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Are Mermaids Real? 11 Myths the U.S. Government Has Addressed

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Usually the government sticks to reality, but there are a number of times where agencies have investigated or weighed in on more mythical ideas. From mermaids to Santa Claus, here are 11 legends that the government has acknowledged, even if just to deny.

1. Mermaids

Late last month, the National Oceanic and Atmospheric Administration published a curious addition to its Ocean Facts section: "Are Mermaids Real?" Describing them as "half-human, half-fish sirens of the sea," the post goes on to describe the various appearances of mermaids in folklore, from cave paintings to The Odyssey. However, NOAA comes to the final conclusion that "no evidence of aquatic humanoids has ever been found." The agency says the post came in response to several requests from the public after Animal Planet aired a special called Mermaids: The Body Found that claimed to paint "a wildly convincing picture of the existence of mermaids."

Verdict: Not real

2. Mutants

While villainous government officials in the X-Men universe may have been fighting for mutant registration and restriction, a real-life lawsuit left the Department of Justice arguing that mutants are actually closer to humans. The bizarre case (described in a great Radiolab piece) centered on customs regulations and the definition of "dolls" versus "toys." According to the law, "dolls" represented humans and were taxed at a higher rate than "toys," which have non-human characteristics. A pair of enterprising lawyers working for a company producing figurines for Marvel realized that the company could almost halve their taxes by arguing that the "dolls" were actually non-human "toys." Citing features like Wolverine's claws, Cyclops' laser eyes and the blue fur of Beast, the company went to court to say that the mutants represented in the figurines could not be classified as human. The government, however, argued that the characters were essentially human. Ultimately, the United States Court of International Trade came down on the side of the toy company, declaring in their verdict that the mutants are "more than (or different than) humans" and adding that they "use their extraordinary and unnatural physical and psychic powers on the side of either good or evil."

Verdict: If they're real, they're not human

3. Zombies

After a Miami man was found eating a victim's face, a Baltimore college student admitted to killing his roommate and eating his body parts, and a New Jersey man threw his own intestines at police, rumors of a coming mass zombie attack started flying. In fact, the chatter got so heavy that the Centers for Disease Control and Prevention even had to respond. In a statement to the Huffington Post, CDC spokesman David Daigle wrote that the "CDC does not know of a virus or condition that would reanimate the dead (or one that would present zombie-like symptoms)."

Just in case, the CDC also has a helpful guide on preparing for a zombie apocalypse, published in May 2011. Among their tips: get an emergency kit ready, get your emergency contacts ready and plan multiple evacuation routes "so that the flesh eaters don't have a chance."

Verdict: Not real, but be prepared

4. Atlantis

Images published on Google Earth of the ocean floor have led several people to think that they've found the lost city of Atlantis, or at least evidence of some underwater civilization. The clue, they say, is a series of grid-like lines on the floor that had to be man-made. In response to several inquiries about the lines, NOAA has published posts debunking the Atlantis theories. The real reason the lines are there, they say, is because the mapping tools are layering several smaller maps on top of each other. "While the strange grid-like patterns they found were in fact created by humans, the patterns were only made of data," NOAA said.

Verdict: If it's real, you haven't found it yet.

5. Bermuda Triangle

The legend of the Bermuda Triangle (also known as the Devil's Triangle) describes a region of the Atlantic where ships and planes vanish. But on its website, the U.S. Coast Guard emphatically denies the existence of the triangle as a region of "specific hazard" to any ships and planes. In fact, the USCG says that a review of vehicle losses found "no extraordinary factors" relating to casualties or crashes. And NOAA -- noting that there are explanations for the supposed Devil's Triangle that are rooted in science -- cautions that there's no evidence for more disappearances in that region than anywhere else in the ocean.

