Temper tantrums often lead to ejections, suspensions, and fines. But these 12 athletes went the extra mile and actually physically hurt themselves, too.
1. Amar'e Stoudemire
When New York Knicks' big man Amar'e Stoudemire punched a glass case housing a fire extinguisher after a Game 2 playoff loss against the Miami Heat, he needed 15 stitches to close the gash.
"Bloody Idiot" declared the next day's New York Post.
The immediacy of social media at least allowed Stoudemire to beat the Post headline to the punch. That same night he Tweeted his regrets:
"I am so mad at myself right now. I want to apologize to the fans and my team. I'm not proud of my actions."
2. Pat Zachry
The Mets' righthander was having an All-Star season in 1978 until his third start after the All-Star break. After allowing a hit to Pete Rose and getting lifted four batters later, Zachry angrily tried to kick a helmet in the dugout, missed and kicked a concrete step instead. He broke his foot.
3. John Tudor
The St. Louis Cardinals' lefthander was an angry man in 1985. Feeling his oats after a 3-0 shutout of Kansas City in Game 4 of the World Series, he lashed out at the media.
Seeing a bunch of reporters in the clubhouse, Tudor said, "What's it take to get a media pass, a license?"
Back on the mound in Game 7, Tudor got lit up. Yanked early from a 11-0 loss, Tudor punched an electric fan in the dugout and cut his hand.
4. Milton Bradley
With the San Diego Padres involved in the pennant race in 2007, Bradley went so bananas arguing with an umpire that manager Bud Black had to restrain him. Manager and player got their legs tangled and Bradley tore the anterior cruciate ligament in his knee, missing the last week of the season.
The Padres lost a one-game playoff to Colorado for a wild-card berth.
5. Kevin Brown
Pitching for the Yankees in 2004, Brown punched a clubhouse wall in frustration and broke his hand.
"Stupidity," he called it. He at least had the presence to punch the wall with his non-throwing hand, but that didn't stop the Yankees from threatening to check into the language of his contract to see if they could dock his salary.
6. Mikhail Youzhny
In a 2008 match at the Sony Ericsson Open against Spain's Nicolas Almagro, the 25-year-old Russian whacked himself in the face with his racket three times after hitting a backhand into the net. Blood oozed from his hairline to his mouth. But unlike Stoudemire and the Knicks, at least he won (although he didn't get out of the next round.)
7. Jason Isringhausen
While in AAA Norfolk in 1997, the Met pitcher punched a dugout trash can and broke his hand, proving it's possible to be sent to the minors for a rehab assignment and injure a completely different body part than the one you're trying to heal.
8. Doyle Alexander
The Yankee righthander punched a wall in 1982 and broke his little finger. Even more misfortune befell Alexander when he offered to forfeit part of his salary. Yankees' owner George Steinbrenner accepted.
9. Henrik Stenson
The Swedish golfer seemed destined to be remembered for undressing to his underwear to hit a shot out of muddy terrain near a water hazard at Doral in 2009. But fighting for notoriety is an incident from the 2011 U.S. Open at Congressional when he snapped the shaft of a 7-iron after a wayward shot on No. 15 and suffered a deep gash to his right index finger.
OK, so he's still known more for stripping.
10. A.J. Burnett
After an ugly second inning against Tampa in 2010, the Yankee righthander slammed his open hands into a swinging clubhouse door containing plastic holders for lineup cards. He cut his hands on the plastic edges. He told trainers he slipped and scraped his hands trying to break his fall, but quickly confessed after the game.
11. Bryce Harper
The Washington Nationals 19-year-old made an out in the seventh inning against the Reds earlier this season. Apparently that's not supposed to happen. So he smashed his bat against the dugout wall.
The bat splintered and cut his face, requiring 10 stitches.
12. Troy Tulowitzki
As a second-year player, the Colorado Rockies shortstop missed 45 games with a thigh injury. Finally off the disabled list he shattered his bat slamming it into the ground. He required 16 stitches and returned to the disabled list for 15 days.
Bud Shaw is a columnist for the Cleveland Plain Dealer who has also written for the Philadelphia Daily News, San Diego Union-Tribune, Atlanta Journal-Constitution and The National. You can read his Plain Dealer columns at Cleveland.com, and read all his mental_floss articles here.
