpkin.” Police, who were many months away from getting the joke, let him back inside.  

6. A LISP ALMOST RUINED THE SHOW.

Kathy Steinberg was only four years old when she portrayed Sally for the first time in A Charlie Brown Christmas: her big break came when Mendelson, her neighbor, started work on the specials. While Steinberg had some limitations—like being too young to know how to read a script—things were going well until producers realized she was on the verge of losing a tooth. Fearing a lisp would ruin the voiceover work, they rushed to get her lines done. The day after finishing, the tooth fell out.  

7. KIDS SENT CHARLIE BROWN CANDY FOR YEARS.

One of the most poignant moments of any Peanuts cartoon comes when downtrodden Charlie Brown opens his Halloween goodie sack and discovers he’s been given rocks instead of candy. According to Schulz, this so angered viewers that for years his California office was inundated with sacks of treats addressed to the character.

8. THE ORIGINAL AIRINGS WERE SLIGHTLY DIFFERENT.

Production costs for the early Charlie Brown specials were subsidized by television sponsors Coca-Cola and Dolly Madison snack cakes: the brands appear at the beginning and end of the broadcast. The Coke “bug” appeared for several years before getting phased out. 

9. CBS GOT A LITTLE SALTY ABOUT LOSING THE RIGHTS.

After spending decades at CBS, the rights to three holiday Peanuts installments went up for grabs in 2000. Though CBS could make the first offer, it was ABC who made the winning bid. Privately, CBS executives were not at all pleased about the business decision to take the football away. “It's a shame that a few more dollars meant more to them than years of tradition and loyalty," one network employee anonymously told Variety

10. SOME SCHOLARS THOUGHT THE GREAT PUMPKIN WAS REAL.


Warner Home Video

A real myth, at any rate. Talking to the Schenectady Gazette in 1968, Schulz said that since the special began airing two years earlier, he had received a number of letters from academics wondering where the Great Pumpkin story had originated. “A number of professional scholars have written me about the origination of the legend,” he said. “They insist it must be based on something.” Schulz suggested they broach the topic with Linus instead.

This article originally ran in 2015.

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