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How 11 Triple Crown Winners Spent Their Retirement Years

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JOHN ANGELILLO/UPI/Landov

The decision to scratch and retire I’ll Have Another with swelling in his left front leg on the day before the Belmont Stakes cost him a shot to become the 12th Triple Crown winner, but owner J. Paul Reddam still stands to make millions in stud fees. While the three-year-old colt would likely have commanded an even greater fee had he raced and won Saturday, most bloodstock agents and other experts expect him to garner $5 million to $10 million as a sire. Here’s a look at the post-Belmont careers – both on and off the track – of the 11 Triple Crown winners.

1. Sir Barton, 1919

One year after winning the Triple Crown and Horse of the Year honors, Sir Barton faced off against Man o’ War in a match race at Canada’s Kenilworth Park. Man o’ War, a legend in his own right, won by seven lengths and Sir Barton was retired to stud in Berryville, Va., shortly thereafter. After 11 mostly unimpressive years as a sire, Sir Barton’s owners turned him over to the U.S. Remount Service, which bred and supplied horses to the Army. Sir Barton’s stud fee dropped to around $10, and in 1933 the Army sold him to Dr. J.R. Hylton. Sir Barton died of colic at Dr. Hylton’s Wyoming ranch on October 30, 1937.

2. Gallant Fox, 1930

Gallant Fox raced six more times after winning the Triple Crown and scored wins in five of those races. He was retired to stud at Claiborne Farm in Kentucky at the end of the 1930 season and produced a three-year old champion in each of his first two crops as a sire. The first, Omaha, remains the only Triple Crown winner who was sired by a Triple Crown winner. Gallant Fox died on Nov. 13, 1954, one year after retiring from stud service. He was buried alongside Sir Gallahad III, who sired three Triple Crown champions, and Marguerite, his dam.

3. Omaha, 1935

Omaha was shipped to England on the RMS Aquitania in January 1936 and, according to newspaper accounts, “stood the sea trip very well.” Omaha made four starts across the pond, winning twice and placing twice. The son of Gallant Fox was retired to stud at Claiborne Farm in Kentucky, where he was a disappointment as a sire. The Jockey Club’s Breeding Bureau sent Omaha to a stud farm in New York in 1943. Seven years later, he was transferred to a farm in Nebraska, where he spent the final years of his life about 50 miles south of the city with which he shared a name.

4. War Admiral, 1937

War Admiral continued his racing career after winning the Triple Crown and edging Seabiscuit for Horse of the Year honors in 1937. The two thoroughbred legends met for the only time on November 1, 1938, in the Pimlico Special match race in Baltimore, with Seabiscuit winning by four lengths. War Admiral retired to stud in July 1939 with earnings totaling $273,240 and 21 wins in 26 starts, and was the leading sire in North America in 1945. He died in 1959 at the age of 25.

5. Whirlaway, 1941

Whirlaway, who was also known as Mr. Longtail, was a must-see attraction after winning the Triple Crown. He ran an incredible 22 races in 1942 at racetracks across the country to help raise money for the War Emergency Relief Fund. A bowed tendon as a five-year old sent Whirlaway into retirement at Kentucky’s Calumet Farm in 1946. In 1950, he was leased to breeder Marcel Boussac, who moved the two-time Horse of the Year to his stud farm in France. Boussac purchased full ownership of Whirlaway in 1952, only to have the two-time Horse of the Year die of a heart attack the following year.

6. Count Fleet, 1943

Count Fleet scored an unprecedented quintuple triumph and was named the unanimous Horse of the Year in 1943. After winning the Wood Memorial, Kentucky Derby, Preakness and Withers, he captured the Belmont with a then-record 25-length victory. Count Fleet injured his ankle during the race, which led to an early end to a promising racing career. He sired one Kentucky Derby winner and two Belmont Stakes winners after retiring to stud and died on Dec. 3, 1973 at the age of 33.

7. Assault, 1946

Assault was retired to King Ranch in Texas in February 1948 after winning five of seven starts as a four-year-old. The 1946 Horse of the Year’s stud career was brief, as it was determined that he was sterile. Assault returned to the racing circuit and won three more races over the next three years before hanging up his saddle for good in 1950. He earned $672,470 in his career, with 18 wins in 42 starts. Assault died on Sept. 1, 1971 at the age of 28.

8. Citation, 1948

Citation developed arthritis in his fetlock joint toward the end of his Triple Crown-winning year and missed all of the 1949 season as a result. Still, trainer Jimmy Jones was determined to get him back out on the track. “We have a definite goal,” Jones said in 1950. “We want Citation to be the first horse to win a million dollars. When he does that, he’ll be retired to the stud.” Jones kept his promise. Citation eclipsed the $1 million mark at Hollywood Park in Inglewood, Calif., on July 14, 1951, and was immediately retired to Calumet Farm in Lexington, Ky. Citation died on August 8, 1970 at the age of 25.

