10 Ideas for Antiquating Your Modern Technology

Modern technology is amazing and efficient. But there is something to be said for the giddy nostalgia created by products from the past. Thankfully, there are a lot of ways to combine the two experiences.

1. Rotary iPhone Dialer App

For just 99-cents you too can be really frustrated every time you call your friend who has a couple of 9s in his phone number.

2. Make Your Tablet An 80s-Style Coin Operated Video Game

No more pining for days gone by spending hours in the local mall arcade when you can just turn your brand new, expensive iPad into your own really old, cheap gaming experience.

3. Morse Code Tweet Writer

With this handy computer enabled Morse code tweeting device, all our trusty editor Jason English would have to do is enter this:

- .... .. .-. - -.-- -.-- . .- .-. ... .- --. --- - --- -.. .- -.-- .--. .-. . ... .. -.. . -. - .-. . .- --. .- -. ... .-- --- ..- .-.. -.. -... . .- ... ... .- ... ... .. -. .--- --- .... -. .... .. -. -.-. -.- .-.. . -.-- .-- .- ... ..-. --- ..- -. -.. -. --- - --. ..- .. .-.. - -.-- -... -.-- .-. . .- ... --- -. --- ..-. .. -. ... .- -. .. - -.--

And out would come this:

4. Play Halo With An Atari Controller

ThinkGeek offers a USB-enabled Atari controller for use on your computer. Right on the product page they helpfully recount how to play an Atari version of Halo (called Halo 2600) that was developed by one of the game’s developers.

5. Turn Your iPod Into A Gramophone

Crank up the old timey tunes!

6. Use A Throwback Key Pad

A lot of people miss the clicking of keys as they type on their Apple products. The iPad typewriter should more than solve their problems.

7. Gaze Into the World of Childhood Magic

Sometimes it’s nice to take a moment to appreciate the simple technological pleasures of the past like a good old ViewMaster. Lucky for you, Hasbro created this modern version that prevents you from actually having to put your phone down.

8. Make Your iPod An Enormous Shoulder Accessory

It’s been far too long since you walked through the mall with a blaring boombox on your shoulder. Get yourself some Adidas kicks and a nice track suit, pop your iPod into this dock and make that happen pronto.

9. Make Instant Communication Take A While

Twitter is so instant that you can post a silly or insane message on there before you actually have time to think. Better that you should sit down for a moment and think through your thoughts. That seems to have been the rationale of Giles Turnbull when he started Twitter By Post. Who says you couldn’t do the same?

10. Make Your Phone A Lot Bigger

Maybe Zack Morris was secretly talking on an iPhone hidden inside one of these primitive-looking cases.

10 Surprising Facts About Band of Brothers

In 1998, HBO—then a network that had not yet completely broken through with hits like The Sopranos and Sex and the Citydecided to take on its biggest project ever: a massive 10-hour World War II miniseries executive produced by Steven Spielberg and Tom Hanks. Three years, more than $100 million, and thousands of work hours later, Band of Brothers was brought to the world. The true story of a single paratrooper company making their way through the last year of the war in Europe, Band of Brothers dwarfed other TV dramas of its era with its budget, its cast, its effects, and its extraordinary attention to period detail. The result was one of the most acclaimed World War II dramas ever filmed.

So, from the sheer scale of the production to the cast’s boot camp to some actors you may have forgotten about, here are 10 things you might not have known about Band of Brothers.


When Band of Brothers began its journey to the screen in the late 1990s, one of HBO’s chief concerns in agreeing to produce the series was its budget. Today, in the age of Game of Thrones, it seems natural for the network to foot the bill for such an epic, but at the time the amount of money called for was almost unheard of. When discussions first began, it became clear that the miniseries would cost at least $125 million to produce, which meant $12 million per episode. That’s a figure that dwarfed even the most prestigious and popular TV dramas at the time, and it didn’t even factor in the massive marketing budget (at least $15 million) the network was considering to promote the event. So, what convinced HBO to put up the money? A number of factors, but having Hanks and Spielberg on board certainly helped.

