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Morbid Road Trip: The Scattered Artifacts of Lincoln’s Assassination

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Almost every item even remotely connected to Lincoln’s assassination, death, and funeral later found its way into some special collection. Many wound up in the hands of museums, historical societies, or the government, and are available for public viewing. Many more in private collections occasionally get loaned out for display. If I ever convince my girlfriend to go on an Assassination Vacation-esque Lincoln road trip, here’s what’s on my must-see list:

The Contents of Lincoln's Pockets

It's not surprising that Washington, D.C., has the lion’s share of assassination artifacts. The Library of Congress has contemporary newspaper accounts of the assassination, a playbill from the performance of Our American Cousin which Lincoln saw at Ford’s Theatre, and the contents of his pockets that night. These include two pairs of glasses, a lens polisher, a pocketknife, a watch fob, his wallet and a linen handkerchief. The wallet contained a five-dollar Confederate note and a few newspaper clippings that mentioned him.

The pocketknife may or may not be the same one that was, according to Lincoln mythology, given to him by a man he met on the street. Claiming that he’d been instructed to give the knife to someone uglier than him, the man said that Lincoln was the first man he’d met that fit the bill.

Lincoln’s personal effects were given to his son Robert Todd after his death, and went to the library as part of a 1937 donation by Robert’s daughter, Mary Lincoln Isham, just before her death.

Lincoln's Top Hat

At the Smithsonian Institution, there’s the top hat Lincoln was wearing at Ford’s Theatre. After the assassination, the War Department collected many of Lincoln’s personal belongings from the theatre and preserved them. The hat made its way to the Patent Office and then the Smithsonian, where it was kept on a basement storage shelf until 1893. The Smithsonian’s directors didn’t want the hat displayed -- or even spoken of by staff -- any earlier because of the strong emotions still surrounding Lincoln’s murder.

Canvas Hoods the Conspirators Wore

The Smithsonian's Lincoln collection also includes several of the canvas hoods that Secretary of War Edwin Stanton ordered be worn by the seven male assassination conspirators. The hoods were meant to isolate the men and prevent conversation during their incarceration. They were worn 24 hours a day, and had no openings for their eyes or ears and only a small hole that they could eat through.

A Drum From the Funeral

On display now as well are a drum and drumsticks that were used during Lincoln’s two-week-long funeral procession.

The Bullet That Killed Lincoln

Also in Washington, D.C., the National Museum of Health and Medicine has three items preserved from Lincoln’s autopsy: the bullet that killed Lincoln, several skull fragments created by the shot, and the probe that was used to remove the bullet.

Booth's Diary

The last D.C. stop is Ford’s Theatre, which has a museum displaying a few of John Wilkes Booth’s possessions that had been kept as evidence by the government, and a number of items from the Presidential Box where Lincoln was shot. The collection includes one of Booth’s boots with its spur, a knife and sheath, a compass, the Derringer he used to shoot and kill Lincoln, and the diary he kept while on the lam.

The Flag Booth Tripped on and a Chair from the Crime Scene

The museum also has the dress coat that Lincoln wore to the theatre, the flag that decorated the Presidential Box (which Booth caught his spur on while escaping), and a chair from the box that might be the one Mary Todd Lincoln was sitting in. The chair had been taken by a worker after the theatre shut down and was kept in a family collection for more than a century before being donated to the museum.

The Carriage He Rode In On

Heading west, the Studebaker National Museum in South Bend, Indiana, has the carriage in which Lincoln rode to Ford’s Theatre the night of his assassination. The barouche model carriage, built in 1864 and engraved with Lincoln’s monogram, was given as a gift to the president by a group of New York merchants just before his second inauguration. After the president’s death, his son Robert Todd sold it to a New York physician named F.B. Brewer, who later sold it to the Studebaker brothers. The Studebaker collection has had it since 1889 and it was restored in 2008 by Pennsylvania-based conservators B.R. Howard and Associates.