Verdict: Not real

6. Santa Claus

Wondering where Santa Claus is every Christmas? The North American Aerospace Defense Command (NORAD) holds the answer with their annual Santa Tracker, which provides up-to-the-minute updates on where Father Christmas is delivering presents. The tradition started in 1955, when Sears posted an ad in a Colorado Springs newspaper with a number for children to call Santa. However, a misprint led to children actually calling a local Continental Air Defense Command (CONAD) Center, a military precursor to NORAD. The on-duty colonel told everyone at the base to give any children who called a location for Santa. Today the location is given out through a Google Earth map on the NORAD Santa Tracker website.

Verdict: He's right there!

7. UFOs

The FBI's online vault contains a treasure trove of documents for UFO enthusiasts, detailing various investigations and general interest into unexplained objects. The UFO page contains many reports of events between 1947 and 1954, including some that touch on the Roswell crash. Their verdict? Just a weather balloon.

Verdict: Not real, but worth investigating.

8. The Mayan Apocalypse

The Roland Emmerich disaster movie 2012 was one of the many recent takes on the legend that the world would end this December, when the Mayan calendar supposedly runs out. But don't tell NASA. The agency has an entire Q&A page dedicated to debunking those rumors. The page calmly states that the calendar does not end in 2012, but merely begins another period. And the scientists declare that there are no planets, asteroids or stars set to crash into the Earth, nor is there a threat of the Earth completely reversing its rotation. "Impressive movie special effects aside, Dec. 21, 2012, won't be the end of the world as we know," NASA wrote. "It will, however, be another winter solstice."

Verdict: Not true

9. Alien Attacks

Pretty much every alien invasion movie scenario was covered in a 2011 paper written by a NASA scientist along with colleagues from Penn State, including the possibility that aliens could attack humans because we're wasteful. The report considered a number of scenarios for alien contacts, everything from them coming in peace to their desire for destruction. Many of them fell on the slightly boring side -- they could come and be unable to communicate with humans, or they could accidentally carry a deadly disease. To make sure things will be okay, the researchers say that the best course of action is to not broadcast out our biological information and stick to communicating on a mathematical level until any alien intentions become clear.

Verdict: It's possible

10. Vampires

While not an official government position, the U.S. Army has tried to play on the existence of vampires in the past. According to passages of the book "Counter-Guerrilla Operations" by Philippine colonel Napoleon Valeriano and U.S. military adviser Charles Bohannan, U.S. soldiers in the Philippines fighting an uprising of the Huk rebels would try to scare their enemy using the legend of the monster. They would kidnap the last man in a Huk patrol, poke two holes in his neck and drain his body of blood. When the Huk rebels found him the next day, they would fear that vampires were around and would leave.

Verdict: Believe it if you want

11. ESP

Also tucked into the FBI Vault was a file on extra-sensory perception. One memo describes an agent going to see a display of ESP and mind powers put on by a man named William Foos, encouraging the FBI to follow up. If the powers turned out to be real, he wrote, "there is no limit to the value which could accrue to the FBI," including reading mail and seeing through walls. Ultimately, however, the file shows that an investigation showed up no evidence of ESP and the original display turned out to be a series of tricks.

Verdict: Not real

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20 Facts About Your Favorite Coen Brothers’ Movies
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Gramercy Pictures

Ethan Coen turns 60 years old today, if you can believe it. Since bursting onto the scene in 1984 with the cult classic Blood Simple, the younger half of (arguably) the most dynamic moviemaking sibling duo in Hollywood has helped create some of the most memorable and quirky films in cinematic history, from Raising Arizona to Fargo and The Big Lebowski to No Country For Old Men. To celebrate the monumental birthday of one of the great writer-directors of our time (though he’s mostly uncredited as a director), here are some facts about your favorite Coen brothers’s movies.

1. THE COENS THINK BLOOD SIMPLE IS “PRETTY DAMN BAD.”

Fifteen years after Blood Simple’s release, the Coens reflected upon their first feature in the 2000 book My First Movie. “It’s crude, there’s no getting around it,” Ethan said. “On the other hand, it’s all confused with the actual process of making the movie and finishing the movie which, by and large, was a positive experience,” Joel said. “You never get entirely divorced from it that way. So, I don’t know. It’s a movie that I have a certain affection for. But I think it’s pretty damn bad!”

