While almost everyone knows the First Rule of Fight Club and of course the Second Rule of Fight Club, it occurs to me that there are six more Rules of Fight Club that are a lot less famous. Do you remember them? I sure didn't, and I've read the book three times. Here they are, as uttered by Brad Pitt in the movie:
Third rule of Fight Club: someone yells "stop," goes limp, taps out, the fight is over.
Fourth rule: only two guys to a fight.
Fifth rule: one fight at a time, fellas.
Sixth rule: no shirts, no shoes.
Seventh rule: fights will go on as long as they have to.
And the eighth and final rule: if this is your first night at Fight Club, you have to fight.
And here are all eight rules, animated using kinetic typography:
Looking for a good scare this Halloween season? If you’re a Hulu subscriber, you’ll be able to get your fill of creepy content. Check out eight of the best horror movies currently streaming on the service.
Horror author Clive Barker made the move to feature directing with this tale of a man (Sean Chapman) who makes the grievous error of opening a portal to hell and proceeds to make his brother’s family targets of the sadistic Cenobites, led by Pinhead (Doug Bradley). Don’t bother with the endless sequels; the original is the best (and goriest) of the lot.
Paranoia runs deep in this remake of the original Invasion of the Body Snatchers (1956). In the ‘70s iteration, Donald Sutherland plays a health inspector who can’t shake the feeling that people around him seem a little off. He soon grows wise to the reality that aliens are walking among us as virtual human replicas. Naturally, they’re not keen on being discovered.
John Krasinski and Emily Blunt star as a couple living in a world terrorized by creatures that hunt by sound. Their largely-silent existence means every stray creak, cry, or noise threatens to expose them to the monsters—a danger that's only compounded when Blunt discovers she’s pregnant.
A sense of dread looms over The Orphanage, a Spanish-language thriller with Belén Rueda as Laura, who returns to the child care facility that raised her so she can make a difference for a new generation of children. Strange things begin as soon as she arrives, with her son going missing and hints of unwelcome guests unraveling her nerves. It’s a film best not watched alone.
If 1979’s Alien stirred your interest in space scares, Event Horizon might make for a worthwhile watch. After a spaceship presumed lost suddenly reappears, a crew of investigators (Sam Neill, Laurence Fishburne) board to find answers.
A couple (Peter Horton, Linda Hamilton) passing through a small rural town find a lack of adult supervision curious—until the kids reveal themselves to be homicidal cult members. Based on a Stephen King short story.
Bruce Campbell and Sam Raimi perfected “splatstick” horror in this cult classic about hapless boob Ash (Campbell) who escapes to a remote cabin retreat with girlfriend Linda (Denise Bixler) and unwittingly unleashes a cascade of evil. Though it’s more amusing than scary, Raimi’s inventive imagery is morbidly fascinating.
Good mom Catherine Hicks buys a Good Guys doll for her son, Andy. Unfortunately, the doll—dubbed Chucky—has been possessed by the spirit of a serial killer (Brad Dourif) and proceeds to make young Andy’s life miserable, particularly after he discovers the kitchen cutlery.
Warning: There are major spoilers ahead for El Camino, the Breaking Bad follow-up movie that premiered on Netflix October 11.
After years of speculation, one secret New Mexico production (filmed under the title Greenbrier), and actors sworn to confidentiality, El Camino: A Breaking BadMovie landed on Netflix last Friday. In the two-hour film, viewers learned the ultimate fate of Jesse Pinkman (Aaron Paul), the meth-cooking sidekick to chemistry teacher-turned-drug-kingpin Walter White (Bryan Cranston). Fleeing from captivity imposed by white supremacists forcing him to make illicit substances, Pinkman gathers enough funds to trade in blue ice for stark white Alaskan territory, driving toward a presumably happier future.
It was an ending in line with what Paul had envisioned for the character, even mentioning Alaska as a possible endpoint in a Reddit AMA back in 2016. But Breaking Bad creator and El Camino writer/director Vince Gillian originally intended on putting the screws to the beleaguered Pinkman one last time.
Speaking with Vulture, Gilligan said that his vision for Pinkman involved a scenario where he would be forced to sacrifice his freedom in order to save someone else. “Once I had set about coming up with this movie, for the longest time I had it in my mind that the thing we wanted most to see was for Jesse to escape [his old life],” he said. “And the thing he wanted most was to escape. So I was trying to concoct a plot in which, hero that he is, he saves somebody else—somebody I would have introduced as a new character into the movie. Because he’s such an innately heroic character in my mind, he saves someone at the end of the movie and he willfully gets himself caught knowing that it’ll save this other person. At the end of the movie, he’d be locked in a jail cell somewhere in Montana or someplace. And he would be at peace with it.”
Labeling his notion as “emo-type” interior storytelling intended to subvert expectations, Gilligan said he received mostly negative responses when discussing the idea with confidantes, including Better Call Saul showrunner Peter Gould. The consensus was that Pinkman deserved some kind of optimistic closure. Given that he has witnessed several homicides, committed a few murders of his own, lost his girlfriend to a drug overdose, saw his new girlfriend’s son poisoned, and was eventually locked in a hole in the ground, it might have made little sense to bring the character back from a six-year hiatus just to torture him some more.
Gilligan relented, and Pinkman now seems to have more of a fighting chance moving forward. “Sometimes,” the writer said, “you just got to give folks what they want.”