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11 Peculiar Meetings Between Famous People

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You'd expect famous people to know other famous people. But maybe not these famous people.

1. Nikita Khrushchev & Marilyn Monroe

In September 1959, during Khrushchev's American tour, he visited 20th Century Fox Studios. At a lunch banquet with hundreds of stars (including Frank Sinatra, Edward G. Robinson, and Gary Cooper), he was introduced to Marilyn Monroe. Wearing a low-cut, tight black dress, she delivered a line that Natalie Wood, a fluent Russian speaker, had taught her: "We the workers of 20th Century Fox rejoice that you have come to visit our studio and country."

Khrushchev was mesmerized. "He looked at me the way a man looks on a woman," Monroe said.

"You're a very lovely young lady," he said, squeezing her hand.

"This is about the biggest day in the history of the movie business," Monroe told the cameras. But later, she reportedly told her maid, "He was fat and ugly and had warts on his face and he growled. He squeezed my hand so long and so hard that I thought he would break it. I guess it was better than having to kiss him."

2. Samuel Beckett & André the Giant

In 1953, after the success of Waiting for Godot, playwright Beckett bought land in a French commune, forty miles north of Paris. He built a cottage with the help of some locals, including a Bulgarian-born farmer named Boris Rousimoff. Beckett and Rousimoff became friends, and would sometimes get together to play cards. Rousimoff had a son, André. At age 12, the boy was well over six feet tall and weighed 250 pounds. The local school bus couldn't hold him, and the Rousimoff family car wasn't big enough for him. So Beckett stepped forward, offering to give the growing giant a lift to school in his pick-up truck on his drives into town. Years later, André said that the two of them mostly talked about cricket.

3. T.S. Eliot & Groucho Marx

In the early 1960s, the poet and the comedian became unlikely pen pals. Eliot was a fan and requested a signed photo. In his letter of thanks, he called Groucho his "most coveted pin-up" and said, "Whether you really want a photograph of me or whether you merely asked for it out of politeness, you are going to get one anyway." Upon receiving Eliot's 8x10, Groucho replied, "I had no idea you were so handsome. Why you haven't been offered the lead in some sexy movies I can only attribute to the stupidity of the casting directors." After three years of occasional correspondence, the two finally met in London in 1964. Marx and his wife were looking forward to an evening of intellectually stimulating conversation, but all the ailing Eliot wanted to talk about was old Marx Brothers movies. "We didn't stay late," Marx later said, "for we both felt that he wasn't up to a long evening of conversation. Especially mine."

4. Federico Fellini & Stan Lee

During a visit to New York in 1965, the Italian film director caught a virus and was laid up in the Hotel Pierre. Someone brought him some comic books to read. Fellini was so taken with the exploits of Spider-Man and The Incredible Hulk that he called the Marvel Comics office and set up a meeting with the company's honcho Stan Lee. Years later, Lee recalled that his receptionist said, "Stan, there's a Fred Felony here to see you." Fellini entered Lee's office with a four-man entourage, all of them clad in black raincoats. With a translator smoothing the way, Fellini and Lee had a lively chat. Mostly, Fellini wanted to know about how the comic books were made. The two creative geniuses stayed in touch, with Lee visiting Fellini's villa in Rome and Fellini attending Broadway shows with Lee in New York.

5. James Brown & Alfred Hitchcock

Remember when talk shows used to keep guests on the panel together? One afternoon in 1969, Mike Douglas played host to Joan Rivers, Rod McKuen, James Brown, and Alfred Hitchcock. At one point, Brown leaned toward Hitch and asked a strangely confounding question: "In the picture Homicidal [Brown meant Psycho, but was confusing the title with a William Castle-directed knockoff], at the very end, this fella takes his wig off, as though he had played the part all the way through. Did you actually use a girl or did you use a fella?" Polite Englishman that he was, Hitchcock didn't embarrass Brown by correcting him on the movie title. Instead he offered a winking response: "I wouldn't dare tell you. It's a professional secret. That's worth money. Do you want to ruin me? What about my starving wife and child?" He then added, "I'll tell you afterwards when we go off."

6. The Beatles & Elvis Presley

During their summer tour in 1965, The Beatles visited Elvis in California one night at his Bel-Air home. At first, everyone was awkward around each other. Paul, John, and Ringo sat on the sofa with Elvis. George sat cross-legged on the floor. Respective managers Colonel Tom Parker and Brian Epstein stood off to the side. The television was on with the sound turned off. Elvis showed the Fabs the first remote control switcher any of them had ever seen. Finally, Elvis joked, "If you damn guys are just going to sit there and stare at me, I'm going to bed."