2. KEVIN COSTNER AND RICHARD JENKINS AUDITIONED FOR RAISING ARIZONA.

Kevin Costner auditioned three times to play H.I., only to see Nicolas Cage snag the role. Richard Jenkins had his first of many auditions for the Coens for Raising Arizona. He also (unsuccessfully) auditioned for Miller's Crossing (1990) and Fargo (1996) before calling it quits with the Coens. In 2001, Joel and Ethan cast Jenkins in The Man Who Wasn't There, even though he had never auditioned for it.

3. THE BROTHERS TURNED DOWN BATMAN TO MAKE MILLER’S CROSSING.

After Raising Arizona’s success established them as more than one-hit indie film wonders, the Coens had some options with regard to what project they could tackle next. Reportedly, their success meant that they were among the filmmakers being considered to make Batman for Warner Bros. Of course, the Coens ultimately decided to go the less commercial route, and Tim Burton ended up telling the story of The Dark Knight on the big screen.

4. BARTON FINK AND W.P. MAYHEW WERE LOOSELY BASED ON CLIFFORD ODETS AND WILLIAM FAULKNER.

The Coens acknowledge that Fink and Odets had similar backgrounds, but they had different personalities: Odets was extroverted, for one thing. Turturro, not his directors, read Odets’ 1940 journal. The Coens acknowledged that John Mahoney (Mayhew) looks a lot like the The Sound and the Fury author.

5. THE COENS'S WEB OF DECEPTION IN FARGO GOES EVEN FURTHER THAN THE OPENING CREDITS. 

While the tag on the beginning of the movie reads “This is a true story. The events depicted in this film took place in Minnesota in 1987,” Fargo is, by no stretch of the imagination, a true story. During the film's press tour, the Coens admitted that while not pinpoint accurate, the story was indeed inspired by a similar crime that occurred in Minnesota, with Joel stating “In its general structure, the film is based on a real event, but the details of the story and the characters are fictional.”

However, any and all efforts to uncover anything resembling such a crime ever occurring in Minnesota come up empty, and in an introduction to the published script, Ethan pretty much admitted as much, writing that Fargo “aims to be both homey and exotic, and pretends to be true." 

6. THEY WANTED MARLON BRANDO TO PLAY JEFFREY LEBOWSKI.

According to Alex Belth, who wrote the e-book The Dudes Abide on his time spent working as an assistant to the Coens, casting the role of Jeffrey Lebowski was one of the last decisions made before filming. Names tossed around for the role included Robert Duvall (who passed because he wasn’t fond of the script), Anthony Hopkins (who passed since he had no interest in playing an American), and Gene Hackman (who was taking a break at the time). A second “wish list” included an oddball “who’s who," including Norman Mailer, George C. Scott, Jerry Falwell, Gore Vidal, Andy Griffith, William F. Buckley, and Ernest Borgnine.

The Coens’ ultimate Big Lebowski, however, was the enigmatic Marlon Brando, who by that time was reaching the end of his career (and life). Apparently, the Coens amused themselves by quoting some of their favorite Jeffrey Lebowski lines (“Strong men also cry”) in a Brando accent. The role would eventually go to the not-particularly-famous—albeit pitch-perfect—veteran character actor David Huddleston. In true Dude fashion, it all worked out in the end.

7. JOEL COEN WOOED FRANCES MCDORMAND ON THE SET OF BLOOD SIMPLE.

Coen and McDormand fell in love while making Blood Simple and got married a couple of years later, after production wrapped. McDormand told The Daily Beast about the moment when she roped him in. “I’d only brought one book to read to Austin, Texas, where we were filming, and I asked him if there was anything he’d recommend,” she said. “He brought me a box of James M. Cain and Raymond Chandler paperbacks, and I said, ‘Which one should I start with?’ And he said, ‘The Postman Always Rings Twice.’ I read it, and it was one of the sexiest f*ckin’ books I’ve ever read. A couple of nights later, I said, ‘Would you like to come over and discuss the book?’ That did it. He seduced me with literature. And then we discussed books and drank hot chocolate for several evenings. It was f*ckin’ hot. Keep it across the room for as long as you can—that’s a very important element.”

