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The Beatles Cartoons

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In September of 1965, the Beatles were the hottest act in the history of show business.

In addition to their millions of record and album sales and their sold out concerts all over the world, the Fab Four garnered record-high ratings on their TV appearances and had starred in two smash hit movies, A Hard Day's Night (1964) and Help! (1965). Beatles T-shirts, posters, books, magazines, wigs, stockings, boots, guitars, bubble bath, trading cards, hats, and more were saturating the world market.

With all of the massive worldwide Beatles production machines churning away at full blast, what was left?

This question was answered on Saturday, September 25, 1965. On that date, at 10:30 a.m., The Beatles animated cartoon series aired on ABC.

Episode 1 of The Beatles cartoon

The Music

During season one, each show opened with a guitar riff from "A Hard Day's Night," then switched to the song "Can't Buy Me Love" as the foursome is seen being chased by a mob of crazed girl fans (a la the movie A Hard Day's Night). During season two, the theme from Help! was used. For season three, "And Your Bird Can Sing" was used over a different cartoon sequence.

Reality was often overlooked in the show, as sometimes John was shown singing lead on a Paul song, and vice versa. In one episode, during the song "I'll Be Back," left-handed drummer Ringo is seen playing a guitar right-handed.

Ringo receives a guitar in episode 9 around 1:12 and begins playing it right-handed shortly thereafter

The Episodes

Thirty-nine episodes of the series were to be aired over the next four years, each episode being divided into two separate segments (for 78 segments in all). Each segment told of the band's wacky adventures and featured a Beatles song.

To describe the segments as juvenile and puerile is possibly an understatement — in one, the boys encounter a lovesick octopus, in another they are upstaged by an intellectually gifted ape named "Mr. Marvelous," and in another they encounter a boxed-up elephant named "Beethoven" and try to get him released.

In between each set of two segments was a "sing-along" portion of the show, in which a Beatles song was played with its lyrics printed onscreen, encouraging the viewers to do just that: sing along.

In this clip from episode 22, George and Ringo introduce the sing-along to "Tell Me Why" (about 0:55 to 2:53)

The Characters

The Beatles characters on the show were based on the early "moptop" Beatles, an image that the band had already completely discarded early in the series' run. The John and Paul characters sported ties and collarless Beatles jackets, while the George and Ringo characters wore more casual turtleneck outfits.

One of the strange things about the series is the insistence on keeping the early "moptop" look for the Beatles, even though by the end of the show's run, they had all grown mustaches and beards, dropped their moptop haircuts, and dressed in psychedelic clothes. A brief nod is given in a later episode, as John is seen singing while wearing his trademark glasses, but this was the exception to the rule.

The early Beatles image and stereotypes can clearly be seen in the show, i.e. John, the brash and confident group leader; Paul, clearly second in command, the smooth and well-spoken one; George, rather less-defined than the others; and Ringo, the clown, the band's comic relief and foil.

In this episode from 1966, Ringo spills an entire vat of crushed grapes at a winery, and the boys have to refill it

The Beatles' manager, Brian Epstein, is also glimpsed, albeit very briefly, in one of the series' later segments.

The Voices

John and George were both voiced by an American voice-over actor named Paul Frees, while a British voice-over actor named Lance Percival voiced Paul and Ringo. The voices of the animated band sounded not even remotely like the actual Beatles. (Paul Frees said he did John as "a Rex Harrison voice," which he thought was quite good.) Lance Percival recalled voicing Paul as "bright and cheerful" and Ringo as "the low-voiced fall guy for the humor." Jack Stokes, director for the series at TVC, says that the voices sounded nothing like the Beatles' own Liverpool accents, "just some daft idea of how we English sound to Americans."

"The Beatles hated them," he added.

The Band's Visit

A highlight of making the show for those who worked on it was the day the Beatles actually came to visit them at the show's New York studio and watch a few episodes of the series. For the visit, each of the Beatles was assigned his own personal bodyguard.

One of the members of the crew recalls the band was friendly and communicative, although George less so than the others. A strip club was located across the street from the animation studio, and another crew member recalls the strippers "hanging out the windows" trying to get a glimpse of the boys.

Ed Vane of ABC-TV remembers the reaction of the Beatles as being "very positive. They were extremely amused by it," he said, "Ringo especially. He was chuckling away and making little comments and joshing with the others."

"They liked it at first," says Lance Percival. "It was an ego thing, but then they got picky. Ringo was okay with it all, and he said to me, 'I see you made me the dumb-dumb.' I told him afterwards, 'No, that's just the way the scripts were written.'"

After the screening, there was a cocktail party and buffet. During the party, John crawled underneath the buffet table on all fours, where he asked for some wine. Interestingly, although there was a huge banquet of food at the gathering, when John looked out the window and saw a New York hot dog vendor, he immediately asked one of the Beatles aides to go down and buy him four or five hot dogs.