It took a backpacking trip to Thailand and a bit of serendipity for Kanchan Singh to realize her life goal of saving cats while serving lattes. “I met these two guys on the road [in 2014], and we became friends,” Singh tells Mental Floss about Crumbs & Whiskers, the bicoastal cat cafe she founded in Washington, D.C. in 2015 which, in addition to selling coffee and snacks, fosters adoptable felines from shelters. “They soon noticed that I was feeding every stray dog and cat in sight," and quickly picked up on the fact that their traveling companion was crazy about all things furry and fluffy.
On Singh’s final day in Thailand, which happened to be her birthday, her friends surprised her with a celebratory trip to a cat cafe in the city of Chiang Mai. “I remember walking in there being like, ‘This is the coolest, most amazing, weirdest thing I’ve ever done,'” Singh recalls. “I just connected with it so much on a spiritual level.”
Singh informed her friends that she planned to return to the U.S., quit her corporate consulting job, and open up her own cat cafe in the nation’s capital. They thought she was joking. But three years and two storefronts later, the joke is on everyone except for Singh—and the kitties she and her team have helped to rescue.
A customer pets cats while drinking coffee at the flagship Washington, D.C. location of cat cafe Crumbs & Whiskers.
Courtesy of Crumbs & Whiskers
Washington, D.C. customers stroke a furry feline while enjoying coffee at Crumbs & Whiskers.
Courtesy of Crumbs & Whiskers
Crumbs & Whiskers—which, in addition to its flagship D.C. location, also has a Los Angeles outpost—keeps a running count of the cats they've saved from risk of euthanasia and those who have been adopted. At press time, those numbers were 776 and 388, respectively, between the brand’s two locations.
Prices and services vary between establishments, but customers can typically expect to shell out anywhere from $6.50 to $35 to enjoy coffee time with cats (food and drinks are prepared off-site for health and safety reasons), activities like cat yoga sessions, or, in D.C., an entire day of coworking with—you guessed it—cats. Patrons can also participate in the occasional promotion or campaign, ranging from Black Friday fundraisers for shelter kitties to writing an ex-flame's name inside a litter box around Valentine's Day (where the cats will then do their business).
Cat cafes have existed in Asia for nearly 20 years, with the world’s first known one, Cat Flower Garden, opening in Taipei, Taiwan in 1998. The trend gained traction in Japan during the mid 2000s, and quickly spread across Asia. But when Singh visited Chiang Mai, the cat cafe craze—while alive and thriving in Thailand—had not yet hit the U.S. "Why does Thailand get this, but not the U.S.?" Singh remembers thinking.
Once she arrived back home in D.C., Singh set her sights on founding the nation’s first official cat cafe, launching a successful Kickstarter campaign that helped her secure a two-story space in the city’s Georgetown neighborhood. Ultimately, though, she was beat to the punch by the Cat Town Cafe in Oakland, California, which opened to the public in 2014, followed shortly after by establishments like New York City’s Meow Parlour.
LA customers at cat cafe Crumbs & Whiskers
Courtesy of Crumbs & Whiskers
Still, Crumbs & Whiskers—which officially launched in D.C. in the summer of 2015—was among the nation’s first wave of businesses (and the District's first) to offer customers the chance to enjoy feline companionship with a side of java, along with the opportunity to maybe even save a tiny life. Ultimately, the altruistic concept proved to be so successful that Singh, sensing a market for a similar storefront in Los Angeles, opened up a second location there in the fall of 2016. "I always felt like what L.A. is, culturally, just fits with the type of person that would go to a cat café," she says.
Someday, Singh hopes to bring Crumbs & Whiskers to Chicago and New York, and “for cat cafes as a concept, as an industry, to grow,” she says. “I think that it would be great for this to be the future of adoptions and animal rescues.” Until then, you can learn more about Crumbs & Whiskers (and the animals they rescue) by stopping by if you're in D.C. and LA, or by visiting their website.
It's no wonder The Princess Bride is such a beloved film: It's action-packed but still lighthearted, sweet but not saccharine, silly but still smart—and, of course, endlessly quotable. Fortunately, in 2012, the movie's leading man Cary Elwes was inspired to write a behind-the-scenes book about the making of the movie in honor of its 25th anniversary, for which he interviewed nearly all of the key cast and crew (sadly, André the Giant, who played Fezzik, passed away in 1993).