''I'm not saying they didn't bat an eye,'' Hanks told The New York Times in 2001. ''Oh, they did bat an eye. But the reality is this was expensive. You had to have deep pockets. And HBO has deep pockets."


The promotional campaign for Band of Brothers was almost as massive as its budget, with HBO attempting to draw the curiosity of as many non-subscribers as possible. One of the ways they achieved this was by forming the network's first ever partnership with another company to launch a series of commercials. That company was Jeep, which was celebrating the 60th anniversary of its signature vehicle at the time. The classic military Jeep figures prominently in Band of Brothers—it appears more than 1000 times throughout the series—so it was a natural fit.

Together, HBO and Jeep shot a series of six commercials tying into the series, filmed on Utah Beach in Normandy, France (not a place commercials are usually allowed to shoot). The spots aired on broadcast television, allowing HBO a rare chance (at the time) to get its products before an audience that large.


Though Band of Brothers was largely well-received by audiences both in the United States and abroad, it did cause some controversy in the United Kingdom before it even aired there. According to The Guardian, the furor was stirred up by The Daily Mail, which published a condemnation of the miniseries for its lack of British soldiers. The series, of course, is meant to follow a single company of American troops as they navigate the last year of the war in Europe, but that didn’t stop The Daily Mail from decrying the show’s narrow focus. The publication called forward various British veterans who declared Band of Brothers "an absolute disgrace and an insult to the millions of brave Britons who helped win the war,” the implication being that the series essentially depicted only Americans as winning the war in Europe. The controversy, while noteworthy, was short-lived.


Band of Brothers, a 10-hour miniseries set entirely during World War II, would be a massive undertaking even now, but it was particularly gargantuan when it was produced. Some figures that prove just how big it was: According to the documentary The Making of Band of Brothers, the production required 2000 American and German military uniforms; 1200 vintage costumes (that’s not counting the newly made ones); more than 10,000 extras; more than 14,000 rounds of ammunition a day; and 500 speaking roles. The special effects alone were so massive that, by the time the third episode was completed, the production had already used more pyrotechnics than Saving Private Ryan, which is particularly impressive given that much of the first episode is taken up by boot camp sequences.


A still from 'Band of Brothers' (2001)

The story of Band of Brothers takes the men of Easy Company across half the European continent, through several different countries and even seasons. Despite the vivid depiction of all of these varied places on the journey, the miniseries (aside from certain location shoots) was largely filmed in one place. Thanks to a large tax break from the UK government, the production was headquartered at the Hatfield Aerodrome, an old British aerospace factory that had been converted into a massive, 1100-acre backlot. The various hangars from the factory were used to house the costumes, props, weapons, tanks, and other equipment used to shoot the series, and some hangars even housed various sets.


Because Band of Brothers was mostly shot on the Hatfield backlot, the crew had to make certain accommodations to portray much of Europe in a small space. One key factor was the 12-acre village set constructed on the lot. A set that size is a massive undertaking anyway, but to depict the various places Easy Company visits, the village had to be constantly redressed to show England, Holland, Belgium and other locations. In all, the village ended up playing 11 different towns throughout the miniseries. 


One of the most harrowing segments of Band of Brothers takes place in the sixth episode, “Bastogne.” Caught in the middle of the Battle of the Bulge and low on supplies, Easy Company faces its toughest challenge yet as they try to hold off a massive German force even as they’re starving and freezing to death. It’s a powerful episode, but most of the time the actors were faking the hardship. The sequences in which the company is huddled down in foxholes, scrounging for whatever food and medicine they can get, were largely filmed on a massive indoor set constructed in one of the hangars at Hatfield. The production used real trees and numerous fiberglass trees (which could be broken apart to simulate German shells) to create the forest, and paper mixed with various polymers to create artificial snow. It’s estimated that more than a third of a million pounds of paper were used to make snow throughout the sequence, and it took four weeks to completely cover the set.

“It’s the biggest amount ever used on one set, for anything,” snow effects supervisor David Crownshaw said. “It should be in the Guinness Book of Records.”


