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Interview with Trace Beaulieu of MST3K and Cinematic Titanic

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A two-part exclusive interview with Trace Beaulieu, formerly of Mystery Science Theater 3000 and now with Cinematic Titanic

Crow T. Robot enjoying the latest issue of mental_floss magazine

Many of you have experienced Trace Beaulieu's work as an actor on Freaks & Geeks and as a writer for America's Funniest Home Videos, but most will remember him as mad scientist Dr. Clayton Forrester and the wisecracking Crow T. Robot from Mystery Science Theater 3000. You probably haven't heard about his other real-life roles: Trace the artist, Trace the ice show roustabout, Trace the chicken farmer, or Trace the child who refuses to grow up.

Beaulieu currently tours with several other original MST3K stars and writers under the moniker Cinematic Titanic. The crew is still riffing on movies, the older and the cheesier the better, and they're doing it live. mental_floss research editor Kara Kovalchik interviewed Trace a few days ago to talk about the troupe's upcoming shows in Detroit and Durham, NC (where the _floss was founded), the origins of MST3K, and how he earned the label of "Renaissance Man."

Kara Kovalchik: You did some kind of presentation in L.A. on [February] the 16th. Could you tell us about it?

Trace Beaulieu: That was [with] Dana Gould, who's a stand-up comic and writer. We've known him for years and years. He has been a huge fan of the movie Plan 9 from Outer Space, and has a very personal relationship with that film, and actually was a very good friend of Maila Nurmi, who portrayed Vampira. And so he asked Frank and Josh and I to come out and riff on that with him last night at Meltdown Comics.

KK: Was it scripted like Cinematic Titanic, or off-the-cuff?

TB: Frank and I joined Dana in Seattle a few months ago, and we did this same film. We kinda walked through it once. It was pretty free-wheeling and impromptu, very much different than CT. You know, it's really going back to the roots of Mystery Science Theater, too, because that was all improv'ed at KTMA when we first started out. It's kinda come full circle.

KK: You're kind of the "Renaissance man" of the CT crew. You used to do stand-up, you were part of an ice show, you helped build the sets for MST, you've written for America's Funniest Home Videos, you appeared on Freaks & Geeks...
At left, Beaulieu on TV's Freaks and Geeks

TB: I think I get pinned with the "Renaissance man" title because that's the type of clothing I prefer to wear. It's a little embarrassing for the others, but, tights and couplets and...

KK: And the codpiece, too.

TB: Absolutely! (laughs) That's what makes the man.

KK: Do you have a favorite amongst those jobs? What did you want to be when you grew up?

TB: No, I don't think I've ever really decided what I want to be. And I don't think I've grown up. So it's still a journey. I like a blend, and that's why I loved MST so much, because I got to do all of that stuff. It's all challenging; it's all problem-solving. I like that aspect of whatever project I'm working on.

As we'll learn later in the interview, Trace spent a lot of of his youth creating things, but he also managed to find time to plant himself in front of the television and absorb the pop-culture fodder that he'd later use in MST3K and Cinematic Titanic.

KK: Back when you were doing MST, many of the references were so esoteric, they could only come from someone who'd spent far too much time watching TV (like I did). Did you ever get outdoors as a child?

TB: It didn't take as much time to watch television when we were kids, because there were only three networks. And television ended – it wasn't a continuing 24-hour thing. It was refreshing, actually. "It's over. I can't stay up any later. Thank God!"

KK: But your parents were okay with it?

TB: I would find myself watching stupid shows like Batman or Time Tunnel, and would turn the channel over to the news when my folks came in the room 'cause I didn't want them to see the crap that I was watching.

KK: But when you parlayed that into making a living, your dad encouraged your career.

TB: Very much so. Even more than I would encourage it.

A perfect storm came together to spark life into Mystery Science Theater 3000. Creator and inventor Joel Hodgson worked with Trace to develop the show's sets in a way that gave them freedom to focus on the show's content. While the robots attracted and the bad movies repelled, the jokes kept the audience coming back week after week. And the home of it all was a set Beaulieu helped build: the Satellite of Love.


Beaulieu and Kevin Murphy on set at MST3K

KK: Each episode of MST3K gave "special thanks" to Skyline Displays [a Minnesota-based manufacturer of trade show displays]. You and your brother were involved in that, right?