William Goldman, who wrote the novel The Princess Bride in 1973 and penned the screenplay, toldEntertainment Weekly that, "I had two little daughters, I think they were 7 and 4 at the time, and I said, 'I’ll write you a story. What do you want it to be about?' One of them said 'a princess' and the other one said 'a bride.' I said, 'That’ll be the title.'"
2. BOTH THE DIRECTOR AND THE LEADING MAN ALREADY KNEW AND LOVED THE STORY BEFORE FILMING EVEN BEGAN.
Cary Elwes' stepfather had given him Goldman's book in 1975, when the future actor was just 13 years old. Rob Reiner, who directed the movie, first read the book in his 20s when Goldman gave it to his father. It quickly became Reiner's favorite book of all time, and he had long wanted to turn it into a movie—but he had no idea that many before him had tried and failed.
3. FOR A LONG TIME, NO ONE WAS ABLE TO MAKE THE MOVIE.
At one point or another, Robert Redford, Norman Jewison, John Boorman, and François Truffaut all tried to get the book made into a movie, but due to a series of unrelated incidents—"green-lighters" getting fired, production houses closing—it languished for years. (In one of these proto-Princess Brides, a then-unknown Arnold Schwarzenegger was supposed to play Fezzik.)
After several false starts, Goldman bought back the rights to the book. The movie only got made because Reiner had built up so much good will with movies like This is Spinal Tap and The Sure Thing that the studio, 20th Century Fox, offered to make any project of his choice.
4. MANDY PATINKIN FELT A PERSONAL CONNECTION TO THE CHARACTER OF INIGO MONTOYA.
"The moment I read the script, I loved the part of Inigo Montoya," Patinkin toldEntertainment Weekly. "That character just spoke to me profoundly. I had lost my own father—he died at 53 years old from pancreatic cancer in 1972. I didn’t think about it consciously, but I think that there was a part of me that thought, If I get that man in black, my father will come back. I talked to my dad all the time during filming, and it was very healing for me."
5. ANDRÉ THE GIANT COULD REALLY, REALLY DRINK.
Three bottles of cognac and 12 bottles of wine reportedly made him just a little tipsy. When the cast would go out for dinner, André—who, according to Robin Wright, ordered four appetizers and five entrees—would drink out of a 40-ounce beer pitcher filled with a mix of liquors, a concoction he called "The American."
6. ANDRÉ HAD AN UNCONVENTIONAL METHOD FOR LEARNING HIS LINES.
Reiner and Goldman met André, then a famous wrestler, at a bar in Paris. "I brought him up to the hotel room to audition him. He read this three-page scene, and I couldn’t understand one word he said," Reiner recalled. "I go, ‘Oh my God, what am I going to do? He’s perfect physically for the part, but I can’t understand him!’ So I recorded his entire part on tape, exactly how I wanted him to do it, and he studied the tape. He got pretty good!"
7. WILLIAM GOLDMAN WAS INCREDIBLY NERVOUS ON THE SET.
Of all the projects he’d written and worked on—which included the Academy Award-winning Butch Cassidy and the Sundance Kid—Goldman loved The Princess Bride best of all. This manifested itself as extreme nervousness about the project. Reiner invited Goldman to be on set for the duration of the filming—which Goldman did not want to do, saying, “I don’t like being on set. If you’re a screenwriter, it’s boring”—but on the first day, he proved to be a slight nuisance. The first couple takes were plagued by a barely-audible chanting, which turned out to be Goldman praying things would go well. And when Wright's character's dress caught on fire, he panicked, yelling, "Oh my god! Her dress is on fire!"—even though Goldman himself had written that into the script.
8. WALLACE SHAWN WAS BRILLIANT, BUT ALWAYS ON EDGE.
Shawn, who played Vizzini the Sicilian, really is, like his character, a man of "dizzying intellect." He has a history degree from Harvard and studied philosophy and economics at Oxford. In fact, on a day off from filming The Princess Bride, Shawn went to Oxford to give a guest lecture on British and American literature. But Shawn was inconsolably nervous for the entirety of filming.
After learning from his agent that Reiner had originally wanted Danny DeVito for the part, Shawn was wracked with insecurity, perpetually convinced that he was going to be fired after every bad take. "Danny is inimitable," Shawn said. "Each scene we did, I pictured how he would have done it and I knew I could never possibly have done it the way he could have done it," he said.
