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11 Peculiar Meetings Between Famous People

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You'd expect famous people to know other famous people. But maybe not these famous people.

1. Nikita Khrushchev & Marilyn Monroe

In September 1959, during Khrushchev's American tour, he visited 20th Century Fox Studios. At a lunch banquet with hundreds of stars (including Frank Sinatra, Edward G. Robinson, and Gary Cooper), he was introduced to Marilyn Monroe. Wearing a low-cut, tight black dress, she delivered a line that Natalie Wood, a fluent Russian speaker, had taught her: "We the workers of 20th Century Fox rejoice that you have come to visit our studio and country."

Khrushchev was mesmerized. "He looked at me the way a man looks on a woman," Monroe said.

"You're a very lovely young lady," he said, squeezing her hand.

"This is about the biggest day in the history of the movie business," Monroe told the cameras. But later, she reportedly told her maid, "He was fat and ugly and had warts on his face and he growled. He squeezed my hand so long and so hard that I thought he would break it. I guess it was better than having to kiss him."

2. Samuel Beckett & André the Giant

In 1953, after the success of Waiting for Godot, playwright Beckett bought land in a French commune, forty miles north of Paris. He built a cottage with the help of some locals, including a Bulgarian-born farmer named Boris Rousimoff. Beckett and Rousimoff became friends, and would sometimes get together to play cards. Rousimoff had a son, André. At age 12, the boy was well over six feet tall and weighed 250 pounds. The local school bus couldn't hold him, and the Rousimoff family car wasn't big enough for him. So Beckett stepped forward, offering to give the growing giant a lift to school in his pick-up truck on his drives into town. Years later, André said that the two of them mostly talked about cricket.

3. T.S. Eliot & Groucho Marx

In the early 1960s, the poet and the comedian became unlikely pen pals. Eliot was a fan and requested a signed photo. In his letter of thanks, he called Groucho his "most coveted pin-up" and said, "Whether you really want a photograph of me or whether you merely asked for it out of politeness, you are going to get one anyway." Upon receiving Eliot's 8x10, Groucho replied, "I had no idea you were so handsome. Why you haven't been offered the lead in some sexy movies I can only attribute to the stupidity of the casting directors." After three years of occasional correspondence, the two finally met in London in 1964. Marx and his wife were looking forward to an evening of intellectually stimulating conversation, but all the ailing Eliot wanted to talk about was old Marx Brothers movies. "We didn't stay late," Marx later said, "for we both felt that he wasn't up to a long evening of conversation. Especially mine."

4. Federico Fellini & Stan Lee

During a visit to New York in 1965, the Italian film director caught a virus and was laid up in the Hotel Pierre. Someone brought him some comic books to read. Fellini was so taken with the exploits of Spider-Man and The Incredible Hulk that he called the Marvel Comics office and set up a meeting with the company's honcho Stan Lee. Years later, Lee recalled that his receptionist said, "Stan, there's a Fred Felony here to see you." Fellini entered Lee's office with a four-man entourage, all of them clad in black raincoats. With a translator smoothing the way, Fellini and Lee had a lively chat. Mostly, Fellini wanted to know about how the comic books were made. The two creative geniuses stayed in touch, with Lee visiting Fellini's villa in Rome and Fellini attending Broadway shows with Lee in New York.

5. James Brown & Alfred Hitchcock

Remember when talk shows used to keep guests on the panel together? One afternoon in 1969, Mike Douglas played host to Joan Rivers, Rod McKuen, James Brown, and Alfred Hitchcock. At one point, Brown leaned toward Hitch and asked a strangely confounding question: "In the picture Homicidal [Brown meant Psycho, but was confusing the title with a William Castle-directed knockoff], at the very end, this fella takes his wig off, as though he had played the part all the way through. Did you actually use a girl or did you use a fella?" Polite Englishman that he was, Hitchcock didn't embarrass Brown by correcting him on the movie title. Instead he offered a winking response: "I wouldn't dare tell you. It's a professional secret. That's worth money. Do you want to ruin me? What about my starving wife and child?" He then added, "I'll tell you afterwards when we go off."