Lincoln's Deathbed

The Chicago History Museum has Lincoln’s deathbed from the Petersen House, the boarding house across the street from the theatre where Lincoln was moved for treatment. The bed, small enough that Lincoln had to be laid on it diagonally, was sold at auction for $80 after the Petersens’ deaths, and then sold to a Chicago candy magnate. After his death, the museum purchased the bed and several other pieces of furniture from the Petersen House.

A Bloody Cloak

Their collection also includes a comb that Lincoln may have used the night he was shot, and a bloody cloak that Mary Todd Lincoln might have been wearing. The Chicago Historical Society has been hard at work verifying the authenticity of these items, and you can take a virtual tour of their forensics lab here. The museum also keeps a list of “Lincolnabilia” that’s in private collections.

A Souvenir from the Gallows

At the Kansas State Historical Society, one can find a crossbeam from the gallows used to execute four of the assassination conspirators: Lewis Powell, David Herold, George Atzerodt and Mary Surratt.

The Thorax of John Wilkes Booth

The last stop is one of my favorite places in my adopted home town, the Mutter Museum of the College of Physicians of Philadelphia. There, preserved in a jar on a shelf, is a lone fragment from Booth's autopsy: a piece of tissue probably cleaned off his cervical vertebrae and originally mistaken as part of his thorax.
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All right, history buffs and museum hounds -- I know this list is by no means complete. What other relics and artifacts am I missing, and where can I see them? Anyone out there have their own plans for an unconventional historical vacation?

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Ramones Karaoke, Flickr // CC BY-NC 2.0
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Fake It Until You Make It: 10 Artificial Ruins
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Ramones Karaoke, Flickr // CC BY-NC 2.0

The love of ruins, sometimes called ruinophilia, has for centuries inspired the creation of clever fakes—a host of sham facades and hollowed-out castle shells found on grand English, European, and even American estates. The popularity of constructing artificial ruins was at its peak during the 18th and 19th centuries, but architects occasionally still incorporate them today.

Why build a structure that is already crumbling? Between the 16th and 19th centuries, the popularity of counterfeit ruins was influenced by two factors—a classical education that enforced the ideals of ancient Greece and Rome, and the extended tour of Europe (known as The Grand Tour) that well-to-do young men and women took after completing their education. Travelers might start in London or France and roam as far as the Middle East, but the trip almost always included Italy and a chance to admire Roman ruins. More than a few wealthy travelers returned home longing to duplicate those ruins, either to complement a romantic landscape, to demonstrate wealth, or to provide a pretense of family history for the newly rich.

Here are a few romantic ruins constructed between the 18th and 21st centuries.

1. SHAM CASTLE // BATHAMPTON, ENGLAND

Sham Castle (shown above) is aptly named—it’s only a façade. The "castle," overlooking the English city of Bath, was created in 1762 to improve the view for Ralph Allen, a local entrepreneur and philanthropist as well as to provide jobs for local stonemasons. From a distance it looks like a castle ruin, but it's merely a wall that has two three-story circular turrets and a two-story square tower at either end. The castle is not the only folly (as such purely decorative architecture is often called) that Allen built. He also constructed a sham bridge on Serpentine Lake in what is now Prior Park Landscape Garden—the bridge can't be crossed, but provides a nice focal point for the lake. Today, Sham Castle is part of a private golf course.

2. WIMPOLE FOLLY // CAMBRIDGESHIRE, ENGLAND

Building a structure that looks as if it's crumbling does not preclude having to perform regular maintenance. The four-story Gothic tower known as Wimpole Folly in Wimpole, Cambridgeshire, England, was built 1768-72 for Philip Yorke, first Earl of Hardwicke and owner of the Wimpole Estate. Owned by Britain’s National Trust, the ruin threatened to truly crumble a few years ago, so restoration efforts were needed. The last restoration was so well done it won the 2016 European Union Prize for Cultural Heritage. The Wimpole Estate is now open to the public for walks and hikes.