9. THE DUEL BETWEEN WESTLEY AND INIGO WAS EXCRUCIATINGLY RESEARCHED AND REHEARSED.
Goldman spent months researching 17th-century swordfighting manuals to craft Westley and Inigo's duel; all the references the characters make to specific moves and styles are completely accurate. Then Elwes and Patinkin, neither of whom had much (if any) fencing experience, spent more months training to perfect it—right- and left-handed.
"I knew that my job was to become the world’s greatest sword fighter," Patinkin recalled in Elwes's book. "I trained for about two months in New York and then we went to London and Cary and I trained every day that we weren’t shooting for four months. There were no stuntmen involved in any of the sword fights, except for one flip in the air.” Even after months of pre-shooting training, the fencing instructors came to set and, when there were a few free minutes, would pull Elwes and Patinkin aside to work on the choreography for the scene, which was intentionally one of the last to be shot.
10. IT WAS ELWES'S IDEA TO DIVE HEADFIRST INTO THE "QUICKSAND."
That particular Fire Swamp stunt was accomplished by having a trap door underneath a layer of sand, below which there was foam padding for the actors to fall onto. Originally, the direction called for Westley to jump in feet-first after Buttercup, but Elwes argued this wasn't particularly heroic. Switching up the direction was a risky move—if the trap door wasn't opened at exactly the right instant, Elwes risked banging his head—or even breaking his neck. After the stunt double successfully executed the dive, Elwes himself tried it, and nailed it perfectly on the first take.
11. MIRACLE MAX REALLY WAS THAT FUNNY—AND YOU'RE NOT EVEN SEEING HIS BEST STUFF.
Billy Crystal brought two photos for his makeup artist, Peter Montagna, to draw inspiration from when creating Miracle Max: Crystal’s grandmother and Casey Stengel. As for the acting, Elwes wrote in his book, "For three days straight and 10 hours a day, Billy improvised 13th-century period jokes, never saying the same thing or the same line twice." Unfortunately for viewers, many of the improvised jokes were not fit for a family-friendly film. Only the cast and crew knows how funny his more crude Miracle Max takes were, but judging from the fact that Patinkin bruised a ribtrying to stifle his laughter, as he recounts in the book, they were probably pretty good.
12. BILLY CRYSTAL AND CAROL KANE, WHO PLAYED HIS WIFE, INVENTED AN ENTIRE BACKSTORY.
"Billy came over to my apartment in Los Angeles and we took the book and underlined things and made up a little more backstory for ourselves," Kane said. "We added our own twists and turns and stuff that would amuse us, because there’s supposed to be a long history—who knows how many hundreds of years Max and Valerie have been together?" How has that pair not gotten a spin-off film yet?
13. ELWES FILMED MANY OF HIS SCENES WITH A BROKEN TOE.
Six weeks into production, André convinced Elwes to go for a spin on the ATV that was used to transport the larger man to and from filming locations because he didn’t fit in the van. Almost immediately, the vehicle hit a rocky patch and Elwes got his foot stuck between two mechanisms in the vehicle, breaking his big toe. The young actor tried to hide the injury from his director, but, of course, Reiner quickly found out. He didn't find a new Westley, as Elwes feared he might, but they did have to work some movie magic to allow Elwes to limp around in many of the scenes undetected.
14. ONE PARTICULAR ON-SCREEN INJURY WASN'T FAKED.
As soon as Westley recognizes Count Rugen as the six-fingered man, the script calls for the Count to knock our hero unconscious with the butt of his sword. In filming, Christopher Guest, who played Rugen, was naturally reluctant to really hit Elwes for fear of hurting him. Unfortunately, this reticence was reading on screen and take after take failed to look convincing. Finally, Elwes suggested Guest just go for, at least tap him on the head to get the reaction timing right. The tap came a little too hard, however, and Elwes was knocked legitimately unconscious; he later awoke in the hospital emergency room. It's that take, with Elwes actually passing out, that appears in the film.
15. ONE OF THE FINAL SCENES NEVER MADE IT INTO THE FINAL FILM.
In an alternate ending that was eventually cut, Fred Savage—who plays the initially reluctant audience to Peter Falk's reading of The Princess Bride—goes to his window after his grandfather has left and sees Fezzik, Inigo, Westley, and Buttercup all on their white horses.