9. Secretariat, 1973

Super Red, as fans knew him, ran his final race at the Canadian Championship in Toronto in October 1973. He went to stud under the terms of a then-record $6.08 million syndication deal, which helped pay off the estate taxes of his owner’s father. (Syndication deals spread the inherent gamble associated with high-stakes breeding across multiple buyers, who purchase shares in the horse. Each share grants the owner the right to breed a mare of his or her choosing with the syndicated horse once a year for as long as the horse lives.) Secretariat retired as the sixth-leading money winner of all-time, but had mixed success as a stallion. He was put down on Oct. 5, 1989, after suffering from laminitis, an incurable hoof condition.

10. Seattle Slew, 1977

Seattle Slew was syndicated for a then-record $12 million in February 1978. He was retired to stud at Spendthrift Farm in Kentucky at the end of the season and sired several champion foals. Seattle Slew died in his stall on May 7, 2002, 25 years to the day after he won the Kentucky Derby. His progeny included Swale, who won the 1984 Kentucky Derby.

11. Affirmed, 1978

One of the highlights of Affirmed’s post-Triple Crown career was the 1978 Marlboro Cup Invitational Handicap at Belmont Park. While he lost to Seattle Slew, it marked the first time that two Triple Crown Winners raced against each other. The $66,000 that Affirmed won for finishing second pushed him past Secretariat as the top earner in a single year with $901,541. He was named Horse of the Year, an honor he retained in 1979 by winning seven of nine starts. Affirmed was syndicated for a then-record $14.4 million and retired to stud in October 1979, finishing his career as the first horse to surpass $2 million in winnings. His 700-plus foals earned roughly $40 million. Affirmed was euthanized in 2001 after developing laminitis.

What’s in Store for I’ll Have Another?

Evan Hammonds, executive editor of the thoroughbred industry magazine BloodHorse, told CNN that he expects I’ll Have Another to fetch $20,000 to $25,000 every time he breeds. That could add up to $10 million over his lifetime. While it’s significantly less than what he likely would have garnered 10 years ago – 2000 Kentucky Derby winner Fusaichi Pegasus was syndicated for a record $70 million and began his stallion career with a stud fee of $150,000 – that’s a decent return for Reddam, who purchased the colt for $35,000.

Images courtesy of Spiletta and the SI Vault

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10 Surprising Facts About The Babadook
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IFC Films

In 2014, The Babadook came out of nowhere and scared audiences across the globe. Written and directed by Aussie Jennifer Kent, and based on her short film Monster, The Babadook is about a widow named Amelia (played by Kent’s drama schoolmate Essie Davis) who has trouble controlling her young son Samuel (Noah Wiseman), who thinks there’s a monster living in their house. Amelia reads Samuel a pop-up book, Mister Babadook, and Samuel manifests the creature into a real-life monster. The Babadook may be the villain, but the film explores the pitfalls of parenting and grief in an emotional way. 

“I never approached this as a straight horror film,” Kent told Complex. “I always was drawn to the idea of grief, and the suppression of that grief, and the question of, how would that affect a person? ... But at the core of it, it’s about the mother and child, and their relationship.”

Shot on a $2 million budget, the film grossed more than $10.3 million worldwide and gained an even wider audience via streaming networks. Instead of creating Babadook out of CGI, a team generated the images in-camera, inspired by the silent films of Georges Méliès and Lon Chaney. Here are 10 things you might not have known about The Babadook (dook, dook).

1. THE NAME “BABADOOK” WAS EASY FOR A CHILD TO INVENT.

Jennifer Kent told Complex that some people thought the creature’s name sounded “silly,” which she agreed with. “I wanted it to be like something a child could make up, like ‘jabberwocky’ or some other nonsensical name,” she explained. “I wanted to create a new myth that was just solely of this film and didn’t exist anywhere else.”

2. JENNIFER KENT WAS WORRIED PEOPLE WOULD JUDGE THE MOTHER.

Amelia isn’t the best mother in the world—but that’s the point. “I’m not a parent,” Kent told Rolling Stone, “but I’m surrounded by friends and family who are, and I see it from the outside … how parenting seems hard and never-ending.” She thought Amelia would receive “a lot of flak” for her flawed parenting, but the opposite happened. “I think it’s given a lot of women a sense of reassurance to see a real human being up there,” Kent said. “We don’t get to see characters like her that often.”