3. CAPEL MANOR FOLLY // ENFIELD, ENGLAND

Capel Manor at Bulls Cross, Enfield, England has been the site of several grand homes since the estate’s first recorded mention in the 13th century, so visitors might be tempted to believe that the manor house's ruins date back at least a few centuries. But that sense of history is an illusion: The faux 15th-century house was built in 2010 to add visual appeal to the manor gardens, which have been open to the public since the 1920s.

4. ROMAN RUIN // SCHONBRUNN PALACE, VIENNA, AUSTRIA

The Roman Ruin was built as a garden ornament for the 1441-room Schonbrunn Palace in Vienna, one of the most important monuments in Austria. The ruin was once called The Ruins of Carthage, after the ancient North African city defeated by Roman military force. But despite the illusion of antiquity, the ruins were created almost 2000 years after Carthage fell in 146 B.C.E. The ruin’s rectangular pool, framed by an intricate semi-circle arch, was designed in 1778 by the architect Johann Ferdinand Hetzendorf von Hohenberg, who modeled it on the Ancient Roman temple of Vespasian and Titus, which he had seen an engraving of.

5. THE RUINEBERG // POTSDAM, GERMANY

One of the earliest examples of artificial ruins in Germany was the complex of structures known as The Ruinenberg. Frederick the Great, King of Prussia, had a summer palace in Potsdam, near Berlin, that was said to rival Versailles. In 1748 Frederick commissioned a large fountain for the palace complete with artificial ruins. The waterworks part of his plan proved too difficult and was soon abandoned, but not before designer Georg Wenzeslaus von Knobelsdorff constructed the ruins. The complex includes Roman pillars, a round temple, and the wall of a Roman theatre. Since 1927 the site has belonged to the Prussian Gardens and Palaces Foundation, Berlin-Brandenburg.

6. PARC MONCEAU // PARIS, FRANCE

Elegant Parc Monceau is located in the fashionable 8th arrondissement of Paris near the Champs-Elysees and Palais de l’Elysée. In 1778, the Duke of Chartres decided to build a mansion on land previously used for hunting. He loved English architecture and gardens, including the notion of nostalgic ruins, so he hired the architect Louis Carrogis Carmontelle to create an extravagant park complete with a Roman temple, antique statues, a Chinese bridge, a farmhouse, a Dutch windmill, a minaret, a small Egyptian pyramid, and some fake gravestones. The most notable feature of the park is a pond surrounded by Corinthian columns, now known as Colonnade de Carmontelle.

7. HAGLEY PARK CASTLE // WORCESTERSHIRE, ENGLAND

The ruins of the medieval castle at Hagley Park in Worcestershire are definitely fake, but they were built with debris from the real ruin of a neighboring abbey. The folly was commissioned by Sir George Lyttelton in 1747 and designed by Sanderson Miller, an English pioneer of Gothic revival architecture. The castle has a round tower at each corner, but by design only one is complete and decorated inside with a coat of arms. The grounds, which also feature a temple portico inspired by an ancient Greek temple, some urns, and obelisks, are now privately owned and not open to the public.

8. TATA CASTLE RUINS // TATA, HUNGARY

French architect Charles de Moreau (1758-1841) was a scholar of classical Roman architecture known for his ability to counterfeit impressive ruins. Nicholas I, Prince Esterhazy of Hungary, hired him to work on Tata Castle and to create the ruins of a Romanesque church for the palace’s English Garden. Even though the ruin Moreau created was fake, he built it with the stones of a real ruin, the remnants of the early-12th-century Benedictine and later Dominican abbey of Vértesszőlős. A third-century ancient Roman tombstone and relief were placed nearby.