Reactions to the Show

The show was a smash hit in the ratings for season one, but the ratings slowly fell off in the intervening years. By the show's fourth—and final—season, it was switched from Saturday mornings to Sundays, and only reruns were shown. By September of 1969, when the show limped to a close, the episodes seemed hopelessly dated and irrelevant.

The Beatles' reported lack of initial interest in the animated film Yellow Submarine (1968) was mainly based on their less-than-positive memories of The Beatles cartoon series. (Both the film's director, George Dunning, and one of its animators, Al Brodax, worked on both projects.) After viewing Yellow Submarine, the Beatles were enthralled and agreed to film a brief 52-second cameo appearance at the film's conclusion.

Although there was definitely initial animosity toward the show, The Beatles cartoons seem to have grown on the boys as the years passed. In his later years in New York, John was to say, "You know, I still get a blast out of watching the Beatle cartoons on TV." Even George, often the surliest of the Beatles, was quoted as saying of the Beatles toons: "I always kind of liked them. They were so bad or silly they were good, if you know what I mean." Grinning, he added:

"And I think the passage of time might make them more fun now."

Eddie Deezen has appeared in over 30 motion pictures, including Grease, WarGames, 1941, and The Polar Express. He's also been featured in several TV shows, including Magnum PI, The Facts of Life, and The Gong Show. And he's done thousands of voice-overs for radio and cartoons, such as Dexter's Laboratory and Family Guy.


Read all Eddie's mental_floss stories.

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‘Total Eclipse of the Heart’ Could Have Been a Meat Loaf Song
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Imagine a world in which Bonnie Tyler was not the star performer on the Royal Caribbean Total Eclipse Cruise. Imagine if, instead, as the moon crossed in front of the sun in the path of totality on August 21, 2017, the performer belting out the 1983 hit for cruise ship stargazers was Meat Loaf?

It could have been. Because yes, as Atlas Obscura informs us, the song was originally written for the bestselling rocker (and actor) of Bat Out of Hell fame, not the husky-voiced Welsh singer. Meat Loaf had worked on his 1977 record Bat Out of Hell with Jim Steinman, the composer and producer who would go on to work with the likes of Celine Dion and Barbra Streisand (oddly enough, he also composed Hulk Hogan’s theme song on an album released by the WWE). “Total Eclipse of the Heart” was meant for Meat Loaf’s follow-up album to Bat Out of Hell.

But Meat Loaf’s fruitful collaboration with Steinman was about to end. In the wake of his bestselling record, the artist was going through a rough patch, mentally, financially, and in terms of his singing ability. And the composer wasn’t about to stick around. As Steinman would tell CD Review magazine in 1989 (an article he has since posted on his personal website), "Basically I only stopped working with him because he lost his voice as far as I was concerned. It was his voice I was friends with really.” Harsh, Jim, harsh.

Steinman began working with Bonnie Tyler in 1982, and in 1983, she released her fifth album, Faster Than the Speed of Night, including “Total Eclipse of the Heart.” It sold 6 million copies.

Tyler and Steinman both dispute that the song was written specifically for Meat Loaf. “Meat Loaf was apparently very annoyed that Jim gave that to me,” she told The Irish Times in 2014. “But Jim said he didn’t write it for Meat Loaf, that he only finished it after meeting me.”

There isn’t a whole lot of bad blood between the two singers, though. In 1989, they released a joint compilation album: Heaven and Hell.

[h/t Atlas Obscura]

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17 Electric Facts About MTV Unplugged
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Michael Stipe of R.E.M. goes Unplugged.
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Making its debut in 1989, MTV Unplugged—in which famous musicians perform stripped-down arrangements of their biggest hits—was a hit for both the cable network and the music industry, particularly in the early- to mid-'90s. Though it lost its regular time slot in 1999, in the near-20 years since, a handful of artists have popped in for brief revivals. But now it looks as if Unplugged is ready for a reboot; MTV has announced that the series will be back beginning on September 8, 2017, with Shawn Mendes as its first guest. In the meantime, here's a look behind the scenes of the music series that became a phenomenon.

1. OPINIONS VARY ON WHO CAME UP WITH THE IDEA.

Singer/songwriter Jules Shear has said that he came up with the concept for MTV Unplugged to promote his acoustic album, The Third Party. In 1992, The New York Times wrote that Shear was inspired by Jon Bon Jovi and Richie Sambora's two-song acoustic set at the 1989 MTV Video Music Awards.