8. O BROTHER, WHERE ART THOU? WAS ORIGINALLY INSPIRED BY THE WIZARD OF OZ.

Joel Coen revealed as much at the 15th anniversary reunion. “It started as a 'three saps on the run' kind of movie, and then at a certain point we looked at each other and said, 'You know, they're trying to get home—let's just say this is The Odyssey. We were thinking of it more as The Wizard of Oz. We wanted the tag on the movie to be: 'There's No Place Like Home.’”

9. THE ACTORS IN FARGO WENT THROUGH EXTENSIVE TRAINING TO GET THEIR ACCENTS RIGHT.

Having grown up in Minnesota, the Coens were more than familiar with the idiosyncrasies of the “Minnesota nice” accent, but much of the cast—including Frances McDormand and William H. Macy—needed coaching to get the intricacies right. Actors were even given copies of the scripts with extensive pronunciation notes. According to dialect coach Larissa Kokernot, who also appeared as one of the prostitutes Gaear and Carl rendezvous with in Brainerd, the “musicality” of the Minnesota nice accent comes from a place of “wanting people to agree with each other and get along.” This homey sensibility, contrasted with the ugly crimes committed throughout the movie, is, of course, one of the major reasons why the dark comedy is such an enduring classic.

10. NICOLAS CAGE'S HAIR REACTED TO H.I.'S STRESS LEVEL IN RAISING ARIZONA.

Ethan claimed that Cage was "crazy about his Woody Woodpecker haircut. The more difficulties his character got in, the bigger the wave in his hair got. There was a strange connection between the character and his hair."

11. A PROP FROM THE HUDSUCKER PROXY INSPIRED THE MAN WHO WASN’T THERE.

A bit of set dressing from 1994’s The Hudsucker Proxy eventually led to 2001’s The Man Who Wasn’t There. In a barbershop scene, there’s a poster hanging in the background that featured a range of men’s hairstyles from the 1940s. The brothers liked the prop and kept it, and it’s what eventually served as the inspiration for The Man Who Wasn’t There.

12. GEORGE CLOONEY SIGNED ON TO O BROTHER, WHERE ART THOU? BEFORE EVEN READING THE SCRIPT.

The brothers visited George Clooney in Phoenix while he was making Three Kings (1999), wanting to work with him after seeing his performance in Out of Sight (1998). Moments after they put their script on Clooney’s hotel room table, the actor said “Great, I’m in.”

13. A SNAG IN THE MILLER’S CROSSING SCRIPT ULTIMATELY LED TO BARTON FINK.

Miller’s Crossing is a complicated beast, full of characters double-crossing each other and scheming for mob supremacy. In fact, it’s so complicated that at one point during the writing process the Coens had to take a break. It turned out to be a productive one: While Miller’s Crossing was on pause, the brothers wrote the screenplay for Barton Fink, the story of a writer who can’t finish a script.

14. INTOLERABLE CRUELTY IS THE FIRST COEN MOVIE THAT WASN’T THE BROTHERS’ ORIGINAL IDEA.

In 1995, the Coens rewrote a script originally penned by other screenwriters, Robert Ramsey, Matthew Stone, and John Romano. They didn’t decide to direct the movie, which became Intolerable Cruelty, until 2003.

15. THE LADYKILLERS WAS WRITTEN FOR BARRY SONNENFELD TO DIRECT.

The Coens effortlessly jump from crime thriller to comedy without missing a beat. So when they were commissioned to write a remake of the British black comedy The Ladykillers for director Barry Sonnenfeld, it seemed to fall in line with their cinematic sensibilities. When Sonnenfeld dropped out of the project, the Coens were hired to direct the film.