9. BELVEDERE CASTLE // MANHATTAN, NEW YORK

Frederick Law Olmsted and Calvert Vaux designed Central Park in the mid-1800s, and their plan for creating romantic vistas included the construction of a folly known as Belvedere Castle. The Gothic-Romanesque style hybrid, overlooking Central Park’s Great Lawn, was completed in 1869. Although the folly was designed as a hollow shell and meant to be a ruin, it eventually served a practical purpose, housing a weather bureau and exhibit space. The castle also provides a beautiful backdrop for Shakespeare in the Park productions, evoking the royal homes that play prominent roles in the Bard’s works.

10. FOLLY WALL IN BARKING TOWN SQUARE // LONDON

In a borough known for its real historic buildings, the ancient wall found in London’s Barking Town Square might look centuries old. It’s not, and ironically, the wall is part of the square’s renovation efforts. The wall was built by bricklaying students at Barking College using old bricks and crumbling stone items found at salvage yards. Known as the "Secret Garden," named after the children’s book about a walled garden, the wall was designed to screen a nearby supermarket and was unveiled in 2007.

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IA Collaborative
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Lovely Vintage Manuals Show How to Design for the Human Body
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IA Collaborative

If you're designing something for people to hold and use, you probably want to make sure that it will fit a normal human. You don't want to make a cell phone that people can't hold in their hands (mostly) or a vacuum that will have you throwing out your back every time you clean the house. Ergonomics isn't just for your office desk setup; it's for every product you physically touch.

In the mid-1970s, the office of legendary industrial designer Henry Dreyfuss created a series of manuals for designers working on products that involved the human body. And now, the rare Humanscale manuals from Henry Dreyfuss Associates are about to come back into print with the help of a Kickstarter campaign from a contemporary design firm. Using the work of original Henry Dreyfuss Associates designers Niels Diffrient and Alvin R. Tilley, the guides are getting another life with the help of the Chicago-based design consultancy IA Collaborative.

A Humanscale page illustrates human strength statistics.

The three Humanscale Manuals, published between 1974 and 1981 but long out-of-print, covered 18 different types of human-centric design categories, like typical body measurements, how people stand in public spaces, how hand and foot controls should work, and how to design for wheelchair users within legal requirements. In the mid-20th century, the ergonomics expertise of Dreyfuss and his partners was used in the development of landmark products like the modern telephones made by Bell Labs, the Polaroid camera, Honeywell's round thermostat, and the Hoover vacuum.

IA Collaborative is looking to reissue all three Humanscale manuals which you can currently only find in their printed form as historic documents in places like the Cooper Hewitt design museum in New York. IA Collaborative's Luke Westra and Nathan Ritter worked with some of the original designers to make the guides widely available again. Their goal was to reprint them at a reasonable price for designers. They're not exactly cheap, but the guides are more than just pretty decor for the office. The 60,000-data-point guides, IA Collaborative points out, "include metrics for every facet of human existence."

The manuals come in the form of booklets with wheels inside the page that you spin to reveal standards for different categories of people (strong, tall, short, able-bodied, men, women, children, etc.). There are three booklets, each with three double-sided pages, one for each category. For instance, Humanscale 1/2/3 covers body measurements, link measurements, seating guide, seat/table guide, wheelchair users, and the handicapped and elderly.

A product image of the pages from Humanscale Manual 1/2/3 stacked in a row.

"All products––from office chairs to medical devices—require designs that 'fit' the end user," according to Luke Westra, IA Collective's engineering director. "Finding the human factors data one needs to achieve these ‘fits' can be extremely challenging as it is often scattered across countless sources," he explains in a press release, "unless you've been lucky enough to get your hands on the Humanscale manuals."

Even setting aside the importance of the information they convey, the manuals are beautiful. Before infographics were all over the web, Henry Dreyfuss Associates were creating a huge compendium of visual data by hand. Whether you ever plan to design a desk chair or not, the manuals are worthy collectors' items.

The Kickstarter campaign runs from July 25 to August 24. The three booklets can be purchased individually ($79) or as a full set ($199).

All images courtesy IA Collaborative

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