That's all well and good, but producers Jim Burns and Bob Small claim they got the idea for MTV Unplugged after Bruce Springsteen treated the two—and the thousands of other fans at one of his concerts—to a final encore featuring just himself and his acoustic guitar. (Springsteen would find his way onto Unplugged in 1992.)

Executive producer Joel Gallen has referred to Unplugged as his "baby" as well and, like Shear, was inspired by Bon Jovi and Sambora's VMA set, which he called a "jumping off point." In I Want My MTV: The Uncensored Story of the Music Video Revolution, Small said: “Please do not credit Bon Jovi for creating Unplugged. Jon Bon Jovi thinks he was the inspiration for it. He wouldn’t even do the f***ing show until almost 20 years later.”

2. BOTH HBO AND PBS SAID NO.

HBO passed on Unplugged when Shear proposed the concept to the pay channel. Burns and Small pitched the series to PBS after MTV initially said no. PBS simply echoed MTV and HBO. It was only when Burns and Small ally Judy McGrath got a promotion at MTV that a pilot got a greenlight.

3. IT WAS A CHEAP PILOT TO SHOOT.

Bob Small said he had just four hours to set up for the Unplugged pilot, with another four hours to film it—and all on a budget of $18,000. "I couldn't get money to hire a director," Small said. "They said, 'You direct it.'"

4. THERE WAS A HOST FOR THE FIRST 13 EPISODES.

None other than Jules Shear was the undisputed master of ceremonies for the first season. He also joined in on some songs.

5. THE FIRST GUESTS DIDN'T QUITE GRASP THE CONCEPT OF UNPLUGGED.

Glenn Tilbrook and Chris Difford from Squeeze were the stars of the first episode, which aired on November 26, 1989. But they were unprepared. "Chris and Glenn showed up for rehearsal with electric guitars," Alex Coletti, who would end up producing the show through 2001, recalled. "I said: 'Very funny, guys. Where are the acoustics? It’s Unplugged.' They looked at each other and went, 'Riiight… Make a phone call, quick!'"

6. PRODUCERS SCRAMBLED TO GIVE JOE WALSH ACTUAL FRIENDS.

"The fifth episode was billed as Joe Walsh and Friends, and Joe showed up with only one friend—Ricky, his bass player," Coletti remembered. "We thought it meant his famous friends, but apparently that got lost in translation." Walsh had been a member of The Eagles, who had an infamous falling-out, but Walsh's claim of buddies gave MTV employees false hope. Producer Bruce Leddy found Dr. John recording at a neighboring studio and convinced him to come on and be Walsh's "friend."

7. DON HENLEY WAS NOT HAPPY THAT WALSH PLAYED "DESPERADO."

Walsh's former Eagles bandmate wrote "Desperado," as well as a three-page fax explaining to MTV that he didn't want Walsh to play it and he was refusing permission to air the performance. It was after the fax that the network invited Henley to come on the show himself to perform it. Henley was the first artist to get an entire half-hour on his own as the only artist, which quickly became the status quo for Unplugged. In 1994, when The Eagles reunited, they appeared on an MTV Unplugged special.

8. LL COOL J HAD NEVER WORKED WITH A LIVE BAND BEFORE.

The first Unplugged featuring rap artists took place in 1991. Pop's Cool Love backed LL Cool J, MC Lyte, De La Soul, and A Tribe Called Quest. “[It’s like] you drink milk for 10 years and then [you have to] drink fruit punch,” Quest's Q-Tip said about performing with the band. “It’s not that the fruit is bad, but you have to get used to it.”

But LL seemed able to adapt. "We rehearsed the night before and LL Cool J had never worked with a live band," Coletti said. "Before long, he was calling the shots like he'd been doing it his whole life."

9. LL COOL J KNOWS YOU SAW HIS DEODORANT.

"People have teased me about the deodorant for years, but I love it," he said. "It was raw! It was nasty! At least you know I wasn’t stinking.”

10. PAUL MCCARTNEY WAS THE FIRST ARTIST TO OFFICIALLY RELEASE HIS UNPLUGGED SET.

Before Paul McCartney, no other Unplugged artist body had thought to release their acoustic set as an album. But after he performed in 1991, the former Beatle was worried about it getting out to the masses illegally. “I figured that as Unplugged would be screened around the world there was every chance that some bright spark would tape the show and turn it into a bootleg, so we decided to bootleg the show ourselves," he admitted. "We heard the tapes in the car driving back. By the time we got home, we’d decided we’d got an album—albeit one of the fastest I’ve ever made.” He even titled the live performance collection Unplugged (The Official Bootleg).

11. ERIC CLAPTON WAS HESITANT TO RELEASE HIS SHOW AS AN ALBUM.

"Slowhand" performed to acclaim in 1992, but he initially didn't think it was good enough to be released officially as a CD. So naturally, his live album Unplugged won the Grammy for Album of the Year. His "Tears in Heaven" performance in particular won Song and Record of the Year. Two years later, Tony Bennett followed suit, winning the 1994 Album of the Year prize for his time on the show.