That broke the ice. Soon one of Elvis's buddies brought in guitars, and an informal jam session commenced. What songs did they play? No one remembers exactly, but, reportedly, a hit of the day called "You're My World" and "I Feel Fine" by The Beatles were two. Then they traded some war stories from the road, and talked about their mutual love for Peter Sellers and the film Dr. Strangelove. A few hours later, The Beatles left, with a complete set of Elvis records, a gun holster with a gold leather belt, and a table lamp shaped like a wagon – gifts from the King.

Elvis, by then far-removed from the raw rock 'n' roller that The Beatles had loved as teenagers, was something of a letdown. To John Lennon, at least. He later said: "It was like meeting Engelbert Humperdinck."

7. Elvis Presley & Richard Nixon

nixon-elvis

In the late 1960s, Elvis Presley started a hobby that bordered on an obsession – collecting honorary police badges. On December 21, 1970, he went after his holy grail, a badge from the Federal Bureau of Narcotics and Dangerous Drugs (BNDD), charming his way into President Richard Nixon's oval office.

In a heartfelt appeal, the purple-suited Elvis spoke of his rags-to-riches story and his desire to give back by helping America in its fight against "the drug culture and the hippie element." Pulling out all the stops, he even pointed a finger at The Beatles, who he said had been "promoting an anti-American spirit."

Nixon was apparently perplexed by the visit, but figured an association with a performer as popular as Elvis couldn't hurt. At the extensively photographed meeting, Elvis showed Nixon some family photos and a collection of law enforcement badges. Later, Nixon awarded him a BNDD badge, which listed Elvis' position as "Special Assistant."

8. Edgar Allan Poe & Charles Dickens

In 1842, when Dickens visited the U.S., the relatively unknown Poe requested a meeting. In a hotel in Philadelphia, the two discussed favorite writers and the necessity for an international copyright law. But what Poe really wanted was help in getting his book Tales of the Grotesque and Arabesque published in England. Dickens promised to do what he could. Nine months later, he wrote Poe an apologetic note: "I have mentioned it to publishers with whom I have influence, but they have, one and all, declined the venture...Do not for a moment suppose that I have ever thought of you but with a pleasant recollection; and that I am not at all times prepared to forward your views in this country."

Actually, according to Poe biographer Una Pope-Hennessy, the meetings between the two "proved sterile and closed coldly. Neither seems to have liked the other much."

Twenty-five years later, when Dickens returned to America for his second tour, Poe was already dead. In Baltimore, Dickens learned that Poe's mother-in-law was ill and living on charity. Dickens visited her and slipped her some cash to help her out.

9. Orson Welles & Adolf Hitler

In 1970, while being interviewed on The Dick Cavett Show, Welles recalled his long-ago encounter with an unknown Hitler. As a teenager studying in Germany and Austria, Welles had accompanied a teacher on a hike. "The teacher, as it turned out, was sort of a budding Nazi," Welles said. "And there was a Nazi rally near Innsbruck, in the days when the Nazis were a very comical kind of minority party of nuts that no one took seriously at all. This teacher wangled a place at the table with the great man of this tiny little party of cranks. The man sitting next to me was Hitler, and he made so little impression on me that I can't remember a second of it. He had no personality whatsoever. He was invisible."

10. Bob Dylan & Woody Guthrie

Bob Dylan has said that when he first heard legendary folk singer Woody Guthrie's songs, he decided he wanted to be "Guthrie's greatest disciple." In 1961, a 19-year-old Dylan – still Robert Zimmerman to the world – visited his ailing hero at the Greystone Psychiatric Hospital in New Jersey. Guthrie was being treated for erratic behavior, later diagnosed as Huntington's Chorea. The two struck up a warm friendship, with Dylan returning regularly to play songs, both Woody's and his own. One of those original tunes, called "Song to Woody," ended up on his debut album in 1962. Their friendship was later spoofed on an SNL skit in 1980.

11. Steve Jobs & Andy Warhol

In October 1984, a 29-year-old Steve Jobs attended a birthday party for Sean Lennon, son of Yoko Ono and the late John Lennon. Steve's gift to the nine-year-old boy was a Macintosh computer (it had debuted earlier that year). As Steve showed Sean how to use the mouse, and a program called MacPaint, a few party guests gathered, gaping at this amazing machine.

"Can I try?" asked Andy Warhol. Jobs gave Warhol a quick lesson, but Warhol didn't get how to use the mouse. He lifted and waved it, as if it were a conductor's baton. Jobs placed his hand on Warhol's and guided it along the floor. Finally, Warhol began drawing, staring at the "pencil" as it drew on the screen.

In his diary, Warhol later wrote, "I said that once some man had been calling me a lot wanting to give me one [a Macintosh], but I'd never called him back or something, and then the kid looked up and said, 'Yeah, that was me. I'm Steve Jobs.'"

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10 Regional Twists on Trick-or-Treating
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Walk around any given American neighborhood on the night of October 31, and you’ll likely hear choruses of "trick-or-treat" chiming through the area. The sing-songy phrase is synonymous with Halloween in some parts of the world, but it's not the only way kids get sweets from their neighbors this time of year. From the Philippines to the American Midwest, here are some regional door-to-door traditions you may not have heard of.

1. PANGANGALULUWA // THE PHILIPPINES

Rice cakes wrapped in leaves.
Suman

The earliest form of trick-or-treating on Halloween can be traced back to Europe in the Middle Ages. Kids would don costumes and go door-to-door offering prayers for dead relatives in exchange for snacks called "soul cakes." When the cake was eaten, tradition held that a soul was ferried from purgatory into heaven. Souling has disappeared from Ireland and the UK, but a version of it lives on halfway across the world in the Philippines. During All Saints Day on November 1, Filipino children taking part in Pangangaluluwa will visit local houses and sing hymns for alms. The songs often relate to souls in purgatory, and carolers will play the part of the souls by asking for prayers. Kids are sometimes given rice cakes called suman, a callback to the soul cakes from centuries past.

2. PÃO-POR-DEUS // PORTUGAL

Raw dough.
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Instead of trick-or-treating, kids in Portugal go door-to-door saying pão-por-deus ("bread for god") in exchange for goodies on All Saints Day. Some homeowners give out money or candy, while others offer actual baked goods.

3. HALLOWEEN APPLES // WESTERN CANADA

Kids trick-or-treating.
iStock

If they're not calling out "trick-or-treat" on their neighbors’ doorsteps on Halloween night, you may hear children in western Canada saying "Halloween apples!" The phrase is left over from a time when apples were a common Halloween treat and giving out loose items on the holiday wasn't considered taboo.

4. ST. MARTIN'S DAY // THE NETHERLANDS

The Dutch wait several days after Halloween to do their own take on trick-or-treating. On the night of November 11, St. Martin's Day, children in the Netherlands take to the streets with their homemade lanterns in hand. These lanterns were traditionally carved from beets or turnips, but today they’re most commonly made from paper. And the kids who partake don’t get away with shouting a few words at each home they visit—they’re expected to sing songs to receive their sugary rewards.

5. A PENNY FOR THE GUY // THE UK

Guy Fawkes Night celebration.

Peter Trimming, Wikimedia Commons // CC BY-SA 2.0

Guy Fawkes Night is seen by some as the English Protestants’ answer to the Catholic holidays associated with Halloween, so it makes sense that it has its own spin on trick-or-treating. November 5 marks the day of Guy Fawkes’s failed assassination attempt on King James as part of the Gunpowder Plot. To celebrate the occasion, children will tour the neighborhood asking for "a penny for the guy." Sometimes they’ll carry pictures of the would-be-assassin which are burned in the bonfires lit later at night.

6. TRICKS FOR TREATS // ST. LOUIS, MISSOURI

Kids knocking on a door in costume.
iStock

If kids in the St. Louis area hope to go home with a full bag of candy on Halloween, they must be willing to tickle some funny bones. Saying "tricks-for-treats" followed by a joke replaces the classic trick-or-treat mantra in this Midwestern city. There’s no criteria for the quality or the subject of the joke, but spooky material (What’s a skeleton’s favorite instrument? The trombone!) earns brownie points.

7. ME DA PARA MI CALAVERITA // MEXICO

Sugar skulls with decoration.
iStock

While Dia de los Muertos, or Day of the Dead, is completely separate from Halloween, the two holidays share a few things in common. Mexicans celebrate the day by dressing up, eating sweet treats, and in some parts of the country, going house-to-house. Children knocking on doors will say "me da para mi calaverita" or "give me money for my little skull," a reference to the decorated sugar skulls sold in markets at this time of year.

8. HALLOWEEN! // QUEBEC, CANADA

Kids dressed up for Halloween.
iStock

Trick-or-treaters like to keep things simple in the Canadian province of Quebec. In place of the alliterative exclamation, they shout “Halloween!” at each home they visit. Adults local to the area might remember saying "la charité s’il-vous-plaît "(French for “charity, please”) when going door-to-door on Halloween, but this saying has largely fallen out of fashion.

9. SWEET OR SOUR // GERMANY

Little girl trick-or-treating.
iStock

Halloween is only just beginning to gain popularity in Germany. Where it is celebrated, the holiday looks a lot like it does in America, but Germans have managed to inject some local character into their version of trick-or-treat. In exchange for candy, kids sometimes sing out "süß oder saures"—or "sweet and sour" in English.

10. TRIQUI, TRIQUI HALLOWEEN // COLOMBIA

Kids dressed up for Halloween.
Rubí Flórez, Flickr // CC BY-NC-ND 2.0

Kids in Colombia anticipate dressing up and prowling the streets on Halloween just as much as kids do in the States. There are a few significant variations on the annual tradition: Instead of visiting private residencies, they're more likely to ask for candy from store owners and the security guards of apartment buildings. And instead of saying trick-or-treat, they recite this Spanish rhyme:

Triqui triqui Halloween
Quiero dulces para mí
Si no hay dulces para mí
Se le crece la naríz

In short, it means that if the grownups don't give the kids the candy they're asking for, their noses will grow. Tricky, tricky indeed

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11 Thrilling Facts About Dial M for Murder
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In 1953 Alfred Hitchcock was looking for a new project after a film he’d been developing fell through. Sensing a need to go back to his safe space of murderous thrillers, he opted to adapt a stage play that had already proved to be a hit on British television. Though he had no particular attachment to the project, Dial M for Murder would ultimately become one of Hitchcock’s best-known—and best-loved—classics.

From the film’s use of 3D to the debut of Grace Kelly in Hitchcock’s filmography to a pivotal murder sequence that made the director lose weight from stress, here are 11 facts about Dial M for Murder.

1. IT’S BASED ON A STAGE PLAY.

Dial M for Murder is, in terms of locations and number of characters, a relatively sparse film that barely leaves its primary set. This is because it was based on a stage play by Frederick Knott, which premiered as a BBC TV special in 1952 and later opened at London’s Westminster Theater and, eventually, Broadway. After seeing the BBC production, producer Sir Alexander Korda purchased the rights to make the film version, and later sold them to Warner Bros. for $75,000.

2. ALFRED HITCHCOCK THOUGHT HE WAS “COASTING” WHEN HE MADE THE FILM.

By 1953, when Dial M for Murder arrived at Warner Bros., Hitchcock was developing a project called The Bramble Bush, the story of a man who steals another man’s passport, only to find out that the original owner is wanted for murder. Hitchcock wrestled with the story for a while, but was never satisfied with it. When Dial M for Murder landed at the studio, Hitchcock knew the play had been a hit, and opted to direct it. As he later told fellow director François Truffaut, he found the film to be “coasting, playing it safe,” as he was already known as a thriller filmmaker.

3. IT’S HITCHCOCK’S ONLY 3D FILM.

In the early 1950s, the 3D movie craze was raging, and Warner Bros. was eager to pair it with the fame of Hitchcock. So, the director was ordered to use the process on Dial M for Murder. This meant Hitchcock had to work with the giant cameras necessary for the process, but there was also a trade-off that makes the film fascinating—even in 2D. In order to make the film look appropriately interesting in 3D, Hitchcock added a pit into the floor of the set, so the camera could move at lower angles and captures objects like lamps in the foreground. As a result, the film looks like no other Hitchcock ever shot, particularly for the infamous scissors murder that’s the film's thrilling centerpiece. Unfortunately, by the time Dial M for Murder was released in 1954, the 3D fad was dying out, so the film was shown in 2D at most screenings.

4. IT WAS HITCHCOCK’S FIRST FILM WITH GRACE KELLY.

Of all of the iconic blonde stars Hitchcock cast in his films, the most famous is almost undoubtedly Grace Kelly, the actress-turned-princess who first joined him for this film. Hitchcock once described Kelly as a "rare thing in movies ... fit for any leading-lady part,” and it was said he had the easiest working relationship with her of any star. They worked so well together that they went on to make two more films, Rear Window in 1954 and To Catch a Thief in 1955.

5. IT TAKES PLACE ALMOST ENTIRELY INDOORS.

Because Dial M for Murder is based on a stage play, the original script had very little in the way of outdoor set pieces. Hitchcock wanted to keep it that way, as he later explained to Truffaut:

“I’ve got a theory on the way they make pictures based on stage plays; they did it with silent pictures, too. Many filmmakers would take a stage play and say, ‘I’m going to make this into a film.’ Then they would begin to ‘open it up.’ In other words, on the stage it was all confined to one set, and the idea was to do something that would take it away from the confined stage setting.”

Hitchcock wanted to keep the confinement intact, so almost all of the action in the film takes place indoors, largely in the Wendices' apartment. This adds to the intimacy and tension.

6. HITCHCOCK PERSONALLY CHOSE EVERY PROP.

Hitchcock was always known as a meticulous director obsessed with detail, but on Dial M for Murder he was particularly detail-oriented, in part because the 3D cameras were going to capture objects in a way his other films hadn’t. As a result, he selected all of the objects in the Wendice apartment himself, and even had a giant false telephone dial made for the famous “M” close-up in the title sequence.

7. KELLY’S WARDROBE GROWS DARKER ON PURPOSE.

Grace Kelly in 'Dial M for Murder' (1954)
Warner Home Video

Hitchcock’s exacting eye also led to an elaborate “color experiment” to portray the psychological condition of Kelly’s character. As the film begins, the colors she wears are all very bright, suggesting a happy life in which she doesn’t suspect anything is wrong. As the film grows darker for her, to the point that she’s framed for murder, the wardrobe grows darker and “more somber,” as Hitchcock put it.

8. KELLY WON A PARTICULAR WARDROBE ARGUMENT.

For the scene in which Swann (Anthony Dawson) attempts to murder Margot (Kelly) by strangling her (until she manages to stab him with a pair of scissors), Hitchcock had another exacting wardrobe request. He had an elegant velvet robe made for Kelly, hoping to create interesting textural effects as the lights and shadows played off the fabric while she fought for her life. Kelly reasoned that, since Margot was alone in the apartment (as far as she knew) and was only getting out of bed to answer the phone, she wouldn’t bother to put on a robe.

“I said I wouldn't put on anything at all, that I'd just get up and go to the phone in my nightgown. And [Hitchcock] admitted that was better, and that's the way it was done,” Kelly later recalled.

9. HITCHCOCK WAS SO NERVOUS ABOUT THE PIVOTAL SCENE THAT HE LOST WEIGHT.

Dial M for Murder was shot in just 36 days, but the director took special care with one scene in particular: the murder sequence in which Margot stabs Swann with the scissors. Not only was it a key scene in the film, but it was also a moment that required particular care to make the 3D effects work. Hitchcock agonized over the scene to such a degree that he apparently lost 20 pounds during filming.

"This is nicely done but there wasn't enough gleam to the scissors, and a murder without gleaming scissors is like asparagus without the hollandaise sauce—tasteless,” he reportedly said after one take.

10. HITCHCOCK MAKES HIS CAMEO IN A PHOTOGRAPH.

Hitchcock became known throughout his career for making cameos in his films, ranging from the very subtle (you can see his silhouette in neon outside the window in Rope) to the more elaborate (missing the bus in the opening sequence of North by Northwest). In Dial M for Murder, his cameo falls somewhere in between. He appears in a class reunion photo in the Wendice apartment, seated at a banquet table among other men.

11. IT’S BEEN REMADE FOUR TIMES.

Michael Douglas and Gwyneth Paltrow in 'A Perfect Murder' (1998)
Warner Bros.

Dial M for Murder was a film adaptation of a stage play that had also already been adapted for television in Britain, and it proved popular enough that four more adaptations followed. In 1958, NBC broadcast a Hallmark Hall of Fame production, in which both Anthony Dawson and John Williams returned to play Swann and Chief Inspector Hubbard, respectively. A 1967 ABC television production of the play co-starred Laurence Harvey and Diane Cilento. A television movie starring Angie Dickinson and Christopher Plummer was produced in 1981, and in 1998 the play served as the inspiration for the film A Perfect Murder, starring Michael Douglas and Gwyneth Paltrow.

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