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10 Fascinating Facts About Gone With the Wind

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On this day in 1900, Gone with the Wind author Margaret Mitchell was born in Atlanta. In honor of what would be the celebrated author's 115th birthday, here are 10 things you might not have known about her Pulitzer Prize-winning novel.

1. SHE WROTE THE BOOK OUT OF BOREDOM.

It was boredom that caused 25-year-old Margaret Mitchell to write 63 of the most beloved chapters in literary history. Mitchell was a journalist for the Atlanta Journal Sunday Magazine when she took a leave to recover from “a series of injuries,” according to the Margaret Mitchell House, including a recurring ankle injury. When the ankle proved slow to heal this time, she decided to occupy herself by writing.

2. ALMOST NO ONE KNEW SHE WAS WRITING A BOOK.

Though Mitchell spent the next decade working on characters and plot development, almost no one knew she was writing a book. She went to extreme lengths to hide her work from friends and family, including hurriedly throwing a rug over pages scattered on her living room floor once when company showed up unexpectedly.

3. MITCHELL HAD NO INTENTION OF PUBLISHING THE BOOK.

Despite spending 10 years of her life working on the tome, Mitchell didn’t really have much intention of publishing it. When a “friend” heard that she was considering writing a book (though in fact, it had been written), she said something to the effect of, “Imagine, you writing a book!” Annoyed, Mitchell took her massive manuscript to a Macmillan editor the next day. She later regretted the act and sent the editor a telegram saying, “Have changed my mind. Send manuscript back.”

4. SCARLETT WAS ORIGINALLY PANSY.

You know her as Scarlett now, but for years, the heroine of Gone with the Wind was named Pansy. It probably would have stayed that way had the publisher not requested a name change. “We could call her ‘Garbage O’Hara’ for all I care,” Mitchell wrote to her friend and the book’s associate editor, “I just want to finish this damn thing.”

5. TARA WASN'T TARA.

Speaking of name changes, early drafts of Gone With the Wind referred to Tara as “Fountenoy Hall.” 

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6. DOC HOLLIDAY WAS MITCHELL'S COUSIN.

There was another Southern legend in Margaret Mitchell's family: Old West gunslinger (and dentist) Doc Holliday was Mitchell's cousin by marriage. Many people believe that Mitchell used her famous kin as the inspiration for Ashley Wilkes.

7. MITCHELL DOESN'T KNOW WHAT HAPPENED WITH SCARLETT AND RHETT.

Add Mitchell to the list of people who don’t know what ultimately happened with Scarlett and Rhett. She left the ending ambiguous with no “real” ending even in her own head. “For all I know, Rhett may have found someone else who was less—difficult,” she told Yank magazine in 1945.

8. Even if you haven’t read the book, you might have heard the last line: “Tomorrow is another day.”

That was also the tentative title. Mitchell also considered calling it Bugles Sang True or Not in Our Stars. The title she finally decided upon comes from a poem called Non Sum Qualis Eram Bonae sub Regno Cynarae by Ernest Dowson:

“I have forgot much, Cynara! gone with the wind,
Flung roses, roses riotously with the throng,
Dancing, to put thy pale, lost lilies out of mind"

9. THE NOVEL HAD ITS FAIR SHARE OF DETRACTORS.

Though Gone with the Wind is a classic now, not everyone was a fan of the epic novel when it was released—and that includes critics. Ralph Thompson, a book reviewer for The New York Times, was quite unimpressed. Among his criticisms:

“The historical background is the chief virtue of the book, and it is the story of the times rather than the unconvincing and somewhat absurd plot that gives Miss Mitchell's work whatever importance may be attached to it.”

“Miss Mitchell writes from no particular point of view.”

“I happen to feel that the book would have been infinitely better had it been edited down to, say, 500 pages—but there speaks the harassed daily reviewer as well as the would-be judicious critic. Very nearly every reader will agree, no doubt, that a more disciplined and less prodigal piece of work would have more nearly done justice to the subject-matter.”

At the end, Thompson rather begrudgingly admits that, “Any kind of first novel of over 1000 pages is an achievement and for the research that was involved, and for the writing Itself, the author of Gone With the Wind deserves due recognition.”

10. IT SET A RECORD WITH ITS MOVIE RIGHTS.

When movie mogul David O. Selznick purchased the movie rights for $50,000 in 1936, it was the most ever paid for rights to a book. Mitchell declined to be involved with the production of the movie, though she was said to have loved it—save for a few details (she found Tara to be too opulent, for example).

