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17 Famous Literary Characters Almost Named Something Else

“Bladorthin the Grey” just doesn’t have the same ring to it as “Gandalf the Grey,” does it? Good thing J.R.R. Tolkien decided to do some name swapping. Turns out he’s in good company: here’s the story of Gandalf and other famous characters who experienced an identity change before publication.

1. The only Pevensie child who escaped from the first drafts of the Chronicles of Narnia series with his name intact was Peter. In an early version of The Lion, the Witch and the Wardrobe, Peter is the youngest child - not the oldest - and his siblings are Ann, Martin and Rose.

2. It’s a small change, but a significant one, especially to arachnologists. In Charlotte’s Web, E.B. White originally named his beloved eight-legged character “Charlotte Epeira” after the Grey Cross spider, or Epeira sclopetaria. He later discovered that he had mistaken the identity of the spider that served as his muse: she was actually a barn spider, not a Grey Cross. Accordingly, White matched the character's name with her species, Araneus cavaticus, making his wise webspinner's name “Charlotte A. Cavatica.”

3. Bladorthin the Grey? Yeah, not so much.

But that seems to have been J.R.R. Tolkien’s original thinking. In pencilled notes on early drafts of The Hobbit, Tolkien noted that “Gandalf” was the name of the chief dwarf and “Bladorthin” was, of course, the great wizard. After the author decided to switch the names around, Bladorthin became the name of a dead king who is mentioned just once in all of Tolkien’s prolific writings.

4. Philip Marlowe is one of the toughest private eyes ever created, so you might agree that naming him “Mallory” may not have done justice to his ruggedness. Raymond Chandler originally wanted to pay homage to English author Sir Thomas Malory, but got points with his wife when he listened to her opinion that “Marlowe” was the better name.

5. “Puckle,” Hermione Granger’s original surname, “did not suit her at all,” J.K. Rowling once commented. Deciding that her heroine needed a name that was more appropriate for her serious nature, Rowling eventually came up with something that doesn’t make you think of that taste you get in your mouth when you eat Sour Patch Kids.

6. Would Marshall the Paranoid Android have been as popular as Marvin? That's what Douglas Adams called his depressed robot in early drafts, after friend and comedian Andrew Marshall. Adams describes Marshall thusly:

“You’d be with a bunch of people in the pub and Andrew would come up and you’d say, 'Andrew, meet John, meet Susan...' Everybody would make introductions, and Andrew would stand there. And once everybody else had come to a finish in whatever they were saying, Andrew would then say something so astoundingly rude that it would completely take everybody’s breath away. … I would go over to him and say, 'Andrew, what on Earth was the point in saying that?' And he would say, 'What would be the point of not saying it? What’s the point of anything?'”

7. John Falstaff, the chubby knight who makes appearances in three of Shakespeare’s plays, was called “John Oldcastle” in Henry IV, Part 1 before descendants of the real Sir John Oldcastle complained.

8. Another small but significant change: Charlotte Brontë’s Villette protagonist had her chilly surname swapped for another one. Said Brontë, “At first - I called her ‘Lucy Snowe (spelt with an ‘e’) which ‘Snowe’ I afterwards changed to ‘Frost.’ Subsequently - I rather regretted the name change and wished it ‘Snowe’ again. A cold name she must have.”

9. Author Eoin Colfer once thought the title character of his Artemis Fowl books would go by the name Archimedes. In his words:

“Artemis was originally Archimedes, because I wanted a classic Greek name that would have an air of intelligence and genius about it. But I thought people would think it's a book about Archimedes. Artemis was the goddess of hunting. But the name was sometimes, very seldom, given to boys as kind of an honorific if their fathers were great hunters. Fowl was because there's an Irish name Fowler, and fowl sounds like foul. Because he's nasty, or he was in the beginning. It's the nasty hunter basically.”

10. Scarlett O’Hara was almost named Pansy. In fact, the iconic character didn’t receive her iconic name until just before the story went to print.

11. In early drafts of Breakfast at Tiffany’s, Holly Golightly was named Connie Gustafson. Side note: Truman Capote is thought to have based Holly on several different women, including Gloria Vanderbilt, Oona Chaplin, and Walter Matthau's wife, Carol Grace. His own mother was probably also an inspiration.

12. Bram Stoker’s notes on Dracula reveal that he had been referring to his famous vampire as “Count Wampyr.” During research, Stoker came across Vlad II of Wallachia, who went by the name Vlad Dracul. He was intrigued enough to change his character’s name.

13. Similarly, Arthur Conan Doyle made notes that indicated he'd been considering the name “Sherringford” for Detective Holmes.

14. If that doesn’t throw you for enough of a loop, consider this: Holmes’ assistant was originally going to be called "Ormond Sacker." Arthur Conan Doyle decided the name was a bit too bizarre and changed it to the decidedly duller “John H. Watson.”

15. Before “Nancy Drew” was decided upon, names kicked around for the plucky young heroine included Stella Strong, Diana Drew, Diana Dare, Nan Nelson, Helen Hale and Nan Drew.

16. Small Sam, Little Larry and Puny Pete were all in the running before Charles Dickens settled on “Tiny Tim” for the sickly sad sack in A Christmas Carol.

17. Little Orphan Annie was nearly Little Orphan Otto, until Harold Gray’s publisher at the newspaper syndicate suggested his character looked more female than male and told him to stick a skirt on it.

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15 Powerful Quotes From Margaret Atwood
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MICHAL CIZEK/AFP/Getty Images

It turns out the woman behind such eerily prescient novels as The Handmaid’s Tale and Oryx and Crake is just as wise as her tales are haunting. Here are 15 of the most profound quips from author, activist, and Twitter enthusiast Margaret Atwood, who was born on this day in 1939.