TB: Everybody in my family was involved [in Skyline] at one time or another. And we thanked them in the credits because they gave us access to this warehouse and office that Best Brains [the production company behind MST3K] was housed in. They let us be in there for a year or so without paying rent. It allowed us to have a studio that we could build out to our own specifications. Also, we could have standing sets. All these other places we looked at, like real television studios, wouldn't allow us to keep the sets up. So it was a real boost to what we did, and how the show was formed. It's little mentioned and I'm glad that you picked up on that. A great deal of credit is deserved in that direction, because it gave us a home.

KK: So your work there prepared you for building sets?

TB: We grew up making stuff. There's this "maker movement" now. Well, we were doing that as kids. We had a workshop, and access to tools, and there was never any question that ... if you want something, you make it. Or you can fix stuff, and we picked up the skills as we went along.

KK: For the first five or six seasons of the show, Joel and the Mad Scientists participated in a weekly "invention exchange." Did you Mads come up with your own, or was that all Joel?

TB: Those were all really left over from Joel's [stand-up comedy] act. When we ran out of stuff to steal from his act, either he came up with more of them, or we as a group discussed what we would do. And the invention exchanges became weirder and weirder; the Mad Scientists dressed as pirates... I think we even did a Billie Jean King thing.

KK: Oh, yes.

TB: We strayed a bit from the invention exchange. (laughs)

The focus of both MST3K and Cinematic Titanic is the art of "riffing," or interacting with a motion picture in a humorous but somewhat unobtrusive way. Unlike the action at a showing of The Rocky Horror Picture Show, the comments are mostly made in between the dialogue and action.

KK: As mental_floss researchers, we have a hard time watching a TV show or movie without analyzing it for trivia or quiz use. Do you have the same trouble in those situations, always going over riffs in your head?

TB: I don't really watch with an eye towards harvesting something for CT. When looking for something to write, we're really working in a specific area. When I watch movies for just sheer entertainment, I can just get lost in just whether they're good or not.

KK: You've long expressed a fondness for monster movies. Do you still try to push those in Cinematic Titanic?

TB: We really look for a movie that has a plot that you can kinda follow, and spaces in the dialogue for us to insert what we need to do. And then all of those elements – bad acting, bad sets, bad production values. You should be able to see it. It should be lit at least reasonably well. You should be able to hear it, and it should have some coherency to it. Otherwise, you just go "What? I don't know where we are!" You're put down in a hedgerow maze.

KK: In the days of MST3K, the writers' room was where you watched movies and wrote the scripts and bounced material off one another. Do all of you still get together like that, or are you too spread out?

TB: I live in Minnesota. Josh and Frank live in L.A. Joel's in Pennsylvania, and Mary Jo's in Texas.

KK: So how does the procedure work?

TB: We each do a pass on the film on our own, and then all of that's combined into one big script, and then we tape sections of that and we go through and edit out the jokes that aren't particularly good for that moment of the film. When that pass is done, that goes to Josh, who'll do a final look-see joke pass on that, and then we'll all get it back again and make notations or corrections. And when we get together when we're going to perform it, we do a full rehearsal and rewrite session. And we're constantly working on it. As we go from town to town, we're making improvements, or finding things that work better.

KK: I would imagine that on MST3K, your jokes could be more esoteric because you had a much larger TV audience, whereas CT performs live in front of smaller crowds.

TB: Well, we want the immediate feedback, so we want the jokes to work and to land right away. But we still find ourselves thrilling in really obscure and really just-for-us jokes. In this one joke Josh and I were talking about last night, we make a reference to Pat Paulsen wine. [Deadpan 1960s comedian Paulsen tried his hand as a vintner in the early 1980s.] It just does not get a laugh at all. But in spite of the fact that it didn't get a laugh, he called it back later in the show, just to further prove that it wasn't funny.

KK: Isn't it weird that Josh is now known as J. Elvis, and your last name is the same as Priscilla's [Elvis Presley's ex-wife]?

TB: It's creepy. And I often dress as Lincoln.


The cast of Cinematic Titanic: (L-R) Joel Hodgson, Mary Jo Pehl, Trace Beaulieu, J. Elvis Weinstein, and Frank Conniff.

In addition to his behind-the-scenes work on MST3K and his role as Dr. Clayton Forrester, Beaulieu was also the voice and puppeteer behind Crow T. Robot, he of bowling-pin beak and hockey-mask hair. Beaulieu's seven seasons in character were the most of any actor. (The role of Crow was taken over in Season 8 by Bill Corbett.)