12. NEIL YOUNG WALKED OUT ON HIMSELF.

Neil Young's Unplugged was supposed to have been taped at the Ed Sullivan Theater in New York on December 12, 1992. Instead, on that night—at that venue—the audience saw something they would probably never forget: Neil Young walking out the door after numerous mistakes. The "stunned" crew members managed to get him to come back to try again that night. Young opted to junk the performance entirely, and tried again two months later—this time with a band, and with much more success.

13. TORI AMOS WALKED OUT, TOO.

Amos was thrown off and "couldn't harness the energy." But unlike Young, she was able to walk back onstage, perform, and not have to try again with another set on a different night. As the singer/songwriter remembered it, she and her manager paced "beneath the MTV thing" backstage thinking about the problem. "Then my [lighting director] came down and said, 'Something just doesn't feel right. I can’t put my finger on it,'" Amos told Worstgig.com. "For 700 shows over the five years (prior to that), I'd played with the lights down. So all the lights were up to catch the audience and I felt like somebody was watching me take a shower. So they dimmed the lights, I felt better. By that point because I'd made the choice to stop it and make some changes, I felt like I began again. And I turned the whole show around."

14. ALEX COLETTI FOUGHT TO CUT "THE MAN WHO SOLD THE WORLD" FROM NIRVANA'S EPISODE.

"Maybe I shouldn't give this secret away, but I built a fake box out in front of the amp to make it look like a monitor wedge," Coletti admitted to Guitar World in 1995. "It's an acoustic guitar, but he's obviously going through an amp," he added, talking about the now iconic David Bowie cover. "I actually fought pretty hard to leave that song out [of the final edit of the show], because I felt it wasn't as genuine as the rest of the songs. But I'm a huge Bowie fan, so I couldn't fight too hard against the song."

15. DAVE GROHL WAS ALMOST UNINVITED TO NIRVANA'S SHOW.

The Nirvana drummer remembered that it was a minor miracle that the band's Unplugged performance went so well. “That show was supposed to be a disaster,” Grohl said. “We hadn’t rehearsed. We weren’t used to playing acoustic. We did a few rehearsals and they were terrible. Everyone thought it was horrible. Even the people from MTV thought it was horrible. Then we sat down and the cameras started rolling and something clicked. It became one of the band’s most memorable performances.”

As Coletti told it, Kurt Cobain was thinking of just replacing Grohl behind the kit, or maybe not using a drummer at all. “What I didn’t know was up until the day [of the Unplugged performance], there was talk of Dave [Grohl] not playing at all in the show,” the producer revealed in 2014. “Kurt wasn’t happy with the way rehearsals were going; he didn’t like the way Dave sounded playing drums with sticks."

But Grohl turned up the day of filming, and Coletti gifted him some brushes and sizzle sticks to give his drumming a softer sound. "I was afraid Dave would just roll his eyes, like, 'Oh great, the a**hole from MTV is trying to be my friend,'" the producer remembered thinking. "But instead he opened the package and said, 'Cool, I've never had brushes before. I've never even tried using them.'" The album Unplugged in New York won the Grammy for Best Alternative Music Album in 1996. It was the band's lone Grammy win.

16. YES, THEY TRIED TO GET ROBERT PLANT AND JIMMY PAGE TO PLAY "STAIRWAY TO HEAVEN."

The Led Zeppelin bandmates reunited in 1994 for the Unplugged special: No Quarter: Robert Plant and Jimmy Page Unledded, which at the time was the highest-rated episode of the series ever. MTV suggested they film it in Queens, New York. Plant suggested Morocco and Wales because it was where he wrote "Kashmir" and "Down by the Seaside," respectively. Network executives explicitly requested "Stairway" but were shot down. "I think we're in a disposable world and 'Stairway to Heaven' is one of the things that hasn't quite been thrown away yet," Plant said in 1994. "I think radio stations should be asked not to play it for 10 years, just to leave it alone for a bit so we can tell whether it's any good or not."

17. LIAM GALLAGHER HECKLED HIS BROTHER.

Oasis lead vocalist Liam Gallagher backed out of the Royal Festival Hall gig in London at the last minute due to a "sore throat," so songwriter/guitarist/brother Noel took over the vocal duties. Noel would later disclose that Liam in fact appeared an hour before showtime "sh*tfaced," and when he tried to sing it sounded "f**king dreadful." Liam watched the performance from the balcony and at times jeered the band. Noel told him to shut up. Coletti thought it was all for the best. "There's something when the songwriter himself sings it. Maybe he's a little more connected to the song."

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