6. The Beatles & Elvis Presley

During their summer tour in 1965, The Beatles visited Elvis in California one night at his Bel-Air home. At first, everyone was awkward around each other. Paul, John, and Ringo sat on the sofa with Elvis. George sat cross-legged on the floor. Respective managers Colonel Tom Parker and Brian Epstein stood off to the side. The television was on with the sound turned off. Elvis showed the Fabs the first remote control switcher any of them had ever seen. Finally, Elvis joked, "If you damn guys are just going to sit there and stare at me, I'm going to bed."

That broke the ice. Soon one of Elvis's buddies brought in guitars, and an informal jam session commenced. What songs did they play? No one remembers exactly, but, reportedly, a hit of the day called "You're My World" and "I Feel Fine" by The Beatles were two. Then they traded some war stories from the road, and talked about their mutual love for Peter Sellers and the film Dr. Strangelove. A few hours later, The Beatles left, with a complete set of Elvis records, a gun holster with a gold leather belt, and a table lamp shaped like a wagon – gifts from the King.

Elvis, by then far-removed from the raw rock 'n' roller that The Beatles had loved as teenagers, was something of a letdown. To John Lennon, at least. He later said: "It was like meeting Engelbert Humperdinck."

7. Elvis Presley & Richard Nixon

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In the late 1960s, Elvis Presley started a hobby that bordered on an obsession – collecting honorary police badges. On December 21, 1970, he went after his holy grail, a badge from the Federal Bureau of Narcotics and Dangerous Drugs (BNDD), charming his way into President Richard Nixon's oval office.

In a heartfelt appeal, the purple-suited Elvis spoke of his rags-to-riches story and his desire to give back by helping America in its fight against "the drug culture and the hippie element." Pulling out all the stops, he even pointed a finger at The Beatles, who he said had been "promoting an anti-American spirit."

Nixon was apparently perplexed by the visit, but figured an association with a performer as popular as Elvis couldn't hurt. At the extensively photographed meeting, Elvis showed Nixon some family photos and a collection of law enforcement badges. Later, Nixon awarded him a BNDD badge, which listed Elvis' position as "Special Assistant."

8. Edgar Allan Poe & Charles Dickens

In 1842, when Dickens visited the U.S., the relatively unknown Poe requested a meeting. In a hotel in Philadelphia, the two discussed favorite writers and the necessity for an international copyright law. But what Poe really wanted was help in getting his book Tales of the Grotesque and Arabesque published in England. Dickens promised to do what he could. Nine months later, he wrote Poe an apologetic note: "I have mentioned it to publishers with whom I have influence, but they have, one and all, declined the venture...Do not for a moment suppose that I have ever thought of you but with a pleasant recollection; and that I am not at all times prepared to forward your views in this country."

Actually, according to Poe biographer Una Pope-Hennessy, the meetings between the two "proved sterile and closed coldly. Neither seems to have liked the other much."

Twenty-five years later, when Dickens returned to America for his second tour, Poe was already dead. In Baltimore, Dickens learned that Poe's mother-in-law was ill and living on charity. Dickens visited her and slipped her some cash to help her out.

9. Orson Welles & Adolf Hitler

In 1970, while being interviewed on The Dick Cavett Show, Welles recalled his long-ago encounter with an unknown Hitler. As a teenager studying in Germany and Austria, Welles had accompanied a teacher on a hike. "The teacher, as it turned out, was sort of a budding Nazi," Welles said. "And there was a Nazi rally near Innsbruck, in the days when the Nazis were a very comical kind of minority party of nuts that no one took seriously at all. This teacher wangled a place at the table with the great man of this tiny little party of cranks. The man sitting next to me was Hitler, and he made so little impression on me that I can't remember a second of it. He had no personality whatsoever. He was invisible."