KK: When you riff – now, or like you did as Crow – do you put on a "mask" of sorts that allows you to act and react in a different way?

TB: I think it's all an extension of my personality. Crow was more of the character, and I was able to get away with a lot more through that character, because robots can say anything.

KK: So you're not the life of the party like Crow?

TB: I'm probably quieter. Yeah.

KK: I've handled a life-size Crow puppet before, and it's a difficult thing to control. Joel designed the robot, but you helped fine-tune it, especially on the inside. How did you bring him to life?

TB: I had a little bit of experience puppeteering, just being around theater and making goofy props for friends and for myself, but nothing that formalized.

KK: Crow was pretty heavy, right?

TB: Yes, I had forearms like a major-league pitcher. We had the advantage, we could rest it on the table a little bit. It did get pretty heavy. It was like puppeteering a car jack.

KK: When Bill Corbett took over as Crow, he mentioned that for the first couple episodes, the robot looked like he'd had a stroke since he was still learning how to maneuver the eyes properly.

TB: I kind of figured out how to work it because, building the mechanism and having worked it for such a long time, I could figure out how it was supposed to operate. But I was gone long before Bill picked up the puppet. I think he did a fantastic job given the nature of that pile of plastic. It wasn't easy to operate when I was doing it. It was unwieldy.

Click here for Part 2 of Kara's interview with Trace Beaulieu, where he reveals his skills as an artist and children's poet, talks about his brother's amazing work with green housing, and what to expect at a Cinematic Titanic show.

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By Napoleon Sarony - Library of Congress, Public Domain, Wikimedia Commons
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25 of Oscar Wilde's Wittiest Quotes
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By Napoleon Sarony - Library of Congress, Public Domain, Wikimedia Commons

On October 16, 1854, Oscar Fingal O'Flahertie Wills Wilde was born in Dublin, Ireland. He would go on to become one of the world's most prolific writers, dabbling in everything from plays and poetry to essays and fiction. Whatever the medium, his wit shone through.

1. ON GOD

"I think that God, in creating man, somewhat overestimated his ability."

2. ON THE WORLD AS A STAGE

"The world is a stage, but the play is badly cast."

3. ON FORGIVENESS

"Always forgive your enemies; nothing annoys them so much."

4. ON GOOD VERSUS BAD

"It is absurd to divide people into good and bad. People are either charming or tedious."

5. ON GETTING ADVICE

"The only thing to do with good advice is pass it on. It is never any use to oneself."

6. ON HAPPINESS

"Some cause happiness wherever they go; others whenever they go."

7. ON CYNICISM

"What is a cynic? A man who knows the price of everything and the value of nothing."

8. ON SINCERITY

"A little sincerity is a dangerous thing, and a great deal of it is absolutely fatal."

9. ON MONEY

"When I was young I thought that money was the most important thing in life; now that I am old I know that it is."

10. ON LIFE'S GREATEST TRAGEDIES

"There are only two tragedies in life: one is not getting what one wants, and the other is getting it."

11. ON HARD WORK

"Work is the curse of the drinking classes."

12. ON LIVING WITHIN ONE'S MEANS

"Anyone who lives within their means suffers from a lack of imagination."

13. ON TRUE FRIENDS

"True friends stab you in the front."

14. ON MOTHERS

"All women become like their mothers. That is their tragedy. No man does. That's his."

15. ON FASHION

"Fashion is a form of ugliness so intolerable that we have to alter it every six months."

16. ON BEING TALKED ABOUT

"There is only one thing in life worse than being talked about, and that is not being talked about."

17. ON GENIUS

"Genius is born—not paid."

18. ON MORALITY

"Morality is simply the attitude we adopt towards people whom we personally dislike."

19. ON RELATIONSHIPS

"How can a woman be expected to be happy with a man who insists on treating her as if she were a perfectly normal human being?"

20. ON THE DEFINITION OF A "GENTLEMAN"

"A gentleman is one who never hurts anyone’s feelings unintentionally."

21. ON BOREDOM

"My own business always bores me to death; I prefer other people’s."

22. ON AGING

"The old believe everything, the middle-aged suspect everything, the young know everything."

23. ON MEN AND WOMEN

"I like men who have a future and women who have a past."

24. ON POETRY

"There are two ways of disliking poetry; one way is to dislike it, the other is to read Pope."

25. ON WIT

"Quotation is a serviceable substitute for wit."