1. On her personal philosophy

 “Optimism means better than reality; pessimism means worse than reality. I’m a realist.”

— From a 2004 interview with The Guardian

2. On the reality of being female

“Men often ask me, Why are your female characters so paranoid? It’s not paranoia. It’s recognition of their situation.”

— From a 1990 interview with The Paris Review

3. On limiting how her politics influence her characters

“You know the myth: Everybody had to fit into Procrustes’ bed and if they didn’t, he either stretched them or cut off their feet. I’m not interested in cutting the feet off my characters or stretching them to make them fit my certain point of view.”

— From a 1997 interview with Mother Jones

4. On so-called “pretty” works of literature

“I don’t know whether there are any really pretty novels … All of the motives a human being may have, which are mixed, that’s the novelists’ material. … We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.”

— From a 2010 interview with The Progressive

5. On the artist’s relationship with her fans

“The artist doesn’t necessarily communicate. The artist evokes … [It] actually doesn’t matter what I feel. What matters is how the art makes you feel.”

— From a 2004 interview with The Guardian

6. On the challenges of writing non-fiction

“When I was young I believed that ‘nonfiction’ meant ‘true.’ But you read a history written in, say, 1920 and a history of the same events written in 1995 and they’re very different. There may not be one Truth—there may be several truths—but saying that is not to say that reality doesn’t exist.”

— From a 1997 interview with Mother Jones

7. On poetry

“The genesis of a poem for me is usually a cluster of words. The only good metaphor I can think of is a scientific one: dipping a thread into a supersaturated solution to induce crystal formation.”

— From a 1990 interview with The Paris Review

8. On being labeled an icon

“All these things set a standard of behavior that you don’t necessarily wish to live up to. If you’re put on a pedestal you’re supposed to behave like a pedestal type of person. Pedestals actually have a limited circumference. Not much room to move around.”

— From a 2013 interview with The Telegraph

9. On how we’re all born writers

“[Everyone] ‘writes’ in a way; that is, each person has a ‘story’—a personal narrative—which is constantly being replayed, revised, taken apart and put together again. The significant points in this narrative change as a person ages—what may have been tragedy at 20 is seen as comedy or nostalgia at 40.”

— From a 1990 interview with The Paris Review

10. On the oppression at the center of The Handmaid's Tale

“Nothing makes me more nervous than people who say, ‘It can’t happen here. Anything can happen anywhere, given the right circumstances.” 

— From a 2015 lecture to West Point cadets

11. On the discord between men and women

“‘Why do men feel threatened by women?’ I asked a male friend of mine. … ‘They’re afraid women will laugh at them,’ he said. ‘Undercut their world view.’ … Then I asked some women students in a poetry seminar I was giving, ‘Why do women feel threatened by men?’ ‘They’re afraid of being killed,’ they said.”

— From Atwood’s Second Words: Selected Critical Prose, 1960-1982

12. On the challenges of expressing oneself

“All writers feel struck by the limitations of language. All serious writers.”

— From a 1990 interview with The Paris Review

13. On selfies

“I say they should enjoy it while they can. You’ll be happy later to have taken pictures of yourself when you looked good. It’s human nature. And it does no good to puritanically say, ‘Oh, you shouldn’t be doing that,’ because people do.”

— From a 2013 interview with The Telegraph

14. On the value of popular kids' series (à la Harry Potter and Percy Jackson)

"It put a lot of kids onto reading; it made reading cool. I’m sure a lot of later adult book clubs came out of that experience. Let people begin where they are rather than pretending that they’re something else, or feeling that they should be something else."

— From a 2014 interview with The Huffington Post

15. On why even the bleakest post-apocalyptic novels are, deep down, full of hope

“Any novel is hopeful in that it presupposes a reader. It is, actually, a hopeful act just to write anything, really, because you’re assuming that someone will be around to [read] it.”

— From a 2011 interview with The Atlantic 

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China's New Tianjin Binhai Library is Breathtaking—and Full of Fake Books
FRED DUFOUR/AFP/Getty Images
FRED DUFOUR/AFP/Getty Images

A massive new library in Tianjin, China, is gaining international fame among bibliophiles and design buffs alike. As Arch Daily reports, the five-story Tianjin Binhai Library has capacity for more than 1 million books, which visitors can read in a spiraling, modernist auditorium with floor-to-ceiling bookshelves.

Several years ago, municipal officials in Tianjin commissioned a team of Dutch and Japanese architects to design five new buildings, including the library, for a cultural center in the city’s Binhai district. A glass-covered public corridor connects these structures, but the Tianjin Binhai Library is still striking enough to stand out on its own.

The library’s main atrium could be compared to that of the Frank Lloyd Wright-designed Guggenheim Museum in New York City. But there's a catch: Its swirling bookshelves don’t actually hold thousands of books. Look closer, and you’ll notice that the shelves are printed with digital book images. About 200,000 real books are available in other rooms of the library, but the jaw-dropping main room is primarily intended for socialization and reading, according to Mashable.

The “shelves”—some of which can also serve as steps or seating—ascend upward, curving around a giant mirrored sphere. Together, these elements resemble a giant eye, prompting visitors to nickname the attraction “The Eye of Binhai,” reports Newsweek. In addition to its dramatic main auditorium, the 36,000-square-foot library also contains reading rooms, lounge areas, offices, and meeting spaces, and has two rooftop patios.

Following a three-year construction period, the Tianjin Binhai Library opened on October 1, 2017. Want to visit, but can’t afford a trip to China? Take a virtual tour by checking out the photos below.

A general view of the Tianjin Binhai Library
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People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman taking pictures at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A man visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman looking at books at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

[h/t Newsweek]

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