10. Bob Dylan & Woody Guthrie

Bob Dylan has said that when he first heard legendary folk singer Woody Guthrie's songs, he decided he wanted to be "Guthrie's greatest disciple." In 1961, a 19-year-old Dylan – still Robert Zimmerman to the world – visited his ailing hero at the Greystone Psychiatric Hospital in New Jersey. Guthrie was being treated for erratic behavior, later diagnosed as Huntington's Chorea. The two struck up a warm friendship, with Dylan returning regularly to play songs, both Woody's and his own. One of those original tunes, called "Song to Woody," ended up on his debut album in 1962. Their friendship was later spoofed on an SNL skit in 1980.

11. Steve Jobs & Andy Warhol

In October 1984, a 29-year-old Steve Jobs attended a birthday party for Sean Lennon, son of Yoko Ono and the late John Lennon. Steve's gift to the nine-year-old boy was a Macintosh computer (it had debuted earlier that year). As Steve showed Sean how to use the mouse, and a program called MacPaint, a few party guests gathered, gaping at this amazing machine.

"Can I try?" asked Andy Warhol. Jobs gave Warhol a quick lesson, but Warhol didn't get how to use the mouse. He lifted and waved it, as if it were a conductor's baton. Jobs placed his hand on Warhol's and guided it along the floor. Finally, Warhol began drawing, staring at the "pencil" as it drew on the screen.

In his diary, Warhol later wrote, "I said that once some man had been calling me a lot wanting to give me one [a Macintosh], but I'd never called him back or something, and then the kid looked up and said, 'Yeah, that was me. I'm Steve Jobs.'"

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15 Festive Facts About Jingle All the Way
20th Century Fox Home Entertainment
20th Century Fox Home Entertainment

In all of Arnold Schwarzenegger's film oeuvre, Jingle All the Way might just be the one that most exhibits the ugliness of humanity. Set on a fevered Christmas Eve brimming with desperate last-minute shoppers, Schwarzenegger's Howard Langston and Sinbad's postal worker character Myron Larabee find themselves battling one another to make themselves look good to their sons by getting their hands on the elusive Turbo Man action figure. The comedic genius Phil Hartman; Rita Wilson; future young Anakin Skywalker, Jake Lloyd; Laraine Newman; Harvey Korman; Martin Mull; Curtis Armstrong; and Chris Parnell were the other willing participants in this cult comedy, directed by Brian Levant. Here are some things you might not have known about the contemporary holiday classic.

1. ARNOLD SCHWARZENEGGER WAS ABLE TO PLAY THE LEAD BECAUSE OF A DELAY ON A PLANET OF THE APES REMAKE.

Arnold Schwarzenegger signed up to star in the Apes remake in March of 1994, but 20th Century Fox rejected multiple scripts for the movie, including one co-written by Chris Columbus (Gremlins, The Goonies). Columbus left the project in late 1995, and Schwarzenegger followed him soon after, freeing him to sign up for Jingle All the Way, produced by Columbus, in February 1996. Fox's Planet of the Apes reboot found its way into theaters in 2001, starring Mark Wahlberg and directed by Tim Burton.

2. SINBAD THOUGHT HE SCREWED UP THE AUDITION.

Sinbad in 'Jingle All the Way' (1996)
20th Century Fox Home Entertainment

Filming was delayed so that Sinbad could follow through on his commitment to travel to Bosnia with Hillary Clinton. Even though Columbus agreed to wait for him, the comedian still thought he "messed up" his audition and told his manager-brother he was going to quit show business.

3. OFFICER HUMMELL WAS INITIALLY WRITTEN AS A WOMAN.

Though the role of Officer Hummell was written for a woman, the part went to Robert Conrad. Conrad's explanation was that the producers "wanted someone who could pull up next to Arnold and tell him to pull over and he pulls over."

