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Elvis Presley's Strangest Concert

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Based on the pandemonium Elvis Presley had generated the last two times he played Jacksonville, Florida, Colonel Tom Parker, his manager, booked him for six shows over two days in August of 1956. All six shows would be at the Florida Theater, a medium-sized venue that held about 2,200 people.


The 21-year-old Elvis was quickly becoming a national celebrity based on the riots he had stirred up in places like Jacksonville. A few months earlier, after his Jacksonville performances, which included his trademark bumps, grinds, and hip motions, "Elvis the Pelvis" had incited the female members of the crowd to nearly tear him apart like jackals on a rabbit. They literally tore the clothes off his back. Besides his gyrations, Elvis would also lie face down on stage, stretching full out on the microphone, writhing and saying things every girl in the crowd wanted to hear. And while the girls were whipped into a frenzy by Elvis's controversial singing and moves, their boyfriends were furious with jealousy, and many wanted to tear the young singer apart themselves.

Although the teenage girls were enthralled, the adults of Jacksonville were both worried and terrified. And so it was that before his August concerts of 1956, Elvis Presley was ordered to meet with local judge Marion W. Gooding. Meeting Elvis with Judge Gooding were the Optimists Club and the National Congress of the P.T.A. All were up in arms, "frozen stiff with outrage and bewilderment" at Elvis's "bizarrely spasmodic and purely sexual" moves. They saw Elvis as arrogant, sneering, dangerous, and defiant -- the very embodiment of the 1950's juvenile delinquent -- and insisted the judge warn him to tone down his libidinous intensity.

"They had me convinced that no teenage girl was safe around Elvis Presley..."

"They had me convinced that no teenage girl was safe around Elvis Presley," Judge Gooding recalled years later. "They wanted to have him watched at the theater and they wanted his hotel room watched. They had him pictured as a real villain."

In his chambers, the judge warned Elvis and his manager that he would be present at the first show and that he had prepared warrants charging him with "impairing the morality of minors." As if for proof, deputies would be stationed in wings of the Florida Theater.

After the meeting, Elvis told reporters, "I don't know what I'm doing wrong. I know my mother approves of what I'm doing."

Judge Gooding called Elvis a sweet, gentle kid, "with the sort of good manners that we associate with southern politeness." Still, the judge attended the first show at 3:30 p.m.

On stage, Elvis opened with his current hit, "Heartbreak Hotel," and threw his hips out once. "I'm going to put him in jail, sure as anything," Gooding whispered to the lawyer in the theater. But then Elvis caught himself and decided to have some fun.

"Wait a minute. I can't do this..."

"Wait a minute. I can't do this. They won't let me do this here," Elvis told the audience. To everyone's amazement, instead of shaking, wiggling, and jumping around, Elvis stood perfectly still. Then he wiggled his little finger suggestively in place of his usual movements. This thrilled the crowd, who found "the finger" both hilarious and deeply erotic. Elvis continued the finger twitching movements throughout the remainder of the concert.

"The kids went nuts anytime he did anything," said June Juanico, Elvis's girlfriend at the time. "He could just make a funny face, and they would scream. These teenagers would just go crazy."

So Judge Gooding's wife, the Goodings' three daughters, and their girlfriends all watched as Elvis wiggled his finger suggestively throughout the unique concert. Even they roared when Elvis dedicated "Hound Dog" to the judge.

"Everybody in the audience got the biggest charge out of that," said Marilyn, one of the judge's daughters.

After the concert, Elvis happily told June (who hadn't been able to attend that day) all about it: "Baby, you should have been there. Every time D.J. [Elvis's drummer] did his thing on the drums, I wiggled my finger, and the girls went wild. I never heard screams like that in my life. I showed them sons of bitches--call me vulgar. Baby, you don't think I'm vulgar, do you?" Then, to lighten the mood, Elvis put a pair of June's panties on his head and strode around the room.

Elvis performed all six concerts in the Florida Theater on August 10th and 11th with no pelvis thrusts or gyrations, just the "sexy" wiggling of his pinky finger.

Elvis's mother, Gladys, hearing later about Judge Gooding, told her beloved son to never, ever go back to Jacksonville. There was nothing for him there except trouble.

But he had made some new fans. The judge's grandson, Tony, would grow up to idolize Elvis and plaster Presley posters over his walls. And the last Christmas Judge Gooding was alive, for a Christmas present, he gave his wife an album of Elvis Presley singing religious songs. There seem to have been no hard feelings by the judge or anyone after Elvis's "censored" performances in Jacksonville.

But what about Elvis himself? Did Elvis leave the Florida Theater with any kind of upset or angry feelings?

Well, after Elvis's sixth show and final performance in Jacksonville on August 11th, Elvis had a little message for the good judge and his cronies in attendance, according to Juanico.

"F**k you very much..."

"You know how Elvis always said, 'Thank you very much'? I heard it clear as day. He said, 'F**k you very much. F**k you very much.' Everybody was screaming, but all the members of his entourage heard it. He did it twice and he looked over at me and grinned." But June couldn't quite believe what she had heard. She couldn't believe Elvis had said those words right on stage, in front of everybody.

After the concert, once they were alone together, June asked Elvis if she'd heard him correctly.

"You heard correctly," he replied.


Eddie Deezen has appeared in over 30 motion pictures, including Grease, WarGames, 1941, and The Polar Express. He's also been featured in several TV shows, including Magnum PI, The Facts of Life, and The Gong Show. And he's done thousands of voice-overs for radio and cartoons, such as Dexter's Laboratory and Family Guy.