Every major character in Band of Brothers wields at least one firearm throughout the entire production, and many of the men of Easy Company are never without their trusty M1 Garand rifles. The World War II-era weapons were key to the production, and Hanks and Spielberg insisted on authenticity, so they went to an arms dealer and picked up 700 authentic period weapons for the production. Numerous other guns (including pistols largely kept in holsters) were made of rubber, but very often when you see the men of Easy Company firing their rifles at the enemy, they were firing the real thing.


Because Band of Brothers includes hundreds of speaking roles, including dozens of American soldiers, the production had to recruit a virtual army of young actors, many of whom were relatively unknown at the time. If you go back and watch the series now, you’ll see several young faces that are now recognizable as major movie stars. Among the now-big names: James McAvoy, Tom Hardy, Simon Pegg, Michael Fassbender, Colin Hanks, Dominic Cooper, and Jimmy Fallon.


To develop a better understanding of the military culture their characters were involved in, and to get them in the right physical and mental shape for the miniseries, the cast portraying Easy Company embarked on an intensive 10-day boot camp before shooting, training 18 hours a day under the watchful eye of Captain Dale Dye.

Dye, a former Marine and Vietnam veteran who came to Hollywood after he left the military to become a technical advisor, served as the senior military advisor on the production and also portrayed Colonel Robert Sink in the series. Dye led the boot camp and even helped direct key battle sequences in an effort to get the cast as close to real soldiers as possible. According to the men who portrayed Easy Company, the experience brought them closer together, and made them more like a real unit.

“You hit walls in boot camp," Scott Grimes, who played Sergeant Malarkey, said. "You hit these personal mental, physical walls that you have to go over, basically. There were guys the first night at boot camp that cried themselves to sleep that I was there for, and they were there for me.”

In addition to boot camp, the Easy Company cast also undertook a version of paratrooper training to ensure authenticity. Among the challenges: jumping out of a mock-up plane fuselage, while strapped to a harness simulating a parachute, from a height of 40 feet.

After a Year in Space, Astronaut Scott Kelly Is No Longer Genetically Identical to His Twin Brother

After spending 342 consecutive days onboard the International Space Station from 2015 to 2016, astronaut Scott Kelly now holds the record for longest single space mission by an American. But his "One-Year" study with NASA was about more than breaking records: Its purpose was to show how prolonged time in orbit would effect Kelly's genetic makeup compared to that of his identical twin brother on Earth. Now, following recent evaluations of the two men, it appears that Scott Kelly and his brother Mark are no longer genetically identical, reports.

NASA announced the most recent findings from its Twins Study ahead of a more comprehensive paper combining the work of multiple teams of researchers that is slated for later in 2018. Like his brother Scott, Mark is also an astronaut, making the pair the only twin astronauts in history. So when NASA was looking for a way to study the long-term effects of space life, the siblings were a perfect fit.

As Scott was sending tweets and blowing bubbles on the ISS, Mark stayed on Earth to serve as the control. Biological samples taken from both subjects before, during, and after the space flight showed some dramatic differences. According to an investigation conducted by Susan Bailey of Colorado State University, Scott's telomeres, the protective "cap" at the ends of chromosomes that shorten as we age, got longer in space. The telomeres began shrinking back to preflight levels, however, a few days after Scott's return to Earth. Scott was subjected to regular exercise and a restricted diet aboard the ISS, so the new lifestyle may explain the sudden telomere boost.

Other genetic differences stuck around even months after landing. "Although 93 percent of genes’ expression returned to normal post-flight, a subset of several hundred 'space genes' were still disrupted after return to Earth," acccording to a NASA press release. About 7 percent of Scott's genes may show longer-term changes, included the genes associated with DNA repair, immune health, bone formation, hypoxia (an oxygen deficiency in the tissues) and hypercapnia (excessive carbon dioxide in the bloodstream).

A long list of factors, like radiation, caloric restriction, and zero gravity, may have contributed to the results. NASA plans to use these findings to develop countermeasures against these effects, which will be essential if the agency plans to send humans to Mars, a journey that could take three times as long as Scott Kelly's ISS mission.



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