4. IT WAS CHRIS PARNELL'S FIRST MOVIE.

The future SNL star played the toy store clerk. "Well, it was my first movie role, and I didn't know how they typically shot scenes," Parnell admitted in a Reddit AMA. "So I had to laugh a lot, and I sort of spent all of my laughing energy in the wider takes, so by the time we got to the close-up shots, it was a real struggle to keep that going."

5. MARTIN MULL STAYED ON SET FOR OVER TWO WEEKS LONGER THAN HE WAS SUPPOSED TO.

Mull (KQRS D.J. a.k.a. Mr. Ponytail Man) was told it would just be a one- to two-day shoot for him. Unfortunately, his part had to be shot on a rainy day, and it didn't rain in Minneapolis for two and a half weeks.

6. PHIL HARTMAN MADE UP A BACKSTORY FOR HIS CHARACTER.


20th Century Fox Home Entertainment

Hartman (Ted Maltin) was probably joking for the film's official production notes, but you never know. "Ted is a guy who sued his employer for headaches caused by toner fumes and now hangs around the neighborhood and helps all the housewives," Hartman said. He also offered a take on how he was kind of being pigeonholed in Hollywood when he added, "Ted's another weasel to add my list of weasels."

7. HARTMAN ENTERTAINED HIS BORED YOUNG CO-STARS.

To keep young E.J. De la Pena (Johnny Maltin) and Jake Lloyd (Jamie Langston) from getting bored shooting a car scene all day, Hartman improvised songs designed to bring kids to hysterics. One tune contained the lyrics “You make my butt shine, the more you kiss it, the more it shines! The clock is ticking, so keep on licking, oh how you make my buttocks shine!”

"When you’re an 8 year old hearing that kind of potty humor, it was hilarious!" De la Pena remembered. "And we had a lot of fun."

8. JAMES BELUSHI HAD EXPERIENCE PLAYING SANTA BEFORE.

Belushi sort of trained to portray the Mall of America Santa in the movie by playing Kris Kringle for four years in "about 20" different homes, according to his estimation.

9. SHOOTING BEGAN IN MID-APRIL.

The Minneapolis/St.Paul areas were chosen because the producers figured they had the longest winter. But they also filmed in Los Angeles' Universal Studios for the big parade over a three week span, where it was typical hot California weather on the verge of summer. Sinbad remembered it was 100 degrees on the days when he wore the Dementor costume, and the water in his helmet had started to boil.

10. THE REAL TURBO MAN DIDN'T SWEAT.

Daniel Riordan's Turbo Man suit ensured he wouldn't have trouble with the scorching heat. He was wearing a vest underneath used by race car drivers. "They're very thin membrane vests that are filled with small, plastic tubing that's tightly coiled, back and forth, and they run cold water through it," Riordan explained. "So when they run it, it's like this cold water right up against your body and it was amazing. The sensation was fantastic."

11. TURBO MAN FIGURES WERE SOLD AT WAL-MART.

200,000 were originally produced and sold at 2,300 Wal-Mart shops for $25. They would have made more but, as Fox’s president of licensing and merchandising explained to Entertainment Weekly, there were only six and a half months to produce and promote Turbo Man toys, and it usually takes "well over a year."

12. THEY ALMOST SOLD DEMENTOR DOLLS TOO.

Sinbad recalled that the studio didn't sell Dementor action figures even though they tested high during research. "I had a prototype of the doll but they said 'give it back, we'll get you the real one when it comes out,'" Sinbad said." ...And dude, it NEVER came out!" Sinbad told Redditers his theory: "I think that they didn't want the competition between Turbo Man and my doll."

13. SOME PARENTS HAD ALCOHOL-RELATED COMPLAINTS AFTER TEST SCREENINGS.


20th Century Fox Home Entertainment

Schwarzenegger and Sinbad talking at a bar over some alcohol, and the fact that reindeer also imbibed in beer, were among some of the problems mothers and other early viewers took issue with.