Read all Eddie's mental_floss stories.

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iStock // Ekaterina Minaeva
technology
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Man Buys Two Metric Tons of LEGO Bricks; Sorts Them Via Machine Learning
May 21, 2017
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iStock // Ekaterina Minaeva

Jacques Mattheij made a small, but awesome, mistake. He went on eBay one evening and bid on a bunch of bulk LEGO brick auctions, then went to sleep. Upon waking, he discovered that he was the high bidder on many, and was now the proud owner of two tons of LEGO bricks. (This is about 4400 pounds.) He wrote, "[L]esson 1: if you win almost all bids you are bidding too high."

Mattheij had noticed that bulk, unsorted bricks sell for something like €10/kilogram, whereas sets are roughly €40/kg and rare parts go for up to €100/kg. Much of the value of the bricks is in their sorting. If he could reduce the entropy of these bins of unsorted bricks, he could make a tidy profit. While many people do this work by hand, the problem is enormous—just the kind of challenge for a computer. Mattheij writes:

There are 38000+ shapes and there are 100+ possible shades of color (you can roughly tell how old someone is by asking them what lego colors they remember from their youth).

In the following months, Mattheij built a proof-of-concept sorting system using, of course, LEGO. He broke the problem down into a series of sub-problems (including "feeding LEGO reliably from a hopper is surprisingly hard," one of those facts of nature that will stymie even the best system design). After tinkering with the prototype at length, he expanded the system to a surprisingly complex system of conveyer belts (powered by a home treadmill), various pieces of cabinetry, and "copious quantities of crazy glue."

Here's a video showing the current system running at low speed:

The key part of the system was running the bricks past a camera paired with a computer running a neural net-based image classifier. That allows the computer (when sufficiently trained on brick images) to recognize bricks and thus categorize them by color, shape, or other parameters. Remember that as bricks pass by, they can be in any orientation, can be dirty, can even be stuck to other pieces. So having a flexible software system is key to recognizing—in a fraction of a second—what a given brick is, in order to sort it out. When a match is found, a jet of compressed air pops the piece off the conveyer belt and into a waiting bin.

After much experimentation, Mattheij rewrote the software (several times in fact) to accomplish a variety of basic tasks. At its core, the system takes images from a webcam and feeds them to a neural network to do the classification. Of course, the neural net needs to be "trained" by showing it lots of images, and telling it what those images represent. Mattheij's breakthrough was allowing the machine to effectively train itself, with guidance: Running pieces through allows the system to take its own photos, make a guess, and build on that guess. As long as Mattheij corrects the incorrect guesses, he ends up with a decent (and self-reinforcing) corpus of training data. As the machine continues running, it can rack up more training, allowing it to recognize a broad variety of pieces on the fly.

Here's another video, focusing on how the pieces move on conveyer belts (running at slow speed so puny humans can follow). You can also see the air jets in action:

In an email interview, Mattheij told Mental Floss that the system currently sorts LEGO bricks into more than 50 categories. It can also be run in a color-sorting mode to bin the parts across 12 color groups. (Thus at present you'd likely do a two-pass sort on the bricks: once for shape, then a separate pass for color.) He continues to refine the system, with a focus on making its recognition abilities faster. At some point down the line, he plans to make the software portion open source. You're on your own as far as building conveyer belts, bins, and so forth.

Check out Mattheij's writeup in two parts for more information. It starts with an overview of the story, followed up with a deep dive on the software. He's also tweeting about the project (among other things). And if you look around a bit, you'll find bulk LEGO brick auctions online—it's definitely a thing!

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Scientists Think They Know How Whales Got So Big
May 24, 2017
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iStock

It can be difficult to understand how enormous the blue whale—the largest animal to ever exist—really is. The mammal can measure up to 105 feet long, have a tongue that can weigh as much as an elephant, and have a massive, golf cart–sized heart powering a 200-ton frame. But while the blue whale might currently be the Andre the Giant of the sea, it wasn’t always so imposing.

For the majority of the 30 million years that baleen whales (the blue whale is one) have occupied the Earth, the mammals usually topped off at roughly 30 feet in length. It wasn’t until about 3 million years ago that the clade of whales experienced an evolutionary growth spurt, tripling in size. And scientists haven’t had any concrete idea why, Wired reports.

A study published in the journal Proceedings of the Royal Society B might help change that. Researchers examined fossil records and studied phylogenetic models (evolutionary relationships) among baleen whales, and found some evidence that climate change may have been the catalyst for turning the large animals into behemoths.

As the ice ages wore on and oceans were receiving nutrient-rich runoff, the whales encountered an increasing number of krill—the small, shrimp-like creatures that provided a food source—resulting from upwelling waters. The more they ate, the more they grew, and their bodies adapted over time. Their mouths grew larger and their fat stores increased, helping them to fuel longer migrations to additional food-enriched areas. Today blue whales eat up to four tons of krill every day.

If climate change set the ancestors of the blue whale on the path to its enormous size today, the study invites the question of what it might do to them in the future. Changes in ocean currents or temperature could alter the amount of available nutrients to whales, cutting off their food supply. With demand for whale oil in the 1900s having already dented their numbers, scientists are hoping that further shifts in their oceanic ecosystem won’t relegate them to history.

[h/t Wired]

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