16. BURN AFTER READING MARKED THE FIRST TIME SINCE MILLER’S CROSSING THAT THE COENS DIDN’T WORK WITH THEIR USUAL CINEMATOGRAPHER, ROGER DEAKINS.

Instead, eventual Academy Award-winner Emmanuel Lubezki acted as the director of photography. The Coens would work with Deakins again on every one of their films until 2013’s Inside Llewyn Davis.

17. IT TOOK SOME CONVINCING TO GET JAVIER BARDEM TO SAY “YES” TO NO COUNTRY FOR OLD MEN

Though it’s hard to imagine No Country for Old Men without Javier Bardem’s menacing—and Oscar-winning—performance as antagonist Anton Chigurh, he almost passed on the role. “It’s not something I especially like, killing people—even in movies,” Bardem said of his disdain for violence. “When the Coens called, I said, ‘Listen, I’m the wrong actor. I don’t drive, I speak bad English, and I hate violence.’ They laughed and said, ‘Maybe that’s why we called you.”’

18. PATTON OSWALT AUDITIONED FOR A SERIOUS MAN.

Patton Oswalt auditioned for the role of the obnoxious Arthur Gopnik in A Serious Man, a part that ultimately went to Richard Kind. Oswalt talked about his audition while appearing on Marc Maron’s WTF podcast, in which it was also revealed that Maron was being considered for the lead role of Larry Gopnik (the role that earned Michael Stuhlbarg his first, and so far only, Golden Globe nomination). 

19. THE CAT IN INSIDE LLEWYN DAVIS WAS “A NIGHTMARE.”

Ulysses, the orange cat who practically stole Inside Llewyn Davis away from Oscar Isaac, was reportedly a bit of a diva. "The cat was a nightmare,” Ethan Coen said on the DVD commentary. “The trainer warned us and she was right. She said, uh, "Dogs like to please you. The cat only likes to please itself.’ A cat basically is impossible to train. We have a lot of footage of cats doing things we don't want them to do, if anyone's interested; I don't know if there's a market for that."

20. THE COEN BROTHERS PROBABLY DON’T LOVE THE BIG LEBOWSKI AS MUCH AS YOU DO. 

We’re assuming the Coen Brothers are plenty fond of The Dude: after all, he doesn’t end up facing imminent death or tragedy, which is more than most of their protagonists have going for them. But in a rare Coen Brothers interview in 2009, Joel Coen flatly stated, “That movie has more of an enduring fascination for other people than it does for us.”

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‘American Gothic’ Became Famous Because Many People Saw It as a Joke
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Wikimedia Commons // Public Domain

In 1930, Iowan artist Grant Wood painted a simple portrait of a farmer and his wife (really his dentist and sister) standing solemnly in front of an all-American farmhouse. American Gothic has since inspired endless parodies and is regarded as one of the country’s most iconic works of art. But when it first came out, few people would have guessed it would become the classic it is today. Vox explains the painting’s unexpected path to fame in the latest installment of the new video series Overrated.

According to host Phil Edwards, American Gothic made a muted splash when it first hit the art scene. The work was awarded a third-place bronze medal in a contest at the Chicago Art Institute. When Wood sold the painting to the museum later on, he received just $300 for it. But the piece’s momentum didn’t stop there. It turned out that American Gothic’s debut at a time when urban and rural ideals were clashing helped it become the defining image of the era. The painting had something for everyone: Metropolitans like Gertrude Stein saw it as a satire of simple farm life in Middle America. Actual farmers and their families, on the other hand, welcomed it as celebration of their lifestyle and work ethic at a time when the Great Depression made it hard to take pride in anything.

Wood didn’t do much to clear up the work’s true meaning. He stated, "There is satire in it, but only as there is satire in any realistic statement. These are types of people I have known all my life. I tried to characterize them truthfully—to make them more like themselves than they were in actual life."

Rather than suffering from its ambiguity, American Gothic has been immortalized by it. The country has changed a lot in the past century, but the painting’s dual roles as a straight masterpiece and a format for skewering American culture still endure today.

Get the full story from Vox below.

[h/t Vox]

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