And one bonus quote about Oscar Wilde! Dorothy Parker said it best in a 1927 issue of Life:

If, with the literate, I am
Impelled to try an epigram,
I never seek to take the credit;
We all assume that Oscar said it.

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Michael Campanella/Getty Images
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10 Memorable Neil deGrasse Tyson Quotes
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Michael Campanella/Getty Images

Neil deGrasse Tyson is America's preeminent badass astrophysicist. He's a passionate advocate for science, NASA, and education. He's also well-known for a little incident involving Pluto. And the man holds nearly 20 honorary doctorates (in addition to his real one). In honor of his 59th birthday, here are 10 of our favorite Neil deGrasse Tyson quotes.

1. ON SCIENCE

"The good thing about science is that it's true whether or not you believe in it."
—From Real Time with Bill Maher.

2. ON NASA FUNDING

"As a fraction of your tax dollar today, what is the total cost of all spaceborne telescopes, planetary probes, the rovers on Mars, the International Space Station, the space shuttle, telescopes yet to orbit, and missions yet to fly?' Answer: one-half of one percent of each tax dollar. Half a penny. I’d prefer it were more: perhaps two cents on the dollar. Even during the storied Apollo era, peak NASA spending amounted to little more than four cents on the tax dollar." 
—From Space Chronicles

3. ON GOD AND HURRICANES

"Once upon a time, people identified the god Neptune as the source of storms at sea. Today we call these storms hurricanes ... The only people who still call hurricanes acts of God are the people who write insurance forms."
—From Death by Black Hole

4. ON THE BENEFITS OF TECHNOLOGY INVENTED FOR USE IN SPACE

"Countless women are alive today because of ideas stimulated by a design flaw in the Hubble Space Telescope." (Editor's note: technology used to repair the Hubble Space Telescope's optical problems led to improved technology for breast cancer detection.)
—From Space Chronicles

5. ON THE DEMOTION OF PLUTO FROM PLANET STATUS 

PBS

"I knew Pluto was popular among elementary schoolkids, but I had no idea they would mobilize into a 'Save Pluto' campaign. I now have a drawer full of hate letters from hundreds of elementary schoolchildren (with supportive cover letters from their science teachers) pleading with me to reverse my stance on Pluto. The file includes a photograph of the entire third grade of a school posing on their front steps and holding up a banner proclaiming, 'Dr. Tyson—Pluto is a Planet!'"
—From The Sky Is Not the Limit

6. ON JAMES CAMERON'S TITANIC

"In [Titanic], the stars above the ship bear no correspondence to any constellations in a real sky. Worse yet, while the heroine bobs ... we are treated to her view of this Hollywood sky—one where the stars on the right half of the scene trace the mirror image of the stars in the left half. How lazy can you get?"
—From Death by Black Hole

7. ON DEATH BY ASTEROID

"On Friday the 13th, April 2029, an asteroid large enough to fill the Rose Bowl as though it were an egg cup will fly so close to Earth that it will dip below the altitude of our communication satellites. We did not name this asteroid Bambi. Instead, we named it Apophis, after the Egyptian god of darkness and death."
—From Space Chronicles

8. ON THE MOTIVATIONS BEHIND AMERICA'S MOONSHOT

"[L]et us not fool ourselves into thinking we went to the Moon because we are pioneers, or discoverers, or adventurers. We went to the Moon because it was the militaristically expedient thing to do."
—From The Sky Is Not the Limit

9. ON INTELLIGENT LIFE (OR THE LACK THEREOF)

Perhaps we've never been visited by aliens because they have looked upon Earth and decided there's no sign of intelligent life.
Read more at: https://www.brainyquote.com/quotes/quotes/n/neildegras615117.html
Perhaps we've never been visited by aliens because they have looked upon Earth and decided there's no sign of intelligent life.
Read more at: https://www.brainyquote.com/quotes/quotes/n/neildegras615117.html

"Perhaps we've never been visited by aliens because they have looked upon Earth and decided there's no sign of intelligent life."

10. PRACTICAL ADVICE IN THE EVENT OF ALIEN CONTACT 

A still from Steven Spielberg's E.T. the Extra-Terrestrial
Universal Studios
"[I]f an alien lands on your front lawn and extends an appendage as a gesture of greeting, before you get friendly, toss it an eightball. If the appendage explodes, then the alien was probably made of antimatter. If not, then you can proceed to take it to your leader."
—From Death by Black Hole

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