3. KENT AND ESSIE DAVIS TONED DOWN THE CONTENT FOR THE KID.

Noah Wiseman was six years old when he played Samuel. Kent and Davis made sure he wasn’t present for the more horrific scenes, like when Amelia tells Samuel she wishes he was the one who died, not her husband. “During the reverse shots, where Amelia was abusing Sam verbally, we had Essie yell at an adult stand-in on his knees,” Kent told Film Journal. “I didn’t want to destroy a childhood to make this film—that wouldn’t be fair.”

Kent explained a “kiddie version” of the plot to Wiseman. “I said, ‘Basically, Sam is trying to save his mother and it’s a film about the power of love.’”

4. THE FILM IS ALSO ABOUT “FACING OUR SHADOW SIDE.”

IFC Films

Kent told Film Journal that “The Babadook is a film about a woman waking up from a long, metaphorical sleep and finding that she has the power to protect herself and her son.” She noted that everybody has darkness to face. “Beyond genre and beyond being scary, that’s the most important thing in the film—facing our shadow side.”

5. THE FILM SCARED THE HELL OUT OF THE DIRECTOR OF THE EXORCIST.

In an interview with Uproxx, William Friedkin—director of The Exorcist—said The Babadook was one of the best and scariest horror films he’d ever seen. He especially liked the emotional aspect of the film. “It’s not only the simplicity of the filmmaking and the excellence of the acting not only by the two leads, but it’s the way the film works slowly but inevitably on your emotions,” he said.

6. AN ART DEPARTMENT ASSISTANT SCORED THE ROLE AS THE BABADOOK.

Tim Purcell worked in the film’s art department but then got talked into playing the titular character after he acted as the creature for some camera tests. “They realized they could save some money, and have me just be the Babadook, and hence I became the Babadook,” Purcell told New York Magazine. “In terms of direction, it was ‘be still a lot,’” he said.

7. THE MOVIE BOMBED IN ITS NATIVE AUSTRALIA.

Even though Kent shot the film in Adelaide, Australians didn’t flock to the theaters; it grossed just $258,000 in its native country. “Australians have this [built-in] aversion to seeing Australian films,” Kent told The Cut. “They hardly ever get excited about their own stuff. We only tend to love things once everyone else confirms they’re good … Australian creatives have always had to go overseas to get recognition. I hope one day we can make a film or work of art and Australians can think it’s good regardless of what the rest of the world thinks.”

8. YOU CAN OWN A MISTER BABADOOK BOOK (BUT IT WILL COST YOU). 

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In 2015, Insight Editions published 6200 pop-up books of Mister Babadook. Kent worked with the film’s illustrator, Alexander Juhasz, who created the book for the movie. He and paper engineer Simon Arizpe brought the pages to life for the published version. All copies sold out but you can find some Kent-signed ones on eBay, going for as much as $500.

9. THE BABADOOK IS A GAY ICON.

It started at the end of 2016, when a Tumblr user started a jokey thread about how he thought the Babadook was gay. “It started picking up steam within a few weeks,” Ian, the Tumblr user, told New York Magazine, “because individuals who I presume are heterosexual kind of freaked out over the assertion that a horror movie villain would identify as queer—which I think was the actual humor of the post, as opposed to just the outright statement that the Babadook is gay.” In June, the Babadook became a symbol for Gay Pride month. Images of the character appeared everywhere at this year's Gay Pride Parade in Los Angeles.

10. DON'T HOLD YOUR BREATH FOR A SEQUEL.

Kent, who owns the rights to The Babadook, told IGN that, despite the original film's popularity, she's not planning on making any sequels. “The reason for that is I will never allow any sequel to be made, because it’s not that kind of film,” she said. “I don’t care how much I’m offered, it’s just not going to happen.”

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Space
NASA Is Posting Hundreds of Retro Flight Research Videos on YouTube
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If you’re interested in taking a tour through NASA history, head over to the YouTube page of the Armstrong Flight Research Center, located at Edwards Air Force Base, in southern California. According to Motherboard, the agency is in the middle of posting hundreds of rare aircraft videos dating back to the 1940s.

In an effort to open more of its archives to the public, NASA plans to upload 500 historic films to YouTube over the next few months. More than 300 videos have been published so far, and they range from footage of a D-558 Skystreak jet being assembled in 1947 to a clip of the first test flight of an inflatable-winged plane in 2001. Other highlights include the Space Shuttle Endeavour's final flight over Los Angeles and a controlled crash of a Boeing 720 jet.

The research footage was available to the public prior to the mass upload, but viewers had to go through the Dryden Aircraft Movie Collection on the research center’s website to see them. The current catalogue on YouTube is much easier to browse through, with clear playlist categories like supersonic aircraft and unmanned aerial vehicles. You can get a taste of what to expect from the page in the sample videos below.

[h/t Motherboard]

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