Though she spent a decade writing her masterpiece, Mitchell only enjoyed the ensuing fame for a little more than that (truth be told, she didn’t really “enjoy” the fame). Mitchell was hit by a speeding car as she was crossing Atlanta's Peachtree Street with her husband on their way to see a movie on the evening of August 11, 1949. She died from her injuries a few days later.

This post originally appeared in 2012.

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Man Buys Two Metric Tons of LEGO Bricks; Sorts Them Via Machine Learning
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iStock // Ekaterina Minaeva

Jacques Mattheij made a small, but awesome, mistake. He went on eBay one evening and bid on a bunch of bulk LEGO brick auctions, then went to sleep. Upon waking, he discovered that he was the high bidder on many, and was now the proud owner of two tons of LEGO bricks. (This is about 4400 pounds.) He wrote, "[L]esson 1: if you win almost all bids you are bidding too high."

Mattheij had noticed that bulk, unsorted bricks sell for something like €10/kilogram, whereas sets are roughly €40/kg and rare parts go for up to €100/kg. Much of the value of the bricks is in their sorting. If he could reduce the entropy of these bins of unsorted bricks, he could make a tidy profit. While many people do this work by hand, the problem is enormous—just the kind of challenge for a computer. Mattheij writes:

There are 38000+ shapes and there are 100+ possible shades of color (you can roughly tell how old someone is by asking them what lego colors they remember from their youth).

In the following months, Mattheij built a proof-of-concept sorting system using, of course, LEGO. He broke the problem down into a series of sub-problems (including "feeding LEGO reliably from a hopper is surprisingly hard," one of those facts of nature that will stymie even the best system design). After tinkering with the prototype at length, he expanded the system to a surprisingly complex system of conveyer belts (powered by a home treadmill), various pieces of cabinetry, and "copious quantities of crazy glue."

Here's a video showing the current system running at low speed:

The key part of the system was running the bricks past a camera paired with a computer running a neural net-based image classifier. That allows the computer (when sufficiently trained on brick images) to recognize bricks and thus categorize them by color, shape, or other parameters. Remember that as bricks pass by, they can be in any orientation, can be dirty, can even be stuck to other pieces. So having a flexible software system is key to recognizing—in a fraction of a second—what a given brick is, in order to sort it out. When a match is found, a jet of compressed air pops the piece off the conveyer belt and into a waiting bin.

After much experimentation, Mattheij rewrote the software (several times in fact) to accomplish a variety of basic tasks. At its core, the system takes images from a webcam and feeds them to a neural network to do the classification. Of course, the neural net needs to be "trained" by showing it lots of images, and telling it what those images represent. Mattheij's breakthrough was allowing the machine to effectively train itself, with guidance: Running pieces through allows the system to take its own photos, make a guess, and build on that guess. As long as Mattheij corrects the incorrect guesses, he ends up with a decent (and self-reinforcing) corpus of training data. As the machine continues running, it can rack up more training, allowing it to recognize a broad variety of pieces on the fly.

Here's another video, focusing on how the pieces move on conveyer belts (running at slow speed so puny humans can follow). You can also see the air jets in action:

In an email interview, Mattheij told Mental Floss that the system currently sorts LEGO bricks into more than 50 categories. It can also be run in a color-sorting mode to bin the parts across 12 color groups. (Thus at present you'd likely do a two-pass sort on the bricks: once for shape, then a separate pass for color.) He continues to refine the system, with a focus on making its recognition abilities faster. At some point down the line, he plans to make the software portion open source. You're on your own as far as building conveyer belts, bins, and so forth.

Check out Mattheij's writeup in two parts for more information. It starts with an overview of the story, followed up with a deep dive on the software. He's also tweeting about the project (among other things). And if you look around a bit, you'll find bulk LEGO brick auctions online—it's definitely a thing!

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Why Your iPhone Doesn't Always Show You the 'Decline Call' Button
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When you get an incoming call to your iPhone, the options that light up your screen aren't always the same. Sometimes you have the option to decline a call, and sometimes you only see a slider that allows you to answer, without an option to send the caller straight to voicemail. Why the difference?

A while back, Business Insider tracked down the answer to this conundrum of modern communication, and the answer turns out to be fairly simple.

If you get a call while your phone is locked, you’ll see the "slide to answer" button. In order to decline the call, you have to double-tap the power button on the top of the phone.

If your phone is unlocked, however, the screen that appears during an incoming call is different. You’ll see the two buttons, "accept" or "decline."

Either way, you get the options to set a reminder to call that person back or to immediately send them a text message. ("Dad, stop calling me at work, it’s 9 a.m.!")

[h/t Business Insider]

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