14. THE FILMMAKERS WERE SUED FOR PLAGIARISM, AND LOST.

Randy Kornfield penned the official script, but high school teacher Brian Alan Webster alleged his Could This Be Christmas? script was very similar. The publishing firm that had the rights to Webster's script won a $19 million lawsuit from 20th Century Fox, but the ruling was overturned in 2004. Webster's screenplay was about “the quest of a Caucasian mother attempting to obtain a hard-to-get action figure toy as a Christmas gift for her son. In the course of this pursuit, she competes with an African-American woman, similarly seeking to give the action figure doll as a Christmas gift.”

15. THERE WAS A SEQUEL STARRING LARRY THE CABLE GUY.

None of the original cast members nor characters returned in the straight-to-DVD Jingle All the Way 2 (2014). It was produced by 20th Century Fox and WWE Studios and featured wrestler Santino Marella. Sinbad expressed incredulity when a Redditer inquired if he was asked to return for it. "What they are doing a new version without me! Ain't gonna work!"

Additional Sources:

Schaefer, Stephen: "Sinbad leaps at the chance to go postal in Jingle All the Way," December 6, 1996; Des Moines Register

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10 Rich Facts About Wall Street
Twentieth Century Fox
Twentieth Century Fox

It’s often said that the love of money is the root of all evil. Wall Street could have easily turned this sentiment into a tagline. A gripping financial thriller, the Oliver Stone classic is a cautionary tale whose message is every bit as relevant today as it was when it was released 30 years ago today.

1. OLIVER STONE WOULD DELIBERATELY TICK OFF MICHAEL DOUGLAS BETWEEN TAKES.

“As a director, he really tests you,” Douglas said of Stone. Around two weeks after shooting had started, Stone showed up at the actor’s trailer and asked “Are you on drugs? Because you look like you’ve never acted before in your life.” Mortified, Douglas took a look at some footage they’d already shot. Yet, after diligently reviewing it, he could find nothing wrong with his performance. “I came back to Oliver and said … ‘I think it’s okay,” Douglas remembers. “Yeah, it is, isn’t it?” Stone replied.

Eventually, Douglas wised up to his boss’s overly critical act. “Basically, what he wanted was to ratchet up that much more nastiness in Gordon Gekko,” Douglas explained. “And he was willing … for me to hate him for the rest of that movie just to bring it up a little more.” 

2. WALL STREET WON BOTH AN OSCAR AND A RAZZIE.


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Douglas’s cold portrayal of the unscrupulous Gekko netted him an Academy Award for Best Actor in 1988. On the other hand, critics were thoroughly unimpressed by leading lady Daryl Hannah, who took home a Worst Supporting Actress Razzie.

3. GORDON GEKKO’S FAMOUS PHONE WEIGHED TWO POUNDS.

In one pivotal scene, Gekko rings Bud with a state-of-the-art mobile communication device. Specifically, it’s a Motorola DynaTac 8000X. Released in 1983, this brick-shaped cell phone was 13 inches long, weighed two pounds, and cost the equivalent of $8,806 in modern dollars. During the 2010 sequel Wall Street: Money Never Sleeps, the anachronistic gadget returned for a quick sight gag.

4. CHARLIE SHEEN CHOSE TO HAVE HIS REAL FATHER PORTRAY HIS FICTIONAL ONE.

“It was interesting having my dad play my dad,” Sheen said on the DVD's “making of” documentary. Wall Street’s most dramatic arc revolves around Bud and Carl Fox, who were played by Charlie and Martin Sheen, respectively. Stone had built a strong working relationship with the former on the set of 1986’s Platoon. So when the time came to cast Carl, he had the younger Sheen make the call, asking “Do you want Jack Lemmon or do you want your father?” “Oh, Jack Lemmon’s a genius,” the actor said, “but my dad’s my dad and he’s kind of a genius, too.”

5. SCREENWRITER STANLEY WEISER COULDN'T FIND INSPIRATION IN EITHER CRIME AND PUNISHMENT OR THE GREAT GATSBY.

Before the writer could get started, Stone gave him a little homework. Originally, the film was conceived as “Crime and Punishment on Wall Street.” When Weiser was brought aboard one fateful Friday, Stone told him to read Dostoyevsky’s novel over the weekend. “Not having taken an Evelyn Wood Speed Reading class, I went to UCLA and purchased the Cliffs Notes,” Weiser wrote in 2008.

But the literary exercise proved futile. “On Monday, I explained to Oliver that the paradigm for that masterwork would not mesh well with the story we wanted to tell.” In a flash, Stone hit him with another assignment. “Okay,” he ordered, “read The Great Gatsby tonight, and see if we can mine something out of it.” This time, Weiser simply rented the 1974 movie adaptation. Once again, though, inspiration eluded him.

Wall Street as we know it didn’t really start to take shape until after a change in tactic: When Gatsby led him nowhere, Weiser read everything about finance that he could track down and, along with Stone, “spent three weeks visiting brokerage houses, interviewing investors and getting a feel for the Weltanschauung of Wall Street.”

6. PARTS OF THE MOVIE WERE SHOT AT THE NEW YORK STOCK EXCHANGE DURING WORKING HOURS.


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Permission was secured with the help of Kenneth Lipper, a longtime Wall Street insider who also served as New York City's deputy mayor from 1982 to 1985. For the film, Stone brought him on board as the chief technical advisor.

7. TWO MONTHS BEFORE THE FILM’S RELEASE, THERE WAS A MAJOR WALL STREET CRASH IN REAL LIFE.

Historians now call it “Black Monday.” On October 19, 1987, the Dow Jones Industrial Average dropped by a staggering 22.6 percent. It was the largest single-day stock market decline of all time, with $500 billion suddenly going up in smoke. Wall Street would hit theaters on December 11, leading conspiracy theorists to wonder if Stone had seen the crisis coming and made his movie to exploit it. 

“I did not foresee the crash, as some people say, because if I had, I would have made a lot of money,” Stone quipped.

8. GEKKO WAS BASED ON THREE BIG-NAME FINANCIERS. 


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“If you need a friend, get a dog,” Gekko advises his young protégé. This quote was adapted from a remark that corporate raider Carl Icahn once made (which he had cribbed from Harry Truman). In 1985, Icahn became a notorious figure by taking over TWA airlines under the pretense of making it more profitable only to sell off its assets for his own gain. Gekko, no doubt, would’ve approved.

Wall Street’s charismatic antagonist also took cues from Asher Edelman, a financier and major league art enthusiast. Another source of inspiration was arbiter Ivan Boesky, who confessed to illegal insider trading in 1986 and ended up in jail in 1988 (more about him later).

9. STONE’S FATHER WAS A STOCKBROKER.

A survivor of the Great Depression, Louis Stone had a huge influence on his cinematically-inclined son. “The main motivation to make Wall Street was my father,” the director admitted. “He always said there were no good business movies, because the businessman was always the villain.” In the end, Wall Street was dedicated to the elder Stone, who passed away two years before its release. 

10. GEKKO’S BIG LINE IS NUMBER 57 ON THE AMERICAN FILM INSTITUTE’S TOP 100 MOVIE QUOTES LIST.

“Greed, for lack of a better word, is good” finished just ahead of “Keep your friends close, but your enemies closer” from The Godfather: Part II. Gekko might as well have been quoting Boesky: At a 1985 commencement address given at UC Berkeley, the trader said “Greed is all right, by the way. I want you to know that. I think greed is healthy. You can be greedy and still feel good about yourself.”

Newsweek later reported on the speech—and made a telling observation. “The strangest thing, when we come to look back,” the magazine argued, “will not just be that Ivan Boesky could say that at a business school graduation, but that it was greeted with